A rare Cape silver marrow scoop, in the Fiddle pattern, by Willam Moore, who worked in the Cape between 1840 and 1863. The scoop is the traditional design, with 2 differently sized scoops at either end, used for eating bone marrow, a "popular delicacy at the Cape" (Welz, Cape Silver and Silversmiths, pg 76, where a similar fiddle pattern scoop by Moore is depicted, but in much worse condition than this one.) The scoop is in excellent condition, no dents, scratches or repairs, it does not appear to have seen much use. The Cape hallmarks are very clear, and include makers mark WM and the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 101). A very similar Cape silver marrow scoop by Willam Moore, but with makers mark struck the other way, can be seen on the Steppes Hill website (http://www.steppeshillfarmantiques.com/silver-and-porcelain/d/rare-19th-century-cape-silver-marrow-scoop/98455/216995).

A Southern Transvaal Football Association sterling silver medallion, we assume a football trophy. The medallion features the coat of arms of the original South African Republic (Transvaal), used from 1866. It features a lion, Boer soldier complete with rifle and bandolier, oxwagon symbolising the "Great Trek", with a fouled anchor in the centre. The medallion has not been engraved. The hallmarks include makers mark RMP (Royal Mint Pretoria) and 925 indicating sterling standard. The medallion is in its original box, with RMP on the lid. The medallion has a loop, so can be worn as a pendant.

A sterling silver caddy spoon, with the engraved crest of the Royal Mint of Pretoria. The spoon is good quality, a pleasing weight and the crest is very clear. The Royal Mint of Pretoria was opened in 1923 as a branch of the Royal Mint of London. It broke ties with London in 1941, becoming the South African Mint. The Royal Mint of Pretoria branch was one of 6 Royal Mint branches, the others in Canada (Ottawa), Australia (Sydney, Melbourne and Perth) and India (Bombay). The Pretoria Mint produced British gold sovereigns between 1923 and 1932, these carry the SA mint mark. The caddy spoon hallmarks are clear, being 925, silver and RMP makers mark. We assume the spoon was made in 1923 to commemorate the opening of the Mint. This matches item S1362, which we have already sold.

An interesting German silver gravy boat, both Arts & Crafts and Art Deco in style. The gravy boat is oval with a raised lip, and is on a fixed oval base to prevent drips. Both the boat and base are hand hammered, which creates an appealing texture. The handle is shaped bone, fixed to the boat with attractive silver rivets. The gravy boat is lovely quality, quite heavy, and very well made. The boat is hallmarked with the German silver moon and crown (used post 1888), 925 sterling silver standard mark, and makers mark IA for Josef Arnold. The base is also stamped "Arnold" Josef Arnold (1884 - 1960) worked in Hamburg, Germany, he trained with his father at Bruckmann & Sohne (Art Nouveau & Art Deco Silver, Annelies Krekel-Aalberse, pg 145 and 251). He initially taught in Erbach, Hanau and Hamburg, and opened his own workshop in Hamburg in 1931.

A lovely set of 6 single struck Kings pattern with shoulders (Kings Front French Shoulder, Pickford, Silver Flatware, pg 123) Newcastle silver teaspoons. The spoons are the larger size teaspoons, and have a good gauge, over 20 grammes each, these are pleasing quality. Single struck flatware is usually found in Scotland, it is unusual in England, where the patterns were usually double struck (pattern on both sides) The hallmarks on all 6 teaspoons are excellent, and include makers mark TS for Thomas Sewell I, who worked between 1846 and 1875. They include an additional 5 hallmarks, uncrowned Victoria duty mark, lion passant, three castle town mark, leopards head uncrowned, and date letter I in circular punch for 1847. It is clear the date letter and makers mark were struck individually, the other 4 marks struck together in a stub (the date letter punch overlaps slightly on 2 spoons). These are interesting hallmarks, the uncrowned leopards head was only used for 5 years between 1846 and 1850, when it reverted b...

An interesting Irish Silver dish commemorating the 50th anniversary of the Easter Rising (Irish: Eiri Amach na Casca), also known as the Easter Rebellion or Sinn Fein Rebellion. The dish is circular with a scalloped edge, and contains a sterling silver medallion, with the burning Post Office "AIS EIRI na CASCA", 1916-1966. The back contains 7 signatures who were the signatories of the proclamation, all were executed by the British. They include: Tom Clark, Sean MacDermott, Thomas MacDonagh, Padraig Pearse, Eamon Ceannt, James Connolly, Joseph Plunkett. All were members of the Supreme Council of the Irish Republican Brotherhood (IRB). Their graves in the former military prison of Arbour Hill in Dublin is now a National Monument. The dish has 5 hallmarks in the bowl, including maker's mark RISL for Royal Irish Silver Limited, Hibernia, Harp Crowned, date letter Y and the Sword of Light 1916-1966 Jubilee mark, only used in 1966 to celebrate the anniversary. The medallion is also hallmarked, including mak...

A rare Victorian silver Cyclists Touring Club certificate holder, in the form of a pendant, with an original enamel membership certificate for 1899. The holder is in the shape of a bicycle wheel, complete with spokes, and is decorated with the badge of the Cyclists Touring Club, three feathered wings surrounding a central cog which says "trademark". The initials CTC in gothic script complete the logo. This logo should be familiar to all, it is still used today on Bicycle playing cards, which have been produced since 1885. The holder, which is silver, is unmarked, the pendant loop however is hallmarked with the English sterling lion passant. The enamel badge has the same logo with the date 1899 on a green background. The rear, which reads "Cyclists' Touring Club Membership Certificate", is signed by secretary Ernest R Shipton. The original member's details are still visible, it reads "No 23689, W.O. Trotter, Oak House, Brandon". Oak House in Brandon, Suffolk still exists at 70 High Street, it is the home of De...

A lovely hand hammered Portuguese silver Arts and Crafts spoon, with a blue stone cabochon set in the handle, possibly turquoise. The spoon is a pleasing gauge, quite heavy, this is a good quality hand made spoon. The spoon has a rounded bowl with quite a long handle, so possibly a jam spoon or sauce ladle. The hallmarks include "Pedro A Batista", a very small Portuguese standard mark (eagle facing left above 925, in rectangular canted punch for Porto), and additional makers mark of crossed hammer and spanner.

A set of 13 sterling silver Apostle spoons, as follows: The Master, St. Peter, St. John, St. Matthew, St. Andrew, St. Philip, St. Jude, St. James the Greater, St. James the Less, St. Matthias, St. Simon, St. Thomas, and St. Bartholomew. The Apostles are well modeled, with lovely detail, as can be seen from the photographs. For example, St. Peter has keys, St. Simon a saw, St Andrew a cross, St. Jude an axe, and St. James a staff and bible. The spoons are from a set (no 97), issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. All the spoons have the Apostle's name engraved on the stem, and the set number 97. They come complete with original signed certificate. The original solid wooden box is also available, this is large and heavy (1.5 kilograms), so will require extra postage if required. Note - We now have another set a...

A lovely Scottish silver cigar or cheroot case, with motto "Should auld acquaintance be forgot", and the Carstairs family crest and motto "Te Splendente", translated "Whilst thou art shining". The case is beautifully engraved with a spectacular interlocking architectural pattern interspersed with different flowers, this is one of the nicest we have seen. The case has a pleasing shape and feel, easy to slide into a pocket given its curved shape. The front of the case has "Should auld acquaintance be forgot" in the top panel, and Carstairs family crest and motto in the bottom, along with "DC to FC", we assume members of the Carstairs family. The Carstairs armorial has a chevron between 3 primroses, with sun darting its rays on a primrose above. The back has 2 circular panels, with finely engraved flowers, we assume a primrose. The hallmarks are clear, but cleverly hidden in the engraving. George Cunningham only worked between 1855 and 1858, but given the quality of this case must have been a master craftsman.

A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.

An interesting sterling silver replica of a Charles II trifid or lace back spoon, circa 1680. The stem is notched and decorated in traditional style, as is the back of the bowl, complete with rat-tail. The spoon is teaspoon sized, and very good quality, quite heavy to hold. The spoon is in it's original Mappin & Webb box, complete with Royal appointments to the Queen and Prince of Wales on the lid interior. The spoon also has it's original card, describing the origin of the spoon, it's decoration and an explanation of the hallmarks, making it an ideal Christening present.

A lovely reproduction early Georgian silver tea set, comprising bullet teapot, hot water jug, sparrow beak milk jug and circular sugar bowl. The teapot is almost spherical, with a c scroll wooden handle, octagonal spout and circular foot. The hinge is applied, the circular lid fits snugly, and it has a baluster finial with wooden knob. This reproduces a popular early Georgian style, circa 1725. The hot water jug is baluster shape, with a domed lid, matching finial, handle and circular foot. The sparrow beak milk or cream jug is also baluster shaped, has a silver scrolling handle and matching circular foot. The sugar bowl is circular with a moulded rim, and matching circular foot. The set is very good quality and weight (just under 2 kilogrammes in total), it is a pleasure to use - this high quality is often seen in the antique silver reproductions of earlier styles made between the 2 World Wars. All 4 pieces are fully hallmarked, with clear hallmarks, 3 pieces are also stamped "Made in England". Both lids ar...

A rare Exeter silver caddy spoon, made by Henry Samuel Ellis, who was only mentioned in the Exeter records in 1853, silver by him is rare (he died in 1878). The spoon has a vine leaf on the front of the handle, and a gilded fluted shell bowl. This is an unusual design, only used by Ellis in 1853 as far as we know (a few 1853 spoons by Ellis have this design, it is now called the HSE trademark leaf terminal - see www.antiquesilverspoons.co.uk and Bonhams - Knowle lot 121, 19/9/2006). The hallmarks are clear, the HSE makers mark is slightly worn at the top. Henry Samuel Ellis was Mayor of Exeter in 1868, his photograph is courtesy of www.exetermemories.co.uk. Henry Ellis and Son, advertised that their spoons were made with silver from the Combe Martin silver mine Story of the Caddy Spoon, 1775-2015, exhibition catalogue, page 35). Combe Martin is in North Devon, the disused silver mines are now a tourist attraction. Silver from Combe Martin was used for items in the crown jewels, it also financed war expenses o...

A pair of Georgian Scottish silver Celtic Pointed pattern tablespoons, by Alexander Ziegler, who worked in Edinburgh between 1782 and 1802. These are elegant spoons, and although tablespoons are large enough to be used as serving spoons today. Celtic Pointed (or Pointed Old English) is a style used in Scotland and Ireland, not seen in English silver (Pickford, Silver Flatware, pg 96). The spoons have contemporary engraved initials TB in traditional Scottish style. The hallmarks on both spoons are clear.

An unusual silver table bell, with cast silver handle of 2 young boys (cherubs or putti?), one holding the other upside down by the ankles. The casting has lovely detail, as can be seen in the photographs. The bell is quite heavy, and is good quality, with a clear ring. The clanger is also hallmarked silver. The hallmarks are clear, including makers mark JS, which appear to over strike another mark, so possibly JS is a retailer. We would welcome opinions on the significance of the cherubs, thank you.

An extremely rare Victorian silver Palm pattern butter knife, with initial W. Pickford describes the rarity of Palm pattern in his book "Silver Flatware", pg 148, this is the only Palm pattern butter knife we have seen. The hallmarks are clear, but the makers mark is worn. Palm pattern appears in the Chawner & Co (George Adams) pattern books, who were the most important 19th century silver flatware makers. Please note we also have Palm pattern soup spoons (S1612), made by George Adams in 1876.

A fabulous set of 4 cast Britannia (950 grade) silver candlesticks with 2 matching detachable two light candelabra, which slot into the candlesticks. The candlesticks are octagonal with diamond facets, with the stems and sconces conforming in outline with the bases, a "pleasing and balanced design" (Peter Waldron, Price Guide to Antique Silver, No 115, pg 52). These are reproductions of a very popular Queen Anne style, made circa 1710, described as "the most desirable of Queen Anne candlesticks (Waldron, as above). The candlesticks are cast, and are exceptional quality, weighing around 530 grammes each (these are not loaded, total set weight 3.064 kilogrammes, or 108 ounces). The candlesticks have no engraving or armorials, and nothing has been removed. The two detachable 2 light candelabra slot perfectly into all 4 candlesticks, so quite a versatile set. They follow the same design as the candlesticks, with the addition of octagonal drip pans. The 2 candelabra were hallmarked in 1930 (so slightly before th...

A lovely gold lady golfer medallion or brooch, with a lady golfer in full swing, above a scroll reading "R D L G C", possibly Royal Durban Ladies Golf Club. The medallion has 2 different colours of gold, a redder colour and also brighter yellow colour, which combined with the texture makes the picture stand out. The back of the medallion is engraved "W.m PAY LOVING CUP, 1935, J HEY", the original winner of the medallion. The medallion has a 14 carat gold pin and clasp on the back, allowing it to be worn as a brooch (this could be easily removed, allowing the medallion to be worn as a pendant). The hallmarks are clear, including makers mark for Marples and Beasley, who were jewellers and medallists, they worked between 1899 and 1994. The other hallmarks include 9 and .375 indicating 9 carat gold, and date letter for 1921, so it was made some time before it was awarded.

In our opinion, a 19th century copy of an 18th century Dutch silver miniature chamber pot. This we believe has been cast from an original, the solder line joining the 2 halves of the casting are visible in the interior (although the base could be original?). The interior also has some crack marks, another sign this has been cast. The original would have been a rare item, a very similar miniature chamber pot, currently in the Rijksmuseum in Amsterdam, is depicted in the book "Dutch Silver" by MH Gans, pg 68, bottom right. The maker of the original, Arnoldus van Geffen, was one of the greatest of the Dutch silver miniature makers. Whilst this is probably a copy, it is still well made, and a faithful copy of the original, so would still be a nice addition to a collection. A very similar miniature chamber pot, made in Amsterdam in 1670 by Wessel Jansen, is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures", by the Dutch antique dealers Aardewerk, pg 101, image 226 - which is a book we highly ...