Plain marrowscoop with a long drop, in lovely condition and with very clear hallmarks. The makers mark is very deeply struck. Schofield, who worked from Temple Bar, was reknowned for his impeccable craftmanship. He worked for the Royal Silversmiths Jeffries, Jones and Gilbert.
Unusual cape shellback tablespoon, this is the only example of a Cape shellback we have seen. Very clear English pseudo hallmarks and makers mark. Twentyman moved to India in 1832, where he continued to trade as a silversmith.
Fine pair of Fiddle pattern Scottish toddy ladles, with engraved initials WG. The makers mark is very clearly RC, possibly Robert Carfrae, who was an Edinburgh unfreeman in the early 1800's (Source Rod Dietert, who wrote Scottish Compendium) - this maker is not recorded in Jacksons. We had originally suggested Robert Clark, this is now proved incorrect as he joined the military and settled in North America circa 1800. Hallmarks very clear. We have now been informed this mark belongs to Robert Chisholm, who worked alone from 1833-1835, when he formed the very successful partnership of Mackay & Chisholm (source Henry Fothringham, Historian to the Incorporation of Goldsmiths of the city of Edinburgh, website www.incorporationofgoldsmiths.co.uk).
A Indian Colonial silver tablespoon in the Fiddle pattern, slightly larger and heavier than most tablespoons. Ths spoon has a good feel, nicely weighted when used, and clearly hand made. The spoon has no engraving, or any sign of engraving being removed. The hallmarks are clear, and include makers mark P&Co. for Pittar & Co, pseudo lion passant, pseudo date letter A and tally mark number 17 from the book "Indian Colonial Silver" by Wynyard Wilkinson, page 170. Arthur Pittar & Co. worked between 1825 and 1848 in Calcutta, a similar tablespoon, but 2 centimetres shorter, is depicted on page 104. They were primarily diamond and jewel merchants, but clearly made good quality flatware and holloware. They imported a die press for manufacture of Fiddle pattern flatware in 1842, we believe this spoon predates that, given it's unusual size.
A set of six sterling silver teaspoons, made in 1952 and carrying the coronation hallmark used to celebrate the coronation of Queen Elizabeth II, The spoons are an unusual pattern, with Fiddle pattern style shoulders, notched finial (2 corners cut away), and 4 engraved bands between notches, overall an attractive pattern. The hallmarks are clear on all 6 spoons.
A Scottish provincial toddy ladle in the Old English pattern, with circular bowl and a long, elegant, curving handle. The ladle is engraved with script initials AP, which are contemporary. The hallmarks include makers mark DM struck twice, either side of the Dundee town mark, a "Pot of Lilies". The pot of lilies is the arms of the burgh of Dundee (Jackson pg 598), the pot has 2 handles, clearly visible here. The hallmarks are clear, with slight wear to the lilies at the top of the mark. David Manson worked between 1809 and 1818, his work is quite rare.
A set of 6 Art Deco sterling silver coffee spoons, well preserved in original half moon box. The spoons have horseshoe shape bowls, and classic Art Deco finials, the 4 tower shape. All 6 spoons have clear hallmarks. The box is also lovely, half oval fan shape. Both box and spoons are small and dainty, smaller than most spoon boxes.
A lovely set of Art Deco silver grapefruit spoons, with unusual and decorative pierced terminals. The spoons are good quality and a pleasing weight, a pleasure to use on a grapefruit. The piercing is robust, these spoons are very suitable for use. The hallmarks are clear on all 6 spoons. The spoons also have a registration mark, RD 787919, which indicates the design was registered and protected by the patent office. Cooper Brothers worked between 1900 and 1979.
Typical Scottish silver toddy ladle, in the Fiddle pattern, with engraved initail P. The ladle was made by Andrew Wilkie, a Dundee silversmith, but was assayed in Edinburgh. Silver by Wilkie is found with both Dundee marks (pot of lilies) and with Edinburgh marks, as is the case with other Scottish provincial silversmiths, brought about by the imposition of duty on hallmarked silver. According to Turner (Directory of Scottish provincial silversmiths and their marks), certain makers had a proportion of their silver fully stamped in Edinburgh, to keep their registration as a silversmith valid - and to keep the Revenue service happy that duty was being paid.
Beautiful pair of Fiddle pattern Cape salt spoons. Vos died age 27 in 1862, having been a silversmith for 8 years at 127 Long street in Cape Town. Very clear hallmarks showing makers initials, in hexagonal outline, and pseudo English sterling and duty mark.
An interesting Roman silver Ligula (or spatula), used for getting cosmetics (or medicinal products) out of long necked jars (balsamaries). The ligula has a rounded shaft with a slight knob on the end, a baluster decoration on the stem (perhaps to improve grip), and a feather or leaf shaped bowl, the 2 sides joined at a 135 degree angle. The bowl also has 3 curved engraved lines, possibly for decoration. The stem is quite rough to the feel (the opposite of smooth and even), it has a number of knocks, small cracks and holes, and discouloured patches, perhaps the result of a long and rough life, but we feel more likely from impurities in the silver when it was made (we welcome opinions, this is certainly not our area of expertise, thanks)
A lovely set of replica lace back trefid coffee spoons, perfectly preserved on original box, they do not appear to have been used. They are decorated in traditional style, both on the front of the stems and back of the bowls. The rat-tail is ribbed, the floral scrolls in relief are elaborate, with the pattern on the front matching the lace back back of bowl. The spoons ends also have the traditional notched pattern. All 6 spoons also have clear hallmarks, with FH makers mark for Francis Howard Ltd, who worked between 1900 and 2012. They are in their original box marked "H Perovetz Ltd, 51 Chancery Lane, London WC 2", Perovetz were leading London silver dealers until 1995. The set is also accompanied with its original explanatory card, "Sterling silver Charles II Trifid Lace Back spoon c1680", with notes on the spoon history, description, and explanation of all the hallmarks.
A lovely pair of Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight. The spoons have no engraving with no initials removed, completely original. Both spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons. Note - we have a matching set of 6 , S 11196.
A Irish Georgian silver tablespoon, in the Old English pattern, with original owners engraved initials PRM. The spoon has a lovely feel, full of character, with quite a large bowl. The hallmarks are bottom marked, and very clear, they could not be better. They include Dublin Hibernia, Crowned Harp, date letter R for 1765 and makers mark C.S in diamond punch, with star above and below, very distinctive. Skinner worked between 1739 and 1765, so this spoon was made right at the end of his career. He was a highly respected silversmith, he was elected Warden in 1751, Master in 1754 and in 1755 was elected to the Dublin City Common Council (Bennett, Collecting Irish Silver, page 153).
An Irish Provincial silver Bright Cut Celtic Point tablespoon, made in Cork and hallmarked in Dublin in 1804. The spoon is quite large, over 23 cm, and has intricate bright cut engraving, the quality is excellent. The spoon has engraved family crest of a Boar's head, this too is beautifully engraved, and very crisp and clear. The hallmarks are clear, Dublin hallmarks for 1804, and JK in script makers mark for Joseph Kinselagh of Cork, he worked between 1802 and 1807, he may have been a descendant of earlier silversmith of same name, 1750-1783, perhaps the makers mark was passed down the family. More research is required on this maker.
A stylish set of six sterling silver coffee spoons, with an unusual but attractive shell design, we have not encountered this design before. The spoons are perfectly preserved in their original box, the box reads "James Dixon & Sons, Sheffield, Made in England", we assume the retailer. All 6 spoons are clearly hallmarked. Atkin Brothers was a well known firm founded by Henry Atkin in 1851, it survived over 100 years until it was acquired by C.J. Vander in 1958.
An interesting Guild of Handicraft silver preserve spoon, hand made by the Harts of Chipping Campden. The spoon has a Celtic inspired finial with interlocking raised flowers on a matt background, which gives a nice contrast. The upper spoon shaft has been shaped with 4 notches on either side, which adds to the design, and also catches the light, similar to bright cutting. The fig shaped bowl is planished (hand hammered) with the individual hammer marks visible of the back of the bowl (the front of the bowl is smooth). The spoon also has a diamond shaped rat-tail, which is raised. The hallmarks are clear, including G of H makers mark.
Basting spoon in early Old English Pattern, with an elegant narrow handle. In later Old English Pattern the handles flatten out. Basting spoons, sometimes called Turkey spoons, are ideal for use as large serving spoons. The hallmarks are clear, although the makers mark is partially worn, only the GS is visible.
A mixed set of antique American sterling silver, comprising of an olive spoon and olive fork. The spoon is Towle Empire pattern, patent 1894, with gold wash pierced bowl, this is a beautiful spoon. It was designed by George P Tilton, and has no monogramme. The fork is by Clark & Biddle, made between 1866 and 1870, it has a twisted stem, 3 tines with barbs, and intricate engraving. The fork has engraved owners initial P in fancy script, and is also engraved on the back "Thanksgiving 02", we assume 1902. Both items are clearly hallmarked.
A set of 6 silver Art Deco grapefruit spoons, made in Sheffield in 1939, just before the start of the war. The spoons are classic Art Deco, with flared terminals, with shaped 5 sided bowls, with a strong curved tip for digging into a grapefruit. The spoons are a good weight and quality, perfect for everyday use. The hallmarks on a 6 spoons are very clear, the spoons also have a registration mark, RD 835635, which protected the design, and are also stamped "Made in England".
