A rare Exeter silver caddy spoon, made by Henry Samuel Ellis, who was only mentioned in the Exeter records in 1853, silver by him is rare (he died in 1878). The spoon has a vine leaf on the front of the handle, and a gilded fluted shell bowl. This is an unusual design, only used by Ellis in 1853 as far as we know (a few 1853 spoons by Ellis have this design, it is now called the HSE trademark leaf terminal - see www.antiquesilverspoons.co.uk and Bonhams - Knowle lot 121, 19/9/2006). The hallmarks are clear, the HSE makers mark is slightly worn at the top. Henry Samuel Ellis was Mayor of Exeter in 1868, his photograph is courtesy of www.exetermemories.co.uk. Henry Ellis and Son, advertised that their spoons were made with silver from the Combe Martin silver mine Story of the Caddy Spoon, 1775-2015, exhibition catalogue, page 35). Combe Martin is in North Devon, the disused silver mines are now a tourist attraction. Silver from Combe Martin was used for items in the crown jewels, it also financed war expenses o...

A scale replica set of the Tichborne Celebrities, probably the most famous of all English spoon sets, originally made by William Cawdell in 1592 (Kent, London Silver Spoonmakers). The set was produced in 1977 by the Heritage Collection of Bristol, commemorating the Silver Jubilee, in a limited edition of 5000 (this set is no 1814). The sets sold for GBP 250 in 1977, with a royalty paid to the Hampshire County Museum, who bought the original set at Christies in 1975 for GBP 85000. The spoons are sterling silver with gilt finials, and each spoon is hallmarked with 5 marks - makers device, STG (sterling), antelope head (South Africa), date letter D and set number 1814. The spoons are good quality, with very detailed finials, and each is engraved with its name, as per the originals. The set comes in original box, complete with signed certificate with information on each "celebrity", and a booklet describing the set, its maker, and information on Sir Robert Tichborne. The set comprises of the "9 Worthies" of medie...

A commemorative Irish silver caddy spoon, with the Gleninsheen collar handle and rounded square bowl, made to commemorate Ireland's entry into the E.E.C (European Economic Community). The original Gleninsheen collar is a gorget or neck ornament made from a sheet of pure gold, dating back to approximately 700 BC, it was dicovered by a farmer in 1932 in County Clare near the Gleninsheen wedge tombs, it is now in the National Museum. The collar has also featured on Irish stamps, and has been included in the book "The History of Ireland in 100 Objects" (which we can recommend). The caddy spoon also has the Gleninsheen Collar hallmark, which was only used in 1973. All the hallmarks are are well struck and very clear with no wear. An identical spoon was also part of the John Norie collection (lot 7, Part 1 of John Norie Collection of Caddy Spoons, Woolley & Wallis, April 2004). This spoon also features in the Pearson Silver Collection of post war British silver (www.pearsoncollection.com). Note - This spoon was als...

Very fine pair of heavy, embossed rectangular salts on raised base by well known maker. The decoration is embossed scroll, shell and floral with gadrooned rims. The crest is a dove with an olive branch in its beak. These salts are heavy even without the glass liners.

An interesting silver spoon, made by the Leeds College of Art in 1953, to commemorate the coronation of Queen Elizabeth II in 1953. The spoon is teaspoon size, has a curvilinear handle and is struck with a large coronation mark as key decoration on the front of the spoon, this was an optional hallmark. The spoon is clearly hand made, the bowl and drop a little wonky, so perhaps made by an apprentice. The hallmarks are clear, including makers mark LCA for Leeds College of Art. Leeds College of Art, which still exists today, had a good reputation for silver in the 1950's and early 1960's (Source Designer British Silver, Andrew & Styles, page 372). Silver by Leeds College of Arts is scarce, occasional pieces assayed at Sheffield with the LCA sponsors mark appear on the secondary market (we have seen a few examples on the internet, spoons, beakers and a gravy boat). In addition to being a rare Leeds College of Art piece of silver, the use of the large optional coronation hallmark as decoration is also unusual. Du...

A sterling silver caviar spoon, with handle realistically modelled as a sturgeon, made by leading silversmith Sarah Jones. This a a cast spoon, good weight and has a lovely feel in the hand, the grip enhanced with all the detail on the sturgeon, we love this spoon! The hallmarks are excellent, well struck and clear on the back of the bowl. Sarah Jones is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Her work is quirky and amusing, she is a superb modeller who produces charming animal studies. Her work is in the Royal Collection, a flower study is on Her Majesty Queen Elizabeth's dresser table (pages 266-271). This caviar spoon is a great example of her work, it may be a once off made on commission, as we have not encountered another example, much of her past and current work can be seen on her website www.sarahjonessilver.co.uk.

A rare Cape silver condiment ladle, this is only the 2nd one we have encountered. The ladle is Fiddle pattern, similar in shape to a salt spoon, but with a long elegant handle, 3 to 4 cm longer than a salt spoon, the bowl is also more angled, and the handle has a very pronounced turn over for ease of use. The bowl is gilded, the original gilding is in quite good condition, a deep gold colour inside the bowl (note scratches from use), much more faded on the bowl exterior, but still visible. The ladle has 2 notches on the rear of the handle, where an extension was added to the more usual sized salt spoon, but we are confident this is original, as no solder marks are visible, so we imagine it was made on special order. The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopards head, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have sold a previous Cape silver condiment ladle, S11128, by Fredrik Waldek, who took over Twentyman's shop on the He...

A Cape silver table fork in the Fiddle pattern, with very clear Cape silver pseudo hallmarks for Lawrence Twentyman. The fork is engraved with an interesting family crest, a wolf's head erased, the engraving is still clearly visible. The engraving is on the back of the fork, dating back to a time when forks were placed on the table with tines pointed down. The fork is clearly hallmarked with makers mark LT and 4 pseudo hallmarks, all struck individually, pseudo duty mark, pseudo date letter e, pseudo Edinburgh Castle town mark and bird. this is mark 131 in the book "Cape Silver and Silversmiths" by Stephan Welz, but struck in a different order. Lawrence Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837.

The General Smuts Cup, a sterling silver shooting trophy awarded to Captain W. Marks of Belfast in 1950. The trophy is a small circular bon-bon dish, on a raised circular foot, with irregular rim featuring scrolls. The dish has an applied silver badge of the SANRA (South African National Rifle Association), of a jumping springbok below crossed rifles, and above a laurel wreath, surrounded by engraving "Capt. W. Marks Belfast, Genl. Smuts Cup 1950". The rim of the foot is also engraved, this is very small and barely visible, it reads "M. Tiger, Bloemfontein", we assume the trophy was re-awarded at a later date. The dish is clearly hallmarked on the base for Birmingham 1939 by Charles Green & Co, given it is engraved 1950 we assume it's use was delayed by World War II. Belfast is a small town in the North East of South Africa, primarily known for coal mining and trout fishing. Field Marshal Jan Smuts (1870-1950) was the Prime Minister of South Africa during World War II, he had a strong friendship with Winston ...

A beautiful Norwegian silver replica of a 17th century figural spoon, which makes an ideal Christening present for a girl. The spoon has a well modelled cast finial of a bust of a female warrior, complete with armour, standing on a pedestal decorated with a feeding bird, masks, flowers and scrolls. The traditionally shaped bowl is gilded, the gilding still well preserved. The quality of this spoon is outstanding, clearly made by a master craftsman, and the condition is excellent. The spoon is hallmarked with makers mark MH and grade 830S, so we can date this spoon to prior to 1920, when Norwegian silversmiths moved to the sterling 925 standard. Marius Hammer (1847-1927) was one of Norway's leading silversmiths, employing 130 staff in 1914, they even supplied the Prince of Wales. In addition to high end souvenirs, they produced replicas of notable Scandinavian silver, including this spoon.

A R.A.F. (Royal Air Force) Sterling Silver Napkin Ring, with applied silver RAF wings, and engraved C.E.N.G. The napkin ring is 3/4 circular but has a flat base, so it can be placed on a table without rolling. The ring is clearly hallmarked for London 1936, made by SJ Rose & Son, the ring is also engraved with retailers mark "Gieves Ltd London". Gieves (now Gieves & Hawkes) is a prestigious Savile Row Tailor, established in 1771, they hold numerous Royal Warrants, including the Queen, Duke of Edinburgh and Prince of Wales. They have long served the British Army, Royal Navy and the Royal family, clients include Lord Nelson, the Duke of Wellington, Churchill and Charlie Chaplin. More recent clients include David Beckham, Bill Clinton and the Braun Formula 1 team (source wikipedia). Note - we have not been able to establish what C.E.N.G. stands for, all assistance welcome. It could possibly refer to Chartered Engineer.

A set of 4 sterling silver fob medallions, with a bicycle and rider, awarded as cycling trophies. One medallion has a 9 carat gold cycling plaque, this was awarded as a first prize. 2 Medallions are identical, the third has same central cycling plaque with differnet outline, and the 4th has a different gold cyclist. All four medallions were awarded by FWCC (possibly Foster Wheeler Cycling Club) in 1937 to R Richardson, all as first or second prizes for Club 25, 30 or 50 (we assume different distances). All 4 medallions are in excellent condition, and all are clearly hallmarked for Chester 1934 and 1935 by maker TJS, Thomas James Skelton who worked between 1909 and 1961 in Birmingham, they specialised in fob medallions.

A Gorham sterling silver Louis XIV pattern pickle knife, with a pair of matching master salt spoons. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The pickle knife (similar to an English butter knife) is bright cut and gilded, with no monogramme, which the 2 saltspoons have goldwash bowls and engraved initials G. The hallmarks are clear on all 3 items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50). Note -We also have a Gorham Louis XIV sifter ladle and suace ladle S 11476.

A beautiful set of 6 art deco gilded sterling silver and enamel coffee spoons, with seal top finials. The gilding is a deep yellow colour, which provides a lovely contrast to the enamel. The back of the spoon bowls are beautifully decorated with fan shaped guilloche enamel, in 6 different bold colours (green, red, yellow, purple and light and dark blue). Guilloche enamel is a technique where a precise pattern is engraved on the silver base using a rose engine lathe, also called engine turning. The hallmarks on all 6 spoons are clear, including makers mark SLd for William Suckling Ltd, who worked between 1922 and 1955.

A rare Georg Jensen sterling silver # 42 pattern fork, this design has been called pea pod. The fork is hand hammered, with hammer marks visible, this is a lovely fork, exceptional quality. The fork has 4 tines, and at 14.5 cm length could be either a Child's fork, or small serving fork (ideal for cold cuts). The design is informally known as pea pod, but officially just called pattern # 42. The design is lovely, with 6 cast peas alongside a series of leaves, it has also incorrectly been described as "flattened magnolia". Georg Jensen himself produced this design in 1918, it is one of the "Numbered Ornamental Pieces" that were made in small quantities so not often found. It is depicted in the book "Georg Jensen A Traditional of Splendid Silver", by Janet Drucker, pages 290 and 291, we highly recommend this book. The hallmarks are clear, 42 (pattern number) above Georg Jensen in dotted oval, above "STERLING DENMARK".

A stylish set of six sterling silver coffee spoons, with an unusual but attractive shell design, we have not encountered this design before. The spoons are perfectly preserved in their original box, the box reads "James Dixon & Sons, Sheffield, Made in England", we assume the retailer. All 6 spoons are clearly hallmarked. Atkin Brothers was a well known firm founded by Henry Atkin in 1851, it survived over 100 years until it was acquired by C.J. Vander in 1958.

Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...

A set of 6 Irish silver dessert spoons, in the Fiddle pattern with rat-tails, a feature of Irish flatware of the period. The spoons have original owners engraved initials WMH. The hallmarks on all 6 are excellent, and include makers mark IB for James Brady, who worked between 1821 and 1842. The spoons also have the retailer's mark, NEILL, which is very clear on all the spoons. Irish retailers were among the first to mark flatware, early adopters of corporate branding. NEILL was a leading Belfast retailer, first established by Robert Neill in 1803, the firm survived until 1960.

A set of 2 Cape silver Fiddle pattern tablespoons, by a lesser known Cape silversmith whose work does not appear very often. The spoons are a slightly different length (being handmade) and have similar but different hallmarks, so they were probably made at different times. Both have makers mark DC in between two floral or star devices, but both the makers mark and devices have differences, indicating they were struck by different punches. One DC makers mark has separate DC, the other DC appears to be cojoined. The floral or star device was used by a number of Cape silversmiths, including Beets, Hockly, Lotter, Townsend, Twentyman and Vos. The makers mark DC between 2 stars is depicted in Heller's Cape Silver Vol 2 (pg 122), where it is shown as mark NMM15.

A beautiful French Niello snuffbox with a huntsman in 17th century period dress with his dogs. Gilt interior with inscription - From William Yates to John Rutherford, Sept 16th 1888. The box is fully hallmarked on the lid rim with the Paris standard mark for 1819-1838, the middle guarantee mark, and a makers mark, which appears to be W&W (or M&W or V&W) below a head, above a wagon wheel, set in a diamond (very small so difficult to see).