A World War 1 Royal Artillery 15 carat gold and enamel sweetheart regimental bar brooch, clearly hallmarked 15 CT for 15 Carat gold, both the badge and the bar. The detail is lovely, red enamel crown above blue enamel "UBIQUE" (Everywhere), above a gold cannon, above blue enamel motto "QUO FAS ET GLORIA DUCUNT" (Wherever right and glory lead). The bar, pin and clasp are also 15 carat gold, the clasp has a clever locking mechanism to prevent loss, this was an expensive quality item when originally purchased. 15 Carat gold was discontinued by Britain in 1932, hence we can date this brooch to the Great War. The Royal Artillery, commonly referred to as "The Gunners", was formed in 1799, and comprises of 13 regular army regiments today.

A Georgian silver mote spoon, made by Philip Roker III in either 1766 or 1767. The mote spoon is the traditional shape, with a pierced bowl, tapered handle and diamond point finial, which is quite sharp. The piercing has a central starburst design, surrounded by symmetrical scrolls and holes. The spoon has a long drop, which is also pierced. The spoon has 2 hallmarks, a lion passant and makers mark P. ROKER, which was only used by Philip Roker III for 2 years, hence our ability to date the spoon so precisely. This is mark 3753 in Grimwade, who ascribes the mark to Philip Roker II (who died in 1757, so we assume Grimwade is incorrect. The Roker family were specialist spoonmakers, and have left behind some wonderful spoons. Mote spoons originated in the early 18th century, and were used to skim off floating particles of tea leaves and motes (tea dust) from a cup of tea (Newman, Illustrated Dictionary of Silverware, page 217). The long thin handle with sharpened point was used to clear the spout of a teapot (wh...

A rare 18th century Birmingham silver caddy spoon by leading maker Joseph Taylor. The spoon is a naturalistic veined leaf, very finely decorated on the back and the front, the handle a coiled tendril, simply formed from silver wire rolled into a circle, with a tail, flattened to form the connection with the bowl, it works remarkably well. The hallmarks have been individually very carefully struck, as a result all 5 hallmarks are fully intact and clearly visible, which is not often the case with finely decorated silver. They include Birmingham anchor, date letter b for 1799, cusped duty mark, lion passant and makers mark IT for Joseph Taylor. 3 very similar caddy spoons are depicted in the book "Caddy Spoons" by John Norie (a book we highly recommend), figure 59g, by Joseph Taylor dated 1798, and also 2 by Elizabeth Morley (dated 1802 and 1815), figure 22a and c. The same book says "all 18th century Birmingham caddy spoons must be considered comparatively rare and desirable, the facts are that very few were ma...

A lovely Georgian silver basting (or serving spoon) by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the "Queen of British Silversmiths". The spoon is Old English pattern, and is engraved with a family crest of a crowned lion breathing fire, this is very clearly engraved. The hallmarks are very clear, they could not be better, and include makers mark HB in script, this mark was used from 1778 to 1790. All the hallmarks have very clear detail, you can see the hair and collar on the duty mark, fringes on the lion passant legs and mane.

A fabulous early Georgian (George II) silver sauce boat, one of the best we have seen. The sauce boat is an exceptional size and quality, tipping the scales at 492 grammes (17.4 ounces), and is wider and shallower than later examples. The sauce boat has Rococo decoration, with engraved swirling shells, flowers and scrolls, it also has an intricate diamond pattern which is also hand engraved. The 3 cast shell feet are also fabulous, with a scroll between shell foot and shell attachment. The leaf capped double scroll handle has also been cast and applied. The sauce boat has a Rococo family armorial (3 wheat sheaves and a cross) on one side and a family crest on the other, consisting of a lion rampant holding 2 wheat stalks. The Sable a cross potent is the Alleyn family, in this case the arms of the wife, we have not yet identified the arms of the husband. It may possibly be the Lidsel family from Essex, Gules three garbs argent. This sauce boat is accompanied with the Heraldic report identifying the Alleyn fami...

A magnificent set of 4 Victorian cast silver Cherub salts, replicas of a style introduced by Paul de Lamerie. The salts have a cast vine leaf bowl, supported by a cherub with arm outstretched, and two dolphin feet supporting the bowl. These are fabulous quality, they weigh between 232 and 273 grammes each, averaging at 255 grammes each, and the condition is excellent. The cherub (also called amorini and putti, but not cupid as no wings present) is naked except for a small loincloth, he is well modelled, note the detail of his hair. The bowl is a cast vine leaf, also well modelled, and the 2 stylised dolphin feet are copies of those used by Lamerie. The salts are all solid, and stand well on the table, no wobble at all. Traces of original gilding are still visible, especially on the harder to reach areas on the body of the cherub (we imagine much of the gilding has been polished off over the years. The cherub is hollow, the casting hole visible under his bottom. One salt is clearly hallmarked on the vine leaf,...

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...

A lovely Georgian silver chamberstick, of good quality and gauge, that is still in excellent condition. The pan is circular but with an octagonal design, the border has alternating devices (one floral, one more rectangular). The candle nozzle is also octagonal, with a column design. The flying scroll handle has a cast thumb-piece with engraved family crest, and slot for holding the companion extinguisher. The chamberstick also has its original detachable conical extinguisher (sometimes called dunce cap extinguisher) with acorn finial, this is also engraved with the same family crest, its attachment has the same floral motif as on the pan. The hallmarks are very clear on both pan and extinguisher, and include Sheffield hallmarks for 1822 and makers mark I&J.S. for John and James Settle, who worked between 1814 and 1824. A number of impressive pieces by these makers have survived, including a pair of impressive wine coolers that can be seen on the Rau website (www.rauantiques.com). The crest , a "demi-lion ram...

A beautiful Georgian silver Fish slice, also called a long oval server, by one of the leading makers of this type, William Plummer. The server is extensively pierced and engraved with a realistic fish, what makes this server exceptional is that the design is repeated on both sides. The fish is surrounded by flowers and foliage, and is surrounded by a narrow engraved band. The quality of the slice, and in particular the piercing and engraving, is remarkable. The blade is flat, narrow, elliptical and symmetrical, the handle is in line, connected to the blade with a split penny boss. The handle is filled, and has a raised beaded pattern that assists the grip. The penny boss is engraved on 1 side with a family crest, a bulls head holding a spear, above a crown, the engraving is crisp and clear. The hallmarks are clear, including makers mark W.P for William Plummer, Grimwade mark 3255. In an excellent article entitled "English Long Oval Servers" by Dale Bennett, published in Silver Magazine July 2016, page 20, Ben...

A British Military World War II Silver Chaplain's Chalice Set (an identical pair, but one is sterling silver and the other is silver plate). The Chalices are a standard design dating back to the 17th century, with a semi spherical bowl, a knobbed baluster stem (designed for grip with thumb either above or below), and a circular domed foot with a rim. Both chalices are engraved with a cross, and are on the small size, so probably designed for travel. The silver plated chalice has a gilded interior, the gilding is good. Whilst both chalices appear identical, the sterling silver one is heavier (171 grams vs 142 grams for the plated version. Both chalices are clearly marked with the broad arrow (sometimes called crows foot or pheon), this mark is associated with the War Department, but has a history that dates back to Henry VIII and the establishment of the Board of Ordnance by Sir Philip Sydney, originally to mark supplies to the Royal Navy. In 1875 the symbol was listed in the Public Stores Act, and was used to...

A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366). Curry has left behind some fabulous silver, top notch quality and beautiful intricate designs, he deserves further study. Henry William Curry's brother Charles John Curry was in partnership with Alexander Crich...

Typical early Georgian small octagonal caster by a well known maker. Thomas Bamford was a specialist caster maker, whose apprentices included Samuel Wood, who also became a prolific specialist caster maker. Bamford's address was the interestingly named Gutter Lane. The caster is clearly hallmarked, both on the base and on the sleeve of the lid.

A rare Charles II Restoration period silver porringer, made by Ralph Leeke, one of the leading goldsmiths of the late 17th century, in 1669. The porringer is the traditional shape and size (noticeably larger than later examples), and is chased in high relief with a running stag and hunting hound, surrounded by bold Stuart flowers (we think daffodils and poppies), these bold flowers predate the commoner restrained acanthus decoration introduced around 1680. The porringer has the traditional cast caryatid scroll handles with faces on both sides. The flat circular base is engraved with original owners initials F/SM, the engraving has character. The porringer has 6 hallmarks on the base, crowned leopards head town mark for London, date letter Gothic M for 1669 (slight wear to top but unmistakable for 1669), Lion passant, and makers mark RL above trefoil in shaped shield struck 3 times, 2 are partially worn but still readable and 1 mark is very clear. Ralph Leeke (or Leake) has been described as "a fine 17th centu...