A pair of Georg Jensen Parallel or Relief pattern salad or vegetable servers, in the Parallel pattern, also called Relief # 25 pattern. They are a lovely classic Art Deco shape, with rectangular handles with serrated edge design, and the rare additional of 2 circular "wings" midway up the handle. Both have clear hallmarks, the GJ in rectangle makers mark (used between 1933 and 1944) above "Sterling Denmark". The fork also has additional London import marks for 1936, and the G.J Ld makers mark used by the London Jensen shop. The parallel pattern is interesting most of the smaller items have no "wings", a few of the larger serving items have scroll "wings" , the circular "wings" present here appear to be the rarest addition to the pattern. The pattern was designed in 1931 by Oscar Gundlach-Pedersen, a famous Danish architect who designed a number of important buildings. He was born in 1886, he served as Georg Jensen's last apprentice in 1911, he later returned to the Georg Jensen firm as Manager and Artistic D...

A magnificent set of unusual silver gilt cast teaspoons and sugartongs, all of exceptional quality, in original silk lined leather box. Each individual spoon is a replica of an earlier spoon design, covering 300 years of spoon history. They include (as best we can identify): 1. Moors head, twisted stem 2. Onslow with flowers 3. Bearded monks head (Rococo) 4. Pierced handle (rare 18th century design) 5. Apostle spoon. pilgrims staff and book 6. Bacchus (Roman clothes) holding wine goblet 7. Stag with antlers 8. Aphrodite, Goddess of Love, dancing with tambourine 9. The devil, with horns 10. Warrior with raised arm, helmet and brestplate 11. Angels head (blowing clouds?) 12. Cherub's head, ornate stem 13. (Sugartongs) Cupid with wings. Manoah Rhodes was established in Bradford, Yorkshire in 1836, Thomas Ackroyd Rhodes was appointed Managing Director in 1888. He lived in Frizinghall and Thornbury in Bradford. They also had premises in Hatton Gardens, London. They were Diamond merchants, Goldsmiths ...

A rare Irish provincial silver toddy ladle made in Cork, but hallmarked in Dublin. The ladle is circular with a lip for pouring, and has a whale bone handle. The ladle is beautifully decorated, with embossed flowers, leaves and scrolls, on a stippled background. The pouring lip is decorated with a "sunburst" collar. The decoration is typical of the Irish silver of the 1820 period, with floral repousse (embossing) on a background stippled to a matt finish (Bennett, Collecting Irish Silver, pg 79). The whalebone handle is 4 sided, and has an unusual knop end, the circular knob set above silver banded decoration. The hallmarks are all very clear, including makers mark PG in oval outline (Cork mark no. 80 in Bennett). The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1812 and 1845, appe...

A rare surviving set of 6 Georgian silver table knives, in the Fiddle Thread and Shell pattern, with silver as opposed to steel blades. The knives are in remarkable condition and are suitable for use. The knives have an engraved family crest, an eagle sable preying on a partridge, under an Earl's crown, with 5 pearls. This is the family crest of the Earls of Onslow, the first Earl George Onslow died in 1814 so we assume these knives were made for Thomas Onslow, when he became the 2nd Earl Onslow. Thomas Onslow was born in 1754, he was Member of Parliament for Rye and Guildford. He was an associate of the Prince of Wales (later King George IV), and guarded the door when the Prince secretly married Mrs Fitzherbert (source Wikipedia). The hallmarks are clear on all 6 knives, both on the silver blades and on the handles, including makers mark MB for Moses Brent. Moses Brent was freed in 1770 as a haft-maker, he worked until 1817. Grimwade, in his book London Goldsmiths 1697-1837, states "Brent had a virtual monop...

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), no sets like this one are recorded in the Cape silver reference books, but we have previously sold a similar set (S1812). Neither the spoon nor fork are hallmarked, but the style and decoration of them leave no doubt they are Cape in origin. The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, rounded drop, and triangular terminal. The matching fork has 4 tines, both feature matching traditional Cape prick engraving with a 8 pointed star. Both are punched with initials DM, we assume the original owner. Welz describes orange spoons as "probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg. 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes orange spoons as "exquisite". Mo...

A fabulous Belle Epoque French silver 950 standard flatware set for 6, in the beautiful Louis XV pattern, by renowned Parisian silversmith Emile Puiforcat. This 12 piece luncheon or dessert set has 6 spoons and forks, finely decorated on both sides with scrolls and foliage, the pattern also extends around the top of the bowls, which is quite unusual. Louis XV is an early Puiforcat pattern, long out of production, so rarely seen today. The spoons and forks are lovely quality, the forks have long elegant tines, and are in excellent condition, with no monogrammes. Two hallmarks are present, makers mark EP in diamond lozenge, with penknife (un canif) between the letters, and French Minerve 1st Standard mark, with 1 next to forehead, indicating 950 purity (so higher purity than sterling 925). 4 Spoons and 4 forks have both marks clearly struck, 2 spoons and 2 forks have no hallmarks. Emile Puiforcat established his business in 1857 at 18 Rue Chapon, it still exists today and is known as of of the leading French si...

A rare and attractive Cape silver fish slice with an engraved fish on the blade between a row of leaves. The blade is pierced by hand and the engraving is typically Cape including the straight and wavy dotted decoration around the edge. The blade is quite large and oval in shape, and the Fiddle pattern handle is quite short. The join between handle and blade is visible, but is clearly original as the decoration over-rides the join. The hallmarks are very clear, makers mark IC between 2 shell devices (Welz mark 26), all well struck. Cape silver fish slices are quite rare, and ones with an engraved fish even rarer. Welz (Cape Silver) mentions that Twentyman was the only Cape silversmith who added the engraved fish (now clearly incorrect), one by Twentyman is pictured in Heller (A History of Cape Silver, pg 168, plate 74). The engraved fish on the Twentyman slice is very similar in style and design to this one, we hypothesize it was engraved by the same engraver.

A magnificent set of 13 gilded silver Italian apostle spoons, featuring the 12 apostles on the smaller spoons and the "Master" on the larger spoon - all in their original box. They are extremely good quality and well made, the cast finials have very fine detail. The stems are twisted with a beaded design, and a winged female angel joins the bowls to the stems. Each apostle is named on the back of the finial in Italian - (S. Pilip, Giag, Paol, Luca, Mat, Bart, Piet, And, Tom, Mar, Giov, Sim). The spoon bowls are all made of silver coins (Piastra's) from the Papal States (which included most of central Italy in the 18th century) dated between 1676 and 1802. The coins have the Papal Arms for the following Popes: Innocento XI (1676-1689), Alessandro XIII (1689-1691), Innocento XII (1691-1700), Clement XI (1700-1721), Clement XII (1730-1740), Clement XIV (1769-1774), Pius VI (1775-1799) and Pius VII (1800-1823). Two of the coins, dated 1691, are "Sede Vacante" - translated "The Seat is Empty", meaning they were m...

A ceremonial Indian Colonial Victorian silver trowel, used to commemorate the laying of the foundation stone of a L.M.S (London Missionary Society) church in India. The trowel is the traditional shape but quite small and dainty, it has a turned wooden handle, and a rounded blade. The handle has a silver band around the handle where it joins the silver blade, this has the same decoration as the blade. The band and top of the trowel is engraved with scrolling flowers, in addition the top of the blade has been finely prick engraved with a flowing pattern (each prick is triangular), probably added by a local craftsman. The trowel has no hallmarks at all. The back of the trowel is engraved "WITH THIS TROWEL A. SPICER ESQ LAID THE FOUNDATION STONE OF THE L.M.S. CHURCH AT SUNKE RYDROOG SALEM S. INDIA ON THE 25 th NOVr 1882". As you can see from the photographs, the engraving is very quaint, with uneven sized letters, and words flowing into one another, we assume it was done by a local silversmith who did not speak E...

A unique antique silver letter opener, with 3 gold sovereigns set in the handle, which has an attractive open scrollwork design, with a central silver ball. The handle fits well into the hand, it feels similar to holding a sword or dagger! The opener is good quality and is a good weight. Two sovereigns are Victorian (dated 1854 and 1879) and one is Edwardian (dated 1904). The sovereigns are aligned by the date letters, all at the base on the same side, indicating the date has significance. The dates are all 25 years apart, so we assume the opener was specially commissioned to celebrate a 50th wedding anniversary, which is traditionally celebrated with gold. The couple would have married in 1854, celebrated their 25th anniversary in 1879, and their golden anniversary in 1904. We cannot imagine a nicer golden wedding anniversary present! The hallmarks are clear. Andrew Barrett & Sons worked at 63 Piccadilly between 1844 and 1970. The sovereigns are also in fine condition, they are 22 millimetres in diameter, an...

Pair of Old English serving spoons of good gauge, with a nice feel.They are perfect for use as heavy duty serving spoons. They have an interesting crest of a tulip in front of 2 crossed crosses, each cross arm bearing another cross. Hallmarks very clear. We have now identified the crest, described as "a white lily, stalked and leaved, surmounted by two crosses, crosslet, fitchedin saltier, the is the crest of Elias Chadwick of Pudleston Court, Leominster, the crest is depicted in the book "Fairbairn's Crests", plate 126a no 15, and described on page 102. The family motto is "In candore decus", translated "the beauty of whiteness". Elias Chadwick was a Lancashire coal baron, he bought Pudleston Court in 1845 and rebuilt the current castle like mansion (it was a hospital in WWII which hosted the vet and author James Herriot). Chadwick was a buisnessman (also involved in the local railways) and generous benefactor, his life took a turn for the worst in 1865 after his wife died and he was accused of "committing a...

Very rare set of plain fiddle pattern Scottish provincial sugar tongs with extremely clear hallmarks on both arms - AS TAIN. Initials GC engraved on bow. Stewart was a very skilled craftsman (Quick, Ballance of Silver) who originally worked in Inverness (1796 - 1812), then moved to Tain. He died in 1841. Only 160 pieces of Tain silver by Stewart are known to exist, and only three quarters of these have the TAIN townmark. (Quick, Ballance of Silver). Tain, which has long been a pilgrims destination visiting St Duthac's shrine, is the home of Glenmorangie Whisky, made by "The 16 men of Tain".

A beautiful pair of French sterling silver salad servers in the Sceaux pattern, that carries the marks of 2 of France's greatest silversmiths - Christofle and Cardeilhac. The quality and weight of this pair is outstanding, they are a joy to use. They are the traditional shape, the fork has 3 fat tines, and both have a matched shaped cut-out where the bowls join the handles. They are double struck (pattern repeated on both sides), and they have not been engraved. The Sceaux pattern was produced by Christofle Cardeilhac between 1983 and 1999, it is similar to the classical Fiddle, Thread and Shell pattern. Cardeilhac produced a print advertisement aimed at the US market featuring the Sceaux pattern in 1983, with the tagline "Even in France only a few own Cardeilhac Sterling", this ad can be seen on Ebay. Both pieces are clearly hallmarked with 4 hallmarks in the bowls, these include 1. the Christofle makers mark (diamond punch, 3 stars with bee below, OC for Orfevre Christofle), 2. the Cardeilhac makers mark (c...

A 24 piece set of Georg Jensen sterling silver Cypress pattern flatware, consisting of 6 dinner knives, 6 dinner forks, 6 dinner spoons and 6 soup spoons. This set has a lovely elegant design, we particularly love the soup spoons. The spoons and forks are all sterling silver, the knives have stainless steel blades, also engraved "GEORG JENSEN DENMARK", and the usual hollow silver handles, the knives are serrated on one side and have an indent at the top of the blade. This is a vintage set dating from 1960, all 24 pieces are fully hallmarked. The hallmarks include "GEORG JENSEN" in oval dots, above "STERLING DENMARK". All 24 pieces also carry London import marks, sponsors mark G.JLd for Georg Jensen (their London branch), oval U import mark, .925 sterling mark and date letters e and f for 1960 and 1961. The Cypress (or Cypres) pattern is #99 in the Jensen catalog, it was designed by Tias Eckhoff in 1954. The Cypress pattern won the design competition held for the 50th anniversary of the founding of the Georg J...

Attractive set of antique Tiffany sterling flatware in the rare Tiffany pattern, comprising matching set of Tablespoons, Tableforks, Dessertspoons and Dessertforks (6 of each). The Tiffany pattern (pattern No 1 in the book "Tiffany Silver Flatware, 1845-1905) was designed by Edward C Moore, and was the first pattern he designed. The pattern is lovely, described as "Renaissance Revival, with modified Greek double scroll with shell like antefix and honeysuckle blossom" in the Tiffany Flatware book. It was produced between 1869 and 1917. In 1956 this pattern was re-introduced as the Beekman pattern, which does not have the intriguing scrolls that protrude halfway up the stems. Each piece has a monogram JHC, and each is clearly hallmarked "C Tiffany & Co, Sterling, PAT 1889". They are of exceptional quality, as you would expect from Tiffany, and are all a good weight. The Tiffany Silver Flatware book describes this pattern as "rare, seldom seen" (page 171). This pattern was the first flatware pattern that Tiffany...

A pair of Georgian silver salad servers, made by a rarely encountered silversmith Henry Day, who only worked for a few years prior to being sentenced to death for counterfeiting, after which his sentence was reprieved and changed to "transportation for a period of 7 years". The servers are Fiddle pattern, the spoon has a pear shaped bowl, the fork a more rounded bowl with 5 tines cut into the bowl end. Both are engraved with a family crest of a Lion Rampant, this is finely engraved and very clear. Both are clearly hallmarked for London 1821 with makers mark H.D, (Grimwade 981) both also have a Journeyman's mark (one a cross, one 2 dots). On careful examination of the hallmarks we believe these to be genuine. Henry Day was freed in 1817, he first worked for his father, this mark was registered in 1820. An interesting article by Trevor Downes entitled "An example of the Counterfeiters' Art, The work of Henry Day" was published in the Finial (March 2011, page 6), explains that Day's workshop was raided by the Go...

A lovely set of 5 18th century Dutch silver Hanoverian pattern 3 pronged forks, with a matching 6th fork made slightly later by another maker, we assume to replace a loss shortly after they were made. The forks are quite plain and elegant, with turn down ends, and a prominent drop and pip, the "Amsterdam Lofje", characteristic of spoons and forks from Amsterdam. The forks have no engraving or monograms. All the forks have makers mark HK in script for Hendrik Kamerlingh II, who worked between 1730 and 1776, and Amsterdam town mark (crown above 3 crosses). The 6th fork has makers mark HO for Hendrik Overhulsman, who worked between 1790 and 1811, also with Amsterdam town mark. All 6 makers and town marks are slightly squashed, this is usual on 18th century bottom marked flatware as the spoon maker would have re-hammered the stems after return from the assay office, as the stem would bulge when the marks were struck. All 6 forks have an additional hallmark, V in shield under a crown, this is a Dutch tax mark used...

A set of 6 Gorham sterling silver dessert sized forks in the Strasbourg pattern, first launched in 1897. The forks are fabulous quality, as you would expect from Gorham, and are in excellent condition and without any monograms or engraving. The forks have 4 tines, these would be described as salad forks in the USA. The beautiful and graceful Strasbourg pattern is inspired by French rococo style, with a series of different sized scrolls, with shells on the finials and heels. Strasbourg, designed by William Codman who was Gorham's chief designer from 1891-1914, is described by Gorham as "one of the best loved of all Gorham designs", and according to Pinterest it was used on Air Force One, (U.S. Presidents aeroplane). All 6 forks are clearly hallmarked with the Gorham lion, anchor and gothic G, alongside STERLING and PAT. 1897. They also have an additional T hallmark, we believe this was used briefly by Gorham at the turn of the century, to denote a specific weight (T for Trade, H for Heavy). Gorham Corporatio...

A fabulous pair of Rat-tail Hanoverian Pattern serving implements, consisting of a basting spoon and 3 pronged serving fork. These are modern reproductions of an 18th century design, but the quality is superb, they are a pleasure to hold and use. No engraving is present on either item. Both are clearly hallmarked with 5 hallmarks, these are large hallmarks and have been carefully placed, to be part of the overall design. The hallmarks include makers mark AHN in inverted heart punch for Anthony Haviland-Nye, he worked between 1968 and 2003, "specialising in high class 18th century reproduction silver" (source William Walter Antiques). The remaining marks include lion passant, London leopards head town mark and 925 sterling standard mark, note the hallmarks have been struck in a different order, and one 925 mark is struck at right angles. The last mark, which shows the bust of Queen Elizabeth wearing a crown looking right, in a dome topped punch, could be mistaken as a duty mark, but is actually the Golden Jubi...

An interesting and rare set of 11 York Georgian silver Old English pattern tableforks, by the York makers Hampston & Prince, with a matching London tablefork. All 12 forks have the same engraved monogram HWT which is original. The forks consist of 4 dated 1789 (date letter C), 4 dated 1793 (date letter g), 3 dated 1794 (date letter h), and the London example dated 1809 by Robert Rutland, a spoonmaker. The forks have lovely balance and shape, very elegant, with long tines and a strong turn-ups at the end of the forks. The London fork matches well but has shorter tines, possibly from wear, what is interesting is that the 11 York forks are noticeably better quality (and weight) than the London example, which has an old repair on one tine (this goes against conventional wisdom that London made flatware is better quality than provincial - we feel this proves the opposite). The hallmarks are excellent, and demonstrate that many different punches were in operation at the York office at the same time, and that stand...