A pair of Georgian Irish silver serving spoons, made by William Ward of Dublin. The spoons are Fiddle pattern, we have described them as serving spoons as they are noticeably larger than tablespoons, very suitable for use as serving spoons. The spoons both have an interesting engraved family crest, a hand above heart, this is well engraved. The hallmarks are clear on both spoons, makers mark W.W (mark 580 in Irish Silver by Douglas Bennett, page 180), date letter I for 1805, and Hibernia and Harp Crowned in rectangular punches with canted corners. Note the absence of a duty mark, which only came into use in 1807 in Ireland. William Ward was a noted spoonmaker, he was freed in 1774 and died in 1822.

A rare Regency rose pattern punch ladle, this is a beautiful ladle. The ladle is gilded, and has an engraved rams head family crest on the back. The ladle is the shape of a soup ladle, but is noticeably smaller, hence our description as a punch ladle (bowl is 7.0 cm by 5.5 cm). The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131). The hallmarks are clear, the makers mark is slightly obscured, but the Script H used by Hayne is identifiable. Jonathan Hayne was freed in 1804, he had a flourishing business, and was Prime Warden in 1843, he died in 1848. Pickford describes the Rose pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made.

A rare Georgian silver novelty articulated fish vinaigrette, made by William Lea & Co in Birmingham, 1817. The fish has 6 separate articulated sections, and a hinged lid (fish head) that opens to reveal an oval gilded vinaigrette, with scrolling grille which opens to reveal the gilded sponge compartment. The open mouth contains a suspensory silver ring, to allow the vinaigrette to be attached via a chain. The vinaigrette is beautifully engraved, with scales, fins and eyes, the tail and top fin are also realistically engraved. The hallmarks on the tail are very clear, the grille is also hallmarked. William Lea & Co worked between 1811 and 1825, they focused on small novelty items. A number of these fish vinaigrettes by Lea and Co are known, featuring 2 different engraving styles. An almost identical vinaigrette, also made by Lea & Co in 1817, is featured on the Bourdan Smith website (www.bourdansmith.co.uk), incorrectly described as reticulated, has very similar engraving to this one. Another example, made a y...

An Arts & Crafts silver sauce boat, with planished (hand hammered) body and a beautiful curvi-linear bi-furcating handle. The sauce boat has 3 feet, and is the traditional shape with a deep lip, very suitable for pouring. The hand hammered body and handle picks up the light, this is a lovely item. The handle is Art Nouveau in shape and style. The hallmarks are very well struck and clear, including makers mark G.U for George Unite & Sons, the business was founded in 1825 by George Unite, who apprenticed with Joseph Willmore, it still trades today.

A fabulous pair of Garrard silver napkin rings, of exceptional quality and weight, amongst the heaviest we have encountered, at 85 grammes each (3 ounces each). They are plain, and are engraved with a family armorial and motto "FUGIT", which translates as "It passes". The armorial has 2 parts, the first 3 nags (or horses) heads, with 3 stars and crescent moon, the second a sunflower on barred background (indicating a marriage between 2 families). The napkin rings are perfectly preserved in original box, which reads "By Appointment to HM THE QUEEN, Goldsmiths & Crown Jewellers, Garrard & Co Ltd, 112 Regent Street W1". The hallmarks are very clear on both rings. The arms are those of the family of Borwick impaling Sola, described as "Argent three escarbuncles fesswise sable between three bears' heads erased of the last muzzled or a crescent for difference (Borwick), and Azure a sunflower proper (de Sola)". The armorial commemorates the marriage of The Honourable George Borwick (1922-1994) to Ester Ellerman (nee...

An unusual Edwardian antique silver sauce or gravy boat, in Modernist style, at first glance it looks out of style with it's age. The sauce boat is a beautiful shape, tear drop with long elegant spout (pours very well), and 3 horn shaped legs, and a very stylish handle, with angular top and curved base. The handle works well, practical as well as stunning, the angular top fits well with the thumb for easy pouring. This design would have been leading edge when it was produced. The hallmarks are excellent, very clearly struck, so there can be no doubt about the age. Lee and Wigfull worked between 1871 and 1969, Henry Wigfull was the driver of the business, he employed over 100 people in 1880, and won awards at the Melbourne International Exhibition of 1881.

A magnificent pair of Arts & Crafts silver Apostle spoons, made by George Henry Hart of the Guild of Handicraft. The spoons are clearly made by hand, with cast finials and hand hammered bowl, with clearly visible hammer marks. The quality of these spoons is fabulous, we love them! The spoons have a stylised beaded rattail, quite unusual, but a lovely feature. The Apostle figure wears a hooded cowl, and has his hands crossed in front of his body. The figure sits on a traditional hexagonal seal top, the stem of the spoon is rounded. The hallmarks on both spoons are very clear, including makers mark "GofH", (without Ltd, in use between 1900 and 1908). The Guild of Handicraft went into liquidation in 1908, the business was continued by George Henry Hart, who designed these spoons, possibly for Prinknash Abbey. The business is still operating today, and run by Julian Hart, great grandson of George Hart (see www.hartsilversmiths.co.uk), in the beautiful village of Chipping Campden, well worth a visit. We rec...

A set of 6 Irish Georgian silver Celtic Point teaspoons, with bright cut "Dublin Star" engraving. The oval shield under the star is vacant, this was originally intended for a family crest or owners initials. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Star pattern is unique to Irish silver. The 6 spoons were made by 4 different makers, and have very slight differences, but the hand engraving was done by the same hand, so we believe the set was assembled by the engraver. All 6 spoons are hallmarked with the Dublin Hibernia and Harp Crowned, no date letters are present (as is usual with Irish teaspoons of this period). 4 Makers marks can be identified, 2 J.S for John Shiels (1762-1790), one AM for Arthur Murphy, and one JB for John Bayly, the fifth mark is ?D, the last is not legible. Slight differences includethe shapes of the drops, and the bowl shapes, some move oval than others (very slight differences).

A pair of Irish Georgian silver tablespoons, with bright cut "Dublin Bow" engraving. The oval shield under the star is engraved with original owners initials CFS and AJS, possibly a husband and wife. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The spoons have extended drops, and the hallmarks are very clear on both spoons. These include date letter X for 1794, Harp Crowned and Hiburnia in rectangular punch (first introduced in 1794), and makers mark I.D in oval punch for John Dalrymple, who worked between 1789 and 1794 (www.silvermakersmarks.co.uk). John Dalrymple is a rare makers mark, he was not featured in the book "Collecting Irish Silver" by Douglas Bennett, who wrote the definitive guides on Irish silver.

A rare set of Georg Jensen Beaded pattern ice cream (or sorbet) spoons (6), made in very limited quantities. The spoons are small teaspoon size, and have flat oval bowls for eating ice cream, the bowls are planished (hand beaten marks, hand forged). The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).

An interesting set of 4 Roman reproduction Scottish silver miniature wine cups, perfectly preserved in original box. The wine cups have a circular spherical bowl, attached to a large flat circular base with a rim, by a baluster stem. They are quite heavy and well made, the quality is excellent. The original box reads "Brook & Son, Goldsmiths to the King, 87 George Street, Edinburgh". The hallmarks are very clear on all 4 wine cups, makers mark "BROOK & SON EDINBURGH", Scottish thistle, Edinburgh castle and date letter W. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street (Hamilton and Inches today). These wine cups are reproductions of Roman cups that were part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 400 AD, and consisted of 160 pieces, mostly cut up ready for melting. William Brook was the silversmith involved in conserving and...

A rare surviving set of 6 Georgian silver table knives, in the Fiddle Thread and Shell pattern, with silver as opposed to steel blades. The knives are in remarkable condition and are suitable for use. The knives have an engraved family crest, an eagle sable preying on a partridge, under an Earl's crown, with 5 pearls. This is the family crest of the Earls of Onslow, the first Earl George Onslow died in 1814 so we assume these knives were made for Thomas Onslow, when he became the 2nd Earl Onslow. Thomas Onslow was born in 1754, he was Member of Parliament for Rye and Guildford. He was an associate of the Prince of Wales (later King George IV), and guarded the door when the Prince secretly married Mrs Fitzherbert (source Wikipedia). The hallmarks are clear on all 6 knives, both on the silver blades and on the handles, including makers mark MB for Moses Brent. Moses Brent was freed in 1770 as a haft-maker, he worked until 1817. Grimwade, in his book London Goldsmiths 1697-1837, states "Brent had a virtual monop...

An antique Dutch silver lodereindoosje, made in Amsterdam in 1809. The english translation would be vinaigrette, pomander of scent box. The box is in the form of an armoire (kabinet) in traditional shape, with domed lid and shaped doors, decorated with swags and urns, with drawers in the base. The sides and lid are decorated with traditional Dutch scenes, the lid a man with angel alongside tree and horse, the back with a couple in horse drawn cart, and the sides with women churning butter and carrying milk. The base has original owners engraved initials P.V.I., nicely engraved. The hallmarks on the base are clear, and include date letter b for 1809, Amsterdam town mark of 3 crosses without crown (only used between 1807 and 1812 during Kingdom of Holland period). The 3rd mark is 10, the 10 penningen silver standard mark (833/1000), see "Netherlands Responsibility Marks from 1797" page 37, and the 4th mark is makers mark of a heart under device, this mark is slightly worn. This is the mark of Dirk Goedhart, so ...

A rare and lovely set of Fiddle pattern Cape silver tablespoons, by a rare maker whose work is seldom seen. The spoons are very good quality and weight, and are well preserved, these are substantial spoons. The drop is an unusual shape, has a colonial flavour. The hallmarks are excellent on all 4 spoons, makers mark JH in script and a device that looks like a bishops hat (mark 50 in Welz, Cape Silver). Heegers was born in the Cape in 1778, and worked between 1814 and 1830. In 1814-1816 he was recorded as a silversmith at 6 Roze street, and in 1829-1830 he was recorded as a silversmith in Graaff-Reinet, working with his brother Theodorus. A covered sugar bowl by Johannes Heegers is in the National Cultural History museum, depicted on pg 101 of Cape Silver by Welz.

An extremely rare Cape silver knife, with ivory handle and engraved on the blade "EHM from HOM". The hallmarks are extremely clear, pseudo - English duty mark and castle, with makers mark JML (mark 82 in Welz, Cape Silver). These are accompanied by another mark, some sort of device, unrecorded in Welz. The knife is very well made, good quality and a pleasing weight. The ivory handle shows good texture and a changing colour from dark to light. The knife is extremely rare, being the only known example recorded to date. The leading authority on Cape Silver Stephan Welz said "I have been unable to trace any Cape silver knives" (Cape Silver pg 73), and David Heller said "the only type of silver knife in use at the Cape seems to have been the butter knife (History of Cape Silver, pg 202). Johannes Lotter was part of the highly regarded Lotter family of Cape silversmiths, being the son of Willem and the brother of Carel.

An Irish Terrier Club sterling silver trophy spoon, which is in excellent condition. The spoon features a well modelled Irish Terrier head, which stands out in relief, on a shield under the banner which reads "The Irish Terrier Club". The spoon handle is pierced and engraved with an Irish shamrock, this is a lovely and unusual design for a spoon. The quality is excellent, the shield is cast silver, it is a pleasing weight. The spoon would have been specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1911, and still operates today (although I doubt they still have such beautiful silver spoon trophies!), see www.irishterrierassociation.co.uk. The first president was the Marquis of Breadalbane, who was a noted antique silver spoon collector, so perhaps he drove the production of such beautiful trophy spoons. The hallmarks are clear, this spoon was made in Sheffield in 1924 by Martin Hall & Co Ltd, who worked between 1853 and 1962. Robert Martin ...

An interesting and rare set of 11 York Georgian silver Old English pattern tableforks, by the York makers Hampston & Prince, with a matching London tablefork. All 12 forks have the same engraved monogram HWT which is original. The forks consist of 4 dated 1789 (date letter C), 4 dated 1793 (date letter g), 3 dated 1794 (date letter h), and the London example dated 1809 by Robert Rutland, a spoonmaker. The forks have lovely balance and shape, very elegant, with long tines and a strong turn-ups at the end of the forks. The London fork matches well but has shorter tines, possibly from wear, what is interesting is that the 11 York forks are noticeably better quality (and weight) than the London example, which has an old repair on one tine (this goes against conventional wisdom that London made flatware is better quality than provincial - we feel this proves the opposite). The hallmarks are excellent, and demonstrate that many different punches were in operation at the York office at the same time, and that stand...

A rare set of 6 Shell End Pistol Grip table knives, made by the Drury Family, the pre-eminent family of haft makers in 18th Century London. The knives have pistol hafts with ornate shell ends, and the sabre or scimitar shaped steel blades are engraved "WARWICK 124 REGENT STREET", we assume the original retailer. They have a pleasing weight and feel in the hand, we really like these knives. Knives with steel blades have rarely survived in good condition, these are an exception. The handles are loaded, as is usual for knives, and each handle is engraved with a double family crest, described as "swans head and neck erased ermine collared gules between two palm branches vert" for Gist and "demi man proper holding in dexter hand chaplet vert and resting his sinister hand on a cross crosslet and belt sable" for Sellick, the engraving is clear on all 6. All 6 knives have 2 hallmarks, makers mark DD in script for Dru Drury II, and sterling lion passant, all the hallmarks are clear. Ian Pickford, in his book Silver ...

A pair of Arts & Crafts Danish silver tablespoons, in a modernist Georg Jensen style Martele pattern, with matching cheese knife. The pattern is planished, or hand hammered, (Martele is French for hammer, Gorham uses the Martele brand for its hand hammered range), this creates an uneven surface which reflects the light, so a very pleasing pattern. The pattern also has balls and scrolls. The spoons are hand hammered on the front side of the handle only, but the bowls are planished on both sides. The spoons have original owners initials CC engraved on the back, the knife has no engraving. All 3 items have 2 clear hallmarks, the Danish 3 tower silver guarantee mark for 826/1000 grade, with date letters (the spoons are 1925 and the knife is 1927). They also have assay masters mark CFH for Christian F. Heise, who worked between 1904 and 1932.

Art Deco sugartongs with a classic cast silver deco design on both arms. The tongs are well made, and feel heavy and solid to hold. The hallmarks are clear, and a facsimile Charles Boyton signature is also present. Boyton broke away from the family firm of Charles Boyton & Sons Ltd in 1934, setting up his own business emulating Omar Ramsden in the "decorative style". A number of pieces by Charles Boyton are featured in the book " A Personal Touch - The Seawolf Collection, late 19th and 20th century silver, pages 126-130", published by Museum Boijmans van Beuningen Rotterdam (which we highly recommend). He opposed the industrial methods of the family firm, and established a craft workshop, where hand made objects were engraved with his signature. He was inspired by Georg Jensen and Jean Puiforcat.