A Patrick Mavros silver sculpture of a lion on a black hardwood base, medium in size. The lion is realistically modelled, roaring with raised paw, standing on black hardwood base. The base has a silver PM button trademark, the lion is also fully hallmarked with PM makers mark and the Zimbabwe sable in triangle standard mark. Patrick Mavros (www.patrickmavros.com) has built a luxury Africa themed silver sculpture business over the last 35 years, he is based in Harare, with outlets in London, Mauritius and Nairobi. His customers include the Royal Family, Prince William and Kate are collectors. Other customers include JK Rowling and King Carlos of Spain. This model is an early Mavros model, and is no longer in production.

An Iona sterling Silver Prioress Anna Disc and Shield brooch, made by Alexander Ritchie of Iona, one of the most respected and sought after Scottish silver jewellers of the 20th century. The brooch is a classic Ritchie design in Celtic Arts & Crafts style, a convex shield with Celtic cross, and central knotwork boss. The 4 arms feature a copy of the stone effigy of Prioress Anna Maclean of Iona, the central boss reads "Prioress Anna - Iona". The original stone carving of Prioress Anna is still visible on Iona. The brooch is cast, the pin is in full working order, and the original safety pin chain is still intact and working. The hallmarks are worn, makers mark AR is just visible, as is "IONA" which is legible but worn. A second AR and IONA is present but badly worn. No date letter or townmark is present. We assume this means this was an early Ritchie piece, made before he started using the Chester assay office in 1910. A registration number (to protect the design) is clearly visible, Rd No 664083. Alex Ritc...

A fabulous modernist sterling silver bracelet, made by celebrated Danish silversmith Knut V. Andersen. The bracelet consists of 13 cast silver diamond shaped links, with a textured bark finish, the detail is lovely, both back and front. It is extremely well made, the quality is excellent, even to the screw fasterner which prevents the clasp from opening.. The hallmarks are clear, and include "Denmark S 925S KvA" for Knut Andersen, who worked in Copenhagen 1975-1989. Earlier in his career he worked for the famous firm of Anton Michelsen, he was the last designer employed by the firm. We love this bracelet.

An interesting silver spoon, made by the Leeds College of Art in 1953, to commemorate the coronation of Queen Elizabeth II in 1953. The spoon is teaspoon size, has a curvilinear handle and is struck with a large coronation mark as key decoration on the front of the spoon, this was an optional hallmark. The spoon is clearly hand made, the bowl and drop a little wonky, so perhaps made by an apprentice. The hallmarks are clear, including makers mark LCA for Leeds College of Art. Leeds College of Art, which still exists today, had a good reputation for silver in the 1950's and early 1960's (Source Designer British Silver, Andrew & Styles, page 372). Silver by Leeds College of Arts is scarce, occasional pieces assayed at Sheffield with the LCA sponsors mark appear on the secondary market (we have seen a few examples on the internet, spoons, beakers and a gravy boat). In addition to being a rare Leeds College of Art piece of silver, the use of the large optional coronation hallmark as decoration is also unusual. Du...

An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The hallmarks are beautiful, large and well struck, they form part of the decoration. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. The fork comes in it's original box, with pickle fork explanatory card, and expalnation of the hallmarks. A real talking point for your dinner table. This fork is identical to S 1568 which we have already sold, and S1808.

A fabulous set of six antique sterling silver goblets, perfectly preserved in their original box. The goblets are very pleasing quality, over 30 grammes each, and are quite small, so we imagine used for sherry or liqueur. The shape is lovely, a traditional goblet shape, with spreading foot and baluster stem. The goblets are perfectly preserved in their original wooden box, with blue velvet and silk interior, also in remarkable condition, with hinges and clasp in full working order. All 6 goblets are clearly hallmarked for Birmingham 1911, and makers mark W&F.R, for Walter Hayes and Frank Rabone, who worked between 1911 and 1916, with the partnership dissolved in 1918, we assume sadly interrupted by World War 1.

A stunning sterling silver nurses belt buckle, complete with original silver clasp and original black petersham belt. The buckle is very interesting, it features a Viking longboat with lion prow, and a serpent sail, beneath 2 maple leaves, above motto "Ratione Dirige Cursom", translated "Pursue Proper Studies", or "Govern your Course by Reason". This is the coat of arms of University College Hospital London, blazoned "an ancient galley, charged with a serpent nowed and in chief two maple leafs slipped", it was granted in 1907. The belt buckle is clearly hallmarked for London 1934, made by Frederick Smythe-Greenwood and Herbert Alwyn Watts, who worked between 1914 and 1934. The clasp is also hallmarked. University College Hospital (UCH), previously called North London Hospital, is a teaching hospital still working today. It was founded in 1834, Agatha Christie was a staff member, and the first amputation under ether was performed here in 1846 by Robert Liston. The Cruciform building was built in 1907, still in...

A rare early Cape Silver three pronged fork, in the Hanoverian pattern. The fork is a lovely shape, long and elegant, with long tines. The fork has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). This fork also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The fork also has a small owners cross hatch scratch mark next to the makers mark. Three pronged forks were common in the early 18th century, they were gradually replaced by 4 prongs after 1760, perhaps a little later in the colonies, but we believe this dates to the early part of Schmidt's career. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape...

A Indian Colonial silver tablespoon in the Fiddle pattern, slightly larger and heavier than most tablespoons. Ths spoon has a good feel, nicely weighted when used, and clearly hand made. The spoon has no engraving, or any sign of engraving being removed. The hallmarks are clear, and include makers mark P&Co. for Pittar & Co, pseudo lion passant, pseudo date letter A and tally mark number 17 from the book "Indian Colonial Silver" by Wynyard Wilkinson, page 170. Arthur Pittar & Co. worked between 1825 and 1848 in Calcutta, a similar tablespoon, but 2 centimetres shorter, is depicted on page 104. They were primarily diamond and jewel merchants, but clearly made good quality flatware and holloware. They imported a die press for manufacture of Fiddle pattern flatware in 1842, we believe this spoon predates that, given it's unusual size.

An Indian colonial silver salt spoon in the Fiddle pattern. The hallmarks are clear, H&Co makers mark for Hamilton & Co, the Garrards of India, along with capital A and elephant. A previous owners initials are crudely dot engraved on the back.

A rare pair of Prince of Wales' feathers picture back teaspoons, in the Hanoverian pattern, with Prince of Wales' feathers to the reverse of the bowl. The crown is well struck and clear, the feathers less well struck with some wear, but still clearly visible. As is typical for a teaspoon of the period, these Hanoverian pattern spoons are struck with two marks - lion passant and maker's mark. All the marks are squashed, the maker's mark could be W*L or possibly I*M, depending on which way you read the marks (all assistance welcome), with mullet between the letters. The spoons have no engraving, and are in great condition with just minor wear to the picture back. The motif on the back of the bowl probably commemorates the life of Frederick Louis, Prince of Wales (1707-1751) and heir apparent to the English throne. He was the eldest and estranged son of King George II, but he pre-deceased his father and so the crown passed instead to his eldest son who became George III. John Luddington, in his book "Startin...

An Irish Georgian silver pair of sugartongs, decorated in bright cut engraving, and featuring the rare "Dublin Bow" engraved on both arms. The tongs are lovely quality and a good weight, they have shell grips, concave arms, and are slightly longer and heavier than their English counterparts (See Hodges, Georgian Silver Sugar Tongs, page 197, where he also states that Irish tongs of this period are beautifully made, with distinctive bright cut engraving, commanding prices 2 to 3 times more than English equivalents). The tongs are engraved with original owners initials ER in script. Bright cut engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The hallmarks are clear, under the bow, makers mark BT in serrated punch for Taitt who worked between 1784 and 1791, and Irish harp and Hibernia in rounded punch used before 17...

A Patrick Mavros silver sculpture of a pair of guinea fowl on a hardwood base. The guinea fowl are realistically modelled, the guinea fowl is one of Africa's best known game birds. The black hardwood base is also lovely, each base is unique. The base has a silver PM button trademark, with PM above Sable Antelope in triangle, both guinea fowl are also fully hallmarked with PM makers mark and the Zimbabwe sable standard mark. Patrick Mavros has built a luxury Africa themed silver sculpture business over the last 35 years, he is based in Harare, with outlets in London, Mauritius and Nairobi. His customers include the Royal Family, Prince William and Kate are collectors. Other customers include JK Rowling and King Carlos of Spain. This particular sculpture is still available on the Patrick Mavros website (www.patrickmavros.com), he describes it as a medium sized sculpture.

A set of 6 Cape Silver teaspoons, Old English in pattern but more in a Continental than English style, with v shaped drops, Continental shaped bowls with sharp tip, and handles that flatten out towards the terminals. We really like these spoons, typically early Cape in character, made before the arrival of the English settlers in 1820. All 6 spoons are clearly hallmarked with makers mark IC in rectangular punch with clipped corners, fat base I and C with shorter top, Welz mark 32 (page 147). All 6 spoons also have original owners stamped initials ISR. In addition, all 6 spoons have a later owners lightly scratched initials MN on the front of the spoons, only visible in certain light. The MN initials are stylish, perhaps Art Deco, so possibly added in the 1930's. These spoons are accompanied by a card dated 1933, the spoons were a gift from Mr & Mrs Louis P Naude of Kimberley to his niece Luisa, written in Afrikaans, stating the spoons are already over 100 years old, and that if she behaves she can get the oth...

A beautiful sterling silver master butter knife in the Moresque pattern, made by Wendt of Boston and retailed by Starr & Marcus of 5th Avenue, New York. The butter knife has a twist handle (at 90 degrees to the flat handle version), the blade is engraved with bright cut foliage on one side, on the reverse it is engraved "Christmas 02" (for 1902). It also has engraved initial P in fancy script, the original owner. The Moresque pattern was designed by Bernhard Beiderhase for John Wendt, it was patented in 1873 during the "Persian Revival" period (other patterns include Arabesque, Hinostanee and Persian). It has been described as "one of the nicer American exotic patterns, arguably the most complex". John Wendt has been described as "one of the most important American silversmiths of the mid 19th century", his work is highly collectable. He was a German immigrant, he emigrated to the USA in 1848. The hallmarks are clear, "STARR & MARCUS, STERLING, PATENT". Wendt worked as a manufacturer for prestigious retailers...

An Irish antique silver sauce ladle, in the Celtic pointed pattern, also called Pointed Old English. The ladle has a beautiful original engraved family crest of a stag's head with a cross between the antlers, the detail is good with no wear. This we believe is the family crest of the Bassett family, described as "A Stag's Head Caboshed, And Between The Attires A Cross Patt Fitch Arg" - source (www.myfamilysilver.com). The hallmarks are excellent, they could not be clearer, including makers mark JP for John Power. Pickford, in his book "Silver Flatware", states that most Irish flatware of this period is this Celtic Pointed variant, which is only found in Ireland and Scotland.

A rare American coin silver sugartongs, made in New York in 1808-1809 by 2 members of the Forbes family of silversmiths. The tongs are quite different from the traditional shape, with a Fiddle shape on the arms, and oval bowls, they are also larger than usual. The tongs are engraved with original owners initials LI in script (could also be IJ if reversed). Both arms are hallmarked with maker mark "C & IW FORBES", with wear to the C, but still clearly visible on one, worn on the other. Colin Van Gelder Forbes and John Wolfe Forbes were brothers, sons of silversmith William Garrett Forbes and brothers to silversmith Garret Forbes. Colin and John were only in partnership between 1808 and 1809, so this is a rare makers mark (Colin worked between 1798 and 1839, John between 1802 and 1835). The Forbes family "dominated the silversmith craft in New York in the late 18th and early 19th century, with shops at 88 and 169 Broadway" - source Silversmith Forbes on www.genealogy.com. This particular makers mark is not dep...

A pair of Irish Provincial silver teaspoons, in the Fiddle pattern, with STERLING hallmarks. The spoons have original owners initials SL, small and engraved by hand, very provincial in nature. Both spoons are clearly hallmarked "STERLING", well struck and clear, but the punch a little worn, and the letters quite crude and blurry - so a home made punch. This mark was used by Silversmiths in both Cork and Limerick, more research on the style of the punch is required.

An engraved Victorian silver castletop cigarette case, featuring Edinburgh Castle. The case is rectangular, and is clearly hallmarked. The engraving is well done and in excellent condition, with clear details, scottish thistles surround the castle. The case also has original owners initials AP in script.

A set of 4 Irish Georgian dessert spoons, bottom marked, with excellent hallmarks on all 4 spoons. The spoons are Old English pattern, and have an engraved family crest of an armoured arm holding a dagger, this engraving is crisp and clear. Bottom marked hallmarks, used before 1790, are seldom clear, they are often squashed, these marks are excellent. They include makers mark IK in rectangular punch with rounded corners, and without dot, according to Douglas Bennett, in his book Collecting Irish Silver, this mark could belong to 3 different silversmiths, John Kavanagh (1783-1819), John Kelly (1780-1794) or James Kennedy (1768-1803), all three of which fall in the date range. More research is required on these makers, the makers mark on these spoons are very clear.