A set of 2 Cape silver Fiddle pattern tablespoons, by a lesser known Cape silversmith whose work does not appear very often. The spoons are a slightly different length (being handmade) and have similar but different hallmarks, so they were probably made at different times. Both have makers mark DC in between two floral or star devices, but both the makers mark and devices have differences, indicating they were struck by different punches. One DC makers mark has separate DC, the other DC appears to be cojoined. The floral or star device was used by a number of Cape silversmiths, including Beets, Hockly, Lotter, Townsend, Twentyman and Vos. The makers mark DC between 2 stars is depicted in Heller's Cape Silver Vol 2 (pg 122), where it is shown as mark NMM15.

A set of 6 Cape Silver teaspoons, Old English in pattern but more in a Continental than English style, with v shaped drops, Continental shaped bowls with sharp tip, and handles that flatten out towards the terminals. We really like these spoons, typically early Cape in character, made before the arrival of the English settlers in 1820. All 6 spoons are clearly hallmarked with makers mark IC in rectangular punch with clipped corners, fat base I and C with shorter top, Welz mark 32 (page 147). All 6 spoons also have original owners stamped initials ISR. In addition, all 6 spoons have a later owners lightly scratched initials MN on the front of the spoons, only visible in certain light. The MN initials are stylish, perhaps Art Deco, so possibly added in the 1930's. These spoons are accompanied by a card dated 1933, the spoons were a gift from Mr & Mrs Louis P Naude of Kimberley to his niece Luisa, written in Afrikaans, stating the spoons are already over 100 years old, and that if she behaves she can get the oth...

An Irish silver wine label engraved CLARET, made by Benjamin Taitt in Dublin circa 1785. The label has a curved rectangular shape, with an attractive bright cut and wiggle work border, and original chain. This particular form of label is uniquely Irish, English examples of this type curved up, only Irish labels curve down. The Claret engraving is quirky, done by hand and rougher than London examples of the time. The hallmarks are excellent, and include makers mark BT in a serrated oblong, harp crowned in a irregular shaped punch (so pre 1786) and Hibernia in an oval punch (used before 1793). A very similar label, also by Taitt, is depicted in the book Wine Labels 1730-2003, pg 279, figure 927, for W-WINE, described as circa 1785-1790 so the dates match. The same book describes Taitt as "arguably the most innovative of Irish wine label makers, a particularly successful exponent of bright-cut engraving". He made the famous balloon label, only one of which is known, pg 82, and he worked between 1775 and 1800.

An Indian colonial silver salt spoon in the Fiddle pattern. The hallmarks are clear, H&Co makers mark for Hamilton & Co, the Garrards of India, along with capital A and elephant. A previous owners initials are crudely dot engraved on the back.

A Indian Colonial silver tablespoon in the Fiddle pattern, slightly larger and heavier than most tablespoons. Ths spoon has a good feel, nicely weighted when used, and clearly hand made. The spoon has no engraving, or any sign of engraving being removed. The hallmarks are clear, and include makers mark P&Co. for Pittar & Co, pseudo lion passant, pseudo date letter A and tally mark number 17 from the book "Indian Colonial Silver" by Wynyard Wilkinson, page 170. Arthur Pittar & Co. worked between 1825 and 1848 in Calcutta, a similar tablespoon, but 2 centimetres shorter, is depicted on page 104. They were primarily diamond and jewel merchants, but clearly made good quality flatware and holloware. They imported a die press for manufacture of Fiddle pattern flatware in 1842, we believe this spoon predates that, given it's unusual size.

Two Chinese Export silver dessert forks in the Fiddle pattern, which we have grouped together as we believe they are by the same maker, Sunshing. The forks have slightly different sizes, shape and weight, the longer fork is slightly heavier at 46 grammes. The smaller fork has engraved script initials PK, this is worn. The larger fork has a turn up end, the smaller turn down, so 2 very different interpretations of Fiddle pattern , interesting to compare. The larger fork has clear makers mark SS, with distinctive font, for Sunshing, and 3 pseudo marks, duty mark, crowned leopards head (struck upsidedown, and indistinct), and a strange lion passant (without tail), these pseudo marks are different from the ones usually used by Sunshing, the punches are also showing signs of wear. The second fork has 4 pseudo marks but no makers mark, the 4 hallmarks are those usually associated with Sunshing (pseudo lion passant, crowned leopards head, date letter C and Georgian duty mark) - see www.925-1000.com. These marks are...

A pleasing, heavy caddy spoon by the well known caddy spoon maker Thomas James, whose spoons often have interesting handle shapes, and a "fish-tail" projection at the base of the handle. The spoon has a beautiful crest of a hand holding a cross, with the motto "VIRTUTI FORTUNA COMIS", translated "excellence, fortune and kindness". The hallmarks are very clear. This spoon appears to be an identical twin of a spoon sold by Woolley and Wallis from the John Norie collection, Part 1, April 2004, lot 132. We have now identified the family crest as belonging to the Mayne Family of Scotland, from Tullibody & Powis in Stirling. The crest is described as "Cubit arm, erect, proper habited sable cuff argent holding a cross crosslet gules", the motto above the crest denotes a Scottish family. One possible original owner of this spoon is Colonel William Mayne, who served as Captain of the 1st Life Guards at Waterloo. Thomas James was freed in 1789, but only entered his own mark in 1804.

A set of 8 Cape Silver tablespoons and table forks (4 of each) in the Old English pattern, all with original owners engraved initials JM in script. The forks are lovely, long and elegant, and in great condition, the spoons have seen more use, with wear to the bowls. The spoons have wide circular drops, more continental in style. Six pieces (4 spoons and 2 forks) have additional initials AFDT engraved on the back of the stems, we assume an earlier owner, the AFDT showing signs of wear. Seven items have excellent hallmarks (makers mark IC and crude anchor, Welz mark 25), one fork has different marks, makers mark IC struck with a worn punch (Welz mark 29) and what appears to be crowned leopards head (clearly struck but worn punch, outline clear but no detail). Combrink had a long career, and this IC mark with worn punch is well known, it is assumed the punch became worn over time. The crowned leopard town mark is more of a mystery, this punch was used by Twentyman and Waldek (Welz 135 and 163), and is unknown by...

A pair of Cape silver table forks, quite Colonial in character, with excellent Cape silver hallmarks. The forks are similar to Old English pattern with 4 tines, but have a wide flattened end and semi rounded stem, more continental in character than English. The forks have original engraved initials JR, this too is Colonial in style with bright cut flecks around the initials. The hallmarks on both forks are clear, crude anchor, makers mark IC, anchor, mark 22 in Cape Silver by Welz. One fork has 2 very old (and quite crude)repairs to both external tines, it looks like they were re-attached, now very secure. Despite the repair to one fork, we really like this pair, loads of character. We have dated these forks to early in Combrink's career, prior to the arrival of the English silversmiths in 1820.

Two Cape silver tablespoons (not a pair), but both in Old English pattern and both by Johannes Combrink. The first has engraved owners initials JM in script, this spoon has excellent hallmarks, makers mark IC and the anchor (Welz mark 25), and a rounded drop. It also has the initials AFDT struck on the back of the stem, we assume another owner. The second has a slightly wider handle, no initials, and very clear makers mark IC (Welz mark 32).

A delightful Georgian silver caddy spoon, heart shaped with a deep bowl, with a bifurcated stem, thread pattern and coffin end. The bifurcated stem is quire a fragile design, hence the old repair where the handle has been rejoined to the bowl. The spoon has very clear hallmarks in the bowl, as well as an additional makers mark on the handle. Matthew Linwood was a highly regarded silversmith described by Delieb as "produced some of the finest of all the Birmingham boxes" in his book "Silver Boxes". He is also well known for his caddy spoons. A very similar caddy spoon was part of the John Norie collection, depicted as lot 187 (Part 1, Woolley & Wallis, 2004). This particular spoon was made by Josiah Snatt in London 1801.

A Dutch silver coin box, a circular cylinder in shape, with Dutch coins set in the lid and the base. The cylinder is attractive, with detailed engraved decoration, 2 bands with a floral motif. The lid and base also have a textured gadrooned rim, which aids in opening and closing. The coin in the lid has a crowned W for Willem I of Holland, and date 1825. The coinin the base has crown over lion rampant holding sword and bushel, and denomination 10 c for ten cents, this coin is dated 1827 on the reverse in interior. The box is well made, and in excellent condition, perhaps it was intended for gambling counters. There are no hallmarks, but the coin in the lid is faintly engraved on the reverse with "B4565 over sla". One coin has the palm Brussels mint mark for GD Bourgogne Herlaer (1821-1830), the other has the mercury staff Utrecht Koninlijke Nederlandse mint mark.

A Charming Cape silver Konfyt (preserve) fork, in the Old English pattern, with 3 tines. The fork has a large oval drop, which along with 3 tines (later forks had 4 tines), shows it's age. The fork has makers mark only, quite clear, it appears to be HNS, this is mark 175 in Welz, Cape Silver. This mark is recorded as "unknown" by Welz, but is now thought to be a worn punch used by Daniel Heinrich Schmidt, the greatest of all the Cape Silversmiths (Heller and Welz) - see the similarity with Schmidt's DHS mark, Welz mark 110.

An antique Dutch silver vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box is rectangular in shape, with an engraved armoire, complete with drawers, it also has a pierced rim on the lid. The back is decorated with an engraved flower, while the base, sides and lid have engraved wrigglework decoration. The lid is clearly hallmarked with maker mark IS under star (makers mark 10121 in the book "Netherlands Responsibility Marks since 1797") for Johannes Jacobus Smits, who worked in Schoonhoven between 1823 and 1824. The lid also has a very clear date letter O for 1823. The rim of the box also has makers mark and Minerva head office mark (duty mark). Loderein comes from the French "l'eau de reine" translated "water of the king", as only the wealthy could afford the perfumed cologne.

A lovely set of 6 Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight, just under 20 grammes each. The spoons have no engraving with no initials removed, completely original. All 6 spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons.

A set of six Cape silver teaspoons in the Fiddle pattern, by Daniel Beets. All 6 spoons have original owners engraved initials JMB. All 6 teaspoons are clearly hallmarked in the same way, with makers mark DB struck twice, alternating with a pseudo Lion passant standard mark, also struck twice. This is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the lion passant punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets dis also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probaly used his fathers punches, no marks are recorded for him. We postulate these could possibly be Daniel Beets Junior, sharing pseudo punches with fellow silversmiths, a practice that is known to have happened.

An interesting Old English pattern soup ladle, made in Newcastle in 1804 by Ann Robertson, widow of John Robertson I. The ladle is larger than usual, with a long bevelled handle, and original owners engraved script initials IAJ. The hallmarks, which are well struck and clear, are interesting as both the lion passant and the duty mark have been overstruck by a smaller different punch in each case. The hallmarks include makers mark AR, Newcastle townmarks (3 castles and leopard's head crowned), and date letter O for 1804. Both the lion passant and duty mark have been carefully overstruck in the top left hand corner, using smaller lion passant and duty mark punches, the duty punch outline is also a different shape. The care of the overstrike leads us to believe this was done deliberately by the assay office, perhaps to indicate a change of duty or the arrival of new punches in the Newcastle assay office. (we welcome assistance as to the cause of this interesting hallmarking anomaly). Note: Miles Harrison, in his...

A rare set of 6 Scottish Provincial teaspoons, with engraved initial J. They are an unusual pattern, Fiddle without shoulders, and the edges are bevelled. Each spoon is slightly different, clearly each spoon has been made individually by hand. Each spoon is hallmarked with 3 "pot of lilies" followed by makers mark WC. The marks on 3 spoons are excellent, well struck and very clear, on 2 the bottom right hand corner is not visible, and on 1 spoon the marks are partially visible (but the pot of lilies still clearly visible) - as is often found with makers individually struck by hand. The pot of lilies townmark (azure a pot of growing lilies argent) is taken from the arms of the Burgh of Dundee (Jackson pg 598). Each pot has 3 lilies and 2 handles clearly visible.

A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922.

A Chinese export silver tablefork in the Fiddle pattern, made by one of the most prolific Chinese Export silversmiths, Wongshing. The fork has engraved initials CE in Old English font (this is well done) on the back of the fork, so dating back to a period when forks were placed tines down on a table. The fork has very clear and detailed pseudo hallmarks, clearly struck by punches without wear, so this fork was probably made early in Wongshing's career. The marks include pseudo Georgian duty mark (note collar and long flowing hair), pseudo crowned leopards head townmark (nose and eyes visible, crown detail too), makers mark W and pseudo lion passant (round eyes and nose, fat rump). The punch outlines are clear as well, 2 are cambered (domed top), one loboid, and one rectangular (Poole, Identifying Antique British Silver, page 14). These are amongst the clearest Chinese Export silver hallmarks we have seen, and deserve further study. Wongshing is known as one of the most prolific Chines Export silversmiths, mak...