A set of Edwardian replica Apostle spoons, with gilded Apostles and gilded fig shaped bowls, in original felt and silk lined box. The spoons are quite large, suitable for use as serving spoons. The practise of reproducing earlier styles of silver was common at the turn of the century. These spoons are very fine quality. The Apostles appear to be: 1. The Master (Saviour) with orb and cross. 2. St Peter with key. 3. St James the Greater with pilgrims staff. 4. St Matthew with purse. We are not sure of the significance of a boxed set of 4 Apostles, perhaps originally a Christening present. Wakely and Wheeler (originally Lias & Son) were manufacturing silversmiths, who supplied many leading dealers in their day. The hallmarks on all 4 spoons are clear.

An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...

A lovely set of replica laceback rattail trefid spoons, decorated in traditional style, both on the front of the stems and the back of the bowls. The rattail is ribbed, the scrolls are elaborate, and the terminals have the traditional notched pattern. These spoons are Brittania standard (950 grade vs. 925 of sterling), as is often the case with early 20th century replica silver. These spoons are very good quality, and the hallmarks are very clear on all 6 spoons.

A double sided Castle-Top card case, depicting Windsor Castle on one side, and Kenilworth Castle on the other. Both views have very fine detail, and are set on an attractive engine turned background. The Windsor Castle view is of the East Terrace, showing the new garden created for King George IV. The Kenilworth Castle view has a right facing heraldic bear in the left hand foreground, which signify ownership by the Dudley family (Cameron, The First Castle Tops, Silver Society Journal 12, pg 65). The hallmarks are very clear. John Tongue, an established maker of boxes including Castle-Tops, worked between 1831 and 1865.

An Arts and Crafts silvergilt medallion, mounted on ivory, by Omar Ramsden, who is regarded as the leading English Arts and Crafts silversmith. The medallion is in classic Arts and Crafts style, and depicts a printing press surrounded by "LMPA", and surrounding scroll with "The London Master Printers Association". The medallion still has its original blue ribbon, with clasp in full working order, in its original fitted Garrard case.The box reads " By Appointment to HM the Queen, Goldsmiths and Crown Jewellers, Garrard & Co Ltd, 112 Regent Street, W1". The hallmarks are very clear, including OR makers mark, and the back is engraved "Omar Ramsden Me Fecit", translated Omar Ramsden made me, as is usual for his work.

A set of 3 delightful fob medals, all won by H. Duncan of Camps Bay Amateur Swimming Club, South Africa. The first shows a lifesaver in action, with the words "The Royal Lifesaving Society, Competition Medal - Henry Cup, 1925, 1st, H. Duncan, Camps Bay A.S.C." The second shows a swimmer diving into a pool, and reads "RD 679779, C.B.A.S.C. Club C'ship, 1925-26, 3rd, H. Duncan". The 3rd, oval in shape, shows a swimmer with a yacht in the background, reads "C.P. Schools under 14 Team Race Championship, Gordons Cup, 1922". (C.P. stands for Cape Province). All 3 medals have clear hallmarks, the makers are Joseph Duffern & Co, William Hair Haseler and the unidentified JM respectively. WH Haseler had close ties with Liberty & Co.

A boxed set of 6 silver enamel commemorative teaspoons, with enamel "Southern Rhodesia" with coat of arms, and cast bowls featuring "Rhodes Statue, Bulawayo". Cecil John Rhodes was a British empire builder, who obtained mineral rights in the territory later to bear his name in 1888. Southern Rhodesia (now Zimbabwe) was the name used for the British colony between 1901 and 1964. The spoons are in their original box, and were retailed by Birch & Gaydon, "Watchmakers to the Admiralty", of Fenchurch street, London. The hallmarks are clear on all spoons, although the makers mark (present but unidentified) is poorly struck and only partially visible.

A rare Irish silver Freedom Box, engraved with the coat of arms of the city of Londonderry, in Northern Ireland. Freedom boxes are typically Irish, and were used as presentation pieces to distinguished non- residents who received the honorary freedom of the city (Bennett, Collecting Irish Silver). Example from Dublin, Youghal, Limerick and Cork are known (Bennett), Londonderry is rare. The coat of arms includes a skeleton sitting on a hill, with a turreted castle, and the George Cross and dagger of London above. The skeleton is thought to represent starvation during the great siege. The city motto "Vita Veritas Victoria" (Life, Truth, Victory) is engraved below. The engraving quality is superb, with delicate flowers and chased C scrolls. The decorated lid is a separate panel that has been set into a presumably plain table snuff box. The box has a curved thumbpull for easy opening, and is gilded interior and exterior, with exception of the base. The only hallmarks present are the makers mark (struck twice, on ...

Typically Cape konfyt (preserve) fork, in the Fiddle pattern. The hallmarks are also typically Cape (WC or WG?) in a shaped punch, between 2 crude stars. The makers mark is a little indistinct, either a worn or mistruck punch, or could even be overstruck. Given this is an unrecorded maker not listed in any of the reference books (as far as we can determine), it could have another Colonial origin.

A Tiffany sterling silver Olympian pattern sugar tongs, of very good quality, and with no monograms. Olympian pattern depicts various different scenes from Greek mythology, and has been described as the most elaborate and complex of all Tiffany flatware patterns. This scene shows Pan with 4 nymphs or satyrs, with horns and goat leg hindquarters, one nymph with erect phallus (which must be pretty unique on a flatware pattern!), demonstrating Pan's status as fertility God. Ther tongs are hallmarked "M Tiffany & Co Sterling PAT 1878". The M indicates a date between 1875 and 1891. Note - We have now identified this motif in Olympian as "Satyrs receiving instruction", no 17 of 17 different motif's in this pattern, as described in the original catalog. the instructions come from Sylvanus, a rural deity (Tiffany Silver Flatware 1845-1905, page 215) - a book we highly recommend.

A magnificent Scottish kilt sash brooch, used to hold the shoulder plaid in place. The brooch has cast thistles and celtic "buttons" surrounding a spectacular cairngorm (commonly known as citrine, also called black quartz or smoky quartz). The gemstone is very impressive, amongst the largest we have seen. It has been estimated at over 100 carats, and is a round brilliant cut. The hallmarks are clear, with retailers mark J.S.McL (McLeod we assume) overstriking the makers mark. Scottish citrine is called cairngorm after its place of origin in the Scottish Highlands, and is the November birthstone, also the symbol of brightness, life and hope.

A rectangular silver tray, beautifully engraved with a picture of the Frigate HMS (His Majesty's Ship) Broadsword, showing very realistic detail, including the flag. The engraving is superb, very fine detail of the ship, and good texturing of the clouds and sea. The tray has loop handles in the same reeded pattern as the applied rim. The tray is good quality, and was retailed by Asprey of London. The hallmarks are clear, except makers mark which is partially worn. "Asprey London" is stamped on the base. HMS Broadsword was a destroyer of the "Weapons" or "Battleaxe" class, it was built in 1944 and launched in 1946. Designed for antisubmarine warfare, she saw extensive service including USA, Malta and the Iceland Patrol. She was retired in 1964, but her name lives on in later ships. HMS Broadsword has an association (www.hmsbroadsword.co.uk, where we sourced the 2 original photo's of HMS Broadsword in action) and is affiliated with the city of Chester.

A silver bowl bearing the crest of The Kings Royal Rifle Corps, complete with motto "Celer et Audax" (Swift and Bold). The bowl (or possibly ashtray, although we cannot imagine putting ash into such a lovely bowl) is well made, in Arts and Crafts style with hand hammered marks giving lovely texture. The crest is detailed, and has the initials EMV of the silversmith. The date 1914 is significant, being the start of the "Great War", now known as World War I, so was probably made to commemorate the departure of the Corps to the Western Front. The Corps, known today as the "Green Jackets", was expanded to 22 battalions during the war. As riflemen, they were in the thick of trench warfare, and earned 8 Victoria Crosses, but paid the price with the loss of 12824 men.

A lovely Irish soup ladle in the Fiddle pattern, with an attractive, naive tulip crest. The handle is beautifully curved, so much that the top of the handle is at right angles to the bowl, which makes holding this ladle a pleasure. The bowl, which is quite large, is shaped with high edges which assists pouring the soup out of the ladle. The hallmarks are very clear. Sawyer worked from Fishamble Street from 1797 - 1812, when he died - meaning this ladle was one of his last works.

A lovely 9 carat gold music prize medallion, decorated with crisp and finely detailed musical instruments, including a harp, violin, trombone, oboe and clarinet, complete with sheets of music. The medallion is engraved "SFCC EISTEDDFOD, 1922, SENr Piano Solo, 1st Prize, Miss M Butt". The engraving has been done by hand. The medallion is attached to a gold link by scrolling foliage. The hallmarks are very clear, including makers mark T&S, 9 ct gold hallmarks, Birmingham town mark and date letter for 1922. The ring also has gold hallmarks.

An interesting silver standing salt made to commemorate the coronation of Edward VII in 1902 by Elkington, who are known for their fine replicas of earlier styles. The quality is superb, and it is a very good weight. The salt is an exact replica of a salt made in 1626, engraved "This Salt is the Gifte of John Waterworth 1626". It has the crest of the "Worshipful Company of Innholders", with St Julien's Cross sable and chevron between three oatsheaves. The company, which still exists today, was created in 1514, and is no. 32 in order of precedence of the 107 London companies. The Company of Innholders has the original Waterworth salts (a pair), we assume the replica was commissioned by them in 1901. The originals are described in an article entitled "The Old English Silver of the Innholders Company, London" by Arthur Butler, in "The Connoisseur Illustrated Vol 1, pg 236, Sept - Dec 1901." Butler describes them as "of very massive silver, the well turned moulding and sensible proportions amply compensate for th...

A collectable silver Castle-Top card case, depicting the Royal Exchange in high relief, by the famous Nathaniel Mills. This castle-top is very fine quality, the relief design stands out 1 cm from the case, and the detail is superb.The case is finely chased with flowers, leaves and C scrolls, and the rear cartouche is monogrammed MRI. The cartouche is a old replacement - a new cartouche has been cut out and added, to accommodate the initials of a new owner. This has been well done and does not detract. The Royal Exchange is situated in London next to the Bank of England. It was opened for trading by Queen Victoria in 1845, this case was probably made to commemorate the opening. The Royal Exchange still exists today, but is now a luxury shopping centre. The hallmarks and makers marks are clear

A lovely octagonal bachelors 4 piece tea and coffee service, consisting of teapot, coffeepot, sugarbowl and milkjug, all of exceptional quality and weight, by a very fine maker. The set are replicas of an early Georgian style circa 1720, with each and every detail faithful to the original style. This includes shape, handles, finials, even the hinges and spouts are correct. All are fully hallmarked with clear hallmarks, including the lids. The coffeepot, sugarbowl and creamer are all 1932, the teapot is 1939, but in exactly the same style by the same maker. Heming & Co, a prestigous firm with premises in Regent Street, London, was amalgamated into William Bruford in 1981.

Lovely set of Kings pattern (with diamond point) Cape tableforks, of very good quality and gauge - the forks are 100 grams each, very heavy to hold. Cape flatware in Kings pattern is fairly rare, the most prevalent patterns being Fiddle and Old English. These forks all have the same English pseudo hallmarks (leopards head, date letter A, duty mark and lion, Welz mark 135), struck by the same punch in the same workshop. However, 4 have the maker mark LT (Twentyman), and two have the makers mark FW (Waldek). This is not unusual, as Waldek worked for Twentyman, and probably took over the business when Twentyman departed for India, circa 1835.

A Liberty Cymric nail vanity set, complete with buff, tweezers, file, scissors, knife and shaper, all steel manicure tools with silver handles set with turquoise cabochons on each side (10 in total). Each piece is fully hallmarked with "L & Co" makers mark, townmark, date letter and sterling mark, but none have the "cymric" stamp, as they were probably too small. Handbeaten silver set with turquoise cabochons is classic Arts and Crafts, probably designed by Archibald Knox, who designed for Liberty until 1912. The scissors do not have cabochons, but are a lovely shape (unfortunately one steel tip is broken off). The nail buff has its original leather base, which is worn but still intact. This set matches item S 1361.