A set of 8 Cape Silver tablespoons and table forks (4 of each) in the Old English pattern, all with original owners engraved initials JM in script. The forks are lovely, long and elegant, and in great condition, the spoons have seen more use, with wear to the bowls. The spoons have wide circular drops, more continental in style. Six pieces (4 spoons and 2 forks) have additional initials AFDT engraved on the back of the stems, we assume an earlier owner, the AFDT showing signs of wear. Seven items have excellent hallmarks (makers mark IC and crude anchor, Welz mark 25), one fork has different marks, makers mark IC struck with a worn punch (Welz mark 29) and what appears to be crowned leopards head (clearly struck but worn punch, outline clear but no detail). Combrink had a long career, and this IC mark with worn punch is well known, it is assumed the punch became worn over time. The crowned leopard town mark is more of a mystery, this punch was used by Twentyman and Waldek (Welz 135 and 163), and is unknown by...

A set of 13 sterling silver Apostle spoons, as follows: The Master, St. Peter, St. John, St. Matthew, St. Andrew, St. Philip, St. Jude, St. James the Greater, St. James the Less, St. Matthias, St. Simon, St. Thomas, and St. Bartholomew. The Apostles are well modeled, with lovely detail, as can be seen from the photographs. For example, St. Peter has keys, St. Simon a saw, St Andrew a cross, St. Jude an axe, and St. James a staff and bible. The spoons are from a set (no 117), issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. All the spoons have the Apostle's name engraved on the stem, and the set number 117. They come complete with original signed certificate and explanatory booklet, with information on all the apostles, origin and how they were made, also the original advertising letter. Note: We have sold a previous set...

Two Cape silver tablespoons (not a pair), but both in Old English pattern and both by Johannes Combrink. The first has engraved owners initials JM in script, this spoon has excellent hallmarks, makers mark IC and the anchor (Welz mark 25), and a rounded drop. It also has the initials AFDT struck on the back of the stem, we assume another owner. The second has a slightly wider handle, no initials, and very clear makers mark IC (Welz mark 32).

A delightful Georgian silver caddy spoon, heart shaped with a deep bowl, with a bifurcated stem, thread pattern and coffin end. The bifurcated stem is quire a fragile design, hence the old repair where the handle has been rejoined to the bowl. The spoon has very clear hallmarks in the bowl, as well as an additional makers mark on the handle. Matthew Linwood was a highly regarded silversmith described by Delieb as "produced some of the finest of all the Birmingham boxes" in his book "Silver Boxes". He is also well known for his caddy spoons. A very similar caddy spoon was part of the John Norie collection, depicted as lot 187 (Part 1, Woolley & Wallis, 2004). This particular spoon was made by Josiah Snatt in London 1801.

An interesting hand crafted silver spoon, made to commemorate the 500 Anniversary of the Worshipful Company of Carpenters in 1977 by Gerald Benney, one of the most influential British silversmiths of the second half of the 20th century. The spoon is a lovely shape, almost puritan in style, and is engraved with the coat of arms of the Carpenters company above the dates 1477 and 1977. The spoon is the size of a large teaspoon, these were awarded as gifts to Liverymen. The coat of arms can be read as "a field silver, a chevron sable (black) grailed and three compasses of the same", the compasses represent carpenters tools and the chevron a roof support. The hallmarks are excellent, they could not be better, and include makers mark AGB in cojoined circles and Silver Jubilee mark used in 1977. Gerald Benney is included as one of the top 50 British silversmiths of his era in the book "Designer British Silver 1930-1985", pgs 86-105, by Andrew & Pearson, a book we highly recommend. He is the only British silversmith ...

A lovely hand hammered Portuguese silver Arts and Crafts spoon, with a blue stone cabochon set in the handle, possibly turquoise. The spoon is a pleasing gauge, quite heavy, this is a good quality hand made spoon. The spoon has a rounded bowl with quite a long handle, so possibly a jam spoon or sauce ladle. The hallmarks include "Pedro A Batista", a very small Portuguese standard mark (eagle facing left above 925, in rectangular canted punch for Porto), and additional makers mark of crossed hammer and spanner.

A set of 6 antique silver teaspoons, with finials modelled as British soldiers at the time of the Boer War, described as "Soldiers of the Queen" when originally produced. We believe these spoons were produced to raise funds for the war effort. The soldiers are well modelled, back and front, with good detail, including moustache, chest cross band and putties. The spoons are gilded, and have twisted stems. All 6 spoons are clearly hallmarked on the back of the bowls for Birmingham 1900, this includes a registration mark Rd 352723, which indicates Devenport protected their design. To us the soldiers look like they are wearing the red British uniform with white cross in use at the start of the Boer War, before the change to Khaki to provide better camoflage. British soldiers in red with a white cross on their chests made inviting targets to the Boer marksmen.

A lovely set of 6 Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight, just under 20 grammes each. The spoons have no engraving with no initials removed, completely original. All 6 spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons.

A fabulous sterling silver basting spoon (gravy or serving spoon) in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The basting spoon is a substantial size and weight, the quality is excellent. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.

A set of six Cape silver teaspoons in the Fiddle pattern, by Daniel Beets. All 6 spoons have original owners engraved initials JMB. All 6 teaspoons are clearly hallmarked in the same way, with makers mark DB struck twice, alternating with a pseudo Lion passant standard mark, also struck twice. This is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the lion passant punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets dis also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probaly used his fathers punches, no marks are recorded for him. We postulate these could possibly be Daniel Beets Junior, sharing pseudo punches with fellow silversmiths, a practice that is known to have happened.

An interesting Old English pattern soup ladle, made in Newcastle in 1804 by Ann Robertson, widow of John Robertson I. The ladle is larger than usual, with a long bevelled handle, and original owners engraved script initials IAJ. The hallmarks, which are well struck and clear, are interesting as both the lion passant and the duty mark have been overstruck by a smaller different punch in each case. The hallmarks include makers mark AR, Newcastle townmarks (3 castles and leopard's head crowned), and date letter O for 1804. Both the lion passant and duty mark have been carefully overstruck in the top left hand corner, using smaller lion passant and duty mark punches, the duty punch outline is also a different shape. The care of the overstrike leads us to believe this was done deliberately by the assay office, perhaps to indicate a change of duty or the arrival of new punches in the Newcastle assay office. (we welcome assistance as to the cause of this interesting hallmarking anomaly). Note: Miles Harrison, in his...

A rare west country seal top silver spoon, with a Salisbury Group A finial. The seal top is prick engraved "E.B over T.B, 1661", indicating the celebration of a marriage. The bowl is fig shaped, and the stem is tapered and faceted. A small rat-tail connects the bowl to the stem. The seal top join is clearly visible at the back of the spoon, a horizontal join, as opposed to V joint seen on London spoons. The seal top is a decorative baluster casting, of substantial size, decorated with scrolls and gadrooning. This has been described by Tim Kent as a "Salisbury Group A" (Salisbury Silver and its Makers, 1550-1700, Silver Society Journal 3), where similar examples are illustrated on page 16. Kent has recognised that many West Country seal tops of the period were made by one silversmith who specialised in seal top castings, and who distributed them to the silversmiths of the area. Kent also identifies John Smith II as one of the silversmiths who used these (he cites an example of a Salisbury type B found on a sea...

A rare set of 6 Scottish Provincial teaspoons, with engraved initial J. They are an unusual pattern, Fiddle without shoulders, and the edges are bevelled. Each spoon is slightly different, clearly each spoon has been made individually by hand. Each spoon is hallmarked with 3 "pot of lilies" followed by makers mark WC. The marks on 3 spoons are excellent, well struck and very clear, on 2 the bottom right hand corner is not visible, and on 1 spoon the marks are partially visible (but the pot of lilies still clearly visible) - as is often found with makers individually struck by hand. The pot of lilies townmark (azure a pot of growing lilies argent) is taken from the arms of the Burgh of Dundee (Jackson pg 598). Each pot has 3 lilies and 2 handles clearly visible.

A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922.

A lovely pair of Early Georgian Hanoverian dessert or Child's spoons, made by the leading Huguenot spoonmaker of his day. The spoons are nicely proportioned, and have a double drop. The spoons are engraved on the back (as is usual for this period) with an interesting original family armorial, an Eagle wearing crown, clutching a quarter circle (sextant?) in its talon. The spoons are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed but still clearly legible, including makers mark PH under acorn for Paul Hanet. The date letter K is also clear, in unusual square outline (only K and M, 1725 and 1727, are not in Norman Shield, the only anomalies between 1561 and 1739). The lion passant and crowned leopards head town marks are partially visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first Lond...

A Rare Set of 6 Liberty & Co. Japanese Sterling Silver Gilded Octopus Teaspoons, made by Sadajiro of Musashiya (Yokohama), these were amongst the first silver items imported by Arthur Lasenby Liberty for his Liberty Arts & Crafts Department store. The spoons have octopi finials, bamboo cane handles, and ormer (abalone) shell bowls, what is remarkable is that each octopus is different. The octopi have been described as "comical, scratching their heads or frowning, adding a wonderful touch of humour" - Simon Moore, Artists Spoons, page 50. The spoons are beautifully gilded, and retain much of the original gilding, their is slight wear on the handles from use. This gilding of the entire spoon is unusual, we have seen other sets without gilding and one set with gilded bowls only. The spoons are well preserved in their original wooden Liberty & Co. box, with green plush velvet interior and green leather exterior with the Liberty logo stamped in gilt lettering, it reads "Liberty & Co. Ltd. Jewellers 218a Regent St....

A lovely Irish silver Bright Cut Celtic Point tablespoon, with traditional Dublin Star cut on the terminal. The spoon has an oval cartouche, with engraved family crest of a Griffin holding branch with leaves, this is crisp and clear. The spoon is bottom marked, and unusually has excellent hallmarks (bottom marked hallmarks are oftern squashed), they could not be better. The include Dublin Hibernia and Harp Crowned, date letter O for 1786, and makers mark J.S for John Shiels (or Sheils) who worked between 1762 and 1790.

A Russian silver Fiddle pattern tablespoon, with very clear hallmarks, including town mark for Tallinn (now Estonia). The town mark is a shield containing 3 lions, and was used between 1842 and 1920 (Watts, Russian Silversmiths Hallmarks). The assay masters mark is very clear (YaN), the mark is recorded by Watts but unknown (pg 89). The makers mark CRH for Carl Reinhold Hefftler is very clear (we previously had this incorrectly identified as Rubert Hermann). The spoon has scripted initials "G et WP" on the front, and "H&TJ" on the back next to the hallmarks.

A beautiful set of 6 art deco gilded sterling silver and enamel coffee spoons, with seal top finials. The gilding is a deep yellow colour, which provides a lovely contrast to the enamel. The back of the spoon bowls are beautifully decorated with fan shaped guilloche enamel, in 6 different bold colours (green, red, yellow, purple and light and dark blue). Guilloche enamel is a technique where a precise pattern is engraved on the silver base using a rose engine lathe, also called engine turning. The hallmarks on all 6 spoons are clear, including makers mark SLd for William Suckling Ltd, who worked between 1922 and 1955.

A Cape Silver lemoen lepel, (orange spoon), in good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The spoon has a slight copper tinge, this is exaggerated in the photographs. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922 and single S 1923.