A pair of octagonal engine turned napkin rings, with applied armorial of the city of East London, South Africa. The armorials are lovely, with 4 colours of enamel, and good quality and gilded, we assume a metal, possibly silver, but no hallmarks are visible (possibly hidden on the back which is glued to the napkin rings. The rings are a pleasing shape, with 2 engine turned panels each, both are clearly hallmarked. The armorial depicts the cross of St George, as with the original London, with sheaves of wheat and sheep depicting agriculture, below a rising sun signifying the east. The shield rests on a gold anchor, as per the Cape Colony arms. This armorial was granted in 1892, it was replaced in 1959 by a more heraldically correct version.

A REME (Royal Electrical and Mechanical Engineers) Regimental 9 carat gold Sweetheart Brooch. The badge depicts a horse rearing with a coronet around its neck, linked via a chain to a globe the horse is standing on. Behind the horse there is a lightning flash, which symbolises electrical engineering while the globe stands for the world-wide role of the unit. The chained horse symbolises power under control. The badge is completed with the British Royal Crown. The flash and crown are clearly hallmarked 9 carat yellow gold, the horse is a much lighter colour, we assume it is white gold. The hinge, pin and safety clasp are also yellow gold. The brooch also has a gold suspension ring behind the lightning flash, possibly for another form of attachment. The brooch is clearly hallmarked for Birmingham 1967, 9 carat gold and has makers mark W.O.L, they worked between 1953 and 1970 but are currently un-identified, possibly W.O. Lewis. This badge is described by members of the REME as "a horse dropping a bollock".

A sterling silver porringer, this is a replica of a Carolean porringer dateing back to Charles II. The porringer is beautifully made, a very pleasing quality. It is planished (spot hammered), so probably hand made. The porringer is embossed with acanthus leaves and the 2 scroll handles are decorated with dolphin heads. The hallmarks are clear. Samuel Walton Smith worked between 1886 and 1926, the partners included John Bodman Carrington of Carrington & Co. This was probably intended as a Christening gift, but has never been engraved.

An interesting pair of cast silver sugartongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. The tongs are bow shaped, with attractive cast silver pierced arms, decorated with foliage, scrolls and flowers, and shell grips. The bow is shaped, and has a cartouche for owners initials, which has not been engraved. The side of the bow has faint remnants of owners initials, P/IM, now very worn. Cast sugartongs followed scissor style sugar nips (also called tea tongs), most date between 1770 and 1780, when they were replaced by standard sugar tongs. Cast sugar tongs were complex to make, the arms were cast separately and then soldered onto the bow (Hodges, Georgian Silver Sugar Tongs, page 11). This particular tongs was made from 5 separate pieces, the bottom thinner portion of the arms were cast separately, all the solder joints are visible. We believe this is how the tongs were originally produced, there is a possibility they we...

An antique sterling silver ceremonial key, presented to the Lord Bishop of Carlisle on the opening of the Grasslot Mission Room, Maryport in 1908. The key is the traditional shape, with 2 shields (one engraved, the reverse blank) surrounded by scrolls, and a ribbed stem. The key is engraved "Presented to the Lord Bishop on opening Grasslot Mission Room 1908". The key is good quality, a pleasing weight, and has been perfectly preserved in it's original box. The box reads "J.W. Johnston & Son Carlisle", the box is also good quality with velvet and silk interior. JW Johnston were leading jewellers and cloackmakers in Carlisle, an advert shows they had been in business over 49 years. John William Diggle was Bishop of Carlisle between 1905 and 1920, so we assume the key was presented to him (Maryport is a short distance from Carlisle and falls within its area). The hallmarks are clear. James Fenton of Birmingham worked between 1854 and 1956. The Grasslot Mission Chapel was built in 1908, and was sold by the Baptis...

A beautifully modelled Victorian cast silver novelty pepper (or pepperette) of a running dog, with pull off pierced head. The dog is a delight to hold and use, the texture gives a pleasing feel, this is a fine quality item. The dog rests firmly on a table, no wobbles. Both the body and the head are clearly hallmarked, including makers mark FE in shaped punch for Thomas Johnson (Dyer's buildings), which was established in 1850, and was transferred to Sampson Mordan in 1898. Frederick Edmonds (FE makers mark used 1892-1898) joined the business in 1878, he took over full control in 1892 until his death in 1898, when his widow transferred the business to Sampson Mordan & Co. Thomas Johnson specialised in small novelty silver items, they supplied many top retailers, including Walter Thornhill, both locally and internationally.

A set of 6 Georgian silver dessert forks in the Old English pattern, made by the delightfully named Samuel Godbehere, with his partner Edward Wigan. The forks are good quality and a pleasing weight. The forks have a beautifully engraved family crest of a sun in splendour, very intricate with about 50 sunbursts, this is quality engraving. The sun in splendour crest was used by a number of families, all assistance welcome. All 6 forks have clear hallmarks, including makers mark SG/EW which was used between 1787 and 1800.

An interesting boxed set of 2 serving spoons, with a very unusual spoon design we have not encountered before. The spoons have gilded bowls, tapered flat stems with a beautiful baluster or urn finial. The box reads "By Appointment, Mappin & Webb Ltd, Queen Victoria Street, London E.C." The hallmarks are clear on both spoons. We welcome information as to if thses spoons were produced for a specific purpose, or were replicas of an earlier spoon. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. Note - We have an identical pair of these spoons, S 11283, but without the box, and dated 1924.

A South African Medical Corps WW II gold sweetheart brooch, mounted on a bar brooch. The badge features the rod of Aesculapius with a serpent entwined round it, head uppermost and looking left, all within a laurel wreath, under a Royal crown, the same badge as used by the Royal Medical Corps. The Scroll below reads "S.A.M.C / S.A.G.D.", translated in Afrikaans the Suid Afrikaanse Geneeskunige Diens. The brooch is clearly hallmarked 9CT for 9 carat gold, the swivel clasp securely fastens the pin.

A World War II 9 carat gold and enamel sweetheart brooch for the Durban Light Infantry Regiment of South Africa. The brooch features the infantry bugle with tassles under the Royal crown. The brooch has 2 colours of enamel, red in the crown and blue for the letters DLI, the gold has 2 tones, this is a lovely quality brooch. The clasp has a swivel locking mechanism to keep it safely fastened. the brooch is clearly hallmarked 9CT for nine carat gold. The George VI crown shows this dates to WW II, the DLI fought in North Africa and Italy (including El Alamein and Monte Cassino). The regiment was founded in 1854, and still exists today, they were called the Royal Durban Light Infantry between 1935 and 1961 when South Africa became a Republic.

An extremely rare Victorian silver triple compartment stamp box, retailed by Thornhill of Bond Street. The box is a circular dish shape, with three triangular sprung lids, the design is ingenious. The lids have heart shaped plastic covered stamp covers, with original half penny, one penny and two and a half d stamps, these stamps are the 1887 Jubilee issue, securely held in place from behind with red wax seals. The centre has a triangular polished green hardstone which anchors the 3 hinges. Three silver wire work scrolls decorate the top between the lids, these match the 3 wire work scroll feet. Each lid has a shaped thumb piece for easy opening. The 3 interior compartments are gilded. The quality and feel of this stamp box is excellent, one of the best we have encountered. The base is engraved "W Thornhill & Co. Ltd. 144 New Bond St W.", Thornhill was the retailer. The base is clearly hallmarked, as is each of the 3 lids, the interior gilded compartment is also hallmarked - the makers mark Gy&Co appears 5 ti...

A sterling silver wine taster made by Anthony Elson, one of the 50 leading silversmiths featured in the book "Designer British Silver 1930-1985" by Andrew and Styles, a book we highly recommend. The wine taster has the traditional circular bowl with raised base, and a lovely cast silver handle of textured vine branches, with some pruned ends. The handle is a delight to hold, the thumb rests easily and the grip is secure, so very suitable for use. The taster is clearly hallmarked, including makers mark A.G.E, and also has an engraved number 278 on the base (we know this taster was a limited edition commissioned by the Heritage Collection in 1976, so perhaps each is individually numbered). Anthony Gordon Elson trained under Dunstan Pruden, he worked for William Comyns from 1964-1968 before establishing his own operation, ecclesiastical goods and also limited editions for leading retailers, including Asprey, Spink, Hennell's and Garrards, this taster is one of these. After the boom (he had around 30 staff) creat...

An Arts & Crafts English sterling silver cream or milk jug, at first glance it looks Scandinavian in design, with beautiful clean lines. This is typical of Eric Clements style, he is best remembered for his award winning Mappin and Webb tea and coffee service (this jug is a similar but different design). The jug is a delight to use, it pours beautifully. The hallmarks are excellent, and include "Designed by Eric Clements" facsimile signature, and "Mappin & Webb". Eric Clements is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Clements was unusual in that he designed silver, and then had the designs manufactured by a craftsman, most silversmiths prefer to produce their own designs. He also had a dual career as educator and designer, he spent most of his career as Head of Industrial Design at Birmingham College of Art. Alongside his academic career he was consultant designer for Mappin and Webb, it is his desig...

An interesting antique silver military spoon, awarded as a shooting trophy. The spoon is Fiddle pattern, dessert size, this is a good quality spoon. The spoon is beautifully engraved with an interesting crest, quartered with rampant lions, leopard's heads and chevrons, with central bugle, below a plant (leek?) star and crown, and above DLI (we assume Durban Light Infantry?). The spoon is also engraved "WON BY R.S.M. WHITE (N.S.C.C.)" - for Regimental Sargeant Major White, we assume the Natal Schools Cadet Corps. We have not been able to positively identify the crest, all hep most welcome, DLI could also be Dublin or Durham Light Infantry. The spoon has very clear hallmarks.

A Queen Elizabeth 2 1975 Round The World Maiden Cruise sterling silver commemorative medallion, in it's original box. The medallion shows the QE2 ship on a globe with lines of longitude and latitude, the reverse has a map of the world showing the route, with the port of calls as follows: "SOUTHAMPTON / CHERBOURG NEW YORK / PORT EVERGLADES CURACAO / SALVADOR BAHIA RIO DE JANEIRO CAPE TOWN / DURBAN MOMBASA MAHE SEYCHELLES BOMBAY COLOMBO, and continuing below: SINGAPORE BALI HONG KONG KOBE YOKOHAMA / HONOLULU LOS ANGELES ACAPULCO BALBOA / CRISTOBAL CARTAGENA PORT EVERGLADES / NEW YORK CHERBOURG / SOUTHAMPTON". The QE2 visited 23 ports in 92 days during the maiden voyage, it served from 1969-2008. This medallion is catalogued as Laidlaw 0616. The medallion is clearly hallmarked on the rim, YM for Yorkshire Mint, who specialised in commemorative medallions in the 1970's. The medallion also has a Birmingham anchor hallmark separately on the rim, but no edition number (which we have noted on other ...

A fabulous quality Georgian silver dinner plate or dish, in the traditional shape with applied gadroon border and contemporary family armorial and Royal coronet indicating a son of the Sovereign. The armorial is the Marital arms of Evans-Freke and Gore, the Royal Cypher is for HRH Prince Augustus Frederick, Duke of Sussex. Whilst these are called plates, it is more of a dish or bowl in shape, and is the smaller diameter, so probably used for a starter dish - but very suitable for use as a bowl today. It must have belonged to a large set, as the base is engraved "No 64", along with 18.10. The hallmarks are clear, the makers mark has been partially double struck with a partial repeated G and pellet above, but still clearly Grimwade mark 852 for George Methuen. He was freed as a large worker in 1743, he worked until 1761, so this dish was produced in his last year of work. Grimwade notes his principal output was salvers, dinner plates and dishes, and notes "his work shows a high standard of design and finish, i...

A sterling silver stirrup cup with cast foxes head, on bell shaped cup. The fox has good detail and texture, the cup is a pleasing quality and weight. The cup is designed to stand both ways, so can stand upright on a tray when filled. This is a modern version, with clear hallmarks for Sheffield 1979, and is in excellent condition. Stirrup cups originated in the late 18th century, they are drinking vessels which were presented to riders on horseback prior to leaving or arriving home from a hunt, this happened whilst their feet remained in their stirrups. Most stirrup cups were crafted in shapes that were relevant to the hunt, such as a hound or fox head, as is represented here. Francis Howard was established in 1900 and still trades today from Sheffield.

An interesting set of 3 antique sterling silver serving implements, in the rare Venetian/Italian pattern. They consist of a fabulous quality stilton cheese scoop (81 grammes), and matching pickle fork and butter spreader, all beautifully preserved in original felt and silk lined case. The pattern is very intricate, and is repeated on both sides, at first glance it is similar to Elizabethan pattern, both are Renaissance and Baroque in style. Unlike Elizabethan this pattern has a circular cartouche, repeated on both sides, this has not been engraved. Venetian/Italian pattern was registered in 1868, most pieces are by Martin Hall&Co, this is a scarce pattern (Pickford, Silver Flatware, page 94). Pickford aslo describes a subtle difference between Venetian and Italian (this is difficult to see without a photo of both). The box reads "Mappin & Webb, Manufacturing Goldsmiths & Silversmiths, London, Sheffield & Johannesburg". The hallmarks are clear on all 3 items. We love this set, a delight to hold and use.

A rare Carolean silver flat lidded tankard, made in London in 1668, which was part of Oxford's University Magdalen College silver plate. The tankard is the traditional shape of the period, tapering cylindrical with reeded borders, the flat lid with single step and single peak (lip). The flat hinge and hinge plates are cast, designed to withstand wear and tear. The thumbpiece is a double cusp. The massive scroll handle has underside curved into a half round, with hole, these handles were made in two pieces (myth has it that the hole was a whistle to call for more beer!, Waldron, Price Guide to Antique Silver, item 620, page 196). The tankard has been later engraved with the Magdalen College armorial, it reads "Magd: Coll: Athletic Sports, March 1861", and the lid is engraved with a wheatsheaf between wings armorial, the engraving is excellent quality and is beautifully preserved. The tankard has a full set of hallmarks on lid and base, Leopards head crowned and lion passant in irregular punch, date letter L fo...

A lovely Victorian silver and enamel vesta case, featuring a seated pug on a red chair, with sky and trees in the background. The enamel is oval, with a twisted rope border, the vesta is rectangular with rounded corners, and a safety ring for connection to a chain. This is a substantial vesta case, larger than the traditional size, and quite heavy in the hand. The striker plate on the base is stamped "SIRUS PATENT", which we have observed on other vesta cases by Horton & Allday, it is a nice size and oval in shape, so easy to use. The rim is clearly hallmarked, including makers mark H&A for Horton & Allday, who worked between 1888 and 1933, they seem to have specialised in vesta cases and boxes.