A very worn late 17th century Lace Back Trefid spoon, of interest as is has some very rare features, so despite the poor condition of the spoon we have added it to our website. The spoon has a rounded terminal with no ears, sometimes called a spatula end, this is a feature of early Scottish trefid spoons, hence our tentative description as Scottish. The spoon has a reeded rat tail, the lace decoration on the front of the terminal is worn but distinct, the lace decoration on the back of the bowl is very worn, almost gone on one side of the bowl, with some features faintly visible on the other side. The spoon is engraved on the back with owners initials TK surrounded by arrows, this engraving is lovely. The front has another very faint set of scratched initials CS, also with arrow, only visible in strong light. The spoon has 3 partially struck or worn hallmarks, the first a crown above (leopard head?), the second possibly a date letter (C?), the third is just a squiggle. The book "Silver Spoons of Britain 1200...

An interesting pair of Cape silver tablespoons, engraved with an original family crest of winged castle turret below circular cross. The spoons are Fiddle pattern, and are very pleasing quality and weight, the condition is good too, we really like these spoons. The hallmarks are also very clear on both spoons, pseudo duty mark, pseudo castle town mark with flag flying, pseudo date letter C and makers mark LT (mark 140 in Cape Silver and Silversmiths by Welz). Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1832. Note - With the assistance of a customer, we have now identified the engraved crest as the Heathcote family, described as "On a mural crown, a sphere charged with a cross, between two wings". The spoons probably belonged to Captain William Lovell Heathcote (1802-1885), who was born in Hursley, U.K. and died in Colesburg, Northern Cape, South Africa. He was the son of Admiral Henry Heath...

Beautifully made coffeepot with chased detail, a wooden handle and an ivory finial. Very fine maker, as evidenced by the royal warrant. Very clear hallmarks, (including lid) and "Garrards, Panton Street London" on base. It is interesting to note that even the securing nut that holds the finial in place is hallmarked - true quality!

A lovely antique silver and enamel vesta case, with an oval enamel plaque depicting a Beefeater (Yeoman Warder) of the Tower of London. The Beefeater is wearing Tudor State Dress, the colours are vibrant and the detail is good. The vesta case is rectangular, decorated with scrolling foliage, it has a safety suspension loop attached to the lid. The interior is gilded, this is a good quality case. The hallmarks are clear, including sword and wheatsheaves town mark for Chester. Charles Lyster & Son used the Chester assay office between 1899 and 1902, then switched to Spencer Street, Birmingham between 1903 and 1911 (perhaps linked to a change in location). The Yeoman Warders, commonly called Beefeaters, are the ceremonial guardians of the Tower of London. They were established in 1485 as Royal Guards, the Beefeater name is thought to derive from the large ration of beef they were issued daily in court. They only wear the Tudor State Dress depicted on Royal occasions.

A Royal Sussex Regiment 15 carat gold and enamel sweetheart brooch, probably dating from the 1st World War, but possibly earlier (Anglo Boer War). The brooch consists of the Garter Star with Roussillon plume, red enamel cross, blue enamel motto "Honi Soit Qui Mal Y Pense", above blue enamel scroll "The Royal Sussex Rgt". The star and plume are white gold, which contrasts nicely with the yellow gold of the enamel and bar. The badge is mounted on a bar brooch with Y shaped safety clasp, the pin, hinge and clasp are all gold. Both the badge and bar are hallmarked 15CT for 15 carat gold, this standard of gold was discontinued by Britain in 1932, hence we can date this brooch to the Great War. The Royal Sussex Regiment was established in 1881, they saw service in the Anglo Boer War, World War I and World War II. They were amalgamated with other regiments in 1966. The brooch also has a old ring link at the top, so could also be worn as a pendant on a chain.

An Edwardian silver and enamel novelty vesta case, of circular form with hinged flip top lid and striker built into the base. The vesta has an applied enamel in silver rope border, featuring a pack of 8 English foxhounds, very attractively modelled with lovely colours. Vesta cases (also called matchsafes) were used to store vestas (early matches before safety matches were invested), they were very popular between 1890 and 1910.

Fabulous matching set of 24 spoons (table and dessert) with griffon crest. The tablespoons are large and heavy enough to use as serving spoons. Very clear hallmarks and crest on all 24 spoons.

A typical early Georgian two handled punch strainer, which was used for straining orange and lemon pips in the preparation of punch, which was a very popular drink in early 18th century Britian (before wine became popular). The bowl is pierced with 81 crosses arranged in a square, surrounded by pierced foliate decoration. The rim is reeded, and the handles are typical of the period. The strainer has an attractive crest of a clenched fist holding 3 three leaf clovers.The bowl interior is hallmarked with the makers mark struck 4 times, 3 of which are partially obscured by the pierced crosses, and one of which is fully intact and very clear.

An interesting pair of early Canadian silver tableforks in the Fiddle pattern, made by George Savage of Montreal, between 1818 and 1829. At first glance they look like a matching pair, but close examination reveals differences in weight and length (one fork is 80 mm longer than the other), so these were clearly made by hand. The length difference is not only in the tines, the handles are different lengths, and the fork handles have small differences in size and shape. Both forks have a clearly engraved family crest of a bird (stork or heron?) holding an anchor, this is engraved on the back of the forks, when forks were placed on the table with tines pointing down. Both forks are clearly hallmarked with makers mark "SAVAGE", but one has lines in the punch, the other does not, so we believe they were struck with 2 different punches. Both are also clearly struck with 2 pseudo English hallmarks, a skinny lion passant and a Georgian duty mark, these are very clear. It is also interesting to note that one duty mark...

A pair of Dutch silver Hanoverian pattern tableforks, made in Rotterdam in 1781 by Rudolph Sondag, 'the most famous silversmith in Rotterdam, his work towered above the Rotterdam silver landscape" - source (Schadee, Zilverschatten, Drie Eeuwen Rotterdams Zilver). The forks are clearly hand made, and differ in weight - one is 82 grams, the other 77 grams. The forks have 4 tines, and are bottom marked with 4 clearly struck hallmarks - date letter Y for 1781 with a distinctive dot above one arm, Rotterdam town mark (slight wear at bottom), crowned rampant lion standard mark (934 grade so purer than sterling) and makers mark of sunburst sun in shield punch. Rudolph Sondag's makers mark usually has a face in the sun centre, this is worn on these forks. Sondag worked form 1746 until his death in 1812, he was highly productive and has left behind some magnificent silver, well represented in Rotterdam's Museum Boijmans van Beuningen. Aardewerk notes varied quality in the work he produced, and postulates he guarantee...

A rare Cape silver basting spoon with exceptionally clear hallmarks, they could not be better. The spoon is Old English pattern, but more European than English in style, with a deep bowl and strong tip, it also has a double drop, and no engraving is present with no signs of removal, we think this spoon was never engraved. The spoon is hallmarked with a flower in oval punch, flanked by 2 makers mark IL, with an indent in the top of the punch, this is makers mark 74 in the book Cape Silver by Stephan Welz. Jan Lotter, who was regarded by Heller as "a highly skilled craftsman", only worked for 4 years between 1813 and 1817, so he probably died young. He made most of the prized Cape silver "lemoenlepels" (orange spoons) known to exist today. He worked from 22 Keerom Street.

A rare and interesting pair of Irish Georgian silver Bright Cut tablespoons, engraved "Wicklow Reg", for the 37th Wicklow Regiment, part of the Irish Militia. The spoons are Old English in shape, with the traditional "Dublin Star" engraved at the top above the oval cartouche with the regimental engraving, and traditional bright cut engraving. One spoon is in very good condition, the second has small dents to the bowl, overall quite pleasing for Regimental silver spoons which often are in poor condition. One spoon has excellent hallmarks, the second spoon has clear makers mark but worn Irish marks, still visible (spoon with good hallmarks has the dents to bowl). John Shiels (or Sheils) had a long career between 1762 and 1790, given these spoons are 1797 it is possible a son took over his punches. 38 Regiments of Irish Militia were established in 1793 (one from each county) after the outbreak of war with France, to free regular soldiers up and to control the Irish rebellion. The 37th Wicklow Regiment first saw ...

An interesting and unusual pair of Old English Bead pattern tablespoons, very early for this pattern, and with large bead which was previously thought to be a 19th century pattern. The spoons are a very pleasing quality, with good patina, clearly made by a master craftsman. The spoons have original owners engraved initials B / I-A, and the spoons are bottom marked, the hallmarks have some wear and makers mark is squashed, but still clearly legible to 1776 and makers mark I*M for Jacob Marsh (Grimwade marks 1517 and 3658). Pickford (Silver Flatware page 98) says "Old English Bead's true period of style was during the 1780's, although it is found later", so these spoons are early for this pattern. He further says "two types of bead will be found, fine bead which dates from the 18th century and large bead which dates from the 19th century". These examples are clearly large bead, so we propose they are rare and early examples of bead pattern, before it migrated to fine bead in the 1780's. Jacob Marsh worked bet...

A unique sterling silver inaugural key, made to commemorate the opening of the UNISA (University of South Africa) OR Tambo administrative building on the Muckleneuk Campus, Pretoria, in 1980, and presented to South African Minister of Finance Owen Horwood. A series of parallel bars replicate the shape of this iconic building with it's triangular top, this sits on top of a circular hand hammered disc, which represents the rising moon. The key portion is pierced "UNISA September 1980". The key is fabulous quality, and clearly made by hand. The back of the circular moon disc is engraved "To the Hon OPF Horwood in commemoration of the official opening of the Administration building". The key is clearly hallmarked "E Frey Silver 925". The key is perfectly preserved in it's original box, which itself is fabulous quality, a brown grained hardwood with red velvet interior, the base with felt and original "Erich Frey Pretoria" sticker, the empty box is just under 500 grammes, hinges and clasp in full working order. Th...

A lovely 15 carat gold and enamel RAF (Royal Air Force) sweetheart brooch, with very good detail. This is very pleasing quality, it would have been an expensive item when first made. The brooch has RAF in red enamel under a red enamel crown, above a green enamel laurel wreath, all set in gold, with the feathered wings either side. In addition to the attachment pin, the brooch has a fine gold safety pin and chain, for added security, to prevent the brooch being lost. The back is clearly stamped "15", indicating 15 carat gold, which was a British Commonwealth standard until it was discontinued in 1932 (hence our dating the brooch between 1918 when the RAF was established and 1932).

An antique Dutch silver gilt vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box has a curved shaped front, and the back panel has the impressed words "HE. DAT IS LIEF", translated He that is love", so probably presented as a love token. The armoire has frontal doors with floral decoration, and 3 drawers below, the back and side panels also have floral decoration. The lid is decorated with an angel reaching up to pluck fruit, with trees in the background, the figure is quite crude, almost as if drawn by a young child. The base is engraved with original owners initials HDV. The hallmarks include Lion Passant 2nd Purity for 833 grade silver (inside main box), and the rim has makers mark AM over 3 dots in rectangular punch (or WV below 3 dots), we have not been able to identify this maker, all assistance welcome. The rim also has Minerva head duty mark (off...

A set of 5 Fiddle pattern Cape silver tableforks, made by Willem Lotter. The forks are quite long and elegant, with bevelled edges, quite attractive and pleasing quality. All 5 forks are struck with makers mark WGL in irregular punch between 2 oval devices (Welz mark 88). Welz depicts this mark as a face, we are not convinced, this requires further research. Willem Gotfried Lotter worked between 1810 and 1835, his father (also Willem Gotfried) was also a silversmith, they shared the same punches. Lotter died in Richmond, which was established as a spa town for sufferers of tuberculosis.

A set of six Cape silver teaspoons in the Fiddle pattern, by Daniel Beets. All 6 spoons have original owners engraved initials JMB. All 6 teaspoons are clearly hallmarked in the same way, with makers mark DB struck twice, alternating with a pseudo Lion passant standard mark, also struck twice. This is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the lion passant punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets dis also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probaly used his fathers punches, no marks are recorded for him. We postulate these could possibly be Daniel Beets Junior, sharing pseudo punches with fellow silversmiths, a practice that is known to have happened.

A lovely pair of Cape Silver Konfyt (Preserve) forks, made by Christiaan Kruger circa 1780. The forks are 3 pronged, indicating its early age, and have pointed terminals. They have typical Cape engraving, with a double banded wavy prick engraved border, and attractive star on terminal, above original initials IK. Both forks are struck with makers mark CK (Welz mark 61), one of the marks has been double struck. Kruger was born in the Cape in 1761, and apprenticed in 1773. He married Hester de Villiers in 1784.

A pair of Royal silver belt buckles, bearing the coat of arms of the House of Bourbon, which produced Kings and Queens for both France and Spain for hundreds of years. The central shield contains 3 Fleur-De-Lys, this was established by King Charles VI of France (who died in 1422) in honour of the Holy Trinity. The shield is topped by the Royal crown, and is surrounded by scrolls. The shield also has a "Golden Fleece" suspended from it, indicating membership of the Order of the Golden Fleece, which was established in 1430 by the Duke of Burgundy. The order still exists today, most European Royalty, including Queen Elizabeth II of Britain and King Juan Carlos of Spain are members. The buckles are stamped, and both have a silver bar for attachment to a belt. The bars are both hallmarked with 2 hallmarks. The first is a cross pattee (Maltese Cross) in circular punch, which has arms that are narrow at the centre and broader at the perimeter. This cross was used by the Knights Templar during the Crusades. The cross...