A Royal Navy & Merchant Services gold and pearl nautical crown sweetheart brooch, with 14 pearls set in 18 Carat gold, the detail of the crown is exquisite, this is a top quality brooch. Both the crown and supporting bar are 18 carat gold, both are clearly hallmarked "18CT". The 18 carat gold is a deep yellow colour, the pin has a reddish tinge, so could be 9 carat (pin is unmarked). The pearls are different sizes, with the largest in the centre of the crown. These sweetheart brooches were popular during both WW1 and WW11, we have tentatively dated it to WW11 (1939-1945) given the style of the box. The brooch is perfectly preserved in it's original box, which reads "Royal Appointment, Gieves Ltd, 21 Old Bond Street, London W1". Gieves (now Gieves & Hawkes) is a prestigious Savile Row Tailor, established in 1771, the hold numerous Royal Warrants, including the Queen, Duke of Edinburgh and Prince of Wales. They have long served the British Army, Royal Navy and the Royal family, clients include Lord Nelson, the...

A silver "two-cigar" case, with Boer War inscription "Dr Kellner, from a Grateful "Australian" Patient, Bloemfontein, 1900". The Australian is in inverted comma's. The case is well made, good quality and gauge, and quite solid. The interior is gilded, and the hallmarks are clear on both sides of the case. H. Matthews was a large and well known Birmingham firm. Bloemfontein was the capital of the Orange Free State, and was surrendered to the British on 13 March 1900. Thirty thousand British troops entered Bloemfontein, and thanks to poor sanitation a typhoid epidemic broke out, which caused hundreds if not thousands of deaths. Doctors (who included Sir Arthur Conan Doyle) were in short supply, with 3 doctors per 350 patients (Pakenham, The Boer War, pg 382) - which no doubt led to the generosity of our unnamed "Australian". Today Bloemfontein hospital is on Kellner Street, we are not sure if there is a connection.

A fabulous set of 12 Victorian sterling silver teaspoons with matching sugar tongs, each of the 13 items has the UK Patent Office Lozenge Diamond registration mark, showing this design was patented. The pattern is a bright cut shell pattern, and is double struck (on both sides), this is a beautiful pattern that will glitter in candlelight. The quality is superb, the spoons around 25 grammes each. The set is perfectly preserved in it's original box, they do not appear to have been used. There is no engraving, these spoons are as pristine as the day they were made. All 13 items are clearly hallmarked with Sheffield Crown, Sterling Lion, date letter Gothic F and makers mark RM/EH in diamond punch, for Richard Martin and Ebenezer Hall, they used this mark between 1881 and 1911 (the firm was established in 1863). In addition, all 13 items have a clear diamond or lozenge registration mark for the British Patent office, this was used between 1842 and 1883, this is the second version of the mark used between 1868 and...

A lovely Queen Anne replica teapot, itself antique as over 100 years old, a faithful copy of the earliest known English silver teapots. The teapot is small, due to the rarity of tea during the period, it would be termed bachelor size today. The teapot is pear shaped, with a domed lid topped by urn finial, stand-away hinge, raised circular foot, and octagonal curved spout. The wooden handle is the traditional shape, with thumb piece for easy pouring. The weight and quality are excellent, this teapot is a pleasure to use. An original teapot, dated 1715 and valued at over GBP 12000, is depicted in the book "Price Guide to Antique Silver, Peter Waldron, page 269, this replica is an almost exact copy. The hallmarks are clear, including makers mark JA for James Aitchison of Princes Street, Edinburgh, Goldsmith to the Queen (Victoria), Prince of Wales and Duke of Edinburgh. Aitchison worked between 1877 and 1910, he was a town councillor, and was involved in the building of Usher Hall. His home in Edinburgh is now t...

An interesting set of 3 antique sterling silver serving implements, in the rare Venetian/Italian pattern. They consist of a fabulous quality stilton cheese scoop (81 grammes), and matching pickle fork and butter spreader, all beautifully preserved in original felt and silk lined case. The pattern is very intricate, and is repeated on both sides, at first glance it is similar to Elizabethan pattern, both are Renaissance and Baroque in style. Unlike Elizabethan this pattern has a circular cartouche, repeated on both sides, this has not been engraved. Venetian/Italian pattern was registered in 1868, most pieces are by Martin Hall&Co, this is a scarce pattern (Pickford, Silver Flatware, page 94). Pickford aslo describes a subtle difference between Venetian and Italian (this is difficult to see without a photo of both). The box reads "Mappin & Webb, Manufacturing Goldsmiths & Silversmiths, London, Sheffield & Johannesburg". The hallmarks are clear on all 3 items. We love this set, a delight to hold and use.

A very good quality silver sauceboat or gravyboat with shaped rim and leaf capped flying scroll handle, 3 cast hoof feet and a nice crest, a greyhound holding an arrow. The hallmarks are very clear, even the leopards' whiskers are visible! Smith and Sharp were important makers, who made some of the finest silver of the period (Pickford, Jackson's hallmarks). They supplied Parker & Wakelin, the Royal Goldsmiths who supplied the Prince of Wales and "half the nobility of England" (Grimwade, London Goldsmiths). The crest has been identified as belonging to the Watts family, and is described as "A greyhound sejant argent supporting with its dexter foot an arrow or headed and barbed of the first". The heraldic research report is available in our articles section.

A set of 6 Liberty & Co. silver cakeforks, in the Medea pattern, and perfectly preserved in their original Liberty silk lined box. The Medea patten features 3 embossed seed pods in Art Nouveau elongated manner, originally designed by Archibald Knox in 1899, it became Liberty's most popular pattern. The forks have 2 tines, with a fatter tine for cutting cake, they are great quality, and a pleasure to hold and use. All 6 forks are clearly hallmarked, with the Liberty and Co triple diamond makers mark. The original silk lined box is in perfect working order, it reads "Liberty London - Paris By Special Appointment", between 2 crowned Royal flags. The Medea pattern was first featured as part of the first Cymric range in the Liberty catalogue of 1899, as one of a set of 6 spoons (along with Adela, Sabra, Sarepta, Egbert and Decos) ("Artists Spoons" by Simon Moore, pages 70-91, a book we highly recommend). Originally described as an "embossed floral handle", it is thought they represent tulip buds or seed pods. The ...

An interesting commemorative silver card tray (or small salver), with the traditional pie crust border of moulded shells and scrolls, made by Elkington. The tray has 3 cast feet, the traditional dragon claw on pearl, with lovely detail. The tray is very good quality, as you would expect of Elkington, quite heavy to hold. The tray is engraved "MEMENTO of ABERYSWYTH LIFEBOAT. ALFRED G.T. SMITH (Volunteer) Member of Crew. GALE of SEPTEMBER 26th 1899. (Unsuccessful Search) 1.20. A.M TO 8.0. A.M." Note incorrect spelling of Aberystwyth, I guess an easy mistake if you are not Welsh. Aberystwyth is a historic Welsh market town, now a University town and tourist destination, but previously an important Atlantic gateway. The Aberystwyth lifeboat station was established in 1861, it still operates today.

A magnificent silver gilt snuffbox, with a cast panel of a scene from Greek mythology, showing Hebe, Goddess of Youth, feeding Jupiter (disguised as an eagle) with Ambrosia, the nectar of eternal youth. Hebe, or Juventas in Latin, was the cup bearer to the Gods, responsible for feeding them "Heavens Wine" to provide immortality. The box is engine turned, and has a flower head thumb pull. This box is of outstanding quality, and is heavy and has a pleasing feel. Hallmarks are very clear.

A set of four silver "Gourmet" wine labels, for Brandy, Sherry, Port and Whisky. The labels feature a well dressed gourmet sitting at a well stocked table with knife and fork in hand tucking into a whole fish, he is surrounded by various food and drink, including a chicken, boar's head, ribs, jelly, wine bottles and mugs, with 2 fruit baskets either side. The gourmet's feet protrude from beneath the table, the hallmarks are between his feet. The labels are crescent shaped with the original chains intact, and as can be seen from the photos are well modelled, quite humorous with lots of detail. The label is a copy of an antique Belgium slot wine label circa 1814-31, depicted in the book "Wine Labels 1730 - 2003", figure 1308, page 344, described as "overwhelmingly self-indulgent gourmandise". The labels include maker's mark MWD in a wine bottle punch for Michael Wyard Druitt, who specialises in high quality handmade wine and decanter labels (see www.decanter-labels.com). Michael Druitt is an active membe...

A hand hammered silver bowl on upturned base, with silver ball feet and decoration. It is beautifully made, of good gauge, and is engraved "To Ian Desborough Elliot from his Godmother, 1901. In small things liberty, in great things unity, in all things charity". The hallmarks are clear, including the makers mark. The Guild of Handicraft Ltd was formed by Charles Robert Ashbee in 1898, and worked from New Bond Street. It went into liquidation in 1908, amidst complaints that the large London firms plagiarised designs and sold them cheaper. The Guild consisted of 50 craftsmen, and each item was made by hand.

A pair of early Georgian circular salt cellars, made by David Hennell I, the leading mid 18th century maker of salt cellars. The cellars have undulating gadroon borders, and stand on 3 cast silver shell headed hoof feet, this was the dominant design of salt cellars from 1735-1760, along with the lion mask paw feet variant. Both cellars have original owners engraved initials (possibly PH, but this is worn through polishing). The cellars are hallmarked 2 years apart (1748 and 1750), but are identical in design, and have been a pair for a long time given the style and wear on engraved owners initials. The 1748 cellar is slightly heavier (87 vs 78 grammes), it has 3 clear hallmarks, but no makers mark. The 1750 cellar has 4 hallmarks, including makers mark DH in script under Fleur-de-Lys in shaped shield (Grimwade mark 471), the marks have some wear but are all clearly visible. David Hennell was freed in 1735, he retired in 1773 to become Deputy warden of the Goldsmiths Company, and died in 1785. He described him...

An early Georgian silver lemon (or orange) strainer, distinguished by a large bowl, a simple circular pierced design with 7 circles, and solid shaped handles. The strainer is engraved with a beautiful Scottish family crest on one handle, with motto "Audeo Quid Audeo" (translated I dare what I dare), above a rampant lion crest holding a shield (possibly with unicorn) and a bust of a man wearing head dress above a Ducal crown with strawberry leaves. The 7 circular piercings all have a pattern of 7 pierced holes in the centre, and in between on the sides of the bowl, overall simple but attractive and functional. The strainer is hallmarked with 4 hallmarks in the bowl, these are partially obscured by the piercing which was done after hallmarking. The date letter Q for 1731 is still clearly visible, the lion passant and crowned leopard head are still legible, the makers mark is partially struck, but the crown above rose in a shaped punch is clearly visible, above a partial L, so we can be confident this is the mar...

A fabulous lion mask head and paw feet cauldron salt cellar with near matching mustard pot, complete with blue glass liner. The salt has a gadrooned rim, and 3 cast lion mask head and feet, with very pleasing detail, and is gilded with a matt finish. The weight of both is extraordinary, these are very heavy and good quality items. The mustard pot has a hinge lid and scrolling handle. The salt was made by Hollard, Aldwinkle & Slater in 1917, the mustard pot is by the Goldsmiths & Silversmiths Company, 1920. On very close inspection you can see they do not quite match, the lions are cast in different moulds, with very slight differences in the detail - but both are reproductions of a very popular early Georgian style circa 1750. This style was also copied by Paul Storr. The hallmarks on both are very clear, the lid is also hallmarked. Hollard, Aldwinkle & Slater was an important firm who worked between 1838 and 1932, they acquired a number of leading firms including Adams (Chawner), Hennell and Higgins. The Gol...

Inkstand of superb quality, by reknowned maker George Fox. Both the inkwells and borders are pierced with an attractive design, and are adorned with 8 classical lion faces, 4 on each corner and 4 (with rings in mouth) around the inkwells. The stand also has a beaded border and bun feet. The lids, which are both individually hallmarked, have rose finials. The glass inkwells fit snugly into their holders.

A fabulous Sampson Mordan silver gilt scent bottle in the Aesthetic style, beautifully engraved with birds, insects, flowers and foliage, with 1 bird sitting on a nest with 2 eggs. The quality is outstanding, and the bottle has been well preserved in it's original silk and velvet lined fitted Morocco leather case. The silver gilt on the exterior and interior are a lovely golden colour, with no wear, we assume this bottle has mostly remained in it's closed box. The glass bottle has the remains of the origianl sponge inside, which could easily be removed. The hallmarks are clear, both on base and bottle lid, the rim is also hallmarked. A very similar Mordan scent bottle can be seen on the www.steppeshillfarmantiques.com website, but without the bird nest. Sampson Mordan became famous for producing high quality, innovative novelty items, many of which are highly collectable today. The firm worked between 1823 and 1941. The motto of the Sampson Mordan company was "Quality lives when price is forgotten" - Sampson ...

A fabulous early Georgian Rococo shell shaped punch ladle, in the shape of a conch shell. The ladle is embossed and engraved in typical Rococo style with a bird (peacock?) eating fruit (grapes and a pear), alongside a brick chimney with flames? at the top, surrounded with scrolls, shells, flowers and leaves. The shape of the shell and quality of the embossing and engraving is very pleasing. The shell is connected to the silver handle base with cast silver scrolls at right angles to the shell, the handle itself is turned wooden handle. The ladle is held hanging vertically, the the shape of the shell and pouring lip makes it very practical to use. The base of the handle is engraved with original owners initials A over T.T. The ladle is hallmarked with London hallmarks for 1752, and makers marks PR for Philip Roker II (Grimwade mark 3754). As all 4 marks are struck on a curved surface they are all unevenly struck, clear on the right but slightly obscured on the left, all visible enough but the makers mark could ...

A beautiful Georgian silver Fish slice, also called a long oval server, by one of the leading makers of this type, William Plummer. The server is extensively pierced and engraved with a realistic fish, what makes this server exceptional is that the design is repeated on both sides. The fish is surrounded by flowers and foliage, and is surrounded by a narrow engraved band. The quality of the slice, and in particular the piercing and engraving, is remarkable. The blade is flat, narrow, elliptical and symmetrical, the handle is in line, connected to the blade with a split penny boss. The handle is filled, and has a raised beaded pattern that assists the grip. The penny boss is engraved on 1 side with a family crest, a bulls head holding a spear, above a crown, the engraving is crisp and clear. The hallmarks are clear, including makers mark W.P for William Plummer, Grimwade mark 3255. In an excellent article entitled "English Long Oval Servers" by Dale Bennett, published in Silver Magazine July 2016, page 20, Ben...

A lovely Victorian silver and enamel vesta case, featuring a seated pug on a red chair, with sky and trees in the background. The enamel is oval, with a twisted rope border, the vesta is rectangular with rounded corners, and a safety ring for connection to a chain. This is a substantial vesta case, larger than the traditional size, and quite heavy in the hand. The striker plate on the base is stamped "SIRUS PATENT", which we have observed on other vesta cases by Horton & Allday, it is a nice size and oval in shape, so easy to use. The rim is clearly hallmarked, including makers mark H&A for Horton & Allday, who worked between 1888 and 1933, they seem to have specialised in vesta cases and boxes.

A delightful sterling silver Christening bowl or porringer, decorated with the "Three Bears" of Goldilocks fame walking past engraved trees. The bowl is good quality, quite heavy, the bears are cast and applied, the detail is lovely. The bowl is engraved "Mappin & Webb Ltd, London & Sheffield", and all the hallmarks are excellent. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. The was produced just after the end of World War II, silver was very cheap, items from this period are often heavy and superb quality. One of the nicest Christening present a baby could hope to receive. Note - we have 2 matching items, a plate and mug, S 1981 and S1982.