A lovely and unusual set of 6 silver teaspoons, with an embossed stylised Fleur-de-Lis on the front, and picture back Fleur-de-Lis surrounded by a branch on the back of the bowl. They have a slight "Fiddle" at the base of the stem. The spoons are a good gauge, and a pleasure to use. Given they were made in 1918 at the end of WW1, perhaps they were intended to celebrate France returning to peace. John Yeomans Cowlishaw was highly regarded for his fruit and dessert knives, the firm existed from 1862 to 1950. Cowlishaw unfortunately committed suicide in 1895, the business was carried on by his son. The hallmarks are clear on all 6 spoons.

An interesting set of 4 Scottish silver dessert spoons in the Old English pattern, made by a highly regarded silversmith, Patrick Robertson. The spoons are bottom marked, and are engraved with a floral device. The hallmarks are excellent, including makers mark "PR" for Patrick Robertson, which is well struck. Robertson had a long and distinguished career, he worked between 1751 and 1790. He was born in 1729, and was apprenticed to Edward Lothian in 1743. He was Deacon in 1755 and 1765, and was a member of the Royal Company of Archers. He was related to the architect Robert Adam ("Silver Made in Scotland", Dalgleish and Fothringham).

A pair of Arts & Crafts Danish silver tablespoons, in a modernist Georg Jensen style Martele pattern, with matching cheese knife. The pattern is planished, or hand hammered, (Martele is French for hammer, Gorham uses the Martele brand for its hand hammered range), this creates an uneven surface which reflects the light, so a very pleasing pattern. The pattern also has balls and scrolls. The spoons are hand hammered on the front side of the handle only, but the bowls are planished on both sides. The spoons have original owners initials CC engraved on the back, the knife has no engraving. All 3 items have 2 clear hallmarks, the Danish 3 tower silver guarantee mark for 826/1000 grade, with date letters (the spoons are 1925 and the knife is 1927). They also have assay masters mark CFH for Christian F. Heise, who worked between 1904 and 1932.

An interesting antique military silver trophy spoon, awarded by the NRA (National Rifle Association) of Britain as a shooting trophy. The spoon has a NRA medallion set into it, with a scroll engraved "NRA" above the English Coat of Arms, complete with motto's "Dieu et Mon Droit" and "Honi Soit Qui Mal Y Pense" above an enamelled badge with 2 running antelope. The spoon is substantial and very good quality, with scrolls surrounding the coat of arms, and a leaf pattern on the stem. The back of the spoon is engraved "Emma Thresh Trophy 1921". The Emma Thresh Trophy belongs to the Natal Carbineers, South Africa's senior regiment. The trophy itself is 16 kilograms of silver, and was donated in 1903 by Emma Thresh, as the shooting trophy for Colonial Forces. The spoon also has a registration number, RD444590, which appears twice on the spoon.

A pair of Russian silver and enamel teaspoons, with twisted stems and decorated enamel bowls and stems. These spoons are 88 grade silver as opposed to the commoner 84 grade, and were made in Moskow, as indicated by the delta (triangle) next to the Kokoshnik. The makers mark we believe to be that of Ivan Khlebnikov, an important maker who received the Imperial Warrant, and who specialised in enamel. The hallmarks are small but discernable. (Note: - as we are not experts in Russian silver, we cannot vouch for our identification).

A Scottish provincial antique silver toddy ladle, in the Fiddle pattern, engraved with script initials TIR. The bowl is quite wide (5.0 cm) and oval in shape. The hallmarks are very clear and well struck, makers mark R&S and the A,B and D of Aberdeen struck separately. Middleton Rettie and Sons worked in Aberdeen between 1824 and 1891, they are known for their very fine silver.

A very interesting Norwegian silver Liberation spoon, made to commemorate the liberation of Norway from German occupation at the end of the Second World War. The spoon has a stylised well built male in Art Deco style with arms aloft holding a circular shield, with the Norwegian crown on a radiating 4 leaf clover, the figure has broken the chains of oppression which connect with the bowl. The circular bowl is embossed "NORGE 1945, BRUTT BLEV LENKER BAND OG TVANG", translated "Broken were chains, ties and constraints", a line taken from Ibsen's Peer Gynt. The back of the spoon is plain, and the hallmarks are clear - makers mark NM, 830.S (830 grade silver), goblet (makers symbol), letter N and MADE IN NORWAY. This particular spoon was made in two different sizes, this is the smaller version, suitable for use as a sugar or jam spoon. Thorvald Marthinsen Solvvarefabrikk was based in Tonsberg. Note: We have sold the larger version of this spoon, S 1721.

A cape silver dessert spoon in the Fiddle pattern, made by Daniel Beets, but with previously unrecorded hallmarks, so a rare spoon. The spoon has no engraving, but the bowl is quite battered, so we can only describe the condition as fair, so this spoon is for hallmarking interest rather than use. The hallmarks include makers mark DB struck twice, interspersed with 3 bird hallmarks, in round punch, this bird punch has only previously been recorded as used by Lawrence Twentyman. As we said this is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the bird punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets did also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probaly used his fathers pu...

A cape silver dessert spoon in the Fiddle pattern, made by Daniel Beets, but with previously unrecorded hallmarks, so a rare spoon. The spoon has no engraving, but the bowl is quite battered, so we can only describe the condition as fair, so this spoon is for hallmarking interest rather than use. The hallmarks include makers mark DB struck twice, interspersed with 3 bird hallmarks, in round punch, this bird punch has only previously been recorded as used by Lawrence Twentyman. As we said this is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the bird punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets did also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probably used his fathers p...

A set of 6 antique silver teaspoons, with finials modelled as British soldiers at the time of the Boer War, described as "Soldiers of the Queen" when originally produced. We believe these spoons were produced to raise funds for the war effort. The soldiers are well modelled, back and front, with good detail, including moustache, chest cross band and putties. The spoons are gilded, and have twisted stems. All 6 spoons are clearly hallmarked on the back of the bowls for Birmingham 1900, this includes a registration mark Rd 352723, which indicates Devenport protected their design. To us the soldiers look like they are wearing the red British uniform with white cross in use at the start of the Boer War, before the change to Khaki to provide better camoflage. British soldiers in red with a white cross on their chests made inviting targets to the Boer marksmen.

A Cape silver tablespoon in the Fiddle pattern, with unascribed maker mark I.D. The spoon has original owners engraved initials, now worn, first letter probably A. The makers mark is very distinctive, I.D in serrated punch, between 2 five pointed stars. This mark is not described in any of the Cape silver textbooks. The reason for ascribing this maker to Cape is that 3 known examples have now appeared, and all were sourced in the Cape, hence the attribution. The first was posted in the WWW.925-1000 silver forum in 2012 by a Cape based South African dealer, where Dognose tentatively ascribed it to American silversmith Jabez Delano (1763-1848), see the post http://9251000.com/forum/viewtopic.php?f=3&t=31240. The photographs supplied have now been used on the ancestry website for Jabez Delano, in our view in error. A second tablespoon appeared on the website of South Africa's leading silver dealer, The Old Corkscrew, described as Cape but unascribed (we agree), item S373, www.theoldcorkscrew.co.za. This spoon is...

A Scottish Provincial silver toddy ladle in the Celtic Pointed pattern, which was only produced in Scotland and Ireland. The ladle is lovely, long elegant handle with circular bowl, and an original engraved family crest of a crescent. The ladle has 3 hallmarks, makers mark RK in rectanglar punch, Edinburgh 3 tower town mark, and a triple cusped Georgian duty mark. We are not sure if these are official or pseudo hallmarks, the Town mark looks a little suspicious, with irregular punch on top, and it should be accompanied by the thistle and date letter if it was struck in Edinburgh. The duty mark with triple cusp is a well made punch so could be genuine, and the makers mark looks a little crude. It could be Robert Keay of Perth but sent to Edinburgh for assay, but we feel these marks are suspicious, so possibly Robert Keay using pseudo marks or another silversmith altogether. Most Robert Keay silver has his eagle mark, but he did sent some silver to Edinburgh for assay. He is known to have used a triple cusp dut...

An early Cape silver tablespoon, in the Hanoverian pattern (with turned up end). The pip at the top of the stem is very pronounced, sufficient that the spoon can "hang" from a finger!. This spoon also has a very unusual "fat" drop, also with a pronounced pip, we have not seen this feature before. This probably indicates the spoon was made early on in Schmidt's career. The spoon has makers mark DHS for Daniel Heinrich Schmidt, described by Heller (History of Cape Silver) as the Cape's "Greatest Silversmith". This spoon is extremely good quality, it is pleasing to hold. The second mark is the bunch of grapes used by Schmidt. Schmidt was originally a soldier and sword cutler from Germany, he arrived in the Cape in 1768 with the VOC (Dutch East India Company). He worked until 1811 (Welz, Cape Silver, pg 139).

An interesting collection of York silver teaspoons, with well struck and interesting York silver hallmarks. The oldest spoon is Old English pattern, the other 5 are Fiddle pattern. The spoons are as follows: 1. Old English, Robert Cattle & James Barber, 1809, Mark 16, Baggott, pg 89 (An Illustrated Guide to York Hallmarks 1776-1858) 2. Barber, Cattle & North, 1828, mark 21 Baggott, pg 89 - half moon journeymans mark, engraved "Kathleen". 3. Barber, Cattle & North, 1831, mark 23 Baggott, pg 90, engraved initials ED in script, contemporary. 4. Barber & North, 1835, mark 24 Baggott pg 90, defect to corner of punch. 5 & 6). Pair, Barber & North, 1844, mark 25 Baggott pg 90, defect to edge of punch. As can be seen form the photographs, the marks are well struck and quite varied. Robert Cattle, originally in partnership with George Cattle, John Hampston and John Prince, took James Barber into partnership in 1808. The partnership was dissolved in 1814. Robert Cattle was Lord Mayor in 1840, he died in 1842 (Mu...

A beautiful scoop in excellent condition, with very clear hallmarks. In addition, this scoop has an interesting bundled snake crest, also in excellent condition. This scoop is also slightly larger and heavier than others we have seen.

A lovely American Arts & Crafts sterling silver caddy spoon, made by respected silversmith Katherine Pratt. The spoon has an unusual but striking curved shovel shaped bowl with a flat terminated bowl edge, most caddy spoons have rounded bowls. The bowl edges are slightly raised, this is a well made spoon. The handle is long and elegant, and very practical for use. The spoon is stamped "STERLING" and "PRATT". These are in different fonts, the Pratt font is quite distinctive and typically Arts & Crafts. Katherine Pratt (1891-1978) has been described as "America's foremost 20th century woman silversmith" although information on her is sparse and her silver is rarely seen on the market today. She graduated from the Boston Museum School in 1914, and trained under both George Hunt and George Gebelein, both leading Arts and Crafts silversmiths. She worked at the Handicraft Shop, and was recognised by the Boston Society of Arts (Craftsman 1916, Master 1918, and the prestigious Medalist Craftsman in 1931, the only fe...

A lovely Georg Jensen sterling silver cream or gravy ladle in the Lily of the Valley (Liljekonal) pattern, with London import marks for 1928. The ladle has a double lip for pouring, and the simple but elegant pattern is struck on both sides. The Lily of the Valley (sometimes called Rose pattern), was designed by Jensen himself and introduced in 1913, it "features a garland that traces the tapering end of the handle, inspired by natural forms". - Georg Jensen, A Tradition of Splendid Silver, Janet Drucker, page 267 - a book we highly recommend. The ladle is clearly hallmarked, makers mark GJ in beaded circle, below 925. The ladle also has clear London hallmarks, with GS for George Stockwell & Co, who imported Jensen silver into London from 1909 - 1931.

A set of six Australian sterling silver souvenir spoons, made by W.J Sanders and retailed by Hardy Bros Ltd. The spoons are coffee spoon size, and have cast finials, 2 kangaroo, 2 koala and 2 kookaburra. The spoons have an attractive cross hatch design to the lower stems, overall they have a lovely arts and crafts feel, we believe they were made by hand. An identical spoon with Koala finial can be seen in the MAAS museum collection, it was part of the Cavill collection. The spoons are all clearly hallmarked with retailers mark "HBrs" for Hardy Brothers, and STG sterling mark. This mark can be seen in the book "Marks on Australian Silver 1950-2005" by Christine Erratt, page 100, which explains this mark was used by WJ Sanders manufacturing for Hardy. The original box reads "By Appointment to her Majesty the Queen, Silversmiths, Hardy Bros Ltd, Jewellers, Australia, Made in England".WJ Sanders was a Birmingham based silversmith who emigrated to Australia in 1911, his business became one of Sydney's leading man...

A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. The spoon has original engraved owners initials "J&MB". This is a lovely, well made spoon, and has pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are photographed in the literature. We now know of 4 known examples, S 1818 (sold) and a pair (S 1971), in addition to this one.

A set of three Georg Jensen serving implements in the Old Danish # 100 pattern (Dobbelt Triflet) pattern, including serving spoon, gravy ladle and meat fork. The pattern has "undulating outlines and a pair of incised parallel lines, square bowls, the overall proportions are reminiscent of much earlier flatware designs, as the name Old Danish implies" Georg Jensen, A Tradition of Splendid Silver, page 269). The serving spoon is medium sized, the gravy ladle has a deep bowl, and the elegant meat fork has 2 tines. All 3 items are clearly hallmarked "Georg Jensen Sterling Denmark", the mark used after 1945. The Old Danish pattern was designed in 1947 by Harald Nielsen, the Artistic Director who took over from Jensen on his death, "his flatware designs Pyramid and Old Danish remain Jensen favorites (page 57 book above).