A magnificent 18th Century Dutch silver sugar caster (strooibus), made in The Hague in 1761 by Pieter van der Kruyf. The caster is large, just under 24 cm, and heavy at 511 grammes, the quality is superlative, this is a museum quality piece. The caster is the traditional baluster shape, but the main body has four twisted ribs, beginning at the foot, which swirl upwards, a very pleasing design feature. The roughly octagonal and cast base has 4 raised leaf like designs. The caster lid also has an attractive design, with very intricate piercings (rococo scrolls) and textured engraving. The finial is a cast flower bud. The hallmarks on the caster lid are clear, crowned lion rampant standard mark (fineness 934), The Hague (Den Haag or S Gravenhage) city mark (stork holding eel below coronet), date letter P crowned for 1761, all 3 of the marks are well struck. The 4th mark is makers mark PK in rectangular punch, the P is worn but the K is clear. There are no hallmarks on the base. A very similar sugar caster, made ...

A magnificent set of 4 early Georgian cast scallop shell dishes, with "curled" handles, the ends "rolled over" to form a double scroll grip, in the manner of Onslow pattern flatware. The use of scallop shells is the subject of some argument, they have long been called "butter shells", but have also been described as "oyster scallops", salts, sweetmeat and sauce dishes (Judith Bannister, "Scallop Shells in English Silver, Collectors Guide, June 1967"). They are in the style of Paul de Lamerie, who popularised these in the 1730's, so much so that other makers followed suit. The shells are realistically cast, roughly life size and rest on 3 dolphin feet, also cast, in keeping with the marine theme. Each shell is also engraved with a family crest, a Maltese cross over a crescent, surrounded by branches. The shells are exceptional quality, they are solid and heavy, and the detail on both shells and dolphins is good. The hallmarks are visible but given the curved shape of the shell are not well struck, and are worn...

An extremely rare Irish Provincial silver soup ladle from Limerick, made by Joseph Johns, Limericks "most accomplished, prolific and arguably most successful silversmith" (A Celebration of Limerick Silver, John Bowen & Conor O'Brien, pages 140 & 198 - a book we highly recommend). The ladle is in the Rococo style, with a fluted bowl and asymmetrical chased floral decoration on the handle and back of bowl, and has a hooked terminal (or end, described as a "crooked end" by Bennett - Irish Silver, pg 115). The ladle also has an engraved family crest, an armoured arm embowed holding an arrow. The bowl, which is fluted on both sides, is huge, over 10 cms in diameter, this is a substantial ladle with a good gauge. The fluted bowl was described by Douglas Bennett as "an alluring feature feature for the collector" (Collecting Irish Silver, pg 115). The join of bowl to handle has character, the drop has worn engraving, and also a semi circular strengthening plate, which unfortunately was not strong enough to prevent da...

A magnificent and rare early Brittania standard silver coffee pot of very good quality, with handle at right angles to the spout, in the Queen Anne style. The pot has a high domed lid with baluster finial, a stand-away hinge, and an octagonal swan neck spout with "Ducks Head" terminal.The pot itself is the tapering plain cylindrical shape with spreading foot, and the handle is turned fruitwood. The coffee pot is plain except for a lovely contemporary armorial, a diamond shaped logenze surrounded by plumes, with the arms of Newdigate (gules three lion's gambs erased argent) impaling a lion rampant reguardant gules. The logenze indicates ownership by a widow of the Newdigate family, as the lozenge is the only vehicle for a widow to display her arms. This plain style is usually called Queen Anne, the shape of coffee pots changed circa 1723, when the lid became flattened and the spout moved opposite the handle (Judith Banister, 3 Centuries of Silver Coffee Pots). As is usual for coffee pots of this era, it is qu...

An extremely rare miniature silver coffee pot by the Huguenot John Hugh Le Sage, subordinate goldsmith to the King. The coffee pot is early Rococo style, with relief chasing of flowers and scrolls around the base and border below the cover. As is expected with early Rococo (1740 - 1750), large areas are left blank, only after 1750 did full Rococo develop which filled in the blanks. The swan neck spout is leaf wrapped, and the wooden handle has a typical double C scroll. The lid, which is richly decorated, has a stepped dome cover and acorn finial. The pot also has a tucked in base and stand-away hinge. The only hallmarks are the makers mark (script JS underneath crown) struck 3 times on the base (Grimwade 1680, Jacksons pg 192). As per the plate act of 1739, silver toys were exempted from assay, and only required the makers mark. A number of silver toys have been attributed to John Hugh Le Sage, many of which today reside in museums, including the Henry Ford Museum (USA) and the Victoria & Albert Museum (V&...

A rare Irish silver Freedom Box, engraved with the coat of arms of the city of Londonderry, in Northern Ireland. Freedom boxes are typically Irish, and were used as presentation pieces to distinguished non- residents who received the honorary freedom of the city (Bennett, Collecting Irish Silver). Example from Dublin, Youghal, Limerick and Cork are known (Bennett), Londonderry is rare. The coat of arms includes a skeleton sitting on a hill, with a turreted castle, and the George Cross and dagger of London above. The skeleton is thought to represent starvation during the great siege. The city motto "Vita Veritas Victoria" (Life, Truth, Victory) is engraved below. The engraving quality is superb, with delicate flowers and chased C scrolls. The decorated lid is a separate panel that has been set into a presumably plain table snuff box. The box has a curved thumbpull for easy opening, and is gilded interior and exterior, with exception of the base. The only hallmarks present are the makers mark (struck twice, on ...

A magnificent silver gilt snuffbox with a superb finely detailed battle scene. The gilding on the battle scene has different tones, the base has a deeper rich red tinge, this fades to a lighter yellow gold colour in the sky. The box is exceptional quality and a pleasing weight. The sides and rim are richly decorated with cast flowers and thistles, which leads us to believe it is possibly a Scottish battle scene (we welcome opinions!). The battle is being fought with swords, battleaxes, lances, shields, armour and horses, no sign of firearms. The detail includes a castle in the background, flags, finely detailed armour and armorials on the shield - the work of a master craftsman. The base is engine turned, and has a blank cartouche. The interior lid is engraved "Presented to Thomas Ogilvy Esqr, by the New Quay Company of Manchester, as a mark of their gratitude, for his great attention & trouble as arbiter, in the investigation of the disputed claim, made on them by Messrs Francis Philips & Sons, 1829". The en...

A rare Georgian silver novelty articulated fish vinaigrette, made by William Lea & Co in Birmingham, 1817. The fish has 6 separate articulated sections, and a hinged lid (fish head) that opens to reveal an oval gilded vinaigrette, with scrolling grille which opens to reveal the gilded sponge compartment. The open mouth contains a suspensory silver ring, to allow the vinaigrette to be attached via a chain. The vinaigrette is beautifully engraved, with scales, fins and eyes, the tail and top fin are also realistically engraved. The hallmarks on the tail are very clear, the grille is also hallmarked. William Lea & Co worked between 1811 and 1825, they focused on small novelty items. A number of these fish vinaigrettes by Lea and Co are known, featuring 2 different engraving styles. An almost identical vinaigrette, also made by Lea & Co in 1817, is featured on the Bourdan Smith website (www.bourdansmith.co.uk), incorrectly described as reticulated, has very similar engraving to this one. Another example, made a y...

An extremely rare, Brittania silver, rattail soup ladle in the Hanoverian pattern, of good gauge. The patination on the ladle is lovely, and the bowl, rattail and handle are in proportion, with no sign of alteration. The ladle has the initials E*G scratch engraved on the back of the handle. The stem rises at a sharp angle (almost 90 degrees) to the bowl, the characteristics of a ladle as opposed to a spoon. Snodin (English silver spoons, 1974, pg 46) describes the earliest ladles as dating from the 1730's, this is a rare early example. The hallmarks are worn but visible, the makers mark is very worn, with only the outline of the shield and a ghosting of the makers initials visible. The date letter is poorly struck, but visible enought to determine D from 1719 fairly confidently. Given the wear on the makers mark, an interesting debate has ensued as to the maker. The first letter is definitely S, the second is unclear, the distinctively shaped shield surrounding the makers mark is clearly visible. We had origi...

A fabulous set of 12 Scottish Provincial tablespoons in the Fiddle pattern, made by Rettie & Son in Aberdeen in 1837, and hallmarked in Edinburgh. The spoons are good quality, and in remarkable condition, they have not been used much, 10 are perfect, 2 have a very small dent to the bowl. The spoons are engraved with original owners initial W. All 12 spoons are clearly hallmarked "R&S A B D" for Rettie and Son, Aberdeen, alongside full Edinburgh hallmarks for 1837, with William IV duty mark. Middleton Rettie and his son William started the business in 1824, supplying quality goods from 151 Union Street to wealthy Aberdeen citizens. They were joined by other brother James in 1847, and traded until 1892. They are known for extremely high quality items (Michael Wilson, Aberdeen Silver, page 56), these spoons are no exception. Note - We have a matching set of dessert spoons S 11346.

A fabulous early Georgian (George II) silver sauce boat, one of the best we have seen. The sauce boat is an exceptional size and quality, tipping the scales at 492 grammes (17.4 ounces), and is wider and shallower than later examples. The sauce boat has Rococo decoration, with engraved swirling shells, flowers and scrolls, it also has an intricate diamond pattern which is also hand engraved. The 3 cast shell feet are also fabulous, with a scroll between shell foot and shell attachment. The leaf capped double scroll handle has also been cast and applied. The sauce boat has a Rococo family armorial (3 wheat sheaves and a cross) on one side and a family crest on the other, consisting of a lion rampant holding 2 wheat stalks. The Sable a cross potent is the Alleyn family, in this case the arms of the wife, we have not yet identified the arms of the husband. It may possibly be the Lidsel family from Essex, Gules three garbs argent. This sauce boat is accompanied with the Heraldic report identifying the Alleyn fami...

A beautiful Dutch silver chestnut vase, possibly made in the late 18th century by Hendrik Jurrien Wolters in Zutphen. The vase is urn shaped, on a stepped and reeded oval base, with matching reeded rim. The lid has an ivory oval baluster finial, capped with a silver ball, and the faint remains of an engraved crest and owners initials. The interior of the lid is gilded. The base interior has no gilding or engraving. The base has 3 hallmarks, cross (possibly Zutphen town mark), head or tree mark (similar to English Georgian duty mark), and makers mark HI or IH, or possibly even HP. We have tentatively identified this as Zutphen, given the similarity of the cross to the Zutphen town mark, and Hendrik Jurrien Wolters, who used a mark HIW (all assistance welcome). Previously this vase was described as Indian Colonial or Cape Silver by a Cape Town based auction house, we prefer the Dutch attribution, we even considered the vase could be Dutch Colonial in origin. This vase was also previously described as a tea cad...

A Dutch antique silver pipe lighter (Zilver Pijpenkomfoor), made by Jacob van Nieuwcasteel in Utrecht in 1797. The silver frame is circular, beautifully decorated with pierced flowers and a reeded design, on 3 legs. It is fitted with a copper dish, which is fastened to a wooden mahogany base with 3 feet, by an iron screw with 2 leather circular nuts. The hallmarks are clear, and include makers mark IVN, Utrecht town mark struck twice (grote keur), and date letter Z for 1797. A very similar pijpenkomfoor, made by Jacob van Nieucasteel in 1816, is present in the Rijksmuseum in Amsterdam, described as follows "Pijpenkomfoor van zilver op blad van mahoniehout en met binnenbak van rood koper. Gewelfd en aan beide zijkanten iets oplopend. Vier gebogen poten, Jacob van Nieuwcasteel, 1816". Van Nieucasteel worked between 1790 and 1818, his work is preserved in numerous museums. These items are also found in the Cape made by Dutch silversmiths, referred to as "Tessies".

A magnificent and rare Dutch silver tea caddy, octagonal with baluster shape, with pull off domed lid with 4 sided pointed terminal. The caddy has lovely decoration, combining flowers, shells and acanthus leaves in a simple but effective style. The decoration is all hand engraved, and is a little crude. The caddy is well made and is a good weight, individual hammer marks can be seen on the inside. The caddy is quite small, as is usual for these early octagonal baluster tea caddies, when tea was an expensive commodity. Tea would have been poured from the caddy directly into the teapot, this style pre-dates caddy spoons (Delieb, Investing in Silver, pg 27, where an English version of similar style to this caddy is depicted). The hallmarks are clear and include date letter V for 1754, makers mark V.M in heart for Andreas Cornelis Muller (Schadee, Zilverschatten, Drie Eeuwen Rotterdams Zilver, pg 233), citymark for Rotterdam, Dutch lion assay mark (935 silver, this is higher grade silver than sterling 925 stand...

A rare early Georgian silver brandy saucepan or warmer, made in 1727 in Plymouth by Richard Freeman, and hallmarked in Exeter. The brandy saucepan is the traditional baluster shape, with a short beak shaped spout at right angles to the handle, with decorative silver ball underneath, and a concave base which has preserved the hallmarks. The turned wooden handle is securely fastened with a brass pin, the silver handle has a tear-drop shaped reinforcing plate where it connects to the pan. The handle has a thumb sized slice out of the wood on the side, we assume done by the original owner to improve the grip. The hallmarks are excellent, and include makers mark R.F in shaped shield (makers mark M50 in the book "West Country Silver Spoons and their makers 1550-1750", by Tim Kent, page 90, where he describes Freeman of Plymouth as "a prolific local goldsmith whose career extended over 50 years" (1701-1753). He was admitted to the Freedom of Plymouth in 1719, and entered this particular mark in Exeter in 1720 (the n...

A fabulous quality Georgian silver dinner plate or dish, in the traditional shape with applied gadroon border and contemporary family armorial and Royal coronet indicating a son of the Sovereign. The armorial is the Marital arms of Evans-Freke and Gore, the Royal Cypher is for HRH Prince Augustus Frederick, Duke of Sussex. Whilst these are called plates, it is more of a dish or bowl in shape, and is the smaller diameter, so probably used for a starter dish - but very suitable for use as a bowl today. It must have belonged to a large set, as the base is engraved "No 64", along with 18.10. The hallmarks are clear, the makers mark has been partially double struck with a partial repeated G and pellet above, but still clearly Grimwade mark 852 for George Methuen. He was freed as a large worker in 1743, he worked until 1761, so this dish was produced in his last year of work. Grimwade notes his principal output was salvers, dinner plates and dishes, and notes "his work shows a high standard of design and finish, i...

A lovely set of 12 Scottish Georgian silver tablespoons in the Old English pattern, made in Edinburgh by Francis Howden in 1807. All 12 spoons have original owners engraved initial B, and each spoon is also engraved with numbers 1 - 12, all the engraving is clearly visible. These are great quality spoons, with strong tips, and a generous size and weight, and their condition is excellent. All 12 spoons have clear hallmarks. Francis Howden was freed in 1781, he was Deacon between 1811 and 1813, he was a highly respected member of the Goldsmiths Incorporation, he established the Widow's fund in 1817 (Source: Silver Made in Scotland, Dalgleish & Fothringham, page 222). He died in 1848 aged 90.

A lovely Georgian silver chamberstick, of good quality and gauge, that is still in excellent condition. The pan is circular but with an octagonal design, the border has alternating devices (one floral, one more rectangular). The candle nozzle is also octagonal, with a column design. The flying scroll handle has a cast thumb-piece with engraved family crest, and slot for holding the companion extinguisher. The chamberstick also has its original detachable conical extinguisher (sometimes called dunce cap extinguisher) with acorn finial, this is also engraved with the same family crest, its attachment has the same floral motif as on the pan. The hallmarks are very clear on both pan and extinguisher, and include Sheffield hallmarks for 1822 and makers mark I&J.S. for John and James Settle, who worked between 1814 and 1824. A number of impressive pieces by these makers have survived, including a pair of impressive wine coolers that can be seen on the Rau website (www.rauantiques.com). The crest , a "demi-lion ram...

A Regency silver sauce boat, by the highly respected firm of Emes and Barnard. The sauce boat is the traditional shape, with leaf capped flying scroll handle, 3 shell and hoof feet, and heavy cast gadroon border. The boat is a generous size and weight, over 330 grammes, this is a good quality sauce boat, as you would expect from these makers. The boat has a lovely engraved family crest, a church with spire, with crosses on the roof and spire. The hallmarks are very clear, including makers mark RE over EB and date letter e for 1820. Rebecca Emes was married to John Emes, who was in partnership with the Chawners, he died in 1808 and Rebecca became a partner. Edward Barnard rose from workshop manager to full partner, also in 1808. Emes and Barnard was one of the most successful London silver businesses in its day, they supplied many leading retailers, including Rundell, Bridge and Rundell. Barnard was joined by his 3 sons, Culme describes Edward Barnard & Sons as an important firm, the oldest manufacturing silve...

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), none are recorded in the Cape silver reference books, but we have previously sold a similar pair (S1812). The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving, 2 wavy rows around the border of the handles. Both are clearly hallmarked with makers mark IL in rectangular punch with rounded corners for Jan Lotter (makers mark 71 in Cape Silver by Welz), and are also punched with initials HB, we assume the original owner. Welz describes orange spoons as "probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", page 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes or...