A set of 6 antique silver teaspoons, with finials modelled as British soldiers at the time of the Boer War, described as "Soldiers of the Queen" when originally produced. We believe these spoons were produced to raise funds for the war effort. The soldiers are well modelled, back and front, with good detail, including moustache, chest cross band and putties. The spoons are gilded, and have twisted stems. All 6 spoons are clearly hallmarked on the back of the bowls for Birmingham 1900, this includes a registration mark Rd 352723, which indicates Devenport protected their design. To us the soldiers look like they are wearing the red British uniform with white cross in use at the start of the Boer War, before the change to Khaki to provide better camoflage. British soldiers in red with a white cross on their chests made inviting targets to the Boer marksmen.

A Cape silver tablespoon in the Fiddle pattern, with unascribed maker mark I.D. The spoon has original owners engraved initials, now worn, first letter probably A. The makers mark is very distinctive, I.D in serrated punch, between 2 five pointed stars. This mark is not described in any of the Cape silver textbooks. The reason for ascribing this maker to Cape is that 3 known examples have now appeared, and all were sourced in the Cape, hence the attribution. The first was posted in the WWW.925-1000 silver forum in 2012 by a Cape based South African dealer, where Dognose tentatively ascribed it to American silversmith Jabez Delano (1763-1848), see the post http://9251000.com/forum/viewtopic.php?f=3&t=31240. The photographs supplied have now been used on the ancestry website for Jabez Delano, in our view in error. A second tablespoon appeared on the website of South Africa's leading silver dealer, The Old Corkscrew, described as Cape but unascribed (we agree), item S373, www.theoldcorkscrew.co.za. This spoon is...

A lovely pair of Early Georgian Hanoverian dessert or Child's spoons, made by the leading Huguenot spoonmaker of his day. The spoons are nicely proportioned, and have a double drop. The spoons are engraved on the back (as is usual for this period) with an interesting original family armorial, an Eagle wearing crown, clutching a quarter circle (sextant?) in its talon. The spoons are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed but still clearly legible, including makers mark PH under acorn for Paul Hanet. The date letter K is also clear, in unusual square outline (only K and M, 1725 and 1727, are not in Norman Shield, the only anomalies between 1561 and 1739), the second spoon is 1726, these hallmarks are worn but still discenable. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first London mar...

A pair of Art Deco silver serving spoons, made by the German firm of Lutz & Weiss in Pforzheim, circa 1930. The spoons have the classic Art Deco pyramid pattern design, repeated on both sides, and an unusual but very practical 4 sided bowl, with rounded edges and a pointed front. The hallmarks include 835S indicating silver of 835 purity, makers mark of intertwined LW in a shield, and a Dutch import mark used since 1906 (V in shaped shield with shaded background), indicating the spoons must have been imported into the Netherlands at some stage. Both sets of hallmarks are clear. Lutz & Weiss Silberwarenfabriek was founded in 1882.

An early Cape silver tablespoon, in the Hanoverian pattern (with turned up end). The pip at the top of the stem is very pronounced, sufficient that the spoon can "hang" from a finger!. This spoon also has a very unusual "fat" drop, also with a pronounced pip, we have not seen this feature before. This probably indicates the spoon was made early on in Schmidt's career. The spoon has makers mark DHS for Daniel Heinrich Schmidt, described by Heller (History of Cape Silver) as the Cape's "Greatest Silversmith". This spoon is extremely good quality, it is pleasing to hold. The second mark is the bunch of grapes used by Schmidt. Schmidt was originally a soldier and sword cutler from Germany, he arrived in the Cape in 1768 with the VOC (Dutch East India Company). He worked until 1811 (Welz, Cape Silver, pg 139).

An interesting collection of York silver teaspoons, with well struck and interesting York silver hallmarks. The oldest spoon is Old English pattern, the other 5 are Fiddle pattern. The spoons are as follows: 1. Old English, Robert Cattle & James Barber, 1809, Mark 16, Baggott, pg 89 (An Illustrated Guide to York Hallmarks 1776-1858) 2. Barber, Cattle & North, 1828, mark 21 Baggott, pg 89 - half moon journeymans mark, engraved "Kathleen". 3. Barber, Cattle & North, 1831, mark 23 Baggott, pg 90, engraved initials ED in script, contemporary. 4. Barber & North, 1835, mark 24 Baggott pg 90, defect to corner of punch. 5 & 6). Pair, Barber & North, 1844, mark 25 Baggott pg 90, defect to edge of punch. As can be seen form the photographs, the marks are well struck and quite varied. Robert Cattle, originally in partnership with George Cattle, John Hampston and John Prince, took James Barber into partnership in 1808. The partnership was dissolved in 1814. Robert Cattle was Lord Mayor in 1840, he died in 1842 (Mu...

A beautiful scoop in excellent condition, with very clear hallmarks. In addition, this scoop has an interesting bundled snake crest, also in excellent condition. This scoop is also slightly larger and heavier than others we have seen.

A lovely American Arts & Crafts sterling silver caddy spoon, made by respected silversmith Katherine Pratt. The spoon has an unusual but striking curved shovel shaped bowl with a flat terminated bowl edge, most caddy spoons have rounded bowls. The bowl edges are slightly raised, this is a well made spoon. The handle is long and elegant, and very practical for use. The spoon is stamped "STERLING" and "PRATT". These are in different fonts, the Pratt font is quite distinctive and typically Arts & Crafts. Katherine Pratt (1891-1978) has been described as "America's foremost 20th century woman silversmith" although information on her is sparse and her silver is rarely seen on the market today. She graduated from the Boston Museum School in 1914, and trained under both George Hunt and George Gebelein, both leading Arts and Crafts silversmiths. She worked at the Handicraft Shop, and was recognised by the Boston Society of Arts (Craftsman 1916, Master 1918, and the prestigious Medalist Craftsman in 1931, the only fe...

A lovely Georg Jensen sterling silver cream or gravy ladle in the Lily of the Valley (Liljekonal) pattern, with London import marks for 1928. The ladle has a double lip for pouring, and the simple but elegant pattern is struck on both sides. The Lily of the Valley (sometimes called Rose pattern), was designed by Jensen himself and introduced in 1913, it "features a garland that traces the tapering end of the handle, inspired by natural forms". - Georg Jensen, A Tradition of Splendid Silver, Janet Drucker, page 267 - a book we highly recommend. The ladle is clearly hallmarked, makers mark GJ in beaded circle, below 925. The ladle also has clear London hallmarks, with GS for George Stockwell & Co, who imported Jensen silver into London from 1909 - 1931.

A lovely Irish Georgian silver tablespoon in the Old English pattern, with an engraved family crest for the Newton family of Dunleckney, County Carlow, featuring a Ducal coronet. The spoon has a pleasing quality, and is in excellent condition, the engraving is also crisp and clear. The crest features a boars head above Ducal coronet (with strawberry leaves), with 2 ostrich feathers above the coronet. The spoon is also engraved with owners initials N/GG on the drop. The hallmarks are clear, the makers mark JB has slight wear to the J. John Bayly worked between 1787 and 1804 (Bennett mark 204). This spoon would have been made for Colonel Philip Newton (1770-1833) and his wife Sarah when they inherited the Dunleckney estate in 1802. Note - We have a matching pair S11388.

An interesting boxed set of 2 serving spoons, with a very unusual spoon design we have not encountered before. The spoons have gilded bowls, tapered flat stems with a beautiful baluster or urn finial. The hallmarks are clear on both spoons. We welcome information as to if thses spoons were produced for a specific purpose, or were replicas of an earlier spoon. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. Note - We have an identical pair of these spoons, S 11282, in original box, and dated 1921.

A set of six Australian sterling silver souvenir spoons, made by W.J Sanders and retailed by Hardy Bros Ltd. The spoons are coffee spoon size, and have cast finials, 2 kangaroo, 2 koala and 2 kookaburra. The spoons have an attractive cross hatch design to the lower stems, overall they have a lovely arts and crafts feel, we believe they were made by hand. An identical spoon with Koala finial can be seen in the MAAS museum collection, it was part of the Cavill collection. The spoons are all clearly hallmarked with retailers mark "HBrs" for Hardy Brothers, and STG sterling mark. This mark can be seen in the book "Marks on Australian Silver 1950-2005" by Christine Erratt, page 100, which explains this mark was used by WJ Sanders manufacturing for Hardy. The original box reads "By Appointment to her Majesty the Queen, Silversmiths, Hardy Bros Ltd, Jewellers, Australia, Made in England".WJ Sanders was a Birmingham based silversmith who emigrated to Australia in 1911, his business became one of Sydney's leading man...

A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. The spoon has original engraved owners initials "J&MB". This is a lovely, well made spoon, and has pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are photographed in the literature. We now know of 4 known examples, S 1818 (sold) and a pair (S 1971), in addition to this one.

A set of three Georg Jensen serving implements in the Old Danish # 100 pattern (Dobbelt Triflet) pattern, including serving spoon, gravy ladle and meat fork. The pattern has "undulating outlines and a pair of incised parallel lines, square bowls, the overall proportions are reminiscent of much earlier flatware designs, as the name Old Danish implies" Georg Jensen, A Tradition of Splendid Silver, page 269). The serving spoon is medium sized, the gravy ladle has a deep bowl, and the elegant meat fork has 2 tines. All 3 items are clearly hallmarked "Georg Jensen Sterling Denmark", the mark used after 1945. The Old Danish pattern was designed in 1947 by Harald Nielsen, the Artistic Director who took over from Jensen on his death, "his flatware designs Pyramid and Old Danish remain Jensen favorites (page 57 book above).

A British Bulldog Club antique sterling silver trophy spoon, which is in excellent condition. The spoon features a well modelled bulldog head, above legend "THE BRITISH BULLDOG CLUB". The spoon is based on a single struck Kings pattern, but was specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1892, and still operates today (although I doubt they still have such beautiful silver spoon trophies!). The hallmarks are clear, this spoon was made in Birmingham in 1906 by J A Restall & Co, who worked between 1881 and 1934.

An interesting coin silver American Fiddle pattern tablespoon, made by Samuel Kirk in 1822. The spoon has original owners script initials JMC. The spoon has 4 hallmarks, makers mark S.Kirk in script in rectangular punch for Samuel Kirk, Baltimore Coat of Arms shield mark in clipped corner rectangle (quality mark), date letter F for 1822 and Head of Liberty mark. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, including Kirk, who petitioned for its repeal. Thomas Warner was the Baltimore Assayer between 1814 and 1823, so he would have struck these marks. Samuel Kirk began working as a silversmith 1815, he founded the very successful firm of S. Kirk & Sons in 1846, it became the oldest surviving silversmithing ...

A Danish modernist silver strawberry serving spoon, in Georg Jensen style. The spoon is beautiful, and is a good weight and quality. The spoon has a large circular bowl, with a pierced strawberry leaf design, to allow the juices to be drained before serving. The handle is cast, and has 2 well designed strawberries amongst foliage, these are embossed so provide a nice grip for the handle. This spoon is a useful size, suitable for serving other items besides strawberries. The spoon has 4 hallmarks, all of which are well struck and clear. The Danish 3 tower mark and date letter 33 for 1933 indicates purity of 826/1000, the SJ assay master mark (Stadtsguardein) for Johannes Siggaard (worked between 1932 and 1960). The 3rd mark is "Haandarbejde" indicating this item was made by hand, and the 4th mark is the script F surrounded by oval dots, the assay master mark for Frederik Fabritius, who worked between 1787 and 1823. The presence of this older assay masters mark is a mystery, it has also been observed on other D...

A lovely Art Deco Norwegian silver spoon, made to commemorate the unveiling of the Mor Og Barn (Mother and Child) statue in Sandefjord. The spoon has an embossed copy of the statue, a naked mother holding her baby in front of her, standing on a plinth. The rounded bowl has a stunning embossed view of Sandefjord, the detail is exquisite, complete with boats in the harbour, church steeples, houses and trees, with "SANDEFJORD" underneath. The Art Deco look and feel of the spoon is completed with the 8 pillars at the top of the handle. The hallmarks include silver mark 830S (830 grade silver) and makers mark of a goblet in an oval punch for Thorvald Marthinsen of Tonsberg. The original bronze statue is by Norwegian sculptor Arne Durban (1912-1994), who was known for his naturalistic work, his work is featured in over 30 Norwegian towns. It was unveiled on 17 May 1950 (Norwegian Constitution Day), which celebrates Norway becoming an independent kingdom in 1814. This spoon has been described by the website www.spoo...

A very interesting Norwegian silver Liberation spoon, made to commemorate the liberation of Norway from German occupation at the end of the Second World War. The spoon has a stylised well built male in Art Deco style with arms aloft holding a circular shield, with the Norwegian crown on a radiating 4 leaf clover, the figure has broken the chains of oppression which connect with the bowl. The circular bowl is embossed "NORGE 1945, BRUTT BLEV LENKER BAND OG TVANG", translated "Broken were chains, ties and constraints", a line taken from Ibsen's Peer Gynt. The back of the spoon is plain, and the hallmarks are clear - makers mark NM, 830.S (830 grade silver), goblet (makers symbol), letter N and MADE IN NORWAY. This particular spoon was made in two different sizes, this is the larger (and rarer) version, suitable for use as a serving spoon. Thorvald Marthinsen Solvvarefabrikk was based in Tonsberg. Note - we also have the smaller version of this spoon, S11410.

A rare arts and crafts silver spoon, possibly a jam spoon, made for the iconic Liberty's department store in London. The spoon is very unusual, with a design and decoration we have not seen before. The spoon is hand made, and has a very heavy gauge, this is a lovely spoon to hold and use. The spoon has a "knob" on the stem, which adds to the attractiveness but which also has a practical use in increasing the grip. The engraved decoration is very simple floral design, the circles have been punched in. The small circles, both on the handle and in the bowl, were used to simulate rivets. The hallmarks are very clear, the L&Co makers mark in diamond punch is clear but slightly worn. The spoon also has it's own unique design number, 2339, perhaps some-one with access to the Liberty archives will be able to do further research. It is also interesting to note that this spoon was made early on during the First World War, before production was diverted to the war effort. Liberty used his shop to showcase the work of le...