An early Georgian Hanoverian pattern 3 prong silver dessert fork, made in 1724, when King George I was still on the throne. The fork is the traditional Hanoverian shape, and is bottom marked. The fork has 2 clearly engraved family crests on the back of the fork, so perhaps linked to a marriage, they include a bearded head with bandanna, and a stag with raised front leg. The hallmarks are squashed and partially visible, but the London crowned leopard head, lion passant and date letter I for 1724 are legible. The makers mark is not visible, you can only just see a small star in shaped shield, similar to that seen under the Paul Crespin mark, but not enough to confirm. A later hallmark T is clearly struck, we are not sure of the significance, all assistance welcome. Three pronged Hanoverian pattern forks first appeared around 1710, by 1750 they had been replaced by 4 tines.

An interesting Sampson Mordan silver sovereign case, with a unique British registry design number which shows us that Mordan felt it was worthwhile to protect the design from being copied. The case is circular with flattened sides, similar in shape to a fob watch case, with concentric rings getting smaller to the centre, which gives a pleasing texture to the case. A central circular cartouche is on one side, this has not been engraved. The case opens by pushing the fob ball, this has a suspension ring for attachment to a fob chain. The case is clearly hallmarked, both on the exterior and inside the lid, the suspension ring is also hallmarked. The interior hallmarks also have registry design number Rd. 45122, which is clearly struck. Sovereign cases were made to store (and show off) British 22 carat gold one pound sovereigns, which were first produced by the Royal Mint in 1817. They were used in circulation until 1914, and now are regarded as bullion coins. Sampson Mordan became famous for producing high qua...

A pair of Georgian silver wine labels, smaller than usual, engraved for PORT and MADEIRA, made in Birmingham in 1809 by Cocks & Bettridge, who are usually associated as important caddy spoon makers. The pair are oval in shape, and have a double reeded border, the engraved names have character, clearly done by hand. The original chains are double linked (each link looks like a figure 8), these were hand soldered (Wine Labels page 116), double linked chains reduced tangling. Both labels are clearly hallmarked with 5 hallmarks, these marks were struck randomly as they are in completely different order. They include duty mark, anchor town mark, lion passant, date letter l for 1809 and makers mark C&B for Cocks and Richard Bettridge. One makers mark has partial wear to the B, the other is missing the C. Cocks & Bettridge are remembered as "important makers of Birmingham caddy spoons, their inventiveness and variety were rarely equalled" (Caddy Spoons, John Norie, page 42). They worked between 1797 and 1817, are ar...

A rare 18th century Birmingham silver caddy spoon by leading maker Joseph Taylor. The spoon is a naturalistic veined leaf, very finely decorated on the back and the front, the handle a coiled tendril, simply formed from silver wire rolled into a circle, with a tail, flattened to form the connection with the bowl, it works remarkably well. The hallmarks have been individually very carefully struck, as a result all 5 hallmarks are fully intact and clearly visible, which is not often the case with finely decorated silver. They include Birmingham anchor, date letter b for 1799, cusped duty mark, lion passant and makers mark IT for Joseph Taylor. 3 very similar caddy spoons are depicted in the book "Caddy Spoons" by John Norie (a book we highly recommend), figure 59g, by Joseph Taylor dated 1798, and also 2 by Elizabeth Morley (dated 1802 and 1815), figure 22a and c. The same book says "all 18th century Birmingham caddy spoons must be considered comparatively rare and desirable, the facts are that very few were ma...

A very interesting Victorian silver and enamel match box cover (the rarer large size for table rather than pocket matches), featuring the yacht "The Shamrock", it was the unsuccessful Irish challenger for the 1899 America's Cup in New York, against Columbia owned by JP Morgan. The yacht was owned by Sir Thomas Lipton (of Lipton Tea fame) of the Royal Ulster Yacht Club, together they challenged for the prestigious America's Cup 5 times. The Matchbox cover is the usual rectangular shape, with open end, and side strike holes, it sits on 4 silver ball feet. The quality of the enamel picture is outstanding, you can see 12 individual sailors on the deck, good detail in the sails and rigging, a flying red pennant, with a background of blue green sea, cloudy blue sky and land in the distance. The enamel also quite helpfully reads "THE SHAMROCK 1899", so no doubt as to which magnificent yacht this is. The hallmarks on the side are lightly struck and worn, but just legible makers mark AB&S. The base is clearly stamped ...

A fabulous Sampson Mordan silver gilt scent bottle in the Aesthetic style, beautifully engraved with birds, insects, flowers and foliage, with 1 bird sitting on a nest with 2 eggs. The quality is outstanding, and the bottle has been well preserved in it's original silk and velvet lined fitted Morocco leather case. The silver gilt on the exterior and interior are a lovely golden colour, with no wear, we assume this bottle has mostly remained in it's closed box. The glass bottle has the remains of the origianl sponge inside, which could easily be removed. The hallmarks are clear, both on base and bottle lid, the rim is also hallmarked. A very similar Mordan scent bottle can be seen on the www.steppeshillfarmantiques.com website, but without the bird nest. Sampson Mordan became famous for producing high quality, innovative novelty items, many of which are highly collectable today. The firm worked between 1823 and 1941. The motto of the Sampson Mordan company was "Quality lives when price is forgotten" - Sampson ...

A rare surviving set of 8 Georgian silver dessert knives, in the popular Fiddle Thread and Shell pattern, with silver as opposed to steel blades. The knives are in good condition, and are suitable for use. All 8 knives have an engraved family crest of a lion with raised paws looking backwards, we see that 1 is engraved on the other side. All 8 knives are clearly hallmarked, both on the silver blades and handles, for London 1832 with makers mark WC for William Chawner II, and all the marks are clearly legible. William Chawner II was a specialist spoon maker, he was freed in 1804 and worked until his death in 1834. He was part of the famous Chawner dynasty of silversmiths, his Father, brother and son were all silversmiths, the Chawner family were one of England's dominant producers of silver flatware in the 19th century, they supplied all the leading retailers, including Hunt & Roskell, Garrards and Elkington.

A Georgian silver wine label, made in London 1819, and engraved for MADEIRA. The label is oval in shape, and has a double reeded border. The label is clearly hallmarked (duty mark, lion passant and date letter d), but missing London town mark. The makers mark GK for George Knight is also clearly struck. George Knight worked between 1818 and 1824, he specialised in small silver, and is known to have made a number of wine labels. Similar wine labels made by Knight can be seen on the Steppes Hill Farm website (a site we strongly recommend).

A fabulous and interesting Royal silver souvenir spoon, commemorating the Diamond Jubilee of Queen Victoria in 1897. The detail, quality and condition are exceptional, we love this spoon. The bowl depicts the coronation of Queen Victoria in Westminster Abbey in 1838, it is a faithful copy of the famous painting by Sir George Hayter, which the Queen herself commissioned and was delighted with, now in the Royal collection. Both the front and back of the handle are richly decorated, the front with a bust of the Queen below crown, above "Peace Commerce" above 2 ships (the naval ship HMS Thunderer), above "Electricity", represented by Greek mythology messengers Iris and Hermes next to a telegraph pole. Below "Rifle Volunteers" with soldiers being inspected by Britannia, above "Steam" above a detailed steam locomotive, above "Penny Postage" and a mailman. The rear has crossed Royal flags with rose, shamrock, leek and thistle, above the Order of the Star of India, with motto "Heavens Light Our Guide", above a Royal ...

A fabulous Royal silver souvenir spoon, of outstanding quality, commemorating the investiture of the Prince of Wales (now King Charles III) in Caernarvon, Wales in 1969. The spoon has a cast silver Welsh dragon holding a Royal shield, the dragon's tail curls around the spoon stem and forms a "rat-tail" on the spoon bowl, we love this spoon. The bowl has a cast silver Prince of Wales emblem, with 3 feathers above crown, above the motto "Ich Dien", translated "I serve". The back is engraved "Caernarvon 1969, 256", this was a limited edition and each spoon was numbered. The hallmarks are clear, with makers mark JDB for J.D. Beardsmore & Co, who only worked in 1969 and appear to have only produced this spoon. The Emblem inthe bowl, which is cast as a separate piece, is also hallmarked. The spoon was originally sold in a custom box with leaflet, the leaflet informs that the spoon was designed by Norman Manwaring, Herald Painter to the College of Arms, under the supervision of R.O. Dennys, OBE, FSA, Herald of Arms,...

A Georgian silver mote spoon, made by Philip Roker III in either 1766 or 1767. The mote spoon is the traditional shape, with a pierced bowl, tapered handle and diamond point finial, which is quite sharp. The piercing has a central starburst design, surrounded by symmetrical scrolls and holes. The spoon has a long drop, which is also pierced. The spoon has 2 hallmarks, a lion passant and makers mark P. ROKER, which was only used by Philip Roker III for 2 years, hence our ability to date the spoon so precisely. This is mark 3753 in Grimwade, who ascribes the mark to Philip Roker II (who died in 1757, so we assume Grimwade is incorrect. The Roker family were specialist spoonmakers, and have left behind some wonderful spoons. Mote spoons originated in the early 18th century, and were used to skim off floating particles of tea leaves and motes (tea dust) from a cup of tea (Newman, Illustrated Dictionary of Silverware, page 217). The long thin handle with sharpened point was used to clear the spout of a teapot (wh...

A Georgian silver tablespoon in the Fiddle pattern, by perhaps the most famous of English goldsmiths, Paul Storr. The spoon is good quality, with a fatter extended drop, and a generous bowl size. The spoon also has an engraved family crest of a birds head above a tower, this has some wear but is still visible. The London hallmarks for 1819 are very clear, the makers mark PS in shaped punch is also clear but has some wear on the S. This is Paul Storr's 9th mark, with no dot between letters, with the punch outline more oval than circular, he registered this mark in 1817 (Paul Storr, 1781-1844, by N. Penzer, page 82). A crescent mark is also clearly visible next to the makers mark, this would have belonged to the journeyman who made the spoon in Storr's workshop. Penzer described Storr as "the last of the great goldsmiths", he worked between 1793 and 1838.

An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1. Fleur de Lys, a stylized French lily used in heraldry. 2. Milkmaid in period garb, with yoke and 2 pails. 3. Galleon under full sail, with flags flying. 4. Basket of flowers. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Urn of flowers, with a Georgian garden urn filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked. Note - We have a similar set, also by Francis Howard but with 2 different pictures, see S 1710.

A Boer war antique silver vesta case, presented as a memento by General Sir Leslie Rundle, the Commander of the 8th Division of the South African Field Force. The vesta case is the usual rectangular shape, with spring hinged lid and gilded interior, and striker on the base, and a connecting ring so it could be attached to a fob chain. The case is good quality and in remarkably good condition, we think this was preserved by the owner and not used, many vesta cases of this period were well used and condition is often poor. The case is engraved on one side with a flag and "VIII" for 8th Division, the other side is engraved "S. AFRICA 1900 from L.R". The vesta case and lid are both clearly hallmarked for London 1900, and makers mark HBA for John Batson & Sons, who worked between 1851 and 1936, they were noted as "Army accoutrement makers" - source John Culme, Gold & Silversmiths, page 34. General Sir Leslie Rundle GCB, GCMG, GCVO, DSO (1856-1934) was a British Army General in the Boer War and First World War, whe...

A fabulous early Georgian Rococo shell shaped punch ladle, in the shape of a conch shell. The ladle is embossed and engraved in typical Rococo style with a bird (peacock?) eating fruit (grapes and a pear), alongside a brick chimney with flames? at the top, surrounded with scrolls, shells, flowers and leaves. The shape of the shell and quality of the embossing and engraving is very pleasing. The shell is connected to the silver handle base with cast silver scrolls at right angles to the shell, the handle itself is turned wooden handle. The ladle is held hanging vertically, the the shape of the shell and pouring lip makes it very practical to use. The base of the handle is engraved with original owners initials A over T.T. The ladle is hallmarked with London hallmarks for 1752, and makers marks PR for Philip Roker II (Grimwade mark 3754). As all 4 marks are struck on a curved surface they are all unevenly struck, clear on the right but slightly obscured on the left, all visible enough but the makers mark could ...

An interesting sterling silver Puritan spoon made by the celebrated Arts & Crafts jewellery designer and silversmith Amy Sandheim. This is a replica of a Commonwealth period (1649-1660) Puritan spoon, when the United Kingdom was run as a Republic under Oliver Cromwell, after the execution of King Charles I in 1649. The spoon has a plain rectangular stem and ovoid bowl, without adornment, reflecting the Puritanical nature of the period. The hallmarks are clear for London 1933, the AS makers mark is only lightly struck, but still clearly visible, with some scratch marks over the punch. Amy Sandheim worked between 1923 and 1943 from Notting Hill Gate, she is primarily remembered for her Arts & Crafts jewellery, where she was regarded as a pioneer, alongside Sibyl Dunlop and Dorrie Nossiter, She also made silver spoons in the Arts & Crafts style (see Artists Spoons by Simon Moore, pages 391-396), but was clearly also interested in 17th century styles.

A very interesting Antique silver Slip-Top jam spoon, dating back to the Great War (World War I), which would have been sold exclusively by Harrod's. The spoon is a replica of an early 17th century slip top spoon, complete with a V shaped rat-tail, these spoons are also called "slipped in the stalk' and "slip-end" spoons. The slip top on this spoon almost resembles a screwdriver head, and could be used practically to open tin lids. The spoon bowl is egg shaped, we think it was originally intended for jam. The quality is very pleasing, you cannot resist picking up and using this spoon, we absolutely love it. The hallmarks are clear, and include makers mark RB for Sir Richard Burbridge, 1st Baronet, who was the Managing Director of Harrods at the time. Harrods today still describes itself as "The World's Leading Department Store". The spoon date of 1915 is interesting, probably made just before silver and other valuable resources were directed at the war effort. An identical spoon is photographed in the book "A...

A sterling silver trophy spoon for the Bull-Terrier Club, which would have been commissioned by the club to present a more useful trophy than a medal. The spoon is teaspoon size, the quality and condition are excellent, the front of the bowl still has it's original gilding. The spoon has a well modelled bull-terrier, surrounded by "THE BULL-TERRIER CLUB". The hallmarks, which are struck in the front of the bowl, are very clear. The Bull-Terrier collar has initials BH, we assume the artist who designed the spoon. The Bull Terrier Club of the UK still exists today, it was founded in 1887, it's website describes it as the oldest and largest of it's type in the world. I doubt they still have such beautiful silver spoon trophies!

A fabulous set of 2 serving spoons with matching sifter ladle, with magnificent cast terminals featuring Mr. Punch with truncheon, jesters hat and humpback, and Judy his wife, holding the baby, the 3rd character is Toby the dog, complete with ruff and feathered hat. The cast figures sit on a seal top pedestal, the spiral twist handles are hollow, with a central ball grip, joined to the bowls with acanthus leaf drops. The serving spoons have oval shaped bowls, please note the spoon bowls have been re-gilded. The sifter bowl has scroll, diamond and circular piercing, the original gilding both inside and outside the bowl is still in pristine condition. Overall these are fine quality spoons, amongst the best figural castings we have seen on a spoon, we love these spoons. All 3 spoons are clearly hallmarked for London 1895 by Horace Woodward & Co. Ltd, they worked between 1875 and 1916, primarily from Birmingham but also from Hatton Gardens, London. In addition both serving spoon bowls have pattern number 9685 on ...

A beautiful Victorian silver sifter ladle in the style of the Aesthetic Movement, made by the important firm of Silversmiths Edward Barnard & Sons. The quality and condition are outstanding, the bowl has a pattern of 2 different types of leaves, each individually pierced and engraved by hand, clearly by a master craftsman. The bowl, which is gilded on the interior, also has a wreath around the edge, with the leaves and wreath repeated on the handle, the wreath forming a cartouche which has not been engraved. The hallmarks for London 1881 are clear, as is makers mark WBJ in shaped shield for Walter & John Barnard, who ran the firm between 1877 and 1895. Edward Barnard & Sons are the oldest manufacturing silversmiths in the world, having been founded in 1680 by Anthony Nelme, they still operate today as a subsidiary of Padgett & Braham (source Directory of Gold & Silversmiths, John Culme, page 29). The Aesthetic Movement flourished in the period 1865 - 1885, after the International Exhibition in London led to a...