Typically late Victorian sugar sifter with ornate cast handle depicting flowers and foliage, and gilded bowl. Hallmarks very clear.

Plain Cape saltspoon in the Fiddle pattern with gilded bowl, and very clear pseudo English hallmarks and makers mark.

A lovely Russian silver sardine fork in traditional style, the handle a well modelled fish, connected to the 3 pronged fork with a curved, twisted stem. The 3 prongs are also curved, and have short wide tines with flattened ends, for ease of use. The hallmarks include makers mark CH (or CB?), 84 standard mark and town mark, which is a little worn. Our best estimate is Novgorod or Orel (Watts, Russian Silver Hallmarks, pg 42-45), we are open to correction here. Note 1 (2015) - This sardine fork has now been featured in an article entitled "Russian Silver Flatware Servers" by Dale Bennett, in the Magazine "Silver", January 2015, pages 14-19. It is described as "a most unusual flatware server", the author has never seen or heard of another Russian sardine fork. He describes it as a "highly imaginative server, with solid cast realistic sardine terminal". He describes the prongs as spade shaped, not sharp or pointed as in American sardine forks used for spearing, this is a lifter. He confirms town mark of Novgoro...

Georgian Irish Fiddle pattern sugar tongs, with very clear hallmarks. They also have the original owners initials (W over CW) scratch engraved in 18th century style (not script). Cummins worked from 1813 to 1846, so these tongs were made very early in his career. He worked from 31 Exchequer Street, and his name was also recorded as Cumying.

Pleasing early Scottish bottom - marked spoon, with very clear hallmarks, and good weight.

A delightful Chester silver miniature card box, complete with complete set of "Little Duke" cards. Box and lid are both hallmarked with Chester marks. George Nathan and Ridley Hayes worked between 1897 and 1912, they had premises in Howard Street, Birmingham and also a retail shop at 13 Hatton Gardens, London.

A replica Slip Top spoon, made to commemorate the silver jubilee (25 years on the throne) of King George V and Queen Mary. The spoon is in traditional slip-top form, with hexagonal stem, slip-top end and pear shaped bowl. Original Slip Top spoons date from the early 17th century, and were described by Eric Delieb (Investing in Silver) as "possibly the most graceful of spoons". The hallmarks are exceptional, showing very good detail, including the Jubilee mark which shows the sovereign's heads in profile. This mark was only used in 1934 and 1935 on a voluntary basis.

A very fine Cape tablespoon by a maker who has a reputation of excellent quality, clearly evident in this spoon. Whilst this spoon was made c1850, it is a copy of an earlier 18th century style (Hanoverian with turn up, and the crest on the back of the spoon). The crest is beautiful, a hand holding an elaborate cross and the motto "FORTIS IN ARDUIS", ("Brave in Difficulties"). The hallmarks are very clear, showing makers initials and pseudo English hallmarks. Waldek took over the business of Lawrence Twentyman when he moved to India. Note - A customer and descendant of Lawrence Twentyman has now identified this crest and armorial as the Deas-Thomson family. This spoon probably belonged to John Deas-Thomson (Junior), he arrived in the Cape in 1829 as Clerk of the Check. He also became Naval Storekeeper and Agent Victualler based in Simonstown, a post he held until 1845 when he was convicted of embezzlement and sentenced to 14 years transportation to Australia. John married Carolina Francis Stoll in 1831, they h...

Aide memoire with 2 pierced silver covers, with a rose amongst scrolling foliage, and rope border. The silver protects 2 tortoiseshell covers, which in turn cover the ivory pages. Both silver covers are fully hallmarked, as is the clasp. The original owners shopping list is still visible in pencil. This miniature notebook would have hung from a chatelaine. Oldridge was the sole partner of Grey and Co of Great Portland Street. The firm was noted for its novelties, and supplied many leading retailers, including Asprey & Co.

Cape Fiddle pattern saltspoon complete with makers mark and pseudo english hallmarks (clearly visible), gilded bowl and engraved monogram TTA. The spoon is slightly longer than others we have seen. Townsend was a leading Cape silversmith, who had a shop on Heerengracht in Cape Town, and is regarded as one of the finest and most versatile of Cape silversmiths by Heller.

Lovely scottish provincial tablespoon with characteristic celtic point, with the silversmiths surname incised. Initial A. The hallmarks include the crowned shield and "flaming heart" used by Douglas.

Interesting set of 3 wine labels, for Port, Sherry and RRandy! - the original engraver made quite a mistake! The labels are Brittania silver (950 as opposed to sterling 925)and have a Georgian scroll design, in the style of Hester Bateman, circa 1785. They have zig zag engraved borders, and a small blank heraldic shield above the scroll. Levi and Salaman were well regarded, known for their work in reproducing the Georgian style.

A fob medallion depicting a golfer in full swing. The central cartouche is gilded, the detail of the golfer and surrounds is very good. The hallmarks are clear. Thomas Skelton worked from Vyse Street, Birmingham between 1909 and 1961. Sporting fobs were often used as sporting trophies in the early 20th century. Suitable as pendant.

An Indian colonial silver salt spoon in the Fiddle pattern. The hallmarks are clear, H&Co makers mark for Hamilton & Co, the Garrards of India, along with capital A and elephant. A previous owners initials are crudely dot engraved on the back.

Regimental spoon with Feather edge pattern and gilt bowl by George Adams, the highly regarded Victorian spoonmaker. The spoon has an engraved Royal Crown finial with mounted cross, containing 2 Fleur de Lys. The crown is above an 8 pointed star, containing a crest (hunting horn below ICRV) and the motto "Salus Populi Suprema Lex", which translates as "The health of the people is the supreme law". ICRV stands for Inns of Court Rifle Volunteers, which was a regiment supplied by members of the legal profession belonging to the 4 Inns of London (Lincoln's, Gray's, Inner Temple, Middle Temple). The regiment, which was active in the 18th century, was reformed in 1860 as the 23 Middlesex (Inns of Court) Rifle Volunteer Corps at Lincoln's Inn. The crest sits above an engraved chalice. The spoon is an unusual size, being larger than a teaspoon but smaller than a dessert spoon. The hallmarks are very clear, and in addition to the usual marks also include an additional mark C, possibly a journeyman's mark.

Early Dutch bottom-marked silver tablefork, with transitional elements from Dognose to early Hanoverian pattern. The fork has a distinct Dognose, and a very pronounced rib on the front of the fork. The fork has a double drop, with the "Hague Leaflet" (lofje), a little lip at the join of the handle, typical of flatware made in The Hague (as opposed to Amsterdam) (source Dutch Silver, pg 83, MH Gans). The fork is of good gauge, very pleasing to hold, and engraved with the initials HLZW on the back. The hallmarks are exceptionally clear, showing makers mark (triangle device), lion rampant silver guarantee mark (875), Rotterdam city mark, and date letter K for 1768. The fork also has a puzzling and rare 5th hallmark (added later), being the duty mark used in the Netherlands between 1807 and 1810, for articles of foreign manufacture without payment of duty (source Tardy, International Hallmarks on Silver, pg 317). We can only surmise the fork was re-imported into the Netherlands at that time. Thanks to information...

An Indian Colonial salt spoon, made by Hamilton & Co, the "Garrards of India". The spoon is in the Fiddle, Thread and Shell pattern with gilded bowl, and is double struck, and is pleasing quality, and in good condition. The hallmarks are clear, makers mark H&Co, Elephant, date letter A and tally mark 2 semi circles, these marks were used 1860-1914 (source www.ascasonline.org, History and Marks of Hamilton & Co). Note the unusual & in the makers mark (quite fat), different makers marks were used by Hamilton over the years, this should assist more precise dating, further research is required. Note: We have matching sifter and salt spoons and sauce ladles.

A Cape silver tablespoon in the Fiddle pattern, with pseudo English hallmarks. The spoon bowl is long and elegant, and the spoon is good quality and is pleasing to hold. The hallmarks are very clear (Welz mark 148 in Cape silver) and nicely detailed, even hair is visible on the duty mark, and the flag is visible on the castle. The base of the duty mark is cusped, and the makers mark LT is also clear.

A Chinese export silver dessert spoon in the Fiddle pattern. The pseudo-English hallmarks are in excellent condition, well struck and very clear. They include lion passant with triangular indent to punch, crowned leopards head, duty mark and makers mark L. Linchong was an early maker of Chinese export silver, his silver is usually in the English Georgian style. He worked from New China Street, Canton. Linchong is described as the "unsung Cantonese master Georgian silversmith, who rivals Paul Storr in work quality, whose silver is very rare" - www.chinese-export-silver.com

This spoon has an original inscription, "IIH en EL, 1812". These are presumably the initials of the owners and the date of their wedding. A set of 6 tableforks by the same maker and with the same inscription are pictured in David Heller's 2nd Cape Silver book, "Further researches in Cape Silver", page 46, plate 5, with description on page 41. An additional pair of tableforks with the same inscription are present in the Africana Museum, and are pictured in the book "Cape Silver" by Stephan Welz, pg 67.