A Gorham sterling silver Louis XIV pattern pickle knife, with a pair of matching master salt spoons. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The pickle knife (similar to an English butter knife) is bright cut and gilded, with no monogramme, which the 2 saltspoons have goldwash bowls and engraved initials G. The hallmarks are clear on all 3 items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G. Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware market in the USA for 125 years (Gorham Silver, page 50). Note -We also have a Gorham Louis XIV sifter ladle and suace ladle S 11476.
A beautiful set of 6 art deco gilded sterling silver and enamel coffee spoons, with seal top finials. The gilding is a deep yellow colour, which provides a lovely contrast to the enamel. The back of the spoon bowls are beautifully decorated with fan shaped guilloche enamel, in 6 different bold colours (green, red, yellow, purple and light and dark blue). Guilloche enamel is a technique where a precise pattern is engraved on the silver base using a rose engine lathe, also called engine turning. The hallmarks on all 6 spoons are clear, including makers mark SLd for William Suckling Ltd, who worked between 1922 and 1955.
A rare Georg Jensen sterling silver # 42 pattern fork, this design has been called pea pod. The fork is hand hammered, with hammer marks visible, this is a lovely fork, exceptional quality. The fork has 4 tines, and at 14.5 cm length could be either a Child's fork, or small serving fork (ideal for cold cuts). The design is informally known as pea pod, but officially just called pattern # 42. The design is lovely, with 6 cast peas alongside a series of leaves, it has also incorrectly been described as "flattened magnolia". Georg Jensen himself produced this design in 1918, it is one of the "Numbered Ornamental Pieces" that were made in small quantities so not often found. It is depicted in the book "Georg Jensen A Traditional of Splendid Silver", by Janet Drucker, pages 290 and 291, we highly recommend this book. The hallmarks are clear, 42 (pattern number) above Georg Jensen in dotted oval, above "STERLING DENMARK".
A stylish set of six sterling silver coffee spoons, with an unusual but attractive shell design, we have not encountered this design before. The spoons are perfectly preserved in their original box, the box reads "James Dixon & Sons, Sheffield, Made in England", we assume the retailer. All 6 spoons are clearly hallmarked. Atkin Brothers was a well known firm founded by Henry Atkin in 1851, it survived over 100 years until it was acquired by C.J. Vander in 1958.
Two interesting 19th century Spanish silver tablespoons, both with excellent hallmarks. Both spoons are 930 grade, so slightly higher grade than sterling (925). Both spoons are the same pattern, similar to Old English, but with a Continental flavour. The bowls have pronounced tips, no drops are present and the stems are flattened with an elegant oval stem. Both spoons have contemporary engraved initials, JL and I with lots of flourishes. Both spoons have 3 distinct hallmarks, denoting town, maker and assay master. The Barcelona spoon has town mark BAR under Maltese Cross in a domate punch, this mark was used circa 1825 (courtesy of Spanish silver website www.munozarce.com). The assay masters mark is P.FLORENSA, with P.FLO above RENSA. The makers mark is JA CARRERAS for Jacint Carreras. The Palma spoon has town mark M under palm tree in Loboid punch for Palma de Mallorca, this mark was used on large items in the 19th century (Tardy pg 108). The second mark is assay master A FORTEZA, the third mark is maker J M...
A set of 6 Irish silver dessert spoons, in the Fiddle pattern with rat-tails, a feature of Irish flatware of the period. The spoons have original owners engraved initials WMH. The hallmarks on all 6 are excellent, and include makers mark IB for James Brady, who worked between 1821 and 1842. The spoons also have the retailer's mark, NEILL, which is very clear on all the spoons. Irish retailers were among the first to mark flatware, early adopters of corporate branding. NEILL was a leading Belfast retailer, first established by Robert Neill in 1803, the firm survived until 1960.
A set of 2 Cape silver Fiddle pattern tablespoons, by a lesser known Cape silversmith whose work does not appear very often. The spoons are a slightly different length (being handmade) and have similar but different hallmarks, so they were probably made at different times. Both have makers mark DC in between two floral or star devices, but both the makers mark and devices have differences, indicating they were struck by different punches. One DC makers mark has separate DC, the other DC appears to be cojoined. The floral or star device was used by a number of Cape silversmiths, including Beets, Hockly, Lotter, Townsend, Twentyman and Vos. The makers mark DC between 2 stars is depicted in Heller's Cape Silver Vol 2 (pg 122), where it is shown as mark NMM15.
A beautiful French Niello snuffbox with a huntsman in 17th century period dress with his dogs. Gilt interior with inscription - From William Yates to John Rutherford, Sept 16th 1888. The box is fully hallmarked on the lid rim with the Paris standard mark for 1819-1838, the middle guarantee mark, and a makers mark, which appears to be W&W (or M&W or V&W) below a head, above a wagon wheel, set in a diamond (very small so difficult to see).
A Cape silver konfyt fork in the Old English pattern, with 3 tines. The fork has engraved original owners initials MMR, quite quaintly engraved, possibly by an amateur. The makers mark is very well struck and very clear, makers initials ICL between 2 floral devices with 7 petals (Welz mark 78, page 150). Lotter worked at the Cape between 1811 and his death in 1823, he shared a name with his father Johannes Casparus Lotter, who was also a silversmith (12 members of the Lotter family practised as silversmiths).
A rare pair of American Coin silver Fiddle pattern sugar tongs, made by John Ewan of Charleston, South Carolina, circa 1830. The tongs are plain, with no engraving, and have traditionally shaped rounded bowls. The tongs have very clear hallmarks on both arms, makers mark "J Ewan" in serrated rectangle, and pseudo English crowned leopards head and lion passant (both very quaint!). John Ewan lived between 1786 and 1852, he is believed to have produced silver between 1823 and 1852 (Ensko, American Silversmiths and their Marks, pg 294). Of interest is that these hallmarks are depicted in Wyler (The Book of Old Silver), where he incorrectly describes them as Jamaican (pg 207). Coin silver is the term used to describe silver produced in America from early Colonial times until just after the Civil war, when the Sterling standard was adopted. As the name describes, the source was European silver coins, which were melted down. Note - These hallmarks are depicted in a very interesting article entitled "Re-Visiting Jama...
A rare pair of Chinese Export silver Fiddle pattern tablespoons, with a good set of pseudo-English hallmarks. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark YS and pseudo Georgian duty mark. One spoon has excellent marks, with good detail, the other spoon marks are still good, but have some wear. Chinese Export silver is "stylistically Anglo-American, of the late Georgian period, of fine workmanship and exceptionally heavy weight" - (Kernan, China Trade Silver - Checklists for Collectors Nov 1965) - these spoons are no exception. The website www.chineseexportsilver.com also notes that "Yatshing silver is always of a high standard".
Teapot, sugarbowl, creamer and tray. Teaservice oblong shaped, half fluted. Tray oval with two handles, ball feet and lattice design over wooden base. Gilt interiors. All items Birmingham except sugarbowl which has a Chester hallmark. All items fully hallmarked with clear hallmarks, even the teapot lid!
An Ilias Lalaounis "Greek Gold" Arts & Crafts silver beaker, in 900 silver and gilded with a deep golden colour, with hand hammered planished surface. The beaker is a delight to hold, it is bulbous in shape, with flat bottomed base. This beaker (or small vase) is part of Lalaounis's Archaeological collection, where he made replicas of ancient Greek art, this piece dates to the Cycladic period, 3000B.C. The beaker is clearly hallmarked with Lalaounis makers mark and 900 silver standard mark. The beaker is also accompanied with it's original guarantee certificate, where it is described as a "silver gold plated cigarette vase of Cycladic Period 3000 B.C." This certificate shows a number of Lalaounis outlets, Athens, Mykonos, Rhodes and Corfu in Greece, but also Geneva, Zurich, Liberty's in London Regent Street, France, Vienna and Brussels - showing how successful Lalaounis was. Lalaounis opened a store in New York in 1979, so we know this certificate predates 1979. Wikipedia records that Lalaounis was internatio...
An Irish Georgian silver pair of sugartongs, decorated in bright cut engraving, and featuring the rare "Dublin Bow" engraved on both arms. The tongs are lovely quality and a good weight, they have shell grips, concave arms, and are slightly longer and heavier than their English counterparts (See Hodges, Georgian Silver Sugar Tongs, page 197, where he also states that Irish tongs of this period are beautifully made, with distinctive bright cut engraving, commanding prices 2 to 3 times more than English equivalents). The tongs are engraved with original owners initials ER in script. Bright cut engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Bow pattern is much rarer than the Dublin Star pattern, the Star, Bow and Prince of Wales Feathers (unique to Limerick) are unique to Irish silver. The hallmarks are clear, under the bow, makers mark BT in serrated punch for Taitt who worked between 1784 and 1791, and Irish harp and Hibernia in rounded punch used before 17...
A Bateman silver Crescent shaped Port wine label, with armorial above engraved "PORT". The label has a double reeded edge, and 2 eyelets for connection to original chain. The label is quite small and dainty, and an elegant shape. The hallmarks are clear (duty mark, sterling lion and date letter t for 1794) but the makers mark is only partially struck on the edge of the label (very clear PB, and only tip of AB underneath visible). The Bateman family of silversmiths were the leading exponents of the crescent shaped wine label (Wine Labels 1730-2003, pg 62).
A Cape silver Fiddle pattern tablespoon, with a set of extremely rare Cape silver hallmarks. The hallmarks include makers mark LT, and pseudo marks that include date letter A, lyre and duty mark. These marks are shown by Welz in his book Cape Silver (mark 144, page 156), they are also shown by David Heller in his book History of Cape Silver (mark MM84, page 156). The makers mark, A and lyre mark are well struck and very clear, the duty mark is worn at the top. The date letter A is quite distinctive, with one arm much thicker than the other.
A lovely Georg Jensen sterling silver cream or gravy ladle in the Lily of the Valley (Liljekonal) pattern, with London import marks for 1928. The ladle has a double lip for pouring, and the simple but elegant pattern is struck on both sides. The Lily of the Valley (sometimes called Rose pattern), was designed by Jensen himself and introduced in 1913, it "features a garland that traces the tapering end of the handle, inspired by natural forms". - Georg Jensen, A Tradition of Splendid Silver, Janet Drucker, page 267 - a book we highly recommend. The ladle is clearly hallmarked, makers mark GJ in beaded circle, below 925. The ladle also has clear London hallmarks, with GS for George Stockwell & Co, who imported Jensen silver into London from 1909 - 1931.
A beautiful pair of Adam style Georgian silver sugar tongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. This is an early pair of Hester Bateman tongs, probably 1778-1780, the design is quite restrained, a simple yet lovely bright cut flower on both sides, with an engraved border. An almost identical pair is depicted in the book "Georgian Silver Sugar Tongs" by Graham Hodges, page 55, figure 46, the engraved flower is slightly different, he describes the tongs as "Adam Style circa 1780". The tongs have original owners engraved initials FS on the bow. The hallmarks are clear, makers mark HB in script for Hester Bateman, and lion passant (tongs prior to 1784 only have the lion passant and makers mark. Hester Bateman took over her husband's business on his death in 1760, and retired in 1790 when her sons, Peter and Jonathan took over the business.
A British Bulldog Club sterling silver trophy table fork, which is engraved "Dublin 1911 The Quakeress". The fork features a well modelled bulldog head, above legend "THE BRITISH BULLDOG CLUB". The fork is based on a single struck Kings pattern, but was specially commissioned by the club who wanted to present a more useful trophy than a medal. The club was established in 1892, and still operates today (although I doubt they still have such beautiful silver fork trophies!). The hallmarks are clear, this spoon was made in Birmingham in 1911 by J.A. Restall & Company, who specialized in medals and trophies. Note: We have another example of this Bulldog Club fork, S 11401.
A lovely little campana shaped silver caster, probably intended as a pepperette. The caster is the traditional campana shape (inverted bell shape, copied from a Greek krater), with gadrooning around the rim and lower portion, the lid is pierced with scrolls and dots, and has a ball finial. The interior is gilded (lid as well), to prevent corrosion, the gilding has a lemon colour. The hallmarks on caster are worn and partially visible, the hallmarks on the lid very clear. Eley and Fearn worked between 1798 and 1824, so this caster was made at the end of their partnership. They are known as prolific spoon makers, but made other items as well. The campana shape is usually associated with vases and wine coolers. the Warwick vase, perhaps the most famous of all English silver vases, copied from a Greek marble vase, is campana shaped.
