A mixed set of 6 Irish sterling silver spoons, 2 large mustard spoons, 2 smaller mustard spoons, and 2 small saltspoons (the last 2 a matching pair). The matching salt spoons are Dublin 1925 by Wakely & Wheeler, the 2 smaller mustard are by William Cummins (1829) and Samuel Neville (1832), the 2 larger mustard spoons are Christopher Cummins (1837) and JS (1867). 1 Spoon has a family crest, 2 have engraved initials and 3 are unengraved. All the hallmarks are clear.
An interesting set of 6 Salisbury seal top silver coffee spoons, perfectly preserved in their original box. The spoons have gilded seal tops, flattened stems and fig shaped bowls, with the leopard's head town mark struck in the bowl. These are replicas of seal top spoons circa 1600. The spoons are good quality, we really like these spoons. The set is accompanied by an original pamphlet, depicting 7 seal top spoons, it reads: "The Salisbury Seal Top Spoons, actual copies of the seven spoons dug up in 1906, on Lord Pembroke's Estate, Netherhampton, reproduced as fruit, jam and teaspoons. The originals are now in the British Museum, and are valued at GBP 300-400, circa 1596-1632". Thomas Bradbury and Sons worked between 1736 and 1943, Frederick Bradbury was the author of "History of Old Sheffield Plate" (Culme, Gold and Silversmiths, page 57).
Mordan perfume bottle in fabulous condition, which has probably never left its original box. Attractive chased decoration of scrolling foliage. Initials TL. Original glass stopper in perfect condition. Gilt lid interior and very clear hallmarks.
An antique silver miniature furniture cabinet, in 18th century style, made in Hanau by Simon Rosenau and imported into London by David Bridge in 1892. The cabinet has lovely detail, the hinged doors and 2 drawers are in full working order. The cabinet doors and sides are decorated with farming scenes, a woman collecting water, raking and carrying a tray, and a man with basket full of produce. Scrolls complete the design, the cabinet stands on 4 S shaped feet, the drawers have ring pulls and the door has a handle. The base of the cabinet and base of largest drawer have Hanau hallmarks, a clear SR under crown makers mark, clear 930 standard mark (so slightly purer than sterling 925), less clear German moon and crown mark, and a 4th indistinct mark. The back of the cabinet has very clear London import marks for 1892 and Importers mark DB for David Bridge. Simon Rosenau worked in Bad Kissingen from 1862-1932, he supplied antiques to the Royal Bavarian court. His son took over the business in the 1890's, he was d...
A lovely Dutch silver sugar sifter in the Empire style, made by Pieter Kuijlenburg in Schoonhoven in 1830. The sifter ladle has a wide oval curved bowl, quite deep, with a beaded rim, and intricate piercing of the bowl. The centre is an eight pointed star, with 8 radiating arrows interspersed with patterned dots, surrounded by a cross and semi circle pattern. The curved, elegant handle has a pointed terminal, it is beautifully engraved with a bright cut pattern, including stems with leaves and flowers. The Empire style is a Neo-Classical revival style, that became popular in France, Belgium and the Netherlands after the rise of Napoleon. The hallmarks include makers mark PKB under kappie for Pieter Kuijlenburg, Lion passant 2nd standard (833 purity), Minerva head duty mark, and date letter script V for 1830 (the date letter struck inside the bowl). Kuijlenburg worked in Schoonhoven as a silversmith between 1818 and 1831, he was born in 1791 and died in 1868, he had 6 children including Adrianus who was also a...
A rare Cape silver condiment ladle, the only one we have encountered. The ladle is Fiddle pattern, similar in shape to a salt spoon, but with a long elegant handle, 3 to 4 cm longer than a saltspoon. The hallmarks are clear, the Cape Stub mark with 4 pseudo English marks, and makers mark FW. The stub mark is slightly worn at the bottom, the makers mark is clear. Waldek had a long career in the Cape between 1830 and 1877, he took over Twentyman's shop on the Heerengraght in 1836.
An Art Nouveau antique silver mustard pot, complete with original green glass liner. The pot is oval in shape, and has traditional Art Nouveau stylised flowers on the 4 corners, repeated on the lid thumbpiece. The glass pot sits on a circular support, which is also hallmarked (as is the main body and lid). The hallmarks are clear, and include registration mark RD 436134, meaning Walker and Hall registered this design to prevent copying by competitors.
A set of 3 Danish Sterling silver serving pieces, comprising a spoon, fork and ladle. Each is topped with matching sterling silver Danish Royal crown, which is well modeled. The set comes in its original silk and purple velvet lined box, they do not appear to have been used. The fork is long and elegant with 2 prongs, the spoon bowl is quite wide for serving, and the ladle has a deep bowl. All three are hallmarked clearly with "STERLING DENMARK" and makers mark SDG, with the D and G inside the curves of the S. We believe this indicates they were made post 1977, when the Danish official hallmarks were retired. The crown is a replica of the Danish Royal closed crown of Christian V, so it is also possible these were made to commemorate the coronation of the current Danish Queen Margrethe II in 1972.
Set of Russian silver Fiddle pattern tablespoons, with very clear hallmarks on all 6 spoons. These are very good gauge, suitable for everyday use. The makers name is in cyrillic, our best translation is A. Schenker or Shenker. The assaymaster is Nicholai Stradomsky (HC in cyrillic, NS in English), who worked in Moscow and Vilnius (Geoffrey Watts, Russian Silversmiths' Hallmarks, pg 84).
A rare silver and green enamel annular brooch designed by Alexander Ritchie, the famous Iona silversmith. The brooch has a Gaelic inscription "A h-uile latha sona dhuit", translated "May all your days be happy". These brooches are traditional wedding presents to celebrate a marriage. The Alexander Ritchie website (see our links page) shows 2 similar brooches, one in blue and the other in red enamel, both are described as rare, they do not show a green enamel example. Ritchie began to use the Birmingham assay office in 1931, and he had close links to the Birmingham firm of Darby & Sons, who made items for him. After Ritchie's death in 1941, some of his original moulds were used by Darby until the 1950's, this is one of these (see Ritchie website). The hallmarks are small but visible, the pin is also hallmarked.
A stunning sterling silver nurses belt buckle, complete with original silver clasp and original black petersham belt. The buckle is very interesting, it features a Viking longboat with lion prow, and a serpent sail, beneath 2 maple leaves, above motto "Ratione Dirige Cursom", translated "Pursue Proper Studies", or "Govern your Course by Reason". This is the coat of arms of University College Hospital London, blazoned "an ancient galley, charged with a serpent nowed and in chief two maple leafs slipped", it was granted in 1907. The belt buckle is clearly hallmarked for London 1934, made by Frederick Smythe-Greenwood and Herbert Alwyn Watts, who worked between 1914 and 1934. The clasp is also hallmarked. University College Hospital (UCH), previously called North London Hospital, is a teaching hospital still working today. It was founded in 1834, Agatha Christie was a staff member, and the first amputation under ether was performed here in 1846 by Robert Liston. The Cruciform building was built in 1907, still in...
An early Irish silver rat-tail Hanoverian tablespoon, made in 1729 by Esther Forbes, the widow of Robert Forbes. The spoon is lovely quality, a pleasing weight, and in remarkably good condition. The spoon has a deep frontal rib running halfway down the handle, with a strong turn-up, and the traditional rat-tail used before 1730. The spoon has original engraved family crest on the back of the spoon (spoons were placed face down at this period), the crest featured a raised arm in armour holding a cross (slight wear to the cross). The 3 hallmarks are clear, makers mark EF in oval punch (slight wear to F, looks more like EE), date letter gothic K for 1729, and crowned harp, with slight wear but clearly discernable. This spoon predates the Irish Hibernia mark which was introduced in 1731. Robert Forbes worked between 1701 and his death in 1718, his widow Esther continued the business until 1729. A number of their spoons have survived. Robert was a Quarter Brother (Collecting Irish Silver by Douglas Bennett, page 1...
An Arts & Crafts sterling silver bracelet in Celtic Revival style, made by Stuart Wilson of Skye silver in 1993. The bracelet has 7 cast silver celtic knots in the shape of 2 interlocking hearts, we really like this bracelet. All 7 links are the same, the 2 end links have an additional connecting ring, one side with the clasp attached. All 7 links are individually hallmarked with a full set of Edinburgh marks for 1993, along with makers mark SJW, all the hallmarks are clear. Stuart Wilson was a school teacher based in West Calder, Scotland, he produced silver between 1989 and 1997. His silver was retailed by Skye Silver of the Old School, Colbost, Dunvegan, on the Isle of Skye, the shop is still operating today .
A Georgian Scottish silver Celtic Pointed pattern tablespoon, made by James Hewitt in Edinburgh in 1784. The spoon is bottom marked and features the incuse Georgian duty mark, which was only used in 1784 and 1785. The spoon has original engraved initial K in script. The hallmarks on bottom marked spoons are often squashed and distorted, but all 5 hallmarks on this spoon are well struck and clear, they could not be better. They include makers mark J.H in script, used by Hewitt between 1769 and 1784, although he had a long career, being freed in 1760, and still apparently working in 1824 (perhaps a son?). The Edinburgh castle, Scottish thistle and date letter E are all clear, as is the incuse Georgian duty mark, only introduced in 1784.
A rare Indian Colonial sugar sifter spoon, made by Hamilton & Co, the "Garrards of India". The spoon is in the Fiddle, Thread and Shell pattern, and is double struck, and is pleasing quality, and in excellent condition. The hallmarks are clear, makers mark H&Co, Elephant, date letter A and circle tally mark, these marks were used 1860-1914 (source www.ascasonline.org, History and Marks of Hamilton & Co). Note the unusual & (quite fat), different makers marks were used by Hamilton over the years, this should assist more precise dating, further research is required. The book "Indian Colonial Silver" by Wynyard Wilkinson, shows a similar sifter spoon by Twentyman, Beck & Co, depicted page 158, he notes "This is the only sugar sifter spoon I have noted made in Calcutta". Note: We have matching sauce ladles and salt spoons.
An interesting pair of cast silver sugartongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. The tongs are bow shaped, with attractive cast silver pierced arms, decorated with foliage, scrolls and flowers, and shell grips. The bow is shaped, and has a cartouche for owners initials, which has not been engraved. The side of the bow has faint remnants of owners initials, P/IM, now very worn. Cast sugartongs followed scissor style sugar nips (also called tea tongs), most date between 1770 and 1780, when they were replaced by standard sugar tongs. Cast sugar tongs were complex to make, the arms were cast separately and then soldered onto the bow (Hodges, Georgian Silver Sugar Tongs, page 11). This particular tongs was made from 5 separate pieces, the bottom thinner portion of the arms were cast separately, all the solder joints are visible. We believe this is how the tongs were originally produced, there is a possibility they we...
An interesting hand crafted silver spoon, made to commemorate the 500 Anniversary of the Worshipful Company of Carpenters in 1977 by Gerald Benney, one of the most influential British silversmiths of the second half of the 20th century. The spoon is a lovely shape, almost puritan in style, and is engraved with the coat of arms of the Carpenters company above the dates 1477 and 1977. The spoon is the size of a large teaspoon, these were awarded as gifts to Liverymen. The coat of arms can be read as "a field silver, a chevron sable (black) grailed and three compasses of the same", the compasses represent carpenters tools and the chevron a roof support. The hallmarks are excellent, they could not be better, and include makers mark AGB in cojoined circles and Silver Jubilee mark used in 1977. Gerald Benney is included as one of the top 50 British silversmiths of his era in the book "Designer British Silver 1930-1985", pgs 86-105, by Andrew & Pearson, a book we highly recommend. He is the only British silversmith ...
A sterling silver spoon made to celebrate the bicentennial (200 year anniversary) of the USA in 1976 by leading international silversmith Georg Jensen. The spoon has a large 200 engraved on the front, whilst the back is engraved "1776 United States of America 1976". The spoon itself is an unusual shape, circular spherical bowl with long flat handle, similar to a measuring spoon with flat top, we love this design, very different to a usual spoon shape. The hallmarks are clear, Georg Jensen in dotted oval above "Sterling Denmark".
A Boer War silver Gentleman in Khaki (originally Kharki) sugar tongs, made in 1899 to support fundraising for the 2nd Anglo Boer War. The tongs have the cast image on both arms, the "Gentleman in Khaki beneath crown, with "JUSTITIA" above and "Souvenir" below. The tongs are not engraved. The hallmarks for London 1899 are clear, with makers mark GJ over DF for George Jackson and David Fullerton of Josiah Williams & Co of Bristol, one of the leading flatware manufacturers of the period. The Gentleman in Khaki, wounded but defiant, stands stalwart against the foe, with his head bandaged, this image by Richard Caton Woodville became associated with Kipling's Absent Minded Beggar poem, written for the Daily Mail to raise funds for the war fund (described as unprecedently successful, raising over GBP 250000).
A beautiful sterling silver antique cheese scoop, in the Indian pattern, made by Whiting of New York and retailed by N. Harding & Co. of Boston (Haverhill). The scoop bowl is gold washed, and has lovely bright cut engraving (flowers with pattern) on the back of the bowl. The scoop has 2 engraved initials on the front, an ornate P and M, and on the back is engraved "Fathers Day 02" (for 1902). This spoon is described as a cheese scoop in the pattern books, but the extreme foldover of the bowl shows it was designed for Stilton cheese. The hallmarks are clear, including Whiting lion makers mark, "PAT 1874 STERLING", retailers mark N Harding & Co (slightly worn but still visible), and additional marks 3 and A near the makers mark. We can date this scoop between 1874 when the pattern was designed by Charles Osborne, and 1889 which is the year Harding & Co closed (operated 1851-1889). We really like this cheese scoop.The Whiting Manufacturing Company was established in 1866, and was a supplier to Tiffany. They wer...
