A pair of Arts and Crafts sterling silver condiment spoons, made by the little known silversmith Denis Lacy-Hulbert. The spoons have oval shallow bowls, and flat rectangular stems which are planished (hand hammered), very similar in style to Puritan spoons. The hallmarks form part of the decoration, proudly struck on the front of the stems, evenly spaced, these are very clear, and include makers mark D L-H and the optional Silver Jubilee mark used in 1977 to celebrate 25 years on the throne for Queen Elizabeth II. Note - we have a very similar pair, just smaller in size, S 11274. Denis (Ben) Lacy-Hulbert (1911-2005) was Managing Director of a family steel tube/ cylinder manufacturing business, silversmithing was a hobby, very few items are recorded by him. Denis also made antique replica items in 18 carat gold, notably a strawberry dish and tumber cups. Denis Lacy-Hulbert registered his mark in 1953, but most surviving work appears to be between 1972 and 1983, he was based in Chesterfield, Darbyshire. The b...

A rare Indian Colonial sugar sifter spoon, made by Hamilton & Co, the "Garrards of India". The spoon is in the Fiddle, Thread and Shell pattern, and is double struck, and is pleasing quality, and in excellent condition. The hallmarks are clear, makers mark H&Co, Elephant, date letter A and circle tally mark, these marks were used 1860-1914 (source www.ascasonline.org, History and Marks of Hamilton & Co). Note the unusual & (quite fat), different makers marks were used by Hamilton over the years, this should assist more precise dating, further research is required. The book "Indian Colonial Silver" by Wynyard Wilkinson, shows a similar sifter spoon by Twentyman, Beck & Co, depicted page 158, he notes "This is the only sugar sifter spoon I have noted made in Calcutta". Note: We have matching sauce ladles and salt spoons.

A set of 6 Georg Jensen sterling silver Cypress pattern fruit spoons with triangular bowls, these would be called grapefruit spoons by the English. This is a fabulous set of grapefruit spoons, stunning design and very practical for use, strong bowl tips. This is a vintage set dating from 1960, all 6 pieces are fully hallmarked. The hallmarks include "GEORG JENSEN" in oval dots, above "STERLING DENMARK". All 6 pieces also carry London import marks, sponsors mark G.JLd for Georg Jensen (their London branch), oval U import mark, .925 sterling mark and date letters e and f for 1960 and 1961. The Cypress (or Cypres) pattern is #99 in the Jensen catalog, it was designed by Tias Eckhoff in 1954. The Cypress pattern won the design competition held for the 50th anniversary of the founding of the Georg Jensen company (Georg Jensen, A tradition of Splendid Siulver, page 282). Tias Eckhoff, a Norwegian, has been described as one of Norway's most versatile designers. Note: - We also have a Jensen Cypress pattern flatware...

A set of six Victorian Scottish silver spoons, with matching tongs, in a Grecian pattern variant, not present in the book Silver Flatware by Ian Pickford, so we believe to be rare. The spoons can best be described as very large teaspoons, but definitely more suitable for eating dessert. The spoons and tongs have original owners engraved initials CS in fancy script. The pattern is very similar to Grecian, but noticeable differences include a shell at the top of the stem, and small beads as a border of the stem. The pattern is single struck, as is usual for Scottish flatware. Grecian pattern is a mid 19th century pattern, first exhibited by George Adams of Chawner & Co. at the Great Exhibition of 1851, the pattern is also present in the Chawner pattern book (pages 144, 145 and 218 of Pickford book above). The hallmarks are excellent on all 7 items, they could not be clearer, and include the Glasgow town mark with tree and fish. Robert Scott worked from Buchanan Street, Glasgow between 1849 and 1927. We really l...

A lovely pair of Georgian Irish silver hook-end basting spoons, made in Dublin in 1788, the spoons are a pleasing weight and quality. The spoons have the traditional hook end only found on some 18th Century Irish silver spoons, and are Old English in pattern. The spoon bowls are generous, very suitable for use as serving spoons. Both spoons are engraved with a peacock family crest, this has some wear but is still visible. Both spoons also have original owners initials P/IG on the back of the drops. The spoons are bottom marked with 4 hallmarks, the Hibernia, crowned harp and date letter Q for 1788 are clear on both spoons. The makers mark on both spoons has been lightly struck and unfortunately not readable (although first letter appears to be C in rectangular punch, so possibly Christopher Haines). Ian Pickford, in his book "Silver Flatware", describes hook-end or turned-over flatware as peculiar to Ireland, principally with 18th century serving pieces, for hanging the piece up (page 56).

A collection of 3 18th century miniature toy or snuff spoons, all 3 with rattails dating circa 1720. The first is by David Clayton, this spoon is 5.9 cm long and weighs 1 gramme, makers mark only (gothic script DC, Grimwade 452). This spoon is dainty with long elegant handle, and has character, it is well used, scratches, kinks to handle and bowl, but no repairs. The second is possibly William Scarlett, with clear lion passant and partial marks mark ? /S, this spoon is 8.2 cm, weighs 4 grammes, slight kinks to bowl but otherwise good condition. The third spoon has no hallmarks, it has an old repair halfway down the handle, with inserted silver bar joining the 2 halves, this spoon is 8.8 cm and weighs 4 grammes. Even without hallmarks and with an old repair, we really like this spoon. David Clayton is perhaps the most famous English silversmith who specialized in miniatures, and to quote from Wikimedia - "David Clayton was a renowned English silversmith from London active from around 1697. His work is exhibite...

A cast silver reproduction of the Lady in Crinoline caddy spoon, originally made by John Figg in 1844. The spoon depicts a lady in a crinoline dress carrying a parasol, the bowl is a matt chased rocaille shell. Being cast, this is an extremely heavy caddy spoon at 42 grammes, it is superb quality. The original is a highly important and extremely rare caddy spoon, it is depicted in John Norie's Caddy spoon book (plate 10) and also in the book "Investing in Silver" by Eric Delieb, pg 31, where it is pictured and described as "the superb little lady in the crinoline of the chinoiserie revival period". A similar spoon was part of the John Norie collection of caddy spoons, sold as lot 99, part 1 (Woolley & Wallis, April 2004). The hallmarks are clear. Note - The Society of Caddy Spoon Collectors (http://www.caddyspoonsociety.org) has just published a very interesting article about this caddy spoon in it's October 2020 bulletin, entitled "Lady in a Crinoline". It states that in "1967 a rogue silversmith chanced his...

A set of 4 Queens (also called Rosette) pattern egg spoons, 2 made by William Chawner in 1825 and the other 2 by George Adams in 1870 (of Chawner & Co.). The 4 spoons match perfectly, double struck with honeysuckle heel. All four spoons have the same engraved family crest, a leopard with whiskers above a a coronet, so belonged to the same family, but the crests were engraved at different times (so we assume the 1870 spoons were added to the earlier set). The spoons are fabulous quality, just over 30 grammes each, a pleasure to hold and use. The egg spoons have the traditional shovel shaped bowls with distinct shoulders, where they meet the stem, so quite different to teaspoons. The bowls are gilded, as is usual for egg spoons, to prevent corrosion from salt associated with egg. The hallmarks are clear on all 4 spoons. Queen's pattern is similar but heavier to Kings pattern, the shell at top front is convex (Pickford, Silver Flatware, page 124).

A rare Cape silver condiment ladle, this is only the 2nd one we have encountered. The ladle is Fiddle pattern, similar in shape to a salt spoon, but with a long elegant handle, 3 to 4 cm longer than a salt spoon, the bowl is also more angled, and the handle has a very pronounced turn over for ease of use. The bowl is gilded, the original gilding is in quite good condition, a deep gold colour inside the bowl (note scratches from use), much more faded on the bowl exterior, but still visible. The ladle has 2 notches on the rear of the handle, where an extension was added to the more usual sized salt spoon, but we are confident this is original, as no solder marks are visible, so we imagine it was made on special order. The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopards head, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have sold a previous Cape silver condiment ladle, S11128, by Fredrik Waldek, who took over Twentyman's shop on the He...

A Cape silver teaspoon in the Fiddle pattern, with excellent Cape silver hallmarks. The spoon is engraved C.V.N.O. Schultz 1862, we assume the original owner, this engraving is very crisp and clear. The hallmarks are excellent, and include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver. Note: We have been informed that C.V.N.O. Schultz could possibly be Constand (Constant) Van Nuldt Onkruidt Schultz, who was born in Cape town 13/11/1824, son of Jacob Schultz and Catharina Fredrica Van Nuldt Onkruidt. He married Martinet (Martha) Maria van der Poel in Cape Town on 15/02/48. He died on 16/04/1863 in Stellenbosch, his death notice recorded him as "small farmer". The spoon is dated the year defore his death, so possibly it was anticipated and he had the spoon (s) m...

A set of 3 Fiddle pattern Cape silver tablespoons, which are notable for their strong colonial feel, being slightly crude in nature, and with hand hammered stems. Each spoon is slightly different, clearly each spoon was made by hand, probably in primitive conditions. The drops are also crude, and have an amateurish feel, perhaps these were made by a novice apprentice? All 3 spoons have pseudo hallmarks, date letter a, date letter B and duty head, with no makers mark. The shape of the outline of date letter B is notched on both sides, making it very distinctive - hence our attribution to Peter Clarke Daniel (mark 41, Cape Silver by Welz). Mark 41 has the 2 date letters (a and B) together, with the duty mark - given the outline and occurrance we are pretty certain the same punches were used, but perhaps not by Peter Daniel himself. Further research is required, as we know Cape silversmiths occasionally interchanged punches amongst one another.

A fabulous pair of scarce Kings Fiddle Husk tablespoons, of exceptional quality and weight, made by Elizabeth Eaton. These spoons both weigh over 105 grammes each, amongst the heaviest we have encountered. The spoons have the Husk heel, and have no initials or engraving. Kings Husk pattern is a scarce variant of the Kings pattern, the most obvious difference being the omission of the central honeysuckle and a husk shell rather than a concave shell (Pickford, Silver Flatware, pg 136). In addition there is no shell on the back. It was first produced during the Regency, Paul Storr also produced this pattern. The hallmarks are clear on both spoons, including makers mark EE in a bifoil punch, for Elizabeth Eaton. Eaton inherited the firm in 1845 on the death of her husband William, her son John joined the business in 1854, they sold the business to Henry Holland in 1864. (Culme, Directory of Gold and Silversmiths, pg 134). The firm had a good reputation, Elizabeth Eaton exhibited silver spoons and forks at the Gr...

A pair of Irish Provincial silver teaspoons, in the Fiddle pattern, with STERLING hallmarks. The spoons have original owners initials SL, small and engraved by hand, very provincial in nature. Both spoons are clearly hallmarked "STERLING", well struck and clear, but the punch a little worn, and the letters quite crude and blurry - so a home made punch. This mark was used by Silversmiths in both Cork and Limerick, more research on the style of the punch is required.

A set of 6 Old English pattern Cape silver tablespoons, made by Johannes Combrink. All 6 spoons have engraved owners initials G, we assume the original owner. This set has been made by hand, there are slight differences in length, also differences in the shape of the handle, with some having narrower ends. One spoon also has a noticeably larger bowl than the other 5, so perhaps made at a different time. The drop on 2 spoons is also slightly longer, overall interesting but subtle differences between the spoons. The hallmarks also exhibit differences, three spoons are struck with makers mark IC three times, the other three are struck with makers mark IC four times (similar to the English duty dodgers). The orientation of the marks also differs, some are struck vertically and some sideways, so it appears the silversmith struck marks quite randomly. This mark is 29 or mark 30 in the book Cape Silver by Welz, the C is quite close the the I, and has short arms, almost looks like a K. The slightly larger spoon, whic...

A rare Irish provincial sterling silver teaspoon made by Isaac Solomon of Cork, with excellent hallmarks. The teaspoon is Fiddle pattern, the bowl is elongated with a strong tip, more European than English in style. The spoon is engraved with original owners initials II. The hallmarks are excellent, "I.SOLOMON" and "STERLING" in serrated punch, these are well struck, but the sterling punch shows sign of wear. Solomon was born around 1775 and died in 1845, he worked from Patrick's Street, Cork. A number of items with makers mark IS have also been ascribed to Solomon, it is probable that these should be ascribed to John Seymour, and not Solomon. Solomon was a jeweller and silversmith, his working dates beyond 1810 are not known.

A lovely pair of Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight. The spoons have no engraving with no initials removed, completely original. Both spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons. Note - we have a matching set of 6 , S 11196.

An extremely rare antique 9 carat solid gold spoon, probably made as a special commission. The spoon has a cast Griffin head above a Marquess coronet finial, the detail is lovely. The handle is twisted, and the bowl has scalloped edges, and is engraved with the original owners initials WDB. The quality is excellent, this would have been an expensive item when made. The spoon is made of 9 carat rose gold, and has been gilded in 18 carat yellow gold to enhance it's appearance. The rose and yellow gold accents accenuate the Griffin, the back of the bowl is rose gold, and the engraved initials show the rose gold coming through. We are informed by a leading London dealer that plating in 18 carat gold did occur during the period on high end goods. The hallmarks are excellent, and include makers mark BHJ, 9 and 375 for 9 carat gold, Birmingham city mark and date letter r for 1891. Additional 9 carat marks are present on the bowl. B.H. (Barnet Henry) Joseph & Co. were founded in 1865, by 1889 they were "one of the la...

A lovely set of 12 rat-tail trefid silver teaspoons and matching sugartongs, also with rat-tail, well preserved in original box. This set is antique, being over 100 years old, but was made as a replica of an earlier style (circa 1680). In late Victorian and Edwardian times good quality replicas of earlier styles were popular, this set is also very good quality, and is suitable for use. The hallmarks on all 13 pieces are excellent. James Dixon & Sons is a well known firm, first established in 1806 and still in business today.They employed over 600 people during Victorian times (Culme, Directory of Gold & Silversmiths).

A "New Nautilus" novelty silver sugar sifter, complete with patent and registration number. The bowl of the sifter is a nautilus shell, the top edge of the shell has 28 pierced leaf shaped sifter holes, the shell is realistically modeled. The handle is joined to the shell at right angles, to allow ease of use during sifting. The handle has an interesting unknown pattern, not found in the book " Silver Flatware" by Pickford, it appears to be a variant of Albert pattern, and is single struck. The hallmarks are clear, the handle also has a registration number indicating the design was registered. The shell has a patent number, PAT 17124, so this design was patented as well, quite unusual for silver flatware. The nautilus is a living fossil, dating back 500 million years, it is a cephalopod named after Sailor in Greek. Nautilus shell cups decorated in silver and gold became popular in the 16th century, the nautilus became popular again in Victorian times, first as spoon warmers, this sifter design is late Victori...

A fabulous set of 6 Scottish Provincial dessert spoons in the Fiddle pattern, made by William Ferguson of Elgin, and hallmarked in Edinburgh over 3 different years between 1839 and 1841. The spoons are all engraved with original owners initial W, so clearly a set. The spoons are in excellent condition, with strong tips to the spoon bowls, with no sign of wear or use at all - no dents or scratches, these spoons must have sat in a drawer and not been used. Close examination of the 6 spoons reveals small differences in the size and shape of the bowls, shape of the Fiddle and the shape of the drop, which indicates these spoons were all made by hand. Furthermore, the spoons vary slightly in weight, the lightest is 33 grammes, the heaviest 39 grammes, they average 37 grammes, so a significant variation. The hallmarks on all 6 spoons are also very clear and well struck, they could not be better. They include makers mark WF and ELGIN, alongside Edinburgh hallmarks, 1 is for 1839, 3 for 1840 and 2 for 1841. 2 of the s...