A typical Art Nouveau silver belt buckle, probably a nurses belt buckle. The buckle is an interesting shape, and has an Art Nouveau Female head, with flowing locks and flower in hair. The head is actually a separate piece of silver, also hallmarked, which provides depth to the buckle. The buckle is also engraved with different flowers and leaves.

A Liberty Cymric silver matchbox holder, set with a single cabochon of turquoise, typical of the designer Archibald Knox for Liberty. The hallmarks are clear, although the makers mark is only partially visible, but clearly identifiable as Liberty. This box is not stamped "Cymric", although it undoubtably belongs to the Cymric range.

A lovely antique 9 Carat rose gold Albert Chain bracelet, of exceptional quality. This has been converted into a bracelet from a Gentleman's Albert chain, used to hold his pocket watch in place, named after Prince Albert, Queen Victoria's husband. The links are gradated, with each link either slightly larger (or smaller) than the one next to it, the largest links are in the centre of the bracelet (0.8 cm across), the smaller at the end (0.6 cm). The original gold T-bar hangs from a few links off the end of the chain, so it hangs freely when the bracelet is closed. The gold has a noticeable lovely reddish tinge, hence our description rose gold, which is usually associated with Welsh gold. What marks this chain as exceptional quality is that each and every link is hallmarked, some more clearly than others, with the 9 carat mark (9.375). The T-bar has the same 9.375 mark, plus makers mark E.W&S for E Whitehouse and Sons, who worked in 1902, from Vyse Street, Birmingham. The shepherds hook clasp, which ensures a...

An interesting 17th century style silver notched 2 pronged fork, a replica of the earliest known English table fork. The fork has 3 notches at the top of the stem, a rare feature seen occasionally on puritan spoons. The original, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. The original belonged to the Rutland family of Haddon Hall, and has the crest of John Manners, 8th Earl of Rutland. This fork is a good gauge, very pleasing to use, we tested it on cold meats and olives! The hallmarks are excellent, and include makers mark FH for Francis Howard, the firm worked between 1900 and 1986. A real talking point for your dinner table. Note: - we now have another example of this fork, S 1808, also in original box

A magnificent silver gilt snuffbox with a superb finely detailed battle scene. The gilding on the battle scene has different tones, the base has a deeper rich red tinge, this fades to a lighter yellow gold colour in the sky. The box is exceptional quality and a pleasing weight. The sides and rim are richly decorated with cast flowers and thistles, which leads us to believe it is possibly a Scottish battle scene (we welcome opinions!). The battle is being fought with swords, battleaxes, lances, shields, armour and horses, no sign of firearms. The detail includes a castle in the background, flags, finely detailed armour and armorials on the shield - the work of a master craftsman. The base is engine turned, and has a blank cartouche. The interior lid is engraved "Presented to Thomas Ogilvy Esqr, by the New Quay Company of Manchester, as a mark of their gratitude, for his great attention & trouble as arbiter, in the investigation of the disputed claim, made on them by Messrs Francis Philips & Sons, 1829". The en...

A silver prize fob medallion, of the Surbiton Motor Club (just outside London), awarded for the London to Barnstaple race in 1927. The medallion is beautiful, and features a maiden in flowing dress holding a laurel wreath, and a shield with 3 fish, we assume the crest of the Surbiton motor club. The medallion is well made, the detail is excellent, this would make an attractive necklace pendant. The rear of the medallion has a laurel wreath, and is engraved "London Barnstaple 1927 A.W. Alliston". The hallmarks are clear.

An interesting German silver gravy boat, both Arts & Crafts and Art Deco in style. The gravy boat is oval with a raised lip, and is on a fixed oval base to prevent drips. Both the boat and base are hand hammered, which creates an appealing texture. The handle is shaped bone, fixed to the boat with attractive silver rivets. The gravy boat is lovely quality, quite heavy, and very well made. The boat is hallmarked with the German silver moon and crown (used post 1888), 925 sterling silver standard mark, and makers mark IA for Josef Arnold. The base is also stamped "Arnold" Josef Arnold (1884 - 1960) worked in Hamburg, Germany, he trained with his father at Bruckmann & Sohne (Art Nouveau & Art Deco Silver, Annelies Krekel-Aalberse, pg 145 and 251). He initially taught in Erbach, Hanau and Hamburg, and opened his own workshop in Hamburg in 1931.

A commemorative Irish silver caddy spoon, with the Gleninsheen collar handle and rounded square bowl, made to commemorate Ireland's entry into the E.E.C (European Economic Community). The original Gleninsheen collar is a gorget or neck ornament made from a sheet of pure gold, dating back to approximately 700 BC, it was dicovered by a farmer in 1932 in County Clare near the Gleninsheen wedge tombs, it is now in the National Museum. The collar has also featured on Irish stamps, and has been included in the book "The History of Ireland in 100 Objects" (which we can recommend). The caddy spoon also has the Gleninsheen Collar hallmark, which was only used in 1973. All the hallmarks are are well struck and very clear with no wear. An identical spoon was also part of the John Norie collection (lot 7, Part 1 of John Norie Collection of Caddy Spoons, Woolley & Wallis, April 2004). This spoon also features in the Pearson Silver Collection of post war British silver (www.pearsoncollection.com). Note - This spoon was als...

An interesting Roman silver Ligula (or spatula), used for getting cosmetics (or medicinal products) out of long necked jars (balsamaries). The ligula has a rounded shaft with a slight knob on the end, a baluster decoration on the stem (perhaps to improve grip), and a feather or leaf shaped bowl, the 2 sides joined at a 135 degree angle. The bowl also has 3 curved engraved lines, possibly for decoration. The stem is quite rough to the feel (the opposite of smooth and even), it has a number of knocks, small cracks and holes, and discouloured patches, perhaps the result of a long and rough life, but we feel more likely from impurities in the silver when it was made (we welcome opinions, this is certainly not our area of expertise, thanks)

Plain marrowscoop, by specialist spoonmaker Elizabeth Oldfield. This scoop is very dainty, being smaller than later versions. Oldfield was the widow of silversmith Charles Jackson, and had a previous mark as Elizabeth Jackson. She remarried in 1750, when the mark pictured here was registered. The hallmarks are clear, and the original owners initials "WY" are scratched in small letters next to the makers mark.

A magnificent pair of Pierced Vine (also called Chased & Pierced Vine) pattern gilded dessert spoons, these are spectacular spoons. The pattern has interwoven vines, grapes and leaves, and a vacant cartouche on the back for initials or a family crest. The spoons are hand forged, a good weight and superb quality, as you would expect from Vander. The pattern was first produced by Francis Higgins for the Great Exhibition of 1851, and was intended for dessert. The pattern is described as "one of the most extraordinary silver flatware patterns in the world" by MP Levene, London silver dealers who still produce this pattern today. The hallmarks are clear on both spoons.

A rare Cape silver Basting (or serving) spoon, by the Cape's "Greatest Silversmith" Daniel Heinrich Schmidt, as described by Heller in History of Cape Silver. The spoon is Hanoverian in style, with a very pronounced "turn up" end, almost 90 degrees to the spoon handle, a strong pip and a rib on the front of the handle. The spoon also has a double drop, and the stem changes from rounded to flattened. The spoon is a very good guage, with solid bowl and strong tip, very suitable for use. The hallmarks include makers mark HNS (mark 174 and 175 in Welz, Cape Silver) and a bunch of grapes. This was described as an unknown maker by Welz, but it is now accepted that this is the mark of Daniel Schmidt, with some wear and damage to the punch so the D looks more like an H (see Welz marks 108 and 109). The presence of the bunch of grapes, identical to that used by Schmidt, confirms this. The only other Cape silversmith to use a bunch of grapes was Jan Lotter, his bunch is quite distinctly different. Further confirmation ...

Set of 3 gilt spoons (caddy, sugar sifter and jam) with exquisite decoration in the style of the Aesthetic Movement. This movement flourished in the period 1865 - 1885, after the International Exhibition in London led to a an interest in Japanese decorative arts. The decoration consists of abstract patterns of bamboos, birds and butterflies. Original silk lined box, and very clear hallmarks.

A rare Victorian silver Cyclists Touring Club certificate holder, in the form of a pendant, with an original enamel membership certificate for 1899. The holder is in the shape of a bicycle wheel, complete with spokes, and is decorated with the badge of the Cyclists Touring Club, three feathered wings surrounding a central cog which says "trademark". The initials CTC in gothic script complete the logo. This logo should be familiar to all, it is still used today on Bicycle playing cards, which have been produced since 1885. The holder, which is silver, is unmarked, the pendant loop however is hallmarked with the English sterling lion passant. The enamel badge has the same logo with the date 1899 on a green background. The rear, which reads "Cyclists' Touring Club Membership Certificate", is signed by secretary Ernest R Shipton. The original member's details are still visible, it reads "No 23689, W.O. Trotter, Oak House, Brandon". Oak House in Brandon, Suffolk still exists at 70 High Street, it is the home of De...

Beautiful set of 6 classic Art Deco teaspoons, made by the highly regarded firm of Elkington. The spoons were made early in the Second World War, before production was halted in favour of the war effort. The hallmarks are clear on all 6 spoons.

A Georgian silver baluster Christening mug, embossed with a delightful scene of a child sitting with a squirrel under trees, with a butterfly hovering overhead. Additional decoration includes a variety of flowers and scrolling foliage. The double scroll handle is capped with an acanthus leaf scroll, and the spreading base is gadrooned. The mug is engraved "EW, The Gift of his Grandmother, Mrs Walton", and the interior is gilded. Joseph Angell I was the first member of the Angell family of silversmiths, described by Pickford as "very fine 19th century family of goldsmiths" (Jacksons hallmarks). The makers mark, lion and London town mark are very clear, the date letter and duty mark are worn but still legible. 1821 is the year the London townmark leopard's head lost his crown.

A rare Dryad Metal Works Arts & Crafts silver jam spoon, made by Collins & Co, the Art metal workers of Dryad Works, Thornton Lane, Leicester, in 1915. The spoon has a stylized Arts & Crafts tree with 7 leaves on a hand hammered background, and also has a rat-tail, the join of stem and bowl is also quite unusual, but has a lovely shape. The spoon is stamped DRYAD with an interesting font (note capital A), alongside the Birmingham hallmarks for 1915 and makers mark for Collins & Co. Dryad, which is a female wood nymph from Greek mythology, was formed in 1906 by Harry Peach and Benjamin Fletcher (head of Leicester School of Arts), it initially produced cane furniture, but branched out to other Arts & Crafts. Dryad Metal Works was established in 1915 when William Pick (of Collins & Co), and a former pupil, joined Harry Peach in partnership. The Collins and Co. mark was used between 1915 and 1919, although it is unlikely much was produced during the Great War of 1914-1918. We believe this spoon is one of the ear...

A lovely pair of Cape Silver Konfyt (Preserve) forks, made by Christiaan Kruger circa 1780. The forks are 3 pronged, indicating its early age, and have pointed terminals. They have typical Cape engraving, with a double banded wavy prick engraved border, and attractive star on terminal, above original initials IK. Both forks are struck with makers mark CK (Welz mark 61), one of the marks has been double struck. Kruger was born in the Cape in 1761, and apprenticed in 1773. He married Hester de Villiers in 1784.

A very interesting Norwegian silver Liberation spoon, made to commemorate the liberation of Norway from German occupation at the end of the Second World War. The spoon has a stylised well built male in Art Deco style with arms aloft holding a circular shield, with the Norwegian crown on a radiating 4 leaf clover, the figure has broken the chains of oppression which connect with the bowl. The circular bowl is embossed "NORGE 1945, BRUTT BLEV LENKER BAND OG TVANG", translated "Broken were chains, ties and constraints", a line taken from Ibsen's Peer Gynt. The back of the spoon is plain, and the hallmarks are clear - makers mark NM, 830.S (830 grade silver), goblet (makers symbol), letter N and MADE IN NORWAY. This particular spoon was made in two different sizes, this is the larger (and rarer) version, suitable for use as a serving spoon. Thorvald Marthinsen Solvvarefabrikk was based in Tonsberg. Note - we also have the smaller version of this spoon, S11410.

A circular silver bowl, with the crest of the Worshipful Company of Ironmongers, and the date 1937 engraved on it. The 2 lizards or salamanders are used in the crest of the Ironmongers as they could reputably survive fire. The Company of Ironmongers is one of the 12 great livery companies, 10th in order of precedence (The Goldsmiths are 5th). The bowl was made to commemorate the coronation of King George VI in 1937, and would probably have been distributed to it's freemen. The company is still active today, and its hall (destroyed during WW1) can be rented out for functions. The hallmarks are clear, including makers mark C.E, who has not been identified, but who worked between 1924 and 1956 (www.silvermakersmarks.co.uk, on our links page).