A Scottish Provincial sterling silver brooch from Aberdeen, with a silver rim surrounding a polished oval pink granite. Aberdeen is known as the "Granite City", with its' building stone quarried from Rubislaw Quarry. The brooch is hallmarked with makers mark R&S and ABD, the unofficial Aberdeen town mark. Rettie and Son worked between 1824 and 1892, and are well known for their jewellery with the local granite (Benjamin, Antique Jewellery, page 92). The book "Aberdeen Silver, A Collectors Guide, Michael Wilson, pg 56, describes Rettie & Sons as "famous for silver and granite jewellery" Wilson also explains that the salmon pink granite used in this brooch is from the Corrennie Quarry, granite from Rubislaw is grey (pg 14).
A set of 6 teaspoons and matching jamspoon in original box, designed to commemorate the inauguration of the Voortrekker Monument in Pretoria on 16 December 1949. The front of the spoons have the Boer oxwagon wheel and powder horns, along with the Zulu shield and assegaai (spear). The rear has an outline of the Voortrekker Monument, with inscription "1949 SVK UWB". These spoons are good quality, with cast design. SVK stands for Sentrale Volksmonumente Komitee (Central Peoples Monument Committee) which was formed in 1931, with the aim to build a monument to honour the Voortrekkers (Pioneers) who left the Cape Colony in 1835. The spoons were sold to assist raising funds for the building of the monument, which cost GBP 350000. The hallmarks are clear on all spoons. The spoons were designed by the famous South African artist W.H. Coetzer, the original design is in MuseumAfrika in Johannesburg, and depicted in " Catalogue of Pictures in the Africana Museum", vol 6, pg 157, C1113. Willem Hermanus Coetzer also design...
A pretty Glove button hook, with silver ring for suspension from a chain. The handle is polished honey coloured tigers eye, a gemstone, the silver hook has attractive engraving. Buttonhooks for gloves were much smaller than those used for boots. This could be worn as a necklace pendant. The hallmarks are small but visible.
A very interesting pair of early Georgian Hanoverian tablespoons made by the same person (1 year apart), but with different makers marks (EJ and EO). The first was made in 1749 by Elizabeth Jackson (widow of Charles Jackson), the second circa 1750 by Elizabeth Oldfield (she remarried in 1750, hence the name change - and registered a new mark the same year). Both spoons are of good gauge, and have a long drop. The first spoon has very clear hallmarks, the second has clear makers mark, but other marks worn. One spoon has a worn crest of a dove carrying an olive branch.
Plain Cape butterknife with scimitar blade, and clear Pseudo English hallmarks. The makers mark is not present, but these particular Pseudo marks were only used by Twentyman (mark 134 in Welz, Cape Silver).
Cape Silver tablefork (Fiddle pattern) with interesting horse crest, initials HR and very clear hallmarks. The hallmarks include Pseudo English marks and the makers mark.
A delightful Georgian silver caddy spoon, heart shaped with a deep bowl, with a bifurcated stem, thread pattern and coffin end. The bifurcated stem is quire a fragile design, hence the old repair where the handle has been rejoined to the bowl. The spoon has very clear hallmarks in the bowl, as well as an additional makers mark on the handle. Matthew Linwood was a highly regarded silversmith described by Delieb as "produced some of the finest of all the Birmingham boxes" in his book "Silver Boxes". He is also well known for his caddy spoons. A very similar caddy spoon was part of the John Norie collection, depicted as lot 187 (Part 1, Woolley & Wallis, 2004). This particular spoon was made by Josiah Snatt in London 1801.
A Cape silver tablefork in the Old English pattern, with 4 tines. The fork was made by Johannes Combrink who worked between 1814 and 1853. The hallmarks are well struck and clear, Welz mark 24, makers mark IC with canted corners and anchor hallmark.
An antique sterling silver bowl or ash tray, set in the centre with a copper 1 penny Zuid Afrik. Republiek coin dated 1898. The bowl is engraved "Kruger Coinage", still clearly visible but worn from polishing. This penny was part of the first Kruger coinage, initiated in 1892 by President Paul Kruger. The bowl is dated 1900, which co-incides with the Anglo Boer War, we are not sure of the significance. The hallmarks are visible but slightly worn from polishing. The coin is in good condition, it has been protected by the raised silver rim.
Colonial silver child's fork and spoon, probably a Christening gift. It is very crudely made, and the pattern is a mix between Old English and Fiddle, more Continental than English, particularly the rounded shape of the drop . The set is finely engraved with the initials GPJ in elaborate script, and Madagascar. The hallmarks are clear, and consist of the makers mark I*D struck 3 times, in an irregular outline, so the punch was probably also handmade. One mystery is the combination of very crudely made flatware, made by an amateur in possibly difficult conditions, with the fine engraving - so possibly added later. We welcome thoughts on their origin or identification of the I*D makers mark.
An interesting sterling silver replica of a Charles II trifid or lace back spoon, circa 1680. The stem is notched and decorated in traditional style, as is the back of the bowl, complete with rat-tail. The spoon is teaspoon sized, and very good quality, quite heavy to hold. The spoon is in it's original Mappin & Webb box, complete with Royal appointments to the Queen and Prince of Wales on the lid interior. The spoon also has it's original card, describing the origin of the spoon, it's decoration and an explanation of the hallmarks, making it an ideal Christening present.
A very rare Cape silver tablespoon in the Old English pattern, by a very rare maker whose work is seldom seen. The makers mark FLH is excellent, very well struck, this is accompanied by an anchor mark in a circular punch (mark 51 in Cape Silver by Welz). Herman (or Hermann) was born in the Cape in 1778, he worked between 1810 and 1811 from 38 Long Street. He was regarded as "one of the finest of all Cape silversmiths" by David Heller, in his book History of Cape Silver. He made a very fine covered sugar bowl, which is depicted on pg 101 of Cape Silver by Stephan Welz.
A magnificent dessert sized spoon with the Goddess Nike standing on a pedestal with the initials "JERC", in script initials. Nike is the Greek winged Goddess of victory, strength and speed, she appears on the back of every Olympic medal. The detail of the Nike casting is excellent, this is a spoon of exceptional quality, as you would expect from Garrard. The hallmarks are very clear. The firm of R&S Garrard & Co (Garrard's), which began life in 1722 and still exists today, is famed for it's exceptional silver of very good quality. Garrard's were Crown Jewellers for much of their history, they lost the Royal warrant in 2007. Re the script initials, we assume they belong to a sports club, perhaps a rowing or rugby club? - we would welcome opinion's or corrections.
A rare Liberty Cymric toothbrush, with silver handle set with two turquoise cabochons, and wooden (ebony) toothbrush set with bristles. The hallmarks are clear, including L&Co makers mark, but the CYMRIC mark is not present (as is usual on small items). This toothbrush matches the Liberty Cymric vanity set (S1360).
Beautiful pair of plain Cape tablespoons, with very clear makers mark. Both these spoons have the initial H lightly engraved on the back of the spoon shafts.
A Cape silver Fiddle pattern tablespoon, with a rare makers mark. The spoon has engraved initials CJP, these are original and Colonial, the P slants at an angle. The hallmarks are excellent, makers mark DH in serrated punch, surrounded by 2 circular punch devices, Welz mark 56. The serrated edge was not shown by Welz, but it is shown by Heller Vol II, page 122, mark NMM 19. This is significant as no other Cape silversmith used a serrated edge punch. Daniel Hockly is one of the few Cape silversmiths trained prior to arrival in the Cape, whose work is known from both areas. Hockly trained in London, was registered as a smallworker in 1810, and is known for high quality wine labels (Grimwade mark 470, 473, page 548). He emigrated to the Cape in 1819, one of the "1820 Settlers", he arrived in Algoa Bay (now Port Elizabeth) in 1820 on board the SS Chapman, with 256 other settlers, his wife Elizabeth and 3 children, their 4th child Fanny Chapman was born onboard. The family remained in the Eastern Cape, spending ti...
A silver bowl bearing the crest of The Kings Royal Rifle Corps, complete with motto "Celer et Audax" (Swift and Bold). The bowl (or possibly ashtray, although we cannot imagine putting ash into such a lovely bowl) is well made, in Arts and Crafts style with hand hammered marks giving lovely texture. The crest is detailed, and has the initials EMV of the silversmith. The date 1914 is significant, being the start of the "Great War", now known as World War I, so was probably made to commemorate the departure of the Corps to the Western Front. The Corps, known today as the "Green Jackets", was expanded to 22 battalions during the war. As riflemen, they were in the thick of trench warfare, and earned 8 Victoria Crosses, but paid the price with the loss of 12824 men.
A sterling silver medallion commemorating the 50 year anniversary of the South African Teachers Union (Suid Afrikaanse Onderwys Unie) IN 1955. The front of the medallion shows Cape Town's Table Mountain under clouds, with KAAPSTAD engraved underneath, the reverse has S.A.O.U above a scroll with the dates 1905-1955. The medallion has a loop so it can be worn as a pendant. This is a beautiful medallion, excellent quality and in very fine condition. The medallion is clearly hallmarked with the South African Lion above U, STG sterling mark, date letter gothic h for 1955, and makers mark SAM for South African Mint. The SAOU still exists today, with branches in all 9 provinces, representing South African teachers, unfortunately their website does not explain it's history or this beautiful medallion.
A beautiful sterling silver master butter knife in the Moresque pattern, made by Wendt of Boston and retailed by Starr & Marcus of 5th Avenue, New York. The butter knife has a twist handle (at 90 degrees to the flat handle version), the blade is engraved with bright cut foliage on one side, on the reverse it is engraved "Christmas 02" (for 1902). It also has engraved initial P in fancy script, the original owner. The Moresque pattern was designed by Bernhard Beiderhase for John Wendt, it was patented in 1873 during the "Persian Revival" period (other patterns include Arabesque, Hinostanee and Persian). It has been described as "one of the nicer American exotic patterns, arguably the most complex". John Wendt has been described as "one of the most important American silversmiths of the mid 19th century", his work is highly collectable. He was a German immigrant, he emigrated to the USA in 1848. The hallmarks are clear, "STARR & MARCUS, STERLING, PATENT". Wendt worked as a manufacturer for prestigious retailers...
An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. it also has 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include the optional Jubilee mark, used in 1934 and 1935. A real talking point for your dinner table. Note: - we now have another example of this fork, S 1808, in original box.
