A Dutch silver ribber Hanoverian tablespoon, with interesting hallmarks. The spoon has a pronounced frontal rib, the drop is rounded with a V shaped decoration, and the spoon has original owners engraved initials Ch.I on the back of the spoon, unusually engraved upside down (not sure if this is a Dutch custom?). Six hallmarks are present, all clearly struck and very clear. They include makers mark AI around anchor in shaped punch for Anthonie Janse, who worked in Middelburg between 1787 and 1823 (sources Netherlands Responsibility Marks since 1797, mark 727, and Zeeuw Zilver). The next hallmark is date letter C for 1810, followed by Castle in oval punch, the townmark for Middelburg, only used between 1807 and 1812 during the Kingdom of Holland period (source Voet, Nederlandse Zilvermerken 1445-1951, page 16), so this is a rare townmark. The next hallmark is 10, the standard mark for silver 10 Penningen, also only used 1807-1812, Kingdom of Holland. The 5th mark is crown above co-joined TE, a tax free census m...

A very fine Maltese Basting spoon, of good gauge, with an unusually large and deep bowl. The spoon also has a deep lip and point. The hallmarks are clear, being 1855 with a small scratch through it (looks intentional?), the letter R (Maltese mark indicating Roman Fineness, 11 deniers) and the circular makers mark for Geraldo Pace (circular mark with small bird under PACE). A truly lovely spoon. Note - we previously incorrectly attributed this spoon to the Naudi family silversmiths.

A set of 6 Irish Georgian silver Celtic Point teaspoons, with bright cut "Dublin Star" engraving. The oval shield under the star is vacant, this was originally intended for a family crest or owners initials. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Star pattern is unique to Irish silver. The 6 spoons were made by 4 different makers, and have very slight differences, but the hand engraving was done by the same hand, so we believe the set was assembled by the engraver. All 6 spoons are hallmarked with the Dublin Hibernia and Harp Crowned, no date letters are present (as is usual with Irish teaspoons of this period). 4 Makers marks can be identified, 2 J.S for John Shiels (1762-1790), one AM for Arthur Murphy, and one JB for John Bayly, the fifth mark is ?D, the last is not legible. Slight differences includethe shapes of the drops, and the bowl shapes, some move oval than others (very slight differences).

An interesting pair of Victorian silver boudoir labels, engraved for WHISKEY and LIQUEUR, notable for their small size. The labels are rectangular with cut corners, and have a double reeded edge, both with their original chain. The engraving is clearly done by hand, a little crude when studied under a magnifying glass, so not a master engraver. Both labels are clearly hallmarked for Birmingham 1839, note the Georgian (male head) duty mark is still being used, even though Victoria became Queen in 1837. The Jacksons hallmark book edited by Ian Pickford shows the new Victorian duty mark in use from 1838, so the use of the Georgian duty mark in 1839 is an anomaly. Makers mark GU for George Unite is clear on one label, and partially worn on the second label. George Unite served his apprenticeship under Joseph Willmore, he registered his mark in 1832 and was joined by his sons in 1873, he died in 1896. Our description of these labels as boudoir labels is thanks to John Salters excellent book "Boudoir Labels 1753-19...

An interesting WWI military silver vesta case, engraved "Northern Command Bombing School August 1916". The vesta case is the traditional curved rectangle shape, with a striker on the base, and a ring on the side for attachment to a fob chain. The vesta is clearly hallmarked for Chester 1915, with makers mark S.I.L.d for Stokes & Ireland, who worked between 1891 and 1932 in Birmingham, they also used the Chester assay office. The vesta is also stamped "Pearce & Sons Leeds", Pearces Jewellers still exists today, after being founded in 1838. Northern Command was a British Army Home Command, based in York during World War I, the bombing school was a Grenade School (not RFC as has been incorrectly described in the internet), with a focus on using grenades to attack and clear trench systems. Those that successfully completed the training wore a red grenade proficiency badge on their upper right arm. We have seen other examples of Northern Command Bombing School silver vesta cases, that also have an engraved grenade...

A beautiful set of 6 Australian Arts & Crafts hand made sterling silver teaspoons, with Geraldton Wax indigenous floral finials, made by of of Perth's leading family of silversmiths, Linton Silver. The spoons have hand hammered (planished) bowls, rat tail drops and cast silver floral finials, the detail and quality is very pleasing. The spoon bowls are almost triangular in shape, we have called them teaspoons but given their small size are very suitable for coffee. All 6 spoons are clearly hallmarked, a gum nut symbol in square punch, "ST.SILVER" standard mark and makers mark JAL for Linton Silver, who traded between 1938 and 1978. JAL refers to Jamie Linton, who joined his father's studio in 1920, he remained active until 1980. He trained in Perth, Paris and London, where he studied Central School for Arts & Crafts. He designed the range of Australian indigenous wildflower spoons, which are still produced today by Bethamy Linton, who retails each spoon at $295. Note - We have a matching jam spoon S 11536.

A rare Cape silver table fork in the Fiddle and Shell pattern, examples are known to exist but these are regarded as rare. The fork is single struck (pattern only on the front), the shell is a lovely feature. A similar example is depicted the book "Further Researches in Cape Silver" by David Heller, page 68, plate 13, also made by Lawrence Twentyman. English versions of this pattern are also scarce, mostly made in Scotland and Newcastle, London versions are rare (Pickford, Silver Flatware, page 114). The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopard's head town mark, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have 2 other examples of this fork, S 11435 and S 11436.

An extremely rare Cape silver table fork in the Fiddle Thread without Shoulders pattern, this is only the 2nd time we have seen this pattern, see 2 dessert spoons S 11120 and S 11121 which we have already sold. David Heller, in his book History of Cape Silver Vol. 1, depicts a spoon in the same pattern (plate 50, page 124) and a similar 3 tined fork (Plate 61, page 146), these are the only examples we can find in the literature. The fork is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The fork also has a long drop, with an unusual curve, showing this fork was hand made. The fork is lovely quality, a pleasing weight, and is in excellent condition. The hallmarks are excellent, a variant of mark 138 in Cape Silver by Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have 2 matching forks, S 11432 and S 11433. A close examination of all 3 forks shows slight differences to the dro...

An extremely rare Cape silver table fork in the Fiddle Thread without Shoulders pattern, this is only the 2nd time we have seen this pattern, see 2 dessert spoons S 11120 and S 11121 which we have already sold. David Heller, in his book History of Cape Silver Vol. 1, depicts a spoon in the same pattern (plate 50, page 124) and a similar 3 tined fork (Plate 61, page 146), these are the only examples we can find in the literature. The fork is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The fork also has a long drop, with an unusual curve, showing this fork was hand made. The fork is lovely quality, a pleasing weight, and is in excellent condition. The hallmarks are excellent, a variant of mark 138 in Cape Silver by Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have 2 matching forks, S 11432 and S 11434. A close examination of all 3 forks shows slight differences to the dro...

A rare Straight Tudor pattern sifter ladle, made by Chawner & Co, the leading flatware maker of Victorian England. The ladle is fabulous quality, and in excellent condition, without engraving. The piercing in the bowl is lovely, a central flower surrounded by scrolls, changing to leaves on the side. The Straight Tudor pattern is a Gothic Revival pattern, note the omission of 2 small scroll circular projections on each side of the stem, this differentiates it from the "Tudor" pattern. The sifter ladle is clearly hallmarked, it also carries the British Registry design number and date chart diamond, which rarely occurs on silver flatware - class I for metal, date letter v for 1850. The presence of the design mark indicates that Chawner protected the design to protect it being copied. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chawner & Co pattern registered August 14th 1850, along with Straight Tudor, it appears in the Chawner Pattern book (page 218). Odd pieces may on rare occasions, ...

A wonderful pair of Scottish Provincial silver toddy ladles, made in Aberdeen by William Jamieson. The ladles are Fiddle pattern, and both have a beautifully engraved family crest of a dog, the bright cut engraving is amongst the best we have seen on Scottish Provincial silver. The ladles are great quality. and are in excellent condition. Both ladles are clearly hallmarked WJ, A, B, D, WJ, makers mark WJ struck twice with ABD for Aberdeen in between. The 2 makers marks are struck with different punches, the second punch has an indent next to the J. Given the careful alignment and identical spacing between punches, we assume the hallmarks were part of a stub struck on a fly press. This same set of hallmarks, with the same indent, is depicted in the book Aberdeen Silver by Michael Wilson, page 66, bottom left under William Jamieson. Jamieson worked between 1809 and 1841, his company were prolific producers of silverware, based at 87 Broad street, Aberdeen. Jamieson took on at least 17 apprentices, his son Georg...

A rare Cape silver tablespoon by unknown maker M.I.V., with an exceptionally clear makers mark. The spoon is Fiddle pattern, in good condition but with wear to the tip from use, and no engraving. The makers mark M.I.V. is very well struck and clear, note the specific placing of the dots (first 2 higher than last). This is makers mark 178 in Cape Silver by Welz (page 158), where the specific placing of the dots is clearly illustrated. This mark is also recorded by Heller in Further Researches in Cape Silver Vol. 11, mark N.M.M 56, page 126, also with the unusually placed dots clearly illustrated. We have only seen one other example of Cape silver with this makers mark, a Cape silver sauce ladle that sold at Strauss in March 2011, Lot 146. Note - We have a second example of this spoon, with a slightly less clear makers mark, see S 11465.

A rare Cape silver table fork in the Fiddle and Shell pattern, examples are known to exist but these are regarded as rare. The fork is single struck (pattern only on the front), the shell is a lovely feature. A similar example is depicted the book "Further Researches in Cape Silver" by David Heller, page 68, plate 13, also made by Lawrence Twentyman. English versions of this pattern are also scarce, mostly made in Scotland and Newcastle, London versions are rare (Pickford, Silver Flatware, page 114). The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopard's head town mark, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have 2 other examples of this fork, S 11435 and S 11437.

An extremely rare Cape silver table fork in the Fiddle Thread without Shoulders pattern, this is only the 2nd time we have seen this pattern, see 2 dessert spoons S 11120 and S 11121 which we have already sold. David Heller, in his book History of Cape Silver Vol. 1, depicts a spoon in the same pattern (plate 50, page 124) and a similar 3 tined fork (Plate 61, page 146), these are the only examples we can find in the literature. The fork is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The fork also has a long drop, with an unusual curve, showing this fork was hand made. The fork is lovely quality, a pleasing weight, and is in excellent condition. The hallmarks are excellent, a variant of mark 138 in Cape Silver by Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have 2 matching forks, S 11433 and S 11434. A close examination of all 3 forks shows slight differences to the dro...

A very interesting American sterling silver Arts & Crafts ladle, made by W. Depp in the 1950's. The ladle is the traditonal shape, but has 2 bars that join in a loop for the handle, with the base of the handle wrapped in a thick silver wire, we love this design! The bowl has been shaped by hand with a pouring lip on the side, so well suited for gravy, cream or even a toddy (the shape and size is very similar to Scottish silver toddy ladles). The ladle is clearly hallmarked with makers mark W Depp in a triangle (looks like V V rather than W), alongside "Hand Wrought" and "Sterling". W Depp is a mystery to us, he (or she) did produce some modernist hand wrought sterling silver jewellery, we have not been able to find any other flatware by this maker, or information about them (all assistance welcome). Note 1 July 2024 - Thanks to assistance from Susan who has a very similar ladle, we have identified the silversmith as Wesley Depp (1922-2002), of Saranac Lake, New York. Wesley was the son of John Depp and start...

An 18th Century Dutch silver marrow scoop, in the traditional form, with a larger and smaller scoop on either side. The scoop has 5 hallmarks, Amsterdam town mark, Lion Rampant indicating 934 standard, date letter C partially struck (1787), and a partially struck makers mark, first letter H, second letter possibly H. A 5th hallmark which was struck later is also present, a small but clear Gothic T tax stamp. Note - An authority on Dutch silver has now kindly identified this maker as Hermanus Heuvel, we appreciate the assistance. Hermanus Heuvel worked between 1766 and 1810, he is mostly renowned for large scale silver objects but the Rijksmuseum has a miniature silver cupboard on display by Heuvel, (room 0.10 and on the website), this was also made in 1787.

A Chinese export silver tablefork in the Fiddle pattern, made by one of the most prolific Chinese Export silversmiths, Wongshing. The fork has engraved initials CE in Old English font (this is well done) on the back of the fork, so dating back to a period when forks were placed tines down on a table. The fork has very clear and detailed pseudo hallmarks, clearly struck by punches without wear, so this fork was probably made early in Wongshing's career. The marks include pseudo Georgian duty mark (note collar and long flowing hair), pseudo crowned leopards head townmark (nose and eyes visible, crown detail too), makers mark W and pseudo lion passant (round eyes and nose, fat rump). The punch outlines are clear as well, 2 are cambered (domed top), one loboid, and one rectangular (Poole, Identifying Antique British Silver, page 14). These are amongst the clearest Chinese Export silver hallmarks we have seen, and deserve further study. Wongshing is known as one of the most prolific Chines Export silversmiths, mak...

A Chinese Export silver butter knife in the Fiddle, Thread and Shell pattern, with no engraving or initials. The knife is extremely good quality, easily comparable to an English Georgian example. The hallmarks are excellent, and include pseudo duty mark, pseudo crowned leopards head (London town mark pre 1821), pseudo date letter P, pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and American silversmiths of the Georgian era is a feat that, as ...

A Cape silver konfyt (preserve) fork in the Old English pattern, with 4 tines. The fork is good quality and is in excellent condition, with clear hallmarks. The fork has original owners engraved initials CB. The hallmarks consist of makers mark IC in between 2 castle devices (Welz mark 35, Cape Silver and Silversmiths). Johannes Combrink was born in the Cape in 1781, he married Aurelia Lotter in 1807 and died in 1853. He worked from Dorp Street.

A pair of sterling silver and jasper cufflinks, made by Kurt Jobst in Johannesburg circa 1950. The cufflinks are circular, with raised polished jasper insert, the sterling silver connectors are S shaped, and the connecting piece is square. Both the circular cufflinks and square connectors are clearly hallmarked, with JOBST, .925 and the circular cufflinks also have his characteristic KJ unicorn mark. Jasper is an opaque chalcedony, red in colour, it polishes well so is often used as a gemstone in jewellery. Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (cigar box, bowls and dishes). He died in a car cr...