A beautiful antique French silver 4 piece Hors-Doeuvre serving set, consisting of butter or pate knife, pierced spoon, serving fork and pastry trowel, perfectly preserved in their original box. Both the implements and the handles are 950 grade silver, so higher grade than sterling (925). The matching handles are very ornate in Neoclassical style, the detailed design od architectural elements, scrolls and foliage is raised, so provides extra grip, the detail is superb. Both the spoon and the trowel are finely pierced, and all 4 implements are engraved with scrolls and foliage. All 4 items are hallmarked, both on the blades and the handles, with the French Minerva 1 for 950 grade silver, and diamond makers mark, most of which are poorly struck with only some partially visible, enough is present to see makers mark VH around glaziers diamond (un diamant de vitrier) for Vital Hygonnet, who worked in Paris between 1895 and 1928. Serving sets such as these were very fashionable in France around the turn of the 20th ...

A rare and beautiful Tiffany sterling silver melon (or pickle) fork, in the Greek Handle or Greek pattern, made between 1870 and 1891. The pattern has a geometric 3 petalled flower on wavy stalk, the flowers increase in size up the handle. The bowl is long and elegant, with shaped centre tine, the handle is tubular, increasing in diameter towards the top, the end is monogrammed with script initials MEL, we assume the original owner. The fork is clearly hallmarked "Tiffany & Co M Sterling 332", the M was used by Tiffany between 1870 and 1891, to denote Edward C Moore, who headed Tiffany's silver operations. The number 332 is a pattern number. This Greek Handle pattern is extremely rare, and does not feature in many of the Tiffany flatware guides. We have noted 2 other examples, one on the Peter Cameron website, his examples include pickle forks, melon forks and fruit knives, the forks with gilded bowls, he describes this as Greek pattern, dated 1870-1875. The second example is on the Antique Cupboard website, ...

A beautiful Georgian silver Fish slice, also called a long oval server, by one of the leading makers of this type, William Plummer. The server is extensively pierced and engraved with a realistic fish, what makes this server exceptional is that the design is repeated on both sides. The fish is surrounded by flowers and foliage, and is surrounded by a narrow engraved band. The quality of the slice, and in particular the piercing and engraving, is remarkable. The blade is flat, narrow, elliptical and symmetrical, the handle is in line, connected to the blade with a split penny boss. The handle is filled, and has a raised beaded pattern that assists the grip. The penny boss is engraved on 1 side with a family crest, a bulls head holding a spear, above a crown, the engraving is crisp and clear. The hallmarks are clear, including makers mark W.P for William Plummer, Grimwade mark 3255. In an excellent article entitled "English Long Oval Servers" by Dale Bennett, published in Silver Magazine July 2016, page 20, Ben...

A set of 6 Norwegian silver cake forks in the Lilje (Lily) pattern, made by one of Norway's leading silversmiths, Magnus Aase, circa 1939. The forks are in the 830 silver grade, and their quality is excellent, they are also a pleasing size and weight (25 grammes each), so very suitable for use. The Lily pattern was designed by Trigve Eriksen in 1939, described as a simple yet elegant expression of the Lily, typical of the artistic style of the 1930's. This pattern is still produced today by Arven, described as one of their most popular patterns, they descend from Theodor Olsen, Magnus Aase, Marius Hammer, Jacob Tostrup and the Lohne brothers (www.arven.no). The hallmarks are clear on all 6 forks, and include 830S standard mark, MA makers mark, NM for "Norsk Monster" (patent) and N , possibly a date letter.

An 18th Century Dutch silver marrow scoop, in the traditional form, with a larger and smaller scoop on either side. The scoop has 5 hallmarks, Amsterdam town mark, Lion Rampant indicating 934 standard, date letter C partially struck (1787), and a partially struck makers mark, first letter H, second letter possibly H. A 5th hallmark which was struck later is also present, a small but clear Gothic T tax stamp. Note - An authority on Dutch silver has now kindly identified this maker as Hermanus Heuvel, we appreciate the assistance. Hermanus Heuvel worked between 1766 and 1810, he is mostly renowned for large scale silver objects but the Rijksmuseum has a miniature silver cupboard on display by Heuvel, (room 0.10 and on the website), this was also made in 1787.

A fabulous Tiffany Sterling silver Indian Chrysanthemum soup ladle, in excellent condition, it does not appear to have seen much use. The pattern is truly beautiful, double struck on both sides, with a vacant cartouche for initials or a family crest (this has never been engraved). The bowl is also fluted and has a scalloped edge. The soup ladle is clearly hallmarked "TIFFANY & Co STERLING PAT.1880.M, the M indicates this is an early piece (the pattern was produced from 1880-1934). This must be one of the most beautiful example of hallmarks, with the design wrapping over and through the hallmarks. The soup ladle weighs over 350 grams, so quite hefty to hold, needless to say the quality is excellent. Indian Chrysanthemum has been described as "one of the most magnificent and celebrated sterling silver designs of the 19th century. Chrysanthemum represents one of the last great designs of the Victorian period" -(www.replacements.com), it was designed by Charles Grosjean. "Master silversmith Charles T. Grosjean jo...

An interesting and well travelled Georgian silver butterknife, with carved mother of pearl (nacre) handle. The butterknife has a scimitar shaped solid silver blade, with irregular wavy top, engraved with reeded bands and fan decoration. The handle has carved beads, bands and a fan like structure, this gives a good grip and pleasant feel in the hand. A silver ferrule covers the join between blade and handle. The knife is clearly hallmarked with 5 Birmingham hallmarks, including makers mark LV&W for Ledsam, Vale and Wheeler, this mark used between 1826 (when Wheeler joined Ledsam & Vale) and 1834. The blade also has 3 additional hallmarks, the first a shaped V, a Dutch duty mark for foreign silver used between 1814 -1831, so the knife entered the Netherlands shortly after it was made. The other 2 hallmarks are French, Minerva facing right (guarantee mark for foreign silver) and the Bigorne (beak-iron) mark with insect, used as a counter mark between 1819 and 1838, all these marks are clear. the book "Pocket ...

A set of 6 Liberty & Co. silver cakeforks, in the Medea pattern, and perfectly preserved in their original Liberty silk lined box. The Medea patten features 3 embossed seed pods in Art Nouveau elongated manner, originally designed by Archibald Knox in 1899, it became Liberty's most popular pattern. The forks have 2 tines, with a fatter tine for cutting cake, they are great quality, and a pleasure to hold and use. All 6 forks are clearly hallmarked, with the Liberty and Co triple diamond makers mark. The original silk lined box is in perfect working order, it reads "Liberty London - Paris By Special Appointment", between 2 crowned Royal flags. The Medea pattern was first featured as part of the first Cymric range in the Liberty catalogue of 1899, as one of a set of 6 spoons (along with Adela, Sabra, Sarepta, Egbert and Decos) ("Artists Spoons" by Simon Moore, pages 70-91, a book we highly recommend). Originally described as an "embossed floral handle", it is thought they represent tulip buds or seed pods. The ...

An interesting pair of cast silver sugartongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. The tongs are bow shaped, with attractive cast silver pierced arms, decorated with foliage, scrolls and flowers, and shell grips. The bow is shaped, and has a cartouche for owners initials, which has not been engraved. The side of the bow has faint remnants of owners initials, P/IM, now very worn. Cast sugartongs followed scissor style sugar nips (also called tea tongs), most date between 1770 and 1780, when they were replaced by standard sugar tongs. Cast sugar tongs were complex to make, the arms were cast separately and then soldered onto the bow (Hodges, Georgian Silver Sugar Tongs, page 11). This particular tongs was made from 5 separate pieces, the bottom thinner portion of the arms were cast separately, all the solder joints are visible. We believe this is how the tongs were originally produced, there is a possibility they we...

A set of 6 Georgian silver dessert forks in the Old English pattern, made by the delightfully named Samuel Godbehere, with his partner Edward Wigan. The forks are good quality and a pleasing weight. The forks have a beautifully engraved family crest of a sun in splendour, very intricate with about 50 sunbursts, this is quality engraving. The sun in splendour crest was used by a number of families, all assistance welcome. All 6 forks have clear hallmarks, including makers mark SG/EW which was used between 1787 and 1800.

An interesting set of 3 antique sterling silver serving implements, in the rare Venetian/Italian pattern. They consist of a fabulous quality stilton cheese scoop (81 grammes), and matching pickle fork and butter spreader, all beautifully preserved in original felt and silk lined case. The pattern is very intricate, and is repeated on both sides, at first glance it is similar to Elizabethan pattern, both are Renaissance and Baroque in style. Unlike Elizabethan this pattern has a circular cartouche, repeated on both sides, this has not been engraved. Venetian/Italian pattern was registered in 1868, most pieces are by Martin Hall&Co, this is a scarce pattern (Pickford, Silver Flatware, page 94). Pickford aslo describes a subtle difference between Venetian and Italian (this is difficult to see without a photo of both). The box reads "Mappin & Webb, Manufacturing Goldsmiths & Silversmiths, London, Sheffield & Johannesburg". The hallmarks are clear on all 3 items. We love this set, a delight to hold and use.

A rare and possibly unique Chinese Export Silver Pickle Fork and matching spoon, with extremely long handles. The pair are in the Fiddle, Thread and Shell pattern, and have no engraving or monograms. Both items are just over 27 cm long, the spoon has a teaspoon sized bowl, and the fork has 4 long tines. Both are double struck (pattern on both sides), and interesting to note the spoon end turns down, while the fork turns up. The fork has the "Chevron seam found in Fiddle, Thread and Shell pattern flatware" (Forbes, Chinese Export Silver page 65), this is not visible on the spoon. The hallmarks on both items are clear, and include pseudo duty mark, makers mark KHC, pseudo crowned leopards head town mark, and pseudo lion passant. Khecheong was one of the most prolific Chinese Export silversmiths, he worked from Club Street, Honam Island, Canton between 1840 and 1870. He has been described as a "good silversmith" Forbes, Chinese Export Silver 1785-1885, page 255 - a book we highly recommend. A very similar long ...

A Boer War silver Gentleman in Khaki (originally Kharki) sugar tongs, made in 1899 to support fundraising for the 2nd Anglo Boer War. The tongs have the cast image on both arms, the "Gentleman in Khaki beneath crown, with "JUSTITIA" above and "Souvenir" below. The tongs are not engraved. The hallmarks for London 1899 are clear, with makers mark GJ over DF for George Jackson and David Fullerton of Josiah Williams & Co of Bristol, one of the leading flatware manufacturers of the period. The Gentleman in Khaki, wounded but defiant, stands stalwart against the foe, with his head bandaged, this image by Richard Caton Woodville became associated with Kipling's Absent Minded Beggar poem, written for the Daily Mail to raise funds for the war fund (described as unprecedently successful, raising over GBP 250000).

An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The hallmarks are beautiful, large and well struck, they form part of the decoration. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. The fork comes in it's original box, with pickle fork explanatory card, and expalnation of the hallmarks. A real talking point for your dinner table. This fork is identical to S 1568 which we have already sold, and S1808.

A rare early Cape Silver three pronged fork, in the Hanoverian pattern. The fork is a lovely shape, long and elegant, with long tines. The fork has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). This fork also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The fork also has a small owners cross hatch scratch mark next to the makers mark. Three pronged forks were common in the early 18th century, they were gradually replaced by 4 prongs after 1760, perhaps a little later in the colonies, but we believe this dates to the early part of Schmidt's career. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape...

An Irish Georgian silver pair of sugartongs, decorated in bright cut engraving, and featuring the rare "Dublin Bow" engraved on both arms. The tongs are lovely quality and a good weight, they have shell grips, concave arms, and are slightly longer and heavier than their English counterparts (See Hodges, Georgian Silver Sugar Tongs, page 197, where he also states that Irish tongs of this period are beautifully made, with distinctive bright cut engraving, commanding prices 2 to 3 times more than English equivalents). The tongs are engraved with original owners initials ER in script. Bright cut engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The hallmarks are clear, under the bow, makers mark BT in serrated punch for Taitt who worked between 1784 and 1791, and Irish harp and Hibernia in rounded punch used before 17...

A beautiful sterling silver master butter knife in the Moresque pattern, made by Wendt of Boston and retailed by Starr & Marcus of 5th Avenue, New York. The butter knife has a twist handle (at 90 degrees to the flat handle version), the blade is engraved with bright cut foliage on one side, on the reverse it is engraved "Christmas 02" (for 1902). It also has engraved initial P in fancy script, the original owner. The Moresque pattern was designed by Bernhard Beiderhase for John Wendt, it was patented in 1873 during the "Persian Revival" period (other patterns include Arabesque, Hinostanee and Persian). It has been described as "one of the nicer American exotic patterns, arguably the most complex". John Wendt has been described as "one of the most important American silversmiths of the mid 19th century", his work is highly collectable. He was a German immigrant, he emigrated to the USA in 1848. The hallmarks are clear, "STARR & MARCUS, STERLING, PATENT". Wendt worked as a manufacturer for prestigious retailers...

A rare American coin silver sugartongs, made in New York in 1808-1809 by 2 members of the Forbes family of silversmiths. The tongs are quite different from the traditional shape, with a Fiddle shape on the arms, and oval bowls, they are also larger than usual. The tongs are engraved with original owners initials LI in script (could also be IJ if reversed). Both arms are hallmarked with maker mark "C & IW FORBES", with wear to the C, but still clearly visible on one, worn on the other. Colin Van Gelder Forbes and John Wolfe Forbes were brothers, sons of silversmith William Garrett Forbes and brothers to silversmith Garret Forbes. Colin and John were only in partnership between 1808 and 1809, so this is a rare makers mark (Colin worked between 1798 and 1839, John between 1802 and 1835). The Forbes family "dominated the silversmith craft in New York in the late 18th and early 19th century, with shops at 88 and 169 Broadway" - source Silversmith Forbes on www.genealogy.com. This particular makers mark is not dep...

A beautiful sterling silver antique cheese scoop, in the Indian pattern, made by Whiting of New York and retailed by N. Harding & Co. of Boston (Haverhill). The scoop bowl is gold washed, and has lovely bright cut engraving (flowers with pattern) on the back of the bowl. The scoop has 2 engraved initials on the front, an ornate P and M, and on the back is engraved "Fathers Day 02" (for 1902). This spoon is described as a cheese scoop in the pattern books, but the extreme foldover of the bowl shows it was designed for Stilton cheese. The hallmarks are clear, including Whiting lion makers mark, "PAT 1874 STERLING", retailers mark N Harding & Co (slightly worn but still visible), and additional marks 3 and A near the makers mark. We can date this scoop between 1874 when the pattern was designed by Charles Osborne, and 1889 which is the year Harding & Co closed (operated 1851-1889). We really like this cheese scoop.The Whiting Manufacturing Company was established in 1866, and was a supplier to Tiffany. They wer...

A mixed set of antique American sterling silver, comprising of an olive spoon and olive fork. The spoon is Towle Empire pattern, patent 1894, with gold wash pierced bowl, this is a beautiful spoon. It was designed by George P Tilton, and has no monogramme. The fork is by Clark & Biddle, made between 1866 and 1870, it has a twisted stem, 3 tines with barbs, and intricate engraving. The fork has engraved owners initial P in fancy script, and is also engraved on the back "Thanksgiving 02", we assume 1902. Both items are clearly hallmarked.