A pair of beautiful Norwegian 830 silver caviar spoons in the Russian style, made by Jacob Tostrup, one of Norway's leading silversmiths, goldsmiths and jewellers. The quality and the decoration of the spoons is superb, Tostrup has used a combination of selective gilding of parts of the handles to accentuate the spoons design and high quality engraving. The spoons have circular bowls and a typically Russian design, dating back to a period when Russian influence was greater in Norway than it is today. The intricate engraving has clearly been done by a master craftsman. The backs of the bowls are engraved with original owners initials P & T B in script. The spoons have been perfectly preserved in their original silk and felt lined wooden box, which reads "J. Tostrup Juwelier Kristiana". Both spoons are clearly hallmarked "830 TOSTRUP 1879". Jacob Tostrup was founded in 1832, Jacob died in 1890 but the business was continued by family members until 1962. "Jacob Tostrup received the title royal court jeweler, a...

A Belgium antique silver matching tablespoon and table fork in the Fiddle and Thread pattern, made in Brussels circa 1832 by leading silversmith Auguste Bonnevie. Both are a pleasing weight, these are good quality items. The pair have an interesting family or city crest engraved on the back, a shield with 4 small crosses surrounding a larger cross, below Royal crown, above "Bruges". The Cross surrounded by 4 crosslets is the Jerusalem Cross, originally used as the coat of arms of the Kingdom of Jerusalem, but since used for various Crusader states, and now used as the Georgian flag. Above the crest original owners initials OI are also engraved. Both spoon and fork have the same 3 hallmarks, very clear makers mark of B below silversmiths hammer in square punch (makers mark 1921 in the book "Belgische Zilvermerken" by R Stuyck, pages 41 and 185), for Auguste Bonnevie. Bonnevie worked from 1814 to 1869 (a long period so possibly father and son), based in Brussels. The second mark is the Minerva head guarantee ma...

A beautiful Gorham sterling silver Louis XIV pattern gilded sugar sifter spoon and matching ladle, retailed by Starr & Marcus of New York. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The sifter spoon bowl is intricately pierced, clearly done by a master craftsman, one of the best we have seen. The design has 12 panels around the outside, each with a pierced starburst and V shaped flower, the centre has more starbursts and a pierced branch design, completed with pierced circles. The ladle (we assume for gravy) has a plain bowl, but with deep gold gilding (described as goldwash in the USA), both have original owners engraved initials Gothic S. The hallmarks are clear on both items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G, along with retailers mark "Starr & Marcus". Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware m...

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...

A fabulous Belle Epoque French silver 950 standard sugar sifter in the Empire pattern, made by renowned Parisian silversmith Emile Puiforcat. The quality is very pleasing, as you would expect from Puiforcat, with an intricate pierced design and gilded bowl, and double struck Empire pattern handle, with swan finial, foliage and wreathes. The cartouche has not been engraved. Two hallmarks are present in the bowl, both clearly struck, makers mark EP in diamond lozenge, with penknife (un canif) between the letters, and French Minerve 1st Standard mark, with 1 next to forehead, indicating 950 purity (so higher purity than sterling 925). An additional partial mark can be seen on the bowl exterior, this is a French Bigorne insect countermark, struck opposite the guarantee mark, to prevent fraud. Emile Puiforcat established his business in 1857 at 18 Rue Chapon, it still exists today and is known as one of the leading French silver producers.

An interesting antique Indian silver spoon, beautifully decorated with highly intricate designs, hence our attribution tp the Kutch region. The spoon is a pleasure to hold, soup spoon in size but could also be used as a small serving spoon. The handle is hollow, the dome shaped finial, with pierced sides, was made as a separate piece. The repousse decoration is very fine, clearly made by a master craftsman, it features scrolls, pillars and leaves, the finail has gadrooning as well. The bowl is also lovely, scrolls linking to handle, and a triangle and circle design around the rim. Of particular interest is that this spoon is hallmarked with maker mark DAC, on the front of the bowl rim, and another indistinguishable mark in the same place on the other side of the bowl, very easy to miss amongst the decoration. We would welcome assistance with the identification of this maker.

An interesting coin silver American Fiddle pattern tablespoon, made by Samuel Kirk in 1822. The spoon has original owners script initials JMC. The spoon has 4 hallmarks, makers mark S.Kirk in script in rectangular punch for Samuel Kirk, Baltimore Coat of Arms shield mark in clipped corner rectangle (quality mark), date letter F for 1822 and Head of Liberty mark. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, including Kirk, who petitioned for its repeal. Thomas Warner was the Baltimore Assayer between 1814 and 1823, so he would have struck these marks. Samuel Kirk began working as a silversmith 1815, he founded the very successful firm of S. Kirk & Sons in 1846, it became the oldest surviving silversmithing ...

A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366). Curry has left behind some fabulous silver, top notch quality and beautiful intricate designs, he deserves further study. Henry William Curry's brother Charles John Curry was in partnership with Alexander Crich...