A fabulous pair of antique silver tea knives (or butter knives), made in Sheffield but retailed in Oban, Scotland by R Drummond & Son. The knives have green hardstone handles, beautifully shaped, we guess Scottish green agate. The blades are nicely shaped and engraved, the hallmarks (which are excellent on both knives) are camoflagued in the engraving. The blades are blunt, so made for spreading, not for cutting, in the days everyone had their own knife for tea. The backs of both blades are clearly punched "R Drummond & Son, Oban", so we know they were retailed from their jewellery store in Queens Park, Oban. They also had a store in Stirling which traded between 1865 and 1904. Their advert has survived, and reads "Goldsmiths, Watchmakers and Opticians". Levesley Brothers worked between 1897 and 1916. The set is perfectly preserved in its original box.

A set of 6 antique silver egg spoons, in the Fiddle, Thread and Shell pattern. The spoons are fabulous quality, just under 30 grammes each, a pleasure to hold and use. The spoons have the traditional shovel shaped bowls with distinct shoulders, where they meet the stem, so quite different to teaspoons. The hallmarks are clear on all 6 spoons, but the makers mark is only lightly struck, enough is visible to confirm the triangle shaped HA&S makers mark for Hollard, Aldwinckle & Slater, used between 1905 and 1919. Culme (Directory of Gold & Silversmiths) describes this firm as "an important firm of manufacturing silversmiths, established 1838, they purchased Chawner & Co in 1883, Hennell in 1887, they were absorbed by Francis Higgins in 1922". They supplied virtually all the leading silversmiths of the day, including Garrard, Elkington, Mappin & Webb, and Hunt & Roskell. A visitor in 1894 said "in passing through the galleries, the heavy thuds and ring of anvils, convince one that there is indeed such a trade as...

A rare Victorian silver Armorial butter spade, where the whole blade displays an engraved family armorial. The butter spade has a bone handle, the blade is shield shaped (as opposed to usual triangular shape,) The armorial (centre cross with 4 crosses) is topped with an engraved lion rampant where the blade joins the handle. The bone handle is connected with a silver ferrule. The hallmarks are well struck and clear. Martin Hall & Co was established by Richard Martin and Ebernezer Hall in 1863 in Sheffield, they produced good quality silver until 1911. Butter spades are described by Ian Pickford as "quite rare" (Silver Flatware pg 180), we have not seen another armorial example.

A rare and possibly unique variant of the Fiddle pattern, with a "fish tail" insertion in the handle of a Georgian silver butter knife, made by Thomas James. The blade of the butter knife is nicely shaped and has attractive engraving, but it is the handle that stands out. The knife also has original owners engraved initials IH, in a floral font. The hallmarks including makers mark T.J are well struck and very clear, note the lack of a town mark. Ian Pickford, in his book Silver Flatware, shows a picture of a different but similar Fiddle Pattern variant (Fig 139 page 109), which he describes as "odd and quite possibly unique", made in 1826. Thomas James was freed in 1789, he worked until 1827, he was a small worker. He was a noted maker of caddy spoons, many of which also included this "fish tail" design, but found near the spoon bowl, not up the handle as per this example.

A collection of 10 sterling silver and enamel souvenir spoons, all from Scottish towns. Eight of the spoons have enamel finials, one has additional enamel bowl, two are silver only. The spoons were made in Birmingham, London and Edinburgh, and two were imported from Europe. The dates range from 1900 to 1955. All 10 spoons have clear hallmarks. The 10 include: 1. Kilmarnock, Birmingham 1946, L Bros, Confide Virtute et Industria 2. Glasgow, Birmingham 1955, Barker Brothers 3. Edinburgh, London 1902, Saunders & Shepherd, Nisi Dominus Frustra, imported F mark 4. Glasgow, Birmingham 1926, Levi & Salaman, Let Glasgow Flourish, Cathedral in gilded bowl 5. Edinburgh, Birmingham 1900, Levi & Salaman, Nisi Dominus Frustra 6. Glasgow, Birmingham 1911, Joseph Cook & Sons, Exhibition 1911 7. Girvan, Birmingham 1902, William Henry Leather, Sigillum Burgi de Girvan 8. Dumfries, London circa 1900, imported F mark, Enamel bowl with High Street, Dumfries 9. Edinburgh, Birmingham 1926, Levi & Salaman, Nisi Dominus Fru...

A private die silver spoon featuring a King Protea, South Africa's national flower. The pattern is single struck, and contains a well modelled King Protea on the end of the spoon, the stem is decorated with a triple ribbed pattern with bands, ending in a diamond shape at the spoon bowl. We imagine this is a rare pattern, probably a special commission for a South African event or for a family with South African ties (all suggestions welcome). The hallmarks are clear, and include makers mark R.C for William Comyns & Sons, a firm that dates back to 1856, and still exists today. They are an important firm, their archive contains over 30 thousand patterns (in the V&A), they made all the coronets for the Queen's coronation. The spoon also has an additional hallmark in a very strange place, at the back of the spoon where the stem joins the bowl, this mark is circular and contains 3 C's in a pattern, we have now established the 3 back to back C's is a trademark used exclusively by William Comyns & Sons (Culme, Direct...

A rare set of spring hinged Georgian silver sugar tongs, in perfect condition, which is quite unusual for these type of tongs. The tongs have a hinge with steel spring built into it, the steel is visible on the rear.The arms are cast, and have a bead and thread edge, the grips have an attractive pattern. The hinge bears the Innes family crest, of a lion holding a palm frond, under the motto "Ornatur Radix Fronde", translated "The root is adorned by the foliage". As is usual for Scottish crests, the motto is above (English crests the motto is below), the Innes family comes from the Moray area of Speyside (so perhaps these tongs should be used for adding ice to whisky rather than sugar to tea!). Both arms are hallmarked with makers mark IB and lion passant, which indicates they were made before 1784 when the duty mark was added. These type of tongs were made between 1765 and 1780 (Georgian Silver Sugar Tongs, Graham Hodges, pg 10, a book we highly recommend), and are rare in undamaged form. John Baker II worked...

A rare and beautiful set of 6 silver and enamel mocca spoons, complete with "coffee bean" terminal, gilded bowls, and beautifully enamelled back of bowls in chinoiserie style. These are gorgeous spoons with 6 very different pictures, beautifully enamelled with rich colours, including gold. Two scenes depict pagodas, and one has a Chinese figure complete with fan, golden trident and some Chinese script. The 4th spoon has a gold geometric design on deep blue enamel, with arrows and flowers. The final 2 (our favourites) have a floral theme. The spoons are in their original box, "By Appointment to HM the King, the Goldsmiths & Silversmiths Company Ltd, 112 Regent Street, London". The Goldsmiths & Silversmiths amalgamated with Garrards in 1952, now part of Mappin & Webb. The hallmarks on all 6 spoons are clear.

Magnificent silver sauce boat, with three fabulous applied lion mask and paw feet. The sauce boat is traditional shape, has a gadrooned rim and double scroll handle, with leaf cap. The boat is very heavy and is extremely good quality, it is a pleasure to hold and use. The hallmarks are clear, but the maker's mark is only partially struck, but still clear enough to determine. This is a replica of an earlier style, the design is a typical Paul de Lamerie design, circa 1740-1745. De Lamerie often used the applied lion mask and paw feet. Pairpoint Brothers worked between 1879 and 1937. To quote Culme in "Directory of Gold and Silversmiths, pg 355", "of the place occupied by the four Pairpoint Brothers in the silver world, little is necessary to be said, for their silver mark may be seen in every retail silver merchant's window in London. It is admitted on all sides by experts, sometimes with a sigh of regret, sometimes with a grin of malice, that Pairpoint copies of ancient patterns are dangerously near b...

A beautiful silvergilt engine turned snuffbox with a chocolate brown agate (mocha agate) set in a rim of chased flowers, by a silversmith well known for his boxes. This box has a lovely weight and a pleasing feel.

An early James II silver trefid spoon, by one of the "First Fifteen" London spoonmakers (1580-1697), as identified by Tim Kent in his book "London Silver Spoonmakers". The trefid spoon has a ribbed rat-tail, and is prick engraved "M.P over C.G", indicating this spoon celebrated a marriage. The engraving is delightful, and is contemporary. The spoon is in lovely condition, well preserved given it's age. The makers mark is superb, very clearly struck and perfectly preserved, it could not be better - easily as good as the example illustrated by Kent (pg 36), taken from the original copper plate preserved by the Goldsmiths Hall. This is Thomas Allens' pre 1697 mark. It has 3 pellets above, and a rose below, all clearly visible. The other hallmarks are visible but worn, the crowned leopards head for London, and date letter h for 1685. The lion passant is just visible, but very worn. Thomas Allen was apprenticed to John King (another of the First Fifteen) in 1668, and freed in 1675 (Grimwade pg 422). He was a speci...

An early antique silver trefid spoon, preserved in excellent condition, and with good hallmarks. The spoon is the traditional trefid shape (also called Pied de Biche, as the style originated in France), and has a lovely reeded rat-tail, which is quite rare. The spoon is engraved with contemporary initials "K * M", engraved correctly on the back of the spoon. The spoon is good quality, and has a lovely feel. The hallmarks include makers mark DO in diamond shaped punch with Fleur de Lys above and below. This mark belongs to Dorothy Grant (Grimwade 3591, Jackson pg 136, under 1680). Dorothy Grant was the widow of William Grant, she worked until 1712, both her sons Benjamin and William apprenticed under her (Grimwade pg 527). Other marks include crowned leopards head (worn), lion passant and date letter O for 1691, which is very clear. Note: We had originally ascribed this mark to John Downes (Jackson, pg 155, Wyler, pg 145, Grimwade pg 46), but this mark is clearly in a diamond rather than circular punch used by...

A collection of 10 sterling silver rifle shooting trophy and Boer War souvenir spoons. Five spoons have enamel finials, 8 spoons are shooting trophies and 2 spoons are Boer War. The spoons include: 1. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 103, enamel shooting range (round medallion), Birmingham 1928, Birmingham Medallion Company, gilded 2. P.E.R.C. (Port Elizabeth Rifle Club), E.F. Wilson, 1927, 100, enamel bulls eye, gilded, crossed rifles, Birmingham 1925, Birmingham Medallion Company 3. & 4. - Toll Gate Miniature Rifle Club, enamel finials with twisted stems, Birmingham 1912, William James Dingley, both engraved "Won by" 5. Man at Arms Competition, Lovely shooting soldier handle, Birmingham 1912, William James Dingley, engraved "Won by EF WILSON PET GRC, score 98, 18 Jan 1913 6. & 7. - Rifle Club, crossed rifles, Birmingham 1909 and 1911, Elkington & Co, engraved "D Coy CP Rifles and A Coy PWCRCPR", nice quality 8. Bloemfontein Rifle Club (English and Afrikaans), City armorial, gilded, B...

An unusual silver table bell, with cast silver handle of 2 young boys (cherubs or putti?), one holding the other upside down by the ankles. The casting has lovely detail, as can be seen in the photographs. The bell is quite heavy, and is good quality, with a clear ring. The clanger is also hallmarked silver. The hallmarks are clear, including makers mark JS, which appear to over strike another mark, so possibly JS is a retailer. We would welcome opinions on the significance of the cherubs, thank you.

A silver quaich of traditional shape, with 2 flat lug handles, and quite a large size. It is quite plain, which accentuates its lovely shape. The base is engraved "H.H. Plante, 12 Bury St, St James, S.W.", and the hallmarks are very clear. Quaiches are traditional Scottish drinking vessels, one's this size were passed around at ceremonial occasions. They are popular christening gifts in Scotland. The firm of H.H. Plante (Henry Hudson Plante) worked between 1907 and 1980.

A magnificent silver beaker, decorated with 10 silver staves, which in addition to being decorative greatly improve the grip. It is extremely good quality and weight, and a pleasure to hold. The base is engraved "Goldsmiths & Silversmiths Co, Regent St, W", and the hallmarks are clear. The Goldsmiths and Silversmiths company existed from 1880 to 1952, when it was absorbed into Garrards, the Crown Jewellers. Given it's date of 1916, we imagine it was used for water or whisky by an officer in the Great War. This beaker is a replica of a medieval beaker dated 1496 (Henry VII), that used to belong to Cardinal Wolsey. It is featured in an advertisement for Alexander Clark Co Ltd of Oxford Street, London, priced at 3 pounds 10 shillings, that appeared in The Connoisseur magazine of July 1912, which advertised reproductions of historical and classic cups, including the tudor bowl and cup, and Pompeii jug. High quality reproductions of famous silver items were popular in the early years of the 20th century, they ar...

A pair of early Georgian Hanoverian tableforks with 3 tines or prongs, made by the leading Huguenot spoonmaker of his day. The forks are a pleasing quality, and are in excellent condition, with no engraving, we really like these forks. The forks are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed, some are clear and some partially visible. The first fork has very clear PH under acorn makers mark (this could not be better), with worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, good enough to be certain of the date. The second fork also has partially worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, but makers mark is not visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first London mark in 1716, he was "Fre...

A World War II 9 carat gold and enamel sweetheart brooch for the Durban Light Infantry Regiment of South Africa. The brooch features the infantry bugle with tassels under the Royal crown. The brooch has 2 colours of enamel, red in the crown and green for the letters DLI. It is mounted on a bar brooch, also 9 carat gold, the pin is also gold, often the pins are a base metal. The brooch is clearly hallmarked 9CT for nine carat gold, the clasp is also marked 9 for 9 carat gold. The George VI crown shows this dates to WW II, the DLI fought in North Africa and Italy (including El Alamein and Monte Cassino). The regiment was founded in 1854, and still exists today, they were called the Royal Durban Light Infantry between 1935 and 1961 when South Africa became a Republic.

A Royal South African Air Force gold sweetheart brooch, dating from World War II. The brooch features the crest of the old Union of South Africa, with 4 quarters for the four provinces, an ox wagon representing Transvaal Province, a woman with an anchor representing Cape Province, two wildebeests representing Natal Province and an orange tree representing the Orange Free State Province. This is surrounded by a laurel wreath, under the Royal crown of King George VI, between the traditional pilots feathered wings. This badge is incorporated into a bar brooch (not added as is usual for sweetheart brooches), the hinge, clasp and pin are also gold. The brooch also has a suspension loop attached to a fine gold chain and gold safety pin, all in perfect condition, this was a good quality brooch when it was made. The brooch is clearly hallmarked 9CT for nine carat gold. The Royal South African Air Force provided 35 squadrons during World War II, mostly in North Africa and Italy, with 18000 staff deployed.

A WW II South African Artillery Regiment 9 carat gold and enamel sweetheart brooch, the detail is lovely. The brooch features a cannon under Royal crown with red enamel, with motto "UBIQUE" (everywhere) in blue enamel above cannon, and "South Africa / Suid Afrika" in blue enamel below. The brooch is clearly hallmarked 9CT for 9 carat gold, the clasp and hinge are also gold but the pin is not, it is stamped "Metal". 14 South African artillery regiments served in North Africa and Italy during the second world war.