An Irish Georgian silver basting spoon, in the Fiddle pattern, with a wonderful engraved family crest of a unicorn, this engraving is very clear. The spoon is quite large, with a generous sized serving bowl. The unicorn engraved family crest can be described as "a unicorn's head, couped, maned and horned", this is the family crest of the Cunningham family (or Conyngham), we think the Irish part of the family used Conyngham, whilst their Scottish counterparts used Cunningham. The spoon has 4 hallmarks, the crowned harp, Hibernia (Dublin marks) and date letter I for 1805 are clear and well struck. We note the punch shape on these marks is cavetto, with indented corners, more usually seen in the 1820's with Dublin hallmarks, but the absence of the Duty mark confirms a date before 1807. The makers mark JP is clear, but is overstriking another mark that is no longer visible. John Power worked between 1792 and 1819, from Trinity Place, Dublin, his father and son were also silversmith.
A rare pair of ornate cast silver sugar tongs, made in London 1823 by Edward Farrell, who was one of the most celebrated silversmiths of the early 19th century, and whose work is now found in museums all over the world. The tongs feature a well modelled cherub, naked except for a loincloth, holding an arrow above his head and a bow in his other hand, the cherub is 5 cm tall. We have considered if it could be Cupid, but no wings are present. The cherub is surrounded by flowers, foliage and scrolls, and the tongs have shell bowls. The cherub is repeated on both arms. The bow has a blank cartouche. The tongs are clearly hallmarked on both bowls, London 1823 on one bowl and makers mark E.F in shaped punch (Grimwade 585). Grimwade (page 506) describes Farrell silver as "some of the most unusual productions of the Regency period, generally conceived in a kind of revival rococo style. He had a large output of heavy tea services decorated with Dutch peasant scenes in the style of Teniers, and he also produced large ...
A unique set of 12 Hanoverian teaspoons, six of which are shellbacks, the other six are scrollbacks. These spoons predate the common practise of making and selling flatware in sets, complete sets are extremely rare. As is usual of the period, these spoons only have 2 hallmarks, the sterling and makers mark, which given the small size of the spoons were often poorly struck. The makers mark is present on all spoons but discernable on only 8, with 5 being by Charles Hougham (one set of 3 and another set of 2), and one each by Hester Bateman, Ebernezer Coker and Thomas Devonshire & William Watkins. Nine spoons have contempory initials, and 2 have a later crest.
A Cape silver Basting spoon in the Fiddle pattern, with original owners engraved initials LIA in script. The spoon is a pleasing weight, and is in excellent condition, this spoon has not seen much use at all. The tip of the bowl has a strong lip, this is more a Continental than English feature, and the long rounded drop is also more Continental in style than English. The hallmarks are excellent, makers mark JT and 3 English pseudo hallmarks, duty mark, date letter a and leopards head town mark (Welz mark 121, Cape Silver). John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Nam...
A rare Cape silver Basting (or Serving) spoon in the Old English pattern, this is a good quality spoon suited for use as a serving spoon. The spoon has a colonial feel, it has an unusual rectangular shaped drop, so was probably made before 1820 when English silversmiths arrived in the Cape and influenced styles. The spoon is quite plain, no crests or initials, but it is engraved "IV" on the back of the stem. This engraving is original and quite crude (typically colonial), perhaps done by the owner himself, possibly indicating it was once part of a set. The hallmarks are excellent, makers mark IC between 2 devices (flowers?), mark 27 in "Cape Silver" by Welz. Johan Combrink was a prolific and well regarded Cape silversmith, he worked between 1814 and 1853, and was based in Dorp street.
A set of Cape silver tableforks in the Fiddle pattern, by the well known Cape silversmith Johannes Combrink. The forks are engraved with the initials "FtW", which is attractively engraved. The forks are good quality and a pleasing weight, they are suitable for use. The hallmarks on all 6 forks are clear. Four forks have makers mark IC only (Welz mark 31 in Cape Silver), two have makers mark IC between 2 ladder devices (Welz mark 33). Johannes Combrink was born in the Cape in 1781, he married Aurelia Lotter in 1807 and died in 1853. He worked from Dorp Street.
A Cape silver snuff box by Daniel Beets, oval in shape with a three quarter hinged lid, which is well made as it is perfectly flush with the lid, and a small but practical thumbpiece. It is a pleasing design for a snuff box, has a very nice feel in the hand, easy to take in and out of a pocket. This is a fairly rare design for Cape silver snuff boxes, most were rectangular, or had a protruding hinge. This box has been well used, as can be seen from the considerable wear to the engraving, and has been repaired more than once in its lifetime. The lid has remnants of engraved wreath surrounding owners initials and date, no longer legible. The box also has 3 worn engraved stars, typically Cape in style, one either side and on the fixed portion of the lid. The interior has original gilding, a lovely golden yellow colour, quite well preserved on lid and hinge, but only some still present in base and sides, the rest has been lost during repairs. The base shows signs of repairs and splits, so has been re-attached at ...
An interesting pair of early Canadian silver tableforks in the Fiddle pattern, made by George Savage of Montreal, between 1818 and 1829. At first glance they look like a matching pair, but close examination reveals differences in weight and length (one fork is 80 mm longer than the other), so these were clearly made by hand. The length difference is not only in the tines, the handles are different lengths, and the fork handles have small differences in size and shape. Both forks have a clearly engraved family crest of a bird (stork or heron?) holding an anchor, this is engraved on the back of the forks, when forks were placed on the table with tines pointing down. Both forks are clearly hallmarked with makers mark "SAVAGE", but one has lines in the punch, the other does not, so we believe they were struck with 2 different punches. Both are also clearly struck with 2 pseudo English hallmarks, a skinny lion passant and a Georgian duty mark, these are very clear. It is also interesting to note that one duty mark...
A pair of Georgian Silver Hanoverian Tableforks, dated 1806, with the Douglas family crest, and motto "Jamais Arriere", translated "Never Behind". The crest is beautifully engraved, on the back of the forks in 18th century style, and is described as "on a chapeau, a green salamander surrounded by fire", with the motto above the crest (which is only done in Scotland). The crest is under an Earl's coronet, so these forks probably belonged to the 9th or 10th Earl Hamilton. The hallmarks on both forks are clear, the makers mark is worn but visible.
A lovely pair of Irish Georgian silver tablespoons in the Old English pattern, with an engraved family crest for the Newton family of Dunleckney, County Carlow, featuring a Ducal coronet. The spoons are a pleasing quality, and are in excellent condition, the engraving is also crisp and clear. The crest features a boars head above Ducal coronet (with strawberry leaves), with 2 ostrich feathers above the coronet. The spoons are also engraved with owners initials N/GG on the drop. The hallmarks are clear on both spoons, the makers mark JB has wear to one of the J's. John Bayly worked between 1787 and 1804 (Bennett mark 204). These spoons would have been made for Colonel Philip Newton (1770-1833) and his wife Sarah when they inherited the Dunleckney estate in 1802. Note - we have a matching spoon S 11389.
A Dutch silver miniature kettle, circa 1725, by the prolific Frederik I van Strant, who made a large number of miniature silver objects in the course of his career (Houart, Miniature Silver Toys). A very similar kettle also by van Strant can be seen in figure 69 of the book described above. Unfortunately this kettle has lost its original lid, this lid is a replica copy of the lid depicted in the book. The makers mark is very clear, the Amsterdam town mark partially visible, and the assay scrape is also present. An almost identical miniature silver kettle, also by Frederik van Strant circa 1725, is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures" by Aardewerk Antiques of The Hague, pg 153, image 346. We highly recommend this book.
An interesting and unusual pair of Old English Bead pattern tablespoons, very early for this pattern, and with large bead which was previously thought to be a 19th century pattern. The spoons are a very pleasing quality, with good patina, clearly made by a master craftsman. The spoons have original owners engraved initials B / I-A, and the spoons are bottom marked, the hallmarks have some wear and makers mark is squashed, but still clearly legible to 1776 and makers mark I*M for Jacob Marsh (Grimwade marks 1517 and 3658). Pickford (Silver Flatware page 98) says "Old English Bead's true period of style was during the 1780's, although it is found later", so these spoons are early for this pattern. He further says "two types of bead will be found, fine bead which dates from the 18th century and large bead which dates from the 19th century". These examples are clearly large bead, so we propose they are rare and early examples of bead pattern, before it migrated to fine bead in the 1780's. Jacob Marsh worked bet...
A lovely set of 6 Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight, just under 20 grammes each. The spoons have no engraving with no initials removed, completely original. All 6 spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons.
A set of 6 Cape Silver teaspoons, Old English in pattern but more in a Continental than English style, with v shaped drops, Continental shaped bowls with sharp tip, and handles that flatten out towards the terminals. We really like these spoons, typically early Cape in character, made before the arrival of the English settlers in 1820. All 6 spoons are clearly hallmarked with makers mark IC in rectangular punch with clipped corners, fat base I and C with shorter top, Welz mark 32 (page 147). All 6 spoons also have original owners stamped initials ISR. In addition, all 6 spoons have a later owners lightly scratched initials MN on the front of the spoons, only visible in certain light. The MN initials are stylish, perhaps Art Deco, so possibly added in the 1930's. These spoons are accompanied by a card dated 1933, the spoons were a gift from Mr & Mrs Louis P Naude of Kimberley to his niece Luisa, written in Afrikaans, stating the spoons are already over 100 years old, and that if she behaves she can get the oth...
A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922.
A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....
A rare pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. They include the rare Masonic "Square and Compasses" symbol, the single most identifiable symbol in Freemasonry. This hallmark is very well struck on both spoons. The other hallmarks include makers mark TT for Thomas Lock Townsend (struck twice), and pseudo Georgian duty mark (Kings head) - see Welz, Cape Silver, mark 126. Thomas Lock Townsend arrived in the Cape in 1815, the first of the English silversmiths to arrive. He was followed in 1819 by his half brother John Townsend, who joined him in a brief partnership between 1824 and 1825. Thomas Lock Townsend found business difficult in the Cape, he was declared insolvent in 1819, and when he died in 1849 left insufficient estate to cover his funeral costs. Besides being registered as Goldsmith and Jeweller, he practised as mechanical dentist, lodging house keeper, and had an equipment store and fitting out warehouse (Welz, pg 141) We are selling these 2 spoons individually...
An early Cape silver Hanoverian pattern soup ladle, by Daniel Heinrich Schmidt, described as the greatest of Cape silversmiths by David Heller (History of Cape Silver). The ladle is a very pleasing gauge, very heavy to hold, and has a long drop. It also has the central Hanoverian rib on the front, and a strong turn up. The ladle is hallmarked with makers mark DHS, which is clear, but struck by a worn punch (mark 174 in Welz, described as unknown by Welz, but now known to be Schmidt's mark). Schmidt had a long career (1768-1811), his makers mark punch must have become worn over time. The second hallmark is larger and circular, but worn, probably the bunch of grapes hallmark often used by Schmidt. the third mark nearby does not appear to be a hallmark, but an imperfection in the silver.
A magnificent Cape silver gravy (also called basting or serving) spoon, in the Kings pattern, double struck with diamond heel. It has a lovely weight and is very good quality, this is one of the most substantial Cape silver spoons we have seen, and is suitable for regular use - in fact a spoon anyone would enjoy using. The hallmarks are very clear, makers mark LT for Lawrence Twentyman, and pseudo English hallmarks (leopards head, duty mark, date letter a and lion) - Welz mark 135, but in a different order. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837.
An extremely rare and unusual Cape silver Napkin (serviette) holder. The holder has an arm that hooks into a buttonhole, and a clamp that is opened or closed with a sliding ring. The clamp end is decorated in a very crude shell, and the sliding ring is crudely banded. This item could be unique, made by special commission, as none of the Cape silver reference books describe napkin holders. The hallmark is very clear (DBD between two stars, mark 44 in Welz). Dominique Badouin du Moulin was a Belgian from Mons (Bergen), who worked as a silversmith in the Cape between 1818 and 1833 (Welz, Cape Silver). He married the sister of silversmith Jan Beyleveld.
