A rare and possibly unique variant of the Fiddle pattern, with a "fish tail" insertion in the handle of a Georgian silver butter knife, made by Thomas James. The blade of the butter knife is nicely shaped and has attractive engraving, but it is the handle that stands out. The knife also has original owners engraved initials IH, in a floral font. The hallmarks including makers mark T.J are well struck and very clear, note the lack of a town mark. Ian Pickford, in his book Silver Flatware, shows a picture of a different but similar Fiddle Pattern variant (Fig 139 page 109), which he describes as "odd and quite possibly unique", made in 1826. Thomas James was freed in 1789, he worked until 1827, he was a small worker. He was a noted maker of caddy spoons, many of which also included this "fish tail" design, but found near the spoon bowl, not up the handle as per this example.

A collection of 10 sterling silver and enamel souvenir spoons, all from Scottish towns. Eight of the spoons have enamel finials, one has additional enamel bowl, two are silver only. The spoons were made in Birmingham, London and Edinburgh, and two were imported from Europe. The dates range from 1900 to 1955. All 10 spoons have clear hallmarks. The 10 include: 1. Kilmarnock, Birmingham 1946, L Bros, Confide Virtute et Industria 2. Glasgow, Birmingham 1955, Barker Brothers 3. Edinburgh, London 1902, Saunders & Shepherd, Nisi Dominus Frustra, imported F mark 4. Glasgow, Birmingham 1926, Levi & Salaman, Let Glasgow Flourish, Cathedral in gilded bowl 5. Edinburgh, Birmingham 1900, Levi & Salaman, Nisi Dominus Frustra 6. Glasgow, Birmingham 1911, Joseph Cook & Sons, Exhibition 1911 7. Girvan, Birmingham 1902, William Henry Leather, Sigillum Burgi de Girvan 8. Dumfries, London circa 1900, imported F mark, Enamel bowl with High Street, Dumfries 9. Edinburgh, Birmingham 1926, Levi & Salaman, Nisi Dominus Fru...

A private die silver dessert spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established the 3 back to back C's is a trademark used exclusively by William Comyns & Sons (Culme...

A 9 carat gold Natal Cadet Bisley shooting trophy medallion for 1907. The medallion has the emblem of the Natal Carbineers, South Africa's senior regiment, used prior to 1910, with the British Royal Coat of Arms above two running antelope. The Royal arms include mottoes "Honi Soit Qui Mal Y Pense", and "Dieu en Mon Droit" clearly readable. The medallion has clear hallmarks, including E & Co for Elkington, a leading British silversmith, and the numbers 9 and 375 representing 9 carat gold. The original loop is also gold, and is hallmarked with tiny marks. This medallion would be suitable to be worn as a pendant. Bisley is a small English village that since 1890 has been the home of the National Rifle Association championships, hence the name of the shooting medallion. The Bisley revolver has been used for target shooting since 1894.

A rare set of spring hinged Georgian silver sugar tongs, in perfect condition, which is quite unusual for these type of tongs. The tongs have a hinge with steel spring built into it, the steel is visible on the rear.The arms are cast, and have a bead and thread edge, the grips have an attractive pattern. The hinge bears the Innes family crest, of a lion holding a palm frond, under the motto "Ornatur Radix Fronde", translated "The root is adorned by the foliage". As is usual for Scottish crests, the motto is above (English crests the motto is below), the Innes family comes from the Moray area of Speyside (so perhaps these tongs should be used for adding ice to whisky rather than sugar to tea!). Both arms are hallmarked with makers mark IB and lion passant, which indicates they were made before 1784 when the duty mark was added. These type of tongs were made between 1765 and 1780 (Georgian Silver Sugar Tongs, Graham Hodges, pg 10, a book we highly recommend), and are rare in undamaged form. John Baker II worked...

A rare and beautiful set of 6 silver and enamel mocca spoons, complete with "coffee bean" terminal, gilded bowls, and beautifully enamelled back of bowls in chinoiserie style. These are gorgeous spoons with 6 very different pictures, beautifully enamelled with rich colours, including gold. Two scenes depict pagodas, and one has a Chinese figure complete with fan, golden trident and some Chinese script. The 4th spoon has a gold geometric design on deep blue enamel, with arrows and flowers. The final 2 (our favourites) have a floral theme. The spoons are in their original box, "By Appointment to HM the King, the Goldsmiths & Silversmiths Company Ltd, 112 Regent Street, London". The Goldsmiths & Silversmiths amalgamated with Garrards in 1952, now part of Mappin & Webb. The hallmarks on all 6 spoons are clear.

Magnificent silver sauce boat, with three fabulous applied lion mask and paw feet. The sauce boat is traditional shape, has a gadrooned rim and double scroll handle, with leaf cap. The boat is very heavy and is extremely good quality, it is a pleasure to hold and use. The hallmarks are clear, but the maker's mark is only partially struck, but still clear enough to determine. This is a replica of an earlier style, the design is a typical Paul de Lamerie design, circa 1740-1745. De Lamerie often used the applied lion mask and paw feet. Pairpoint Brothers worked between 1879 and 1937. To quote Culme in "Directory of Gold and Silversmiths, pg 355", "of the place occupied by the four Pairpoint Brothers in the silver world, little is necessary to be said, for their silver mark may be seen in every retail silver merchant's window in London. It is admitted on all sides by experts, sometimes with a sigh of regret, sometimes with a grin of malice, that Pairpoint copies of ancient patterns are dangerously near b...

A beautiful silvergilt engine turned snuffbox with a chocolate brown agate (mocha agate) set in a rim of chased flowers, by a silversmith well known for his boxes. This box has a lovely weight and a pleasing feel.

An unusual Edwardian antique silver sauce or gravy boat, in Modernist style, at first glance it looks out of style with it's age. The sauce boat is a beautiful shape, tear drop with long elegant spout (pours very well), and 3 horn shaped legs, and a very stylish handle, with angular top and curved base. The handle works well, practical as well as stunning, the angular top fits well with the thumb for easy pouring. This design would have been leading edge when it was produced. The hallmarks are excellent, very clearly struck, so there can be no doubt about the age. Lee and Wigfull worked between 1871 and 1969, Henry Wigfull was the driver of the business, he employed over 100 people in 1880, and won awards at the Melbourne International Exhibition of 1881.

An interesting antique cast silver wine label, pierced for SHERRY, made by the Barnard family of silversmiths. This design is called the "Five Barred Gate", the 5 bars are surrounded by grapes, vines and tendrils. This label is of particular interest as it is upside-down, the central vine leaf is usually on top, here it is underneath. The label is quite balanced so it is not easy to see it is upside-down, so an easy mistake for the engraver who did the piercing and applied the chain to make. The five barred gate design was first produced circa 1820 by Emes & Barnard, it remained popular for 30 years, and was copied by a number of other silversmiths, including Reily & Storer (Wine Labels 1730-2003, page 35, Fig 37, where a Port label is displayed the correct way up, also page 156, F Champagne). A number of other examples, all the correct way up, can be seen on the Steppes Hill website (www.steppeshillfarmantiques.com), all by the Barnards, dating between 1823 and 1830. Another version of this label is depicted...

A set of 6 sterling silver grapefruit spoons in the Kings pattern, double struck, in excellent condition, they appear unused. The spoons are very good quality and weight, over 30 grammes each, and the hallmarks are excellent on all 6 spoons. Cooper Brothers was established in 1866, they were successful manufacturers, eventually being sold in 1983. The original box has a label that reads "Bracher & Sydenham, Queen Victoria Street, Reading, est 1790", the firm has a long and illustrious history, and still operates today after being acquired by Goldsmiths chain in 1974. They received a Royal warrant from King Edward VII, who visited the shop personally. Note - 5 spoons are 1966, one is 1965, so made over the date letter change.

A truly stunning Nathaniel Mills gilt vinaigrette, slightly larger than average. The box is gilt with scrolling foliate decoration, and has the initials JL engraved on the lid. The grille is beautiful, with intricate flowers and scrolling vegetation. The inscription is engraved on an inserted plate (which covers the date stamp) and reads "Presented to Dr Lamprey as a token of gratitude for his kind and unremitting attention to the Rev.d Dr Fraill during his last illness 21 April 1847".

An early antique silver vesta case, with an applied cast golfer in full swing. The vesta is rectangular, with applied strike plate on the bottom of the vesta, the hinge lid has a suspension loop for adding to a chain. Dated 1886 this is an early vesta case, most vestas date between 1890 and 1920. The hallmarks are clear, and include makers mark WG/JL (William Gibson & John Lawrence Langman) of Goldsmiths & Silversmiths Co of Regent Street, a very prestigious firm founded in 1882, now the designated house of Crown Jewellers Garrards, following amalgamation in 1952 (both part of Sears via Mappin & Webb). John Langman was an interesting personality, he equipped and maintained the Langham Field Hospital during the Boer War (Culme, Directory of Gold and Silversmiths, page 184).

An Arts & Crafts silver sauce boat, with planished (hand hammered) body and a beautiful curvi-linear bi-furcating handle. The sauce boat has 3 feet, and is the traditional shape with a deep lip, very suitable for pouring. The hand hammered body and handle picks up the light, this is a lovely item. The handle is Art Nouveau in shape and style. The hallmarks are very well struck and clear, including makers mark G.U for George Unite & Sons, the business was founded in 1825 by George Unite, who apprenticed with Joseph Willmore, it still trades today.

A nine carat gold fishing rod and reel brooch, with a cast silver and enamel rainbow trout jumping over the rod. The fish has lovely detail, and the colours are realistic, the enamel work perfect, with no damage. The rod is segmented, overall this is a lovely brooch. The rod is hallmarked 9CT for 9 carat gold in 2 places, and also makers mark A&W, the fish is stamped SILVER. The box is also good quality, leather and silk, and reads "Terry & Co, Goldsmiths & Silversmiths, Corner of Cross St & King St, Manchester. We have traced an advert of theirs to 1967.

Design registered by the retailer Thornhill of New Bond Street on 21 June 1870. The bugle carries the registry mark, Thornhill engraving and full hallmarks for Sampson Mordan, London 1874. Has hanging chain and screw stopper on separate chain, both original. The perfume bottle cap is also hallmarked, and has the original cork stopper, in excellent condition. It is a screw cap which fits snugly and closes perfectly.

A Gold and enamel sweetheart brooch for the Middlesex Regiment (Duke of Cambridge's Own), set on a gold safety pin for attachment. The brooch has the regimental badge, complete with battle honours "ALBUHERA" in white enamel, "ICH DIEN" and "MIDDLESEX REGT" in blue enamel, and the Royal coronet of the Duke of Cambridge in red enamel. The badge also has gold Prince of Wales plumes, and the cypher of Prince George, Duke of Cambridge. The brooch has no hallmarks, but most brooches of this period were 15 Carat gold. The regiment existed between 1881 and 1966, but has battle honours from Albuhera (Peninsular War, 16 May 1811), their nickname was the "Die Hards". They fought during the Anglo Boer War (Relief of Ladysmith), First World War and Second World War, when they were a machine gun regiment. We believe this brooch to be either Boer War or WWI period.

A collection of 10 sterling silver and enamel souvenir spoons, all from a different British town. All 10 spoons were made in Birmingham, with dates ranging from 1900 to 1965. All 10 spoons have clear hallmarks. The 10 include: 1. Guildford, 1902, Levi & Salaman 2. Hastings, 1900, Levi & Salaman, Hastings Castle in bowl. 3. Morecambe, 1965, AJ Bailey 4. Blackpool, 1960, Turner & Simpson 5. Nottingham, 1955, James Fenton 6. Llangollen, 1909 Spurrier & Co 7. Carlisle, 1903, Levi & Salaman, Be Just and Fear Not 8. Canterbury, 1950, Deakin & Francis, Ave Mater Anglia 9. Isle of Wight, 1907, Spurrier & Co 10. Chester, 1951, Barker Brothers, Antiqui Colantantiquum Dierum

A pleasing, heavy caddy spoon by the well known caddy spoon maker Thomas James, whose spoons often have interesting handle shapes, and a "fish-tail" projection at the base of the handle. The spoon has a beautiful crest of a hand holding a cross, with the motto "VIRTUTI FORTUNA COMIS", translated "excellence, fortune and kindness". The hallmarks are very clear. This spoon appears to be an identical twin of a spoon sold by Woolley and Wallis from the John Norie collection, Part 1, April 2004, lot 132. We have now identified the family crest as belonging to the Mayne Family of Scotland, from Tullibody & Powis in Stirling. The crest is described as "Cubit arm, erect, proper habited sable cuff argent holding a cross crosslet gules", the motto above the crest denotes a Scottish family. One possible original owner of this spoon is Colonel William Mayne, who served as Captain of the 1st Life Guards at Waterloo. Thomas James was freed in 1789, but only entered his own mark in 1804.

A Victorian silver "Mr. PUNCH" pin tray, small and dainty but with a lot of detail in the design. This design was originally used in 1849 on Punch Magazine, the artist was Richard Doyle (Punch magazine was first published in 1841, some commentators refer to this picture as from the first edition, which is incorrect). The tray is rectangular, with a shell and scroll border, embossed with "PUNCH" above Mr. Punch painting his dog Toby, surrounded by 17 different figures (monkeys, a group of musicians, and someone riding a donkey, even a devil popping out of a cornucopia!). The easel between Punch and Toby is not clear on the front, but can be clearly seen on the back of the tray, we suspect the die was worn when this was produced, rather than wear since then. The tray is stamped out of quite thin silver, and was clearly mass produced as a novelty for the Victorian market where the "Punch and Judy' show was very popular. The hallmarks are clearly struck at the base of the design, including makers mark CSFS for C...