An early antique silver vesta case, with an applied cast golfer in full swing. The vesta is rectangular, with applied strike plate on the bottom of the vesta, the hinge lid has a suspension loop for adding to a chain. Dated 1886 this is an early vesta case, most vestas date between 1890 and 1920. The hallmarks are clear, and include makers mark WG/JL (William Gibson & John Lawrence Langman) of Goldsmiths & Silversmiths Co of Regent Street, a very prestigious firm founded in 1882, now the designated house of Crown Jewellers Garrards, following amalgamation in 1952 (both part of Sears via Mappin & Webb). John Langman was an interesting personality, he equipped and maintained the Langham Field Hospital during the Boer War (Culme, Directory of Gold and Silversmiths, page 184).

A truly stunning Nathaniel Mills gilt vinaigrette, slightly larger than average. The box is gilt with scrolling foliate decoration, and has the initials JL engraved on the lid. The grille is beautiful, with intricate flowers and scrolling vegetation. The inscription is engraved on an inserted plate (which covers the date stamp) and reads "Presented to Dr Lamprey as a token of gratitude for his kind and unremitting attention to the Rev.d Dr Fraill during his last illness 21 April 1847".

A set of 6 sterling silver grapefruit spoons in the Kings pattern, double struck, in excellent condition, they appear unused. The spoons are very good quality and weight, over 30 grammes each, and the hallmarks are excellent on all 6 spoons. Cooper Brothers was established in 1866, they were successful manufacturers, eventually being sold in 1983. The original box has a label that reads "Bracher & Sydenham, Queen Victoria Street, Reading, est 1790", the firm has a long and illustrious history, and still operates today after being acquired by Goldsmiths chain in 1974. They received a Royal warrant from King Edward VII, who visited the shop personally. Note - 5 spoons are 1966, one is 1965, so made over the date letter change.

A set of 12 identical sterling silver golf trophy spoons, all with identical engraving of BIGC in Gothic script (or IBGC) for a golf club. The spoons are great quality, with cast handles featuring golf clubs and balls, the club handles are also textured. The spoons are all in excellent condition, they do not appear to have been used, and have no engraving on the bowls. They are contained in a box which looks like it was custom made for the set, with purple velvet. All 12 spoons have very clear hallmarks, 9 were made by Robert Chandler (dates 1907-1910), and 3 were made by William James Dingley (2 are 1912, one later at 1925). We assume these were trophy spoons, won over the years by a golfer, who decided to safeguard them with a custom made box.

An unusual Edwardian antique silver sauce or gravy boat, in Modernist style, at first glance it looks out of style with it's age. The sauce boat is a beautiful shape, tear drop with long elegant spout (pours very well), and 3 horn shaped legs, and a very stylish handle, with angular top and curved base. The handle works well, practical as well as stunning, the angular top fits well with the thumb for easy pouring. This design would have been leading edge when it was produced. The hallmarks are excellent, very clearly struck, so there can be no doubt about the age. Lee and Wigfull worked between 1871 and 1969, Henry Wigfull was the driver of the business, he employed over 100 people in 1880, and won awards at the Melbourne International Exhibition of 1881.

An interesting antique cast silver wine label, pierced for SHERRY, made by the Barnard family of silversmiths. This design is called the "Five Barred Gate", the 5 bars are surrounded by grapes, vines and tendrils. This label is of particular interest as it is upside-down, the central vine leaf is usually on top, here it is underneath. The label is quite balanced so it is not easy to see it is upside-down, so an easy mistake for the engraver who did the piercing and applied the chain to make. The five barred gate design was first produced circa 1820 by Emes & Barnard, it remained popular for 30 years, and was copied by a number of other silversmiths, including Reily & Storer (Wine Labels 1730-2003, page 35, Fig 37, where a Port label is displayed the correct way up, also page 156, F Champagne). A number of other examples, all the correct way up, can be seen on the Steppes Hill website (www.steppeshillfarmantiques.com), all by the Barnards, dating between 1823 and 1830. Another version of this label is depicted...

A fabulous Royal silver souvenir spoon, of outstanding quality, commemorating the investiture of the Prince of Wales (now King Charles III) in Caernarvon, Wales in 1969. The spoon has a cast silver Welsh dragon holding a Royal shield, the dragon's tail curls around the spoon stem and forms a "rat-tail" on the spoon bowl, we love this spoon. The bowl has a cast silver Prince of Wales emblem, with 3 feathers above crown, above the motto "Ich Dien", translated "I serve". The back is engraved "Caernarvon 1969, 256", this was a limited edition and each spoon was numbered. The hallmarks are clear, with makers mark JDB for J.D. Beardsmore & Co, who only worked in 1969 and appear to have only produced this spoon. The Emblem inthe bowl, which is cast as a separate piece, is also hallmarked. The spoon was originally sold in a custom box with leaflet, the leaflet informs that the spoon was designed by Norman Manwaring, Herald Painter to the College of Arms, under the supervision of R.O. Dennys, OBE, FSA, Herald of Arms,...

A World War 1 Royal Artillery 15 carat gold and enamel sweetheart regimental bar brooch, clearly hallmarked 15 CT for 15 Carat gold, both the badge and the bar. The detail is lovely, red enamel crown above blue enamel "UBIQUE" (Everywhere), above a gold cannon, above blue enamel motto "QUO FAS ET GLORIA DUCUNT" (Wherever right and glory lead). The bar, pin and clasp are also 15 carat gold, the clasp has a clever locking mechanism to prevent loss, this was an expensive quality item when originally purchased. 15 Carat gold was discontinued by Britain in 1932, hence we can date this brooch to the Great War. The Royal Artillery, commonly referred to as "The Gunners", was formed in 1799, and comprises of 13 regular army regiments today.

A Victorian miniature silver brandy saucepan in the traditional shape, with turned bone? handle. The saucepan has an engraved family crest of a an eagle with talons and wings outstretched, the engraving is very clear. the base is clearly hallmarked for London 1865, with makers mark RS for Richard Sibley II, (mark 2440 in Grimwade), his father Richard Sibley I also used this mark, Richard Sibley II worked between 1829 and 1873. The saucepan is also marked "Thomas Bond St." for FB Thomas & Co, a well known firm of retail silversmiths who operated from 153 Bond Street between 1807 and 1943 (the shop was severely damaged in an air-raid in 1941). Francis Boone Thomas joined the family business in 1851, he died in 1900. Richard Sibley II supplied many items of silver to FB Thomas between 1847 and 1873, in fact they shared premises, so must have had a close informal partnership.

A beautiful pair of miniature antique silver pastry servers, well preserved in their original box, made by the prestigious firm of Asprey. The servers are in the Kings Husk pattern, single struck, this is a variant of the Kings pattern without the central honeysuckle decoration, and a husk shell. Both servers are a similar size and shape, one had a flat spade shape blade and the other has a serrated prong front, so quite versatile. The hallmarks on both are very clear, including makers mark CA.GA for Charles & George Asprey, they used this mark between 1892 and 1909. Both servers are also hallmarked "Asprey London", this is very clear. The silk lined leather box reads "Asprey 186 Bond St London". Asprey was founded in 1781, and still operates today with a reputation as one of the world's leading luxury brands, they still trade from Bond Street. They hold numerous Royal warrants, at the time these servers were made they had a warrant from King Edward VII. Note: We have a similar pair, S 1952, but made in 1906...

A South African Medical Corps WW II gold sweetheart brooch, mounted on a bar brooch, the bar with scroll engraving on either side. The badge itself is a red tinged gold, the bar is yellow gold The badge features the rod of Aesculapius with a serpent entwined round it, head uppermost and looking left, all within a laurel wreath, under a Royal crown, the same badge as used by the Royal Medical Corps. The Scroll below reads "S.A.M.C / S.A.G.D.", translated in Afrikaans the Suid Afrikaanse Geneeskunige Diens. The brooch is clearly hallmarked 9CT for 9 carat gold.

A rare World War I 9 carat gold and enamel sweetheart brooch for the South African Heavy Artillery, who served with distinction at Delville Wood. The badge consists of a springbok head above 2 crossed artillery guns, with "South African Heavy Artillery" below in gold letters with blue enamel (note slight loss to enamel between H AF and small chip before H in heavy). The brooch is cast, the quality is good, 2 different tones of gold have been used (yellow with red gold accents). The clasp connector and catch are also gold, but the pin is not. The hallmarks are clear, Birmingham 1917 with 9 and .375 marks for 9 carat gold, along with makers mark E.A.P&Co (not much is known about this firm, they worked in 1916 and 1917). The South African Heavy Artillery Brigade was part of the volunteer South African Overseas Expeditionary Force, who served during World War I between 1916 and 1918, in East Africa, Egypt, Palestine and the Western Front (Somme, Ypres, Passchendaele and Cambrai, notably Delville Wood).

A pair of antique silver serving spoons, with beautiful pierced and engraved handles, in pristine condition. The detail of the piercing is excellent, an architectural feature surrounded by foliage. The spoons are a useful size, ideal for serving. The spoons appear to have never been used, such a pity for such beautiful items. The hallmarks on both spoons are clear, and include makers mark for the Sheffield firm of Hawksworth & Eyre, who worked between 1841 and 1932, when they were taken over by Ellis of Barker Brothers. Charles Hawksworth and John Eyre exhibited a wide variety of goods at the Great Exhibition of 1851, they had showrooms in London Fleet Street and Montreal, Canada. (Culme, Directory of Gold & Silversmiths, page 222).

A sterling silver circular salver in the Art deco style, with 6 panels of incurved decoration (3 parallel lines on the exterior), and 3 silver button feet. The salver has a raised border, slightly wavy, overall the decoration is quite understated, but makes a big impact. The salver is a superb weight and quality, unlike many light and flimsy copies made at this time. This excellent quality is what we have come to expect from the Barnard's, who are the oldest manufacturing silversmiths in existance, the business being founded in 1773 (Culme, Gold and Silversmiths, pg 29). The hallmarks are very clear, as good as they get, with excellent detail. An almost identical salver, also by Barnards in 1937, but with ivory bun feet, can be seen on the AC Silver website (www.acsilver.co.uk).

A pair of Georgian silver wine labels, engraved for Gin and Rum, made by Thomas Phipps and Edward Robinson in 1792. The labels are rectangular but with very pronounced cut corners, which gives them an octagonal shape. They also have a double reeded border. Both are hand engraved, the Gin with incisions emphasizing the engraving and the Rum with black infill. Both labels have very clear hallmarks, makers mark T.P/E.R in indented puch, this mark was used by Phipps & Robinson between 1790 and 1805. The Georgian duty mark has excellent detail, the remaining marks are sterling lion passant and date letter r for 1792, no town mark is present. Rectangular wine labels remained pure rectangles for about 20 years until 1787, when cut corners started to appear. Phipps & Robinson, along with Hester Batemand and James Hyde, were leaders of the new style (Wine Labels 1730-2003, page 50). Phipps & Robinson were one of the best known firms in London for wine labels, known for their high quality of workmanship and innovative ...

An antique silver and enamel vesta case, with the coat of arms of Kirkwall, Orkney Islands. The vesta is rectangular with rounded corners, and has a safety suspension ring. The applied cast coat of arms has red, blue and yellow enamel, and features a three masted sailing ship with sails furled, above KIRKWALL and below motto "Si Deus Nobiscum", translated "If God be for us" from Romans 8:31. The hallmarks are clear, including makers mark R.C. for Robert Chandler, who worked between 1902 and 1924. Kirkwall is the capital of the Scottish Orkney Islands, the original Kirk was the 11th century St Olaf's of Norway. Kirkwall is also the home of Highland Park whisky, so is on my list of places I would like to visit.

A matching set of six antique silver teaspoons and 2 saltspoons, all engraved with an Earl's coronet above monogram with letter C. The monogram is quite intricate, 2 S scrolls intertwined, with central letter C. The spoons are good quality, teaspoons 28 grammes each, all have a double drop. The hallmarks are clear on all 8 spoons, the makers mark LAC is only lightly struck, but still visible. Lionel Alfred Crichton, 1890-1938, was known for it's fine quality replica silver. Lionel Crichton also set auction records for silver purchases in 1914, he paid the record sum of 5600 pounds at Christies for a silver standing salt, dated 1508 (Henry VIII), from Lord Ashburnham's collection. He had retail outlets in Bond Street London, and New York.

A set of fabulous quality antique silver teaspoons, in the Fiddle and Thread pattern, made by the leading silversmiths of the Victorian era. The teaspoons are quite large and a very pleasing weight, over 30 grammes each, they have engraved initials AMI. The hallmarks are excellent on all 6 teaspoons.

A private die silver serving or basting spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established this back to back C's hallmark is a trademark used exclusively by William C...

A very interesting (and large) Odd Fellows antique silver medallion or pendant, with a central Brittannia surrounded by a laurel wreath, in silver, on blue (enamel?) background, covered by glass. The oval medallion is engraved "VOTED BY THE YARMOUTH BRITANNIC LODGE OF ODD FELLOWS TO G. BOATWRIGHT P.G. 29 MARCH 1843". This is surrounded by an attractive engraved chain, the border is also engraved. The hallmarks are clear, and include the distinctive J.D makers mark with indented corners (Grimwade 3421). Dallinger was an engraver, lithographer and copper plate maker, he first worked in Ipswitch from 1824 and moved to Norwich in 1829 when he made this medallion. He is known as a maker of Odd Fellow regalia. The Odd Fellows is a Fraternal Society promoting philanthropy and charity, it dates back to 1745 and still exists today.