An exceptionally large Danish silver serving spoon, in the Old Danish pattern (Dobbelt riflet), wih matching large bowl. The spoon is single struck, the pattern has a reeded edge, and the handle is fluted. This type of extremely large serving spoon is unique to Denmark, very suitable for serving a generous portion. The hallmarks include the Danish 3 towers mark (well struck but date letter not visible), makers mark VELTZIN, and an additional mark which reads 13L4G, which we think is a standard mark for 13 loth silver (812 purity). The makers mark Veltzin appears rare, we have not been able to trace this maker, or confirm the meaning of the 13L4G mark, all assistance welcome. We have sold a similar spoon S1293, and have a similar example S 11029. Note - a collector has now shared images of his spoon, very similar to this spoon, also hallmarked Veltzin but alongside makers mark CW - we agree with the collector that Veltzin is probably a retailers mark.

A lovely antique 9 Carat rose gold Albert Chain bracelet, of exceptional quality. This has been converted into a bracelet from a Gentleman's Albert chain, used to hold his pocket watch in place, named after Prince Albert, Queen Victoria's husband. The links are gradated, with each link either slightly larger (or smaller) than the one next to it, the largest links are in the centre of the bracelet (0.8 cm across), the smaller at the end (0.6 cm). The original gold T-bar hangs from a few links off the end of the chain, so it hangs freely when the bracelet is closed. The gold has a noticeable lovely reddish tinge, hence our description rose gold, which is usually associated with Welsh gold. What marks this chain as exceptional quality is that each and every link is hallmarked, some more clearly than others, with the 9 carat mark (9.375). The T-bar has the same 9.375 mark, plus makers mark E.W&S for E Whitehouse and Sons, who worked in 1902, from Vyse Street, Birmingham. The shepherds hook clasp, which ensures a...

A rare Victorian silver postal scale, in full working order. The scale is intended for measuring postal items, so that the correct postage could be applied. This scale would have been used in a wealthy household, not a Post Office. The front is engraved "Postal Scale" on top, on the side "Postal Union Rates 2 1/2 d for each 1/2 ounce." To the left is engraved "English Rates" above measuring scale from 1d - 4d in 1/2 increments. To the right are 2 measures, 1 marked "LB" for pounds (scale 0 to 1 LB), to the right "OZ" for ounces measuring from 1-16. The engraving is exquisite, this is a lovely item. The base is rectangular with a Chippendale rim. The scale also has a knob (for adjusting scale) behind the pan, and a silver screw for opening the scale. The side of the scale is fully hallmarked, a registration number RD 308820, is also present. The top pan is also hallmarked, these are worn from polishing. Levi & Salaman were established in 1870, they were known for their high quality silver novelties...

Lovely set of Kings pattern (with diamond point) Cape tableforks, of very good quality and gauge - the forks are 100 grams each, very heavy to hold. Cape flatware in Kings pattern is fairly rare, the most prevalent patterns being Fiddle and Old English. These forks all have the same English pseudo hallmarks (leopards head, date letter A, duty mark and lion, Welz mark 135), struck by the same punch in the same workshop. However, 4 have the maker mark LT (Twentyman), and two have the makers mark FW (Waldek). This is not unusual, as Waldek worked for Twentyman, and probably took over the business when Twentyman departed for India, circa 1835.

Pair of Old English serving spoons of good gauge, with a nice feel.They are perfect for use as heavy duty serving spoons. They have an interesting crest of a tulip in front of 2 crossed crosses, each cross arm bearing another cross. Hallmarks very clear.

Gilt, engine turned vinaigrette with original sponge and very good hinge. Engraved "J Lang, 1835". Grille has flowers set amongst scrolling foliage.

A very interesting silver drum salt, designed by Alex Styles and retailed through Garrard, to commemorate the 650th anniversary of the Goldsmiths Company in 1977. The body is decorated with a fabulous interpretation of the Goldsmiths Company Arms, and the dates 1327-1977. The arms (granted in 1571) include quartered leopards head and covered cup with 2 buckles, and a stylized demi-virgin (thought to possibly be Queen Elizabeth I) holding the scales (balances) of Justice and a touchstone, both used for testing precious metals. The armorial is supported by 2 unicorns (representing purity), and the motto JUSTITIA VIRTUTUM REGINA, latin for "Justice is Queen of Virtues". The design has been photo-etched onto the silver, a modern technique which we think does justice to the armorial. The Goldsmiths company is one of the 12 great Livery companies of London, they were granted Royal Charter in 1327. The Leopards head (actually a lion but in 1327 the word for lion and leopard was the same) comes from the Royal standar...

A modern reproduction of the rare "eagle's wing" caddy spoon, amongst the most collectable and desirable of all caddy spoons. The original versions of this spoon were produced by Joseph Willmore and Matthew Linwood in Birmingham circa 1815. It was also copied by George Unite in Birmingham circa 1865 (see John Norie Collection of Caddyspoons - Woolley & Wallis, 2004). John Norie himself described the eagles wing caddyspoon as "the most revered and sought after of all specimens" in his definitive book on the subject. This is a cast spoon (cast marks can be seen on the base), and is very good quality and gauge, and pleasing to hold. The plumage is textured and the hallmarks are very clear. The eagle's wing caddy spoon is the emblem of the Society of Caddy Spoon Collectors, who recently published the book "The Caddy Spoon in the 20th Century", with the eagles wing featured on the back cover. They note that Thomas Bradbury & Sons reproduced the eagle's wing caddyspoon (page 18) along with other traditional spoons,...

A lovely pair of Victorian silver fish servers, beautifully decorated with an unusual sea horse design (actual horses with mermaid tails). The decoration is pierced and very finely engraved. The servers consist of a fish slice and serving fork in the Fiddle, Thread and Shell pattern. The set is good quality, and has a substantial feel when used. They have been beautifully preserved in their original felt and silk lined box, we get the impression they have never been used. The box itself is intact, with hinge and clasp in full working order, but the box is a little battered and worn, with remnants of an old label on the lid - acceptable given its 160 year age. The hallmarks are well struck and very clear on both items. John Stone was a well regarded Exeter silversmith who worked between 1825 and 1867, from 30 Bridge Street, Exeter, he produced many items of flatware. He registered his mark in London in 1844 (Culme, Directory of Gold and Silversmiths, pg 436), perhaps he wanted his finer items to have London ra...

A set of 3 Irish Provincial silver dessert forks in the Fiddle pattern, made by Richard Garde of Cork in 1835. The forks are all engraved with a family crest of a Griffin, above engraved owners initials (possibly GT in script), the engraving is on the back of the forks, showing they were placed facing down on the table during those times. The forks are all clearly hallmarked, makers mark R.G, mark 86, page 191, Collecting Irish Silver by Douglas Bennett (a book we highly recommend). The crowned harp, Hibernia and date letter P are all clear, one duty mark is clear and 2 duty marks are worn but still visible. The Dublin Goldsmiths company passed an act in 1807 requiring the Kings head to be stamped on all plate made in Ireland. As this could only be done in Dublin, it forced the provincial goldsmiths to start sending silver to Dublin for hallmarking. Garde, who worked in Cork between 1824 and 1845, was presumably the son of silversmith Phineas Garde, who complied intermittently with the Dublin act. The Act sha...

A fabulous Belle Epoque French silver 950 standard sugar sifter in the Empire pattern, made by renowned Parisian silversmith Emile Puiforcat. The quality is very pleasing, as you would expect from Puiforcat, with an intricate pierced design and gilded bowl, and double struck Empire pattern handle, with swan finial, foliage and wreathes. The cartouche has not been engraved. Two hallmarks are present in the bowl, both clearly struck, makers mark EP in diamond lozenge, with penknife (un canif) between the letters, and French Minerve 1st Standard mark, with 1 next to forehead, indicating 950 purity (so higher purity than sterling 925). An additional partial mark can be seen on the bowl exterior, this is a French Bigorne insect countermark, struck opposite the guarantee mark, to prevent fraud. Emile Puiforcat established his business in 1857 at 18 Rue Chapon, it still exists today and is known as one of the leading French silver producers.

An interesting set of 6 Art Deco sterling silver sandwich flags, perfectly preserved in their original box. The silver flags are accompanied by 20 double sided interchangeable plastic flag names, these include: - caviare, tomato& cheese, smoked salmon,beef, cucumber, sardine, anchovy,chicken, egg& anchovy, egg, ham, cheese, tomato, lobster, cress, smoked roe, crab, banana, tongue and fish. The flags themselves are good quality, ivory in colour (sometimes described as ivorine, certainly intended to imitate ivory) with clear black lettering, all 20 are in good condition. The flags can be interchanged according to the menu. It is interesting to see what would have been on the sandwich menu in 1929, caviare, smoked roe and lobster, but also banana! All 6 flags are fully hallmarked, clearly legible on 5 flags, one flag has indistinct marks. All 6 flags are also marked "Made in England", alongside a provisional patent number "Pro/ Pt 33279/28" and design registration number "Rd 742069". Adolph Scott worked between...

An interesting Georg Jensen silver and enamel napkin ring, this is the Cherub napkin ring No. 258 with blue enamel. The winged cherub is in a central roundel, connected to the elegant shaped ring with 4 silver balls. The hallmarks are very clear, and read :DESSIN HN DENMARK GEORG JENSEN & WENDEL A/S STERLING 925S". Dessin HN refers to the designer Harald Nielsen, who was the brother of Jensen's 3rd wife Johanne. He joined the Jensen business in 1909, he was a gifted draughtsman, who together with Jensen and Johan Rohde "helped to establish the Jensen style as we know it and the firm's tradition for outstanding quality" - Janet Drucker, Georg Jensen A Tradition of Splendid Silver, page 301 (a book we highly recommend). Nielsen became artistic leader of the Georg Jensen Silversmithy in 1935 after Jensen's death. The Jensen Wendel hallmark was used between 1945 and 1951, as during these years there was a trademark dispute over the Jensen brand with Jensen USA. This Cherub napkin ring no.258 is depicted in the ab...

A lovely pair of Cape silver konfyt (preserve) forks in the Fiddle pattern with 4 tines, the forks are in excellent condition and have no engraving. Both forks have clear hallmarks, makers mark W.M and the Cape Stub mark (see our articles section) consisting of 4 English pseudo hallmarks, Lion passant, date letter capital A, Georgian kings head duty mark and leopards head (town mark for London).This is mark 100 in the book Cape Silver by Welz, except the makers mark he depicts does not have the dot between the W and M, which shows Moore had at least 2 different punches. Konfyt forks are typically Cape, they were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg 65, Cape Silver, Welz). William Moore was a goldsmith and jeweller who worked between 1840 and 1863 from St Johns Street, Cape Town, Parliament is located on St Johns street so it was a prestigious location.

A pair of early Georgian Hanoverian tableforks with 3 tines or prongs, made by the leading Huguenot spoonmaker of his day. The forks are a pleasing quality, and are in excellent condition, with no engraving, we really like these forks. The forks are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed, some are clear and some partially visible. The first fork has very clear PH under acorn makers mark (this could not be better), with worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, good enough to be certain of the date. The second fork also has partially worn lion passant and crowned leopards head town mark, and a partially visible K for 1725, but makers mark is not visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first London mark in 1716, he was "Fre...

A pair of Cape silver sugar tongs, in the Fiddle pattern, made by John Townsend. The tongs are plain, with no engraving, and are in excellent condition. The Cape silver pseudo hallmarks are very clear, makers mark JT with indent at the top of the punch, pseudo duty mark, pseudo lion passant, pseudo date letter a and the tree mark, all struck individually, this is makers mark 123 in Welz (Cape Silver and Silversmiths), but in a different orientation (all at 90 degrees). John Townsend (1800-1875) was an interesting character, described by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, ...

A World War II 9 carat gold and enamel sweetheart brooch for the Durban Light Infantry Regiment of South Africa. The brooch features the infantry bugle with tassels under the Royal crown. The brooch has 2 colours of enamel, red in the crown and green for the letters DLI. It is mounted on a bar brooch, also 9 carat gold, the pin is also gold, often the pins are a base metal. The brooch is clearly hallmarked 9CT for nine carat gold, the clasp is also marked 9 for 9 carat gold. The George VI crown shows this dates to WW II, the DLI fought in North Africa and Italy (including El Alamein and Monte Cassino). The regiment was founded in 1854, and still exists today, they were called the Royal Durban Light Infantry between 1935 and 1961 when South Africa became a Republic.

A Royal South African Air Force gold sweetheart brooch, dating from World War II. The brooch features the crest of the old Union of South Africa, with 4 quarters for the four provinces, an ox wagon representing Transvaal Province, a woman with an anchor representing Cape Province, two wildebeests representing Natal Province and an orange tree representing the Orange Free State Province. This is surrounded by a laurel wreath, under the Royal crown of King George VI, between the traditional pilots feathered wings. This badge is incorporated into a bar brooch (not added as is usual for sweetheart brooches), the hinge, clasp and pin are also gold. The brooch also has a suspension loop attached to a fine gold chain and gold safety pin, all in perfect condition, this was a good quality brooch when it was made. The brooch is clearly hallmarked 9CT for nine carat gold. The Royal South African Air Force provided 35 squadrons during World War II, mostly in North Africa and Italy, with 18000 staff deployed.

A Dutch antique silver miniature longcase clock (grandfather clock), this is a reproduction of an 18th century clock (staande horloges in Dutch). The clock is richly decorated, the ogee base has 3 panels with boats, a windmill and church spire with houses. The main body is decorated with flowers, foliage and scrolls, the pierced hinged door (with locking mechanism) opens to reveal a pendulum (decorative, not functional). The main clock housing has barley twist front, panelled sides, hinged front piece with clasp (zig -zag to hold glass in place), this swings upwards to allow adjustment of clock hands. The rear has a circular hinged door to access clock mechanism. The top of the clock has 2 cast reclining angels (putti), and 2 winged angels blowing horns standing either side. The central figure is missing (atlas holding a globe which we have seen on other examples). Hallmarks include lion passant (2nd standard purity 833) and makers mark JPH struck on back, Minerva duty mark with A for Amsterdam struck on the ...

A WW II South African Artillery Regiment 9 carat gold and enamel sweetheart brooch, the detail is lovely. The brooch features a cannon under Royal crown with red enamel, with motto "UBIQUE" (everywhere) in blue enamel above cannon, and "South Africa / Suid Afrika" in blue enamel below. The brooch is clearly hallmarked 9CT for 9 carat gold, the clasp and hinge are also gold but the pin is not, it is stamped "Metal". 14 South African artillery regiments served in North Africa and Italy during the second world war.