Lovely Nathaniel Mills cigar case with a beautifully engraved hunting scene, a dog chasing two grouse. The entire case is engraved with scrolls, and the cartouche is engraved "Carole". Hallmarks on the lid and base are very clear.

A rare Iona silver letter opener, in the form of a sword, in the Celtic Arts and Crafts style, made by Alexander Ritchie of Iona. The letter opener is a substantial size and weight, a quality item, and is a pleasure to use. The sword is decorated with Celtic knotwork on the handle and blade. The hallmarks are very clear, "A.R." incuse makers mark, "IONA", and Glasgow hallmarks for 1929. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. An identical letter opener is shown on the website, http://www.alexander-ritchie.co.uk/other, it is described as "substantial, the design similar to one used on his much smaller sword brooches".)

An interesting set of 12 silver ice cream spoons, complete with matching larger ice cream serving spoon, of identical shape. The spoons have a circular flat bowl, with a raised lip on the right hand side to prevent ice cream sliding off. the spoons have a thread border, and pointed terminal, quite an attractive pattern. The back of each spoon is engraved with attractive interlocking initials BS (or SB?) in Gothic style, the B is shaded, the S is not. It is unusual to see initials on the back of spoons from this period, also the initials are 180 degrees from what is usually encountered (these face towards you), so designed to be read when laid on the table face down. The 12 smaller spoons each have 2 marks, the small sword used for small items (between 1906 and 1953) and makers mark V.K followed by a device. the large spoon is fully hallmarked with clear marks, these include makers mark V.K under crescent moon, lion passant over 2 for 833 grade silver, Minerva head duty mark with town letter on helmet (C for T...

An interesting solid silver figure of a musician playing a trumpet, decorated with coloured cabochon "jewels" in red, blue and green. The figure is beautifully modelled, the detail is astounding, clearly the work of a master craftsman. A total of 21 cabochons are present, we assume they are paste of glass, to simulate rubies, sapphires and emeralds, the cabochon in the hat is larger than the others. The texturing of the hat, hair and stockings is all done by hand. Their are traces of gilding on the figure, at end of trumpet and under coat. The figure only has one hallmark, a clear 13 in shield, quite a stylised 3, this is for 13 Loth silver, or 812 standard, used in Germany prior to 1888, hence our dating of the figure as circa 1880. Whilst no makers mark is present, we are confident it originates in Hanau, Germany, where a number of similar bejewelled figures were made, including a number of musicians. A number can be seen on the Pushkin Antiques website, www.pushkinantiques.com, in the archive/ sold section...

An interesting and rare early vinaigrette, the grille of the vinaigrette does not have a hinge, but fits as a snug cap which can be completely removed. The vinaigrette is oval in shape, the grille is plain with irregular punch holes with no pattern, the grille and interior of the vinaigrette are gilded. The grille has a small thumbpiece on one side, this fits into concave opening in the side of the vinaigrette base. Close examination of the vinaigrette shows no sign of hinge removal, we are confident it was originally made to be a removable grille without hinge. The gilding is a lemon colour, with some scratches and imperfections. The original sponge is present. The hallmarks on the lid are very clear, and include date letter X for 1795, lion passant and makers mark T.W in oval punch. The hallmarks on the base include a very clear maker mark, good anchor town mark and partial duty mark. Thomas Willmore was the patriarch of the Willmore Genealogy, one of the leading families of Birmingham toy makers, known fo...

A "New Nautilus" novelty silver sugar sifter, complete with patent and registration number. The bowl of the sifter is a nautilus shell, the top edge of the shell has 28 pierced leaf shaped sifter holes, the shell is realistically modeled. The handle is joined to the shell at right angles, to allow ease of use during sifting. The handle has an interesting unknown pattern, not found in the book " Silver Flatware" by Pickford, it appears to be a variant of Albert pattern, and is single struck. The hallmarks are clear, the handle also has a registration number indicating the design was registered. The shell has a patent number, PAT 17124, so this design was patented as well, quite unusual for silver flatware. The nautilus is a living fossil, dating back 500 million years, it is a cephalopod named after Sailor in Greek. Nautilus shell cups decorated in silver and gold became popular in the 16th century, the nautilus became popular again in Victorian times, first as spoon warmers, this sifter design is late Victori...

A rare pair of Cape silver mustard spoons, in the Fiddle pattern with gilded bowls, with pseudo English hallmarks. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, date letter a, leopards head and date letter J, Welz mark 122, page 153). One spoon has excellent hallmarks, the second has good hallmarks, some slight wear. Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are known in any of the Cape silver reference books. We have sold a similar Cape mustard spoon by Townsend, (but slighty longer and different combination of pseudo marks), see S 1818.

A lovely Georg Jensen sterling silver brooch, pattern number 266. The brooch is rectangular, with a wavy crosshatch bar pattern interspersed with 3 different sizes of silver balls, this has been described as the Jensen "Silver Ball" brooch. The brooch is clearly hallmarked with interesting marks, 6 distinct punch groupings have been used, so quite unusual to have so many hallmarks on such a small piece. They include 1. "Georg Jensen Silversmiths LTD", 2. "Sterling", 3. "Denmark", 4."266", 5. "GJLd" (makers mark), 6. "London post 1906 import mark, .925, N" (London import marks for 1948). The first 4 marks would have been added in Denmark, the last 2 on import into London in 1948.

An interesting and rare silver wine label, in Art Nouveau style. The label is rectangular with canted corners, and has been pierced WHISKEY in Art Nouveau style, in a font that closely resembles the Charles Rennie Mackintosh Glasgow school. Whiskey spelt with an E indicates Irish whiskey, Scottish whisky is spelt without the E. The hallmarks are struck on the front of the label, and are very clear, including the W&H in flag punch, they worked between 1884 and 1960, when they were incorporated into Mappin & Webb. British Art Nouveau silver wine labels are rare, the book "Wine Labels 1730-2003" by John Salter, states that "perhaps surprisingly, there seems to have been no record of British Art Nouveau labels", further noting the "only Art Nouveau labels known are American and Continental". Note: we have a matching label for BRANDY S1849.

An interesting and rare silver wine label, in Art Nouveau style. The label is rectangular with canted corners, and has been pierced BRANDY in Art Nouveau style, in a font that closely resembles the Charles Rennie Mackintosh Glasgow school. The hallmarks are struck on the front of the label, and are very clear, including the W&H in flag punch, they worked between 1884 and 1960, when they were incorporated into Mappin & Webb. British Art Nouveau silver wine labels are rare, the book "Wine Labels 1730-2003" by John Salter, states that "perhaps surprisingly, there seems to have been no record of British Art Nouveau labels", further noting the "only Art Nouveau labels known are American and Continental". Note: we have a matching label for WHISKEY S1850.

Rectangular, plain but elegant teapot on 4 ball feet, characteristic of the style between 1805 and 1810. Wooden handle and ivory finial. Beautiful tree stump crest, excellent hallmarks, including lid.

An Arts & Crafts Britannia silver tumbler cup, with hand hammered (planished) sides, and rounded heavy base, made by the little known silversmith Denis Lacy-Hulbert for his brother. The cup is beautifully proportioned, ideal for use, and is a lovely quality item. The cup is engraved "Cyril Lacy-Hulbert, M.A. (HONS) CANTAB, C.ENG, M.I.E.E., M.I. Mech E.", well positioned beneath the hallmarks, which also add to the decorative effect. The reverse of the tumbler has the Lacy-Hulbert family crest, with motto "Pro Aris Et Focis", translated "For Hearth and Home". The hallmarks are excellent, all clearly struck, including Britannia which indicates this silver is higher grade 950 standard (sterling is lower grade 925). Tumbler cups were originally made in the 17th and 18th century, designed with a heavy rounded base that rights itself to prevent spillage when traveling (think stagecoach or boat). Denis (Ben) Lacy-Hulbert (1911-2005) was Managing Director of a family steel tube/ cylinder manufacturing business, silve...

Beautiful ladle by the famed maker Alwyn Carr, one of the leading silversmiths of the Arts and Crafts period. It dates from the period after the dissolution of his partnership with Omar Ramsden, which occurred in 1918 when Carr returned from the Great War as a wounded Captain. The ladle is double lipped, spot hammered, has a rattail and a heart shaped terminal. The hallmarks are very clear. Carr died in 1940.

A collection of 4 Italian silver miniature horses, with lovely detail. The 2 smaller horses with jockey's are sterling 925, both of these are made in Arezzo by maker 122, both are on stands. The 2 larger horses are both 800 grade silver, they have no stands or jockeys, but stand beautifully on their feet (and tail for 1). One is made by Arezzo maker 373, the other by Vincenza maker 54, Menegutti Filli, who worked between 1949 and 2008. All 4 have small but clear hallmarks, post 1968. The weight of the 2 small sterling horses is 58 grammes, the 2 larger 800 grade horses weigh 127 grammes.

A collection of 10 sterling silver and enamel souvenir shooting trophy spoons, all with 2 rifles as the handles. Six spoons have crossed rifles, 4 spoons have enamel finials, and 7 are from Africa (Nyasaland, Northern Rhodesia, Southern Rhodesia - now Malawi, Zambia and Zimbabwe), with one from South Africa. The spoons include: 1. Nyasaland Volunteer Reserve, RMSB 1952, bare chested labourer crest, London 1911, Wakely & Wheeler, gilded bowl, fabulous quality 2. Nyasaland Volunteer Reserve, bare chested labourer crest, London 1912, Wakely & Wheeler, gilded bowl, fabulous quality 3. Birmingham Forward, enamel city crest of mural crown and arm with hammer (industry), Birmingham 1902, Arthur Fenwick 4. NVR Blantyre Limbe, RMSB 1954, enamel crest of leopard, Birmingham 1952, James Fenton 5. NVR Blantyre Limbe, RMSB 1953, crest of leopard, Birmingham 1953, James Fenton 6. Northern Rhodesia Rifle Association, fish eagle holding fish, no hallmarks 7. Southern Rhodesia Defence Forces, Lion holding tusk, Sheffi...

An interesting gold miner or prospectors gold brooch, consisting of a gold spade, pick and rope, with 3 real 24 carat gold nuggets - the largest central on the handles, with smaller nuggets on the spade and pick end. The spade blade has stamped "rivets", the gold safety chain and safety pin is attached to the spade blaed. The brooch pin is also gold, but a redder colour compared to the bright gold nuggets, spade and pick. The brooch has no hallmarks, we believe the spade, pick and rope to be 18 carat, the nuggets pure 24 carat and possibly the pin is 9 carat. These brooches became popular at the turn of the 20th century, worn to advertise success in the goldfields.

A Belgium antique silver matching tablespoon and table fork in the Fiddle and Thread pattern, made in Brussels circa 1832 by leading silversmith Auguste Bonnevie. Both are a pleasing weight, these are good quality items. The pair have an interesting family or city crest engraved on the back, a shield with 4 small crosses surrounding a larger cross, below Royal crown, above "Bruges". The Cross surrounded by 4 crosslets is the Jerusalem Cross, originally used as the coat of arms of the Kingdom of Jerusalem, but since used for various Crusader states, and now used as the Georgian flag. Above the crest original owners initials OI are also engraved. Both spoon and fork have the same 3 hallmarks, very clear makers mark of B below silversmiths hammer in square punch (makers mark 1921 in the book "Belgische Zilvermerken" by R Stuyck, pages 41 and 185), for Auguste Bonnevie. Bonnevie worked from 1814 to 1869 (a long period so possibly father and son), based in Brussels. The second mark is the Minerva head guarantee ma...

A set of 4 bottom marked Scottish Georgian silver tablespoons in the Old English pattern, made in Edinburgh in 1775 by Patrick Robertson. The spoons are all engraved with original owners initials DJ. The spoons are a pleasing quality and in good condition, with strong bowl tips, they have not seen much use. The spoons have a long drop with engraved ridge. The spoons are all bottom marked, the makers mark PR is very clear on 3 spoons and less clear on the 4th but still visible. As is often the case with bottom marked spoons, the town mark, thistle and date letter are squashed, but still visible on one of the spoons.

A provincial silver trefid spoon, made in Exeter in 1714. The spoon has an oval bowl, rat-tail with ribs, a flat stem and the traditionally shaped end with 2 clefts, with a slight upturn. The spoon is engraved "MH 1707" on the back of the spoon, the MH are co-joined, and the engraving is contemporary. During this period spoons were placed on the table bowl down, hence the engraving on the back. The spoon is quite light, as is often the case with provincial spoons, but in very good condition, given its age. The spoon has 5 hallmarks, makers mark MA co-joined, 3 turreted castle (Exeter town mark), Brittania (very worn), lions head erased (used in Exeter between 1701 and 1720 to denote Britannia silver, which is higher grade than Sterling), and date letter O in shield for 1714. The makers mark appears to be MA co-joined, but could also be read the other way around (?W). We now believe this to be the mark of John Manley I of Dartmouth, who entered his mark in Exeter in 1705 (See mark 86, West Country Spoons and t...

An interesting pair of circular trencher salts, made to commemorate the coronation of Edward VII in 1902 by Elkington. The quality is superb, and they are a good weight. The salts are an exact replica of Carolean salts made in 1684, engraved "Ex Dono Edw Norman 1684" (donation of Edward Norman 1684). They have star crests, presumably that of the donor, and the crest of the "Worshipful Company of Innkeepers" (St Juliens cross sable and chevron between 3 oatsheaves) on the other side. The company, whcih still exists today, was created in 1514. The company has the original salts (a set of 12) and presumably commissioned the replicas to commemorate the coronation. The original salts are described in the article "The Old English Silver of the Innholders Company, London" by Arthur Butler (The Connoisseur Illustrated Vol 1 pg 236, Sept - Dec 1901). Butler believes they deserve "special distinction", due to their "graceful shape". The top of both salts are engraved "Edward VII, 1902", and the base is engraved 101 and...