An interesting pair of Scottish sterling silver miniature triangular bowls, intended as salt cellars, reproductions from the Traprain Treasure. The bowls have a large beaded rim, and rest on a circular foot, these are miniatures of the set we have (S 1099). They are quite heavy and well made. The hallmarks are very clear, Scottish thistle, Edinburgh castle and date letter X for 1928, along with "Brook & Son, Edinburgh. The bowls also have an additional hallmark, stylised S in diamond punch, this mysterious S in diamond punch is also present on other Traprain treasure reproductions, so we assume it was used by Brook on the Traprain reproductions. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street, they had a Royal Warrant from King George V (Hamilton and Inches today). The bowls are reproductions of a Roman bowl that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lot...

A Regency silver sauce boat, by the highly respected firm of Emes and Barnard. The sauce boat is the traditional shape, with leaf capped flying scroll handle, 3 shell and hoof feet, and heavy cast gadroon border. The boat is a generous size and weight, over 330 grammes, this is a good quality sauce boat, as you would expect from these makers. The boat has a lovely engraved family crest, a church with spire, with crosses on the roof and spire. The hallmarks are very clear, including makers mark RE over EB and date letter e for 1820. Rebecca Emes was married to John Emes, who was in partnership with the Chawners, he died in 1808 and Rebecca became a partner. Edward Barnard rose from workshop manager to full partner, also in 1808. Emes and Barnard was one of the most successful London silver businesses in its day, they supplied many leading retailers, including Rundell, Bridge and Rundell. Barnard was joined by his 3 sons, Culme describes Edward Barnard & Sons as an important firm, the oldest manufacturing silve...

Lovely Nathaniel Mills cigar case with a beautifully engraved hunting scene, a dog chasing two grouse. The entire case is engraved with scrolls, and the cartouche is engraved "Carole". Hallmarks on the lid and base are very clear.

An Art Deco Sterling silver trophy, beautifully engraved with the crest of the Transvaal Scottish Regiment, and unusually for Regimental silver, in excellent condition. The trophy stands on its original wooden base, with circular plaque with makers mark Mappin & Webb. The trophy is small but beautifully proportioned, with Art Deco handles. The engraving is also very crisp and clear, the hallmarks are also clearly visible. The Transvaal Scottish Regiment was established in 1902 at the end of the Anglo Boer war by John Murray, 7th Duke of Atholl, original members were Scottish volunteers. They served with distinction in both World Wars, including El Alamein. They still exist today, but in 2019 were renamed the Solomon Mahlangu Regiment, to reflect South Africa's freedom struggle. The regiment still wears Murray of Atholl Regimental tartan.

An interesting solid silver figure of a musician playing a trumpet, decorated with coloured cabochon "jewels" in red, blue and green. The figure is beautifully modelled, the detail is astounding, clearly the work of a master craftsman. A total of 21 cabochons are present, we assume they are paste of glass, to simulate rubies, sapphires and emeralds, the cabochon in the hat is larger than the others. The texturing of the hat, hair and stockings is all done by hand. Their are traces of gilding on the figure, at end of trumpet and under coat. The figure only has one hallmark, a clear 13 in shield, quite a stylised 3, this is for 13 Loth silver, or 812 standard, used in Germany prior to 1888, hence our dating of the figure as circa 1880. Whilst no makers mark is present, we are confident it originates in Hanau, Germany, where a number of similar bejewelled figures were made, including a number of musicians. A number can be seen on the Pushkin Antiques website, www.pushkinantiques.com, in the archive/ sold section...

Rectangular, plain but elegant teapot on 4 ball feet, characteristic of the style between 1805 and 1810. Wooden handle and ivory finial. Beautiful tree stump crest, excellent hallmarks, including lid.

An Arts & Crafts Britannia silver tumbler cup, with hand hammered (planished) sides, and rounded heavy base, made by the little known silversmith Denis Lacy-Hulbert for his brother. The cup is beautifully proportioned, ideal for use, and is a lovely quality item. The cup is engraved "Cyril Lacy-Hulbert, M.A. (HONS) CANTAB, C.ENG, M.I.E.E., M.I. Mech E.", well positioned beneath the hallmarks, which also add to the decorative effect. The reverse of the tumbler has the Lacy-Hulbert family crest, with motto "Pro Aris Et Focis", translated "For Hearth and Home". The hallmarks are excellent, all clearly struck, including Britannia which indicates this silver is higher grade 950 standard (sterling is lower grade 925). Tumbler cups were originally made in the 17th and 18th century, designed with a heavy rounded base that rights itself to prevent spillage when traveling (think stagecoach or boat). Denis (Ben) Lacy-Hulbert (1911-2005) was Managing Director of a family steel tube/ cylinder manufacturing business, silve...

An interesting pair of circular trencher salts, made to commemorate the coronation of Edward VII in 1902 by Elkington. The quality is superb, and they are a good weight. The salts are an exact replica of Carolean salts made in 1684, engraved "Ex Dono Edw Norman 1684" (donation of Edward Norman 1684). They have star crests, presumably that of the donor, and the crest of the "Worshipful Company of Innkeepers" (St Juliens cross sable and chevron between 3 oatsheaves) on the other side. The company, whcih still exists today, was created in 1514. The company has the original salts (a set of 12) and presumably commissioned the replicas to commemorate the coronation. The original salts are described in the article "The Old English Silver of the Innholders Company, London" by Arthur Butler (The Connoisseur Illustrated Vol 1 pg 236, Sept - Dec 1901). Butler believes they deserve "special distinction", due to their "graceful shape". The top of both salts are engraved "Edward VII, 1902", and the base is engraved 101 and...

Beautiful Arts and Crafts low tazza, with celtic design rim and 8 celtic buttons of two different sizes arranged around the rim. It is a pleasing size and weight, perfect for use as a fruit bowl. This is a truly stunning piece, by highly regarded makers. Hallmarks are very clear

A very interesting silver drum salt, designed by Alex Styles and retailed through Garrard, to commemorate the 650th anniversary of the Goldsmiths Company in 1977. The body is decorated with a fabulous interpretation of the Goldsmiths Company Arms, and the dates 1327-1977. The arms (granted in 1571) include quartered leopards head and covered cup with 2 buckles, and a stylized demi-virgin (thought to possibly be Queen Elizabeth I) holding the scales (balances) of Justice and a touchstone, both used for testing precious metals. The armorial is supported by 2 unicorns (representing purity), and the motto JUSTITIA VIRTUTUM REGINA, latin for "Justice is Queen of Virtues". The design has been photo-etched onto the silver, a modern technique which we think does justice to the armorial. The Goldsmiths company is one of the 12 great Livery companies of London, they were granted Royal Charter in 1327. The Leopards head (actually a lion but in 1327 the word for lion and leopard was the same) comes from the Royal standar...

An interesting Georg Jensen silver and enamel napkin ring, this is the Cherub napkin ring No. 258 with blue enamel. The winged cherub is in a central roundel, connected to the elegant shaped ring with 4 silver balls. The hallmarks are very clear, and read :DESSIN HN DENMARK GEORG JENSEN & WENDEL A/S STERLING 925S". Dessin HN refers to the designer Harald Nielsen, who was the brother of Jensen's 3rd wife Johanne. He joined the Jensen business in 1909, he was a gifted draughtsman, who together with Jensen and Johan Rohde "helped to establish the Jensen style as we know it and the firm's tradition for outstanding quality" - Janet Drucker, Georg Jensen A Tradition of Splendid Silver, page 301 (a book we highly recommend). Nielsen became artistic leader of the Georg Jensen Silversmithy in 1935 after Jensen's death. The Jensen Wendel hallmark was used between 1945 and 1951, as during these years there was a trademark dispute over the Jensen brand with Jensen USA. This Cherub napkin ring no.258 is depicted in the ab...

An octagonal silver sparrow beak milk jug, a modern reproduction of a popular 18th century style, circa 1725. It is pitcher shaped, has a scroll handle, and sits on an applied octagonal foot. The base of the sparrow beak has 2 applied balls, completing the design. The jug is a very good weight and quality, as you would expect from Garrards, the Crown Jewellers. In addition to being a very pleasing design, it pours beautifully, so very suitable for use. The hallmarks are excellent, including makers mark "G & Co Ld". Garrards is a very prestigious firm, originally founded by George Wickes in 1722. They succeeded Rundell, Bridge & Co as Crown Jewellers in 1843, and are still based in Regent Street.

A magnificent silver beaker, decorated with 10 silver staves, which in addition to being decorative greatly improve the grip. It is extremely good quality and weight, and a pleasure to hold. The base is engraved "Goldsmiths & Silversmiths Co, Regent St, W", and the hallmarks are clear. The Goldsmiths and Silversmiths company existed from 1880 to 1952, when it was absorbed into Garrards, the Crown Jewellers. Given it's date of 1916, we imagine it was used for water or whisky by an officer in the Great War. This beaker is a replica of a medieval beaker dated 1496 (Henry VII), that used to belong to Cardinal Wolsey. It is featured in an advertisement for Alexander Clark Co Ltd of Oxford Street, London, priced at 3 pounds 10 shillings, that appeared in The Connoisseur magazine of July 1912, which advertised reproductions of historical and classic cups, including the tudor bowl and cup, and Pompeii jug. High quality reproductions of famous silver items were popular in the early years of the 20th century, they ar...

An unusual silver table bell, with cast silver handle of 2 young boys (cherubs or putti?), one holding the other upside down by the ankles. The casting has lovely detail, as can be seen in the photographs. The bell is quite heavy, and is good quality, with a clear ring. The clanger is also hallmarked silver. The hallmarks are clear, including makers mark JS, which appear to over strike another mark, so possibly JS is a retailer. We would welcome opinions on the significance of the cherubs, thank you.

A silver quaich of traditional shape, with 2 flat lug handles, and quite a large size. It is quite plain, which accentuates its lovely shape. The base is engraved "H.H. Plante, 12 Bury St, St James, S.W.", and the hallmarks are very clear. Quaiches are traditional Scottish drinking vessels, one's this size were passed around at ceremonial occasions. They are popular christening gifts in Scotland. The firm of H.H. Plante (Henry Hudson Plante) worked between 1907 and 1980.

Three sterling silver napkin rings, shooting trophies for the Natal Rifle Association. The first is engraved "The Emma Thresh Trophy, 1929", the second "Murray-Smith Memorial, 1925, 2st Team", and the third "Royston Memorial 1st Team 1928", all three have an applied cast shield "Natal Rifle Association, Semper Paratus, 1862". The hallmarks are clear on all 3 napkin rings, makers mark F.H.A.& Co, for FH Adam and company of Birmingham, this mark was used 1919-1935. The Emma Thresh Trophy itself belongs to the Natal Carbineers, South Africa's senior regiment. The trophy itself is 16 kilograms of silver, and was donated in 1903 by Emma Thresh, as the shooting trophy for Colonial Forces. Lieutenant-Colonel William Murray-Smith of the Natal Mounted Rifles saw distinguished service in both the Boer War and Great war, he was awarded the Companion of the Distinguished Order and Croix de Guerre. He was an excellent shot, and won the Clark Kennedy Challenge Cup at Bisley during Queen Victoria's Diamond Jubilee, he als...

A beautiful pair of Art Nouveau or Jugendstil 800 silver milk or cream jugs, decorated with applied poppies, these are very small jugs, they could almost be described as miniature. The milk jugs are baluster in shape, with a generous pouring lip, and double scroll handles, and flat bases. The interiors are gilded, we can imagine these being used with expresso coffee cups. Both jugs are clearly hallmarked with 4 hallmarks, the German Crown and Crescent mark used after 1888, makers mark LW intertwined in a shield for Lutz & Weiss, 800 standard mark and a lion passant also used by Lutz & Weiss. Lutz & Weiss Silberwarenfabriek was founded in 1882 in Pforzheim, they were an important German firm of silversmiths.

A sterling silver circular salver in the Art deco style, with 6 panels of incurved decoration (3 parallel lines on the exterior), and 3 silver button feet. The salver has a raised border, slightly wavy, overall the decoration is quite understated, but makes a big impact. The salver is a superb weight and quality, unlike many light and flimsy copies made at this time. This excellent quality is what we have come to expect from the Barnard's, who are the oldest manufacturing silversmiths in existance, the business being founded in 1773 (Culme, Gold and Silversmiths, pg 29). The hallmarks are very clear, as good as they get, with excellent detail. An almost identical salver, also by Barnards in 1937, but with ivory bun feet, can be seen on the AC Silver website (www.acsilver.co.uk).

Magnificent silver sauce boat, with three fabulous applied lion mask and paw feet. The sauce boat is traditional shape, has a gadrooned rim and double scroll handle, with leaf cap. The boat is very heavy and is extremely good quality, it is a pleasure to hold and use. The hallmarks are clear, but the maker's mark is only partially struck, but still clear enough to determine. This is a replica of an earlier style, the design is a typical Paul de Lamerie design, circa 1740-1745. De Lamerie often used the applied lion mask and paw feet. Pairpoint Brothers worked between 1879 and 1937. To quote Culme in "Directory of Gold and Silversmiths, pg 355", "of the place occupied by the four Pairpoint Brothers in the silver world, little is necessary to be said, for their silver mark may be seen in every retail silver merchant's window in London. It is admitted on all sides by experts, sometimes with a sigh of regret, sometimes with a grin of malice, that Pairpoint copies of ancient patterns are dangerously near b...

A good quality antique silver replica of what is commonly referred to as "The Tudor Cup", which became famous when it was sold (as part of the Dunn-Gardner collection) at Christies auction in 1901 for GBP 4100, the highest price ever paid for a piece of silver at that time. John Dunn-Gardner, of Soham Manor, had a legendary collection of silver, the sale covered 6 volumes. The original cup of 1521, with scallop shell makers mark, is also known as the Holms cup, named after a previous owner. The original cup is now part of the collection of the Royal Scottish Museum, who purchased it in 1958 for GBP 9500. The museum's resources were augmented by the National Art Collection's fund, the Pilgrim Trust, the Worshipful Company of Goldsmiths, H.M. Treasury and 2 private donors, enabling the cup to be kept in Great Britian (Ian Finlay, Silver in the Royal Scottish Museum, Connoisseur June 1959), where the original cup is pictured. The original cup is also pictured in the book "Old London Silver" by Howard (pg 100). ...