A Scottish provincial toddy ladle, made by David Gray of Dumfries, but with Edinburgh hallmarks for 1818. The ladle is Fiddle pattern, and has a beautiful crest of a crowned swan, standing with wings outstretched, with motto "Be Mindful". This is the crest and motto of Clan Campbell of Cawdor, headed by Earl Cawdor of Cawdor castle. The hallmarks are very clear, including triple cusp duty mark. The D of the makers mark appears to overstrike a P, but the G is very clear. The ladle also has a small heart shaped journeyman's mark.

A Scottish provincial silver toddy ladle, made in Inverness by Donald Fraser, but hallmarked in Edinburgh in 1830. The ladle is Fiddle pattern and is plain. The hallmarks are very clear, including a large makers mark D.F.

A lovely silver belt buckle, decorated with a mother of pearl flower with purple, white and orange colours, which change colour as it catches the light. The buckle is also engraved with leaves and flowers in bright cut fashion. The buckle has Birmingham hallmarks, with makers or retailers mark "FHA Ld" overstriking other marks, including the date letter. FH Adams used this mark between 1908 and 1915, they worked from New John Street. Given the style of decoration and lovely mother of pearl work, it is possible the buckle is continental in origin, and received Birmingham marks after import into Britian.

A lovely Irish silver torque, hand crafted with clearly visible hand hammered marks. This is a neck torque (as opposed to a bangle torque intended for a wrist). Torques are a traditional Celtic design. Padraig O'Mathuna worked from the lovely town of Cashel in Tipperary. Cashel is the traditional seat of the Kings of Munster.

A rare Cape twisted stem teaspoon, with spearhead handle and typical Cape floral engraving, and clear hallmarks. It is very similar to those made by Jan Byleveld circa 1820, so we can only assume it was made by Vos to match an earlier one made by Byleveld. Vos worked from 127 Long Street for 8 years, before dying at the young age of 27. He was one of the last working Cape silversmiths.

A rare Cape Silver twisted stem konfyt (preserve) fork, with spearhead handle and typical Cape floral engraving. This is similar to the pair (item S 1188), but the engraved flower lacks foliage and the only hallmark present is the makers mark, which is very clear.

A Boer War "sweetheart brooch" in 15 carat gold, so we assume the sweetheart was an officer. The brooch carries the badge of an Infantry Regiment, the 19th (County of London) Battalion, St Pancras. It is engraved "South Africa, 1899 - 1902". The gold has a reddish colour, whcih contrasts well with the red and blue enamel. It is lovely quality, even the clasp and pin are in 15 ct gold. Both the brooch and pin are stamped "15ct", these are the only hallmarks. 15 ct gold was only used in Britian between 1854 and 1932, when the 15 ct and 12 ct standards were replaced by 14 carat.

A Cape Colony National Rifle Association silver shooting trophy, the Inter Colonial Grand Challenge Shield. The shield is mounted on its original wooden stand, with brass hinge, it also has an additional silver plaque on the back that is engraved "The Grand Challenge Shield 1945". The shield has lovely detail, 6 flags divided by Kings crown, above a ribbon that reads "CAPE COLONY NATIONAL RIFLE ASSOCIATION". Below that, the Cape Colony coat of arms with female herald supporters, blowing trumpets. To the right and left Zulu shields and spears above crossed rifles, all above a shooting range scene, with seated adjudicator and spectator with binoculars, surrounded by laurel wreath. The base has a cartouche which reads "INTER COLONIAL GRAND CHALLENGE SHIELD". This shield is also found in white metal and copper, this is a sterling silver version, with a full set of clear hallmarks. It is listed in Laidlaw (Commemorative Medals of South Africa, 1017), it was first produced by Mappin & Webb between 1902 and 1910. Ev...

A set of 6 rat tail trefid coffee spoons, reproductions of a 17th century style, but just a few years short of being antique themselves. The spoons are in excellent condition, they do not appear to have been used. The original box reads "Wilson & Gill, The Goldsmiths, 139 Regent Street, London W", under a crown. Wilson and Gill was established in 1892, it still trades today as Hester Clarke (www.hesterclarke.co.uk), run by the 5th generation descendants. The hallmarks are clear on all 6 spoons, including makers mark TB&S for Thomas Bradbury & Sons, a leading Sheffield manufacturer.

A Scottish Provincial silver Toddy ladle in the Oar pattern, which is a scarce variant of Fiddle pattern (Fiddle without shoulders), only found in Scotland (Pickford, Silver Flatware, pg. 111). The ladle was made by Peter Lambert in Aberdeen, and is engraved with original owners initials RMR in script. The ladle has 3 hallmarks, makers mark PL between 2 thistles, these marks are well struck but blurred, so we assume the punches were worn. The thistle punch has a noticeable indent on the left hand side. Peter Lambert was born in Aberdeen, as was admitted to the Hammermen in 1804. He left Aberdeen in 1813, and subsequently moved from town to town looking for work, he is known to have worked in Dundee, Montrose and Berwick, and had spoons assayed in Newcastle and Edinburgh (Aberdeen Silver by Michael Wilson, page 60, a book we highly recommend).

Plain marrowscoop, by specialist spoonmaker Elizabeth Oldfield. This scoop is very dainty, being smaller than later versions. Oldfield was the widow of silversmith Charles Jackson, and had a previous mark as Elizabeth Jackson. She remarried in 1750, when the mark pictured here was registered. The hallmarks are clear, and the original owners initials "WY" are scratched in small letters next to the makers mark.

A Cape silver tablespoon in the Old English pattern, with a very rare Cape silver hallmark. The spoon is good quality and weight, well preserved, and has a colonial V shaped drop. The hallmarks include makers mark WM, and a very rare Cape silver stub mark that is not depicted in Cape Silver by Welz (Welz shows the regular Cape stub mark, used by 5 silversmiths including Moore, with 4 pseudo English marks). This stub mark has the lion passant, a gothic capital A, smiling leopards head and Queen Victoria duty mark, with detailed hair. As can be seen, this is a very different stub from the one usually seen, struck with a different punch (Welz mark 100). This rare stub mark is depicted by Heller (History of Cape Silver) as MM62 (pg 154), the regular Cape stub mark is MM61 (see also our articles section for an article on the Cape stub). The hallmarks are very well struck, this is a perfect example. A third stub mark, including an anchor, is also depicted in Heller (MM63), this same mark is also present in Morrison...

A good associated set of Onslow Tablespoons, of good gauge and with good ends, very pleasing to use. The 3 oldest spoons are original Onslow, and have the owners initials L+D scratch engraved on them. The 3 later spoons were converted in late Victorian times, a common practice (Ian Pickford comments in his excellent Flatware book that most Onslow pattern flatware that exists today is converted). A very faint butt joint can be detected on close examination with a loop, but is so faint it cannot be seen by the naked eye and is not visible in photographs. The hallmarks are all clear, the Adams spoons have an indented duty mark.

An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The hallmarks are beautiful, large and well struck, they form part of the decoration. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. The fork comes in it's original box, with pickle fork explanatory card, and expalnation of the hallmarks. A real talking point for your dinner table. This fork is identical to S 1568 which we have already sold, and S1808.

A rare pair of Prince of Wales' feathers picture back teaspoons, in the Hanoverian pattern, with Prince of Wales' feathers to the reverse of the bowl. The crown is well struck and clear, the feathers less well struck with some wear, but still clearly visible. As is typical for a teaspoon of the period, these Hanoverian pattern spoons are struck with two marks - lion passant and maker's mark. All the marks are squashed, the maker's mark could be W*L or possibly I*M, depending on which way you read the marks (all assistance welcome), with mullet between the letters. The spoons have no engraving, and are in great condition with just minor wear to the picture back. The motif on the back of the bowl probably commemorates the life of Frederick Louis, Prince of Wales (1707-1751) and heir apparent to the English throne. He was the eldest and estranged son of King George II, but he pre-deceased his father and so the crown passed instead to his eldest son who became George III. John Luddington, in his book "Startin...

Two Chinese Export silver dessert forks in the Fiddle pattern, which we have grouped together as we believe they are by the same maker, Sunshing. The forks have slightly different sizes, shape and weight, the longer fork is slightly heavier at 46 grammes. The smaller fork has engraved script initials PK, this is worn. The larger fork has a turn up end, the smaller turn down, so 2 very different interpretations of Fiddle pattern , interesting to compare. The larger fork has clear makers mark SS, with distinctive font, for Sunshing, and 3 pseudo marks, duty mark, crowned leopards head (struck upsidedown, and indistinct), and a strange lion passant (without tail), these pseudo marks are different from the ones usually used by Sunshing, the punches are also showing signs of wear. The second fork has 4 pseudo marks but no makers mark, the 4 hallmarks are those usually associated with Sunshing (pseudo lion passant, crowned leopards head, date letter C and Georgian duty mark) - see www.925-1000.com. These marks are...

An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. The fork comes in it's original box, with label "V.K. Chapman, Jeweller & Silversmith, 104 South St, St. Andrews", A real talking point for your dinner table. This fork is identical to S 1568 which we have already sold, made 2 years later.

A Cape silver tablespoon in the Old English pattern, with rare makers mark, which is very well struck. The tablespoon has a long drop, and initials "TA" on the back of the spoon, dating this spoon to the 18th century. The marks include makers mark "IVC" struck twice, either side of a very clear fish hallmark, complete with mouth, eye, fins and scales, this hallmark is very well struck. This is mark 171 in Cape Silver by Welz, who lists it as an unknown makers mark. The fish in Welz is not as clear as this actual hallmark. Welz also depicts the mark as "I:VG", so it must be a different punch - the dots are not present here, but the C could easily be a G. This mark is also depicted by Heller (History of Cape Silver, Vol 1) on page 163, where the fish detail is clearly visible - he attributes this mark to Johann Voigt (?), indicating the attribution had not been proved. Overall an interesting and rare Cape silver mark, extremely clear, this needs further research.

A Cape silver Fiddle pattern dessert fork, with contemporary engraved initial M. The fork has excellent hallmarks, makers mark WM and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London). The fork is very good quality and weight, and is suitable for use. The tines are very long, longer than usual, this fork has probably not been used. What is interesting about this Cape stub mark is that the punch is showing signs of wear, particularly the Leopards head. This lead to a mistake in Morrison (The Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, pg 59), and later Heller (History of Cape Silver), where the hallmark is mistakenly drawn as an anchor (MM63 in Heller, pg 154).

A highly unusual Chinese Export silver tablespoon in the Fiddle pattern, complete with "pseudo English" hallmarks, used by Linchong of Canton, alongside Indian Colonial silver hallmarks, used by R.S. of Calcutta. The hallmarks are clear, and include the pseudo lion passant, crowned leopards head, date letter L and duty mark as used by Linchong of Canton, who made silver in the Georgian style. The Indian Colonial marks include makers mark RS (unidentified) and a tallymark (No. 18, Indian Colonial Silver, Wilkinson), the tallymark is thought to identify the journeyman who completed the piece. One possible scenario is that the spoon was produced in Canton, and imported into Calcutta, India by RS, who was possibly a retailer only. We would be interested in hearing other opinions on this unusual spoon. This very spoon and it's hallmarks is depicted in the book "Indian Colonial Silver" by Wynyard Wilkinson, page 116, where the author noted the lack of connection of the marks, but did not identify the maker Linchong...