A Dutch silver miniature kettle, circa 1725, by the prolific Frederik I van Strant, who made a large number of miniature silver objects in the course of his career (Houart, Miniature Silver Toys). A very similar kettle also by van Strant can be seen in figure 69 of the book described above. Unfortunately this kettle has lost its original lid, this lid is a replica copy of the lid depicted in the book. The makers mark is very clear, the Amsterdam town mark partially visible, and the assay scrape is also present. An almost identical miniature silver kettle, also by Frederik van Strant circa 1725, is depicted in the book "Tall and Small, Antique Dutch Silver Miniatures" by Aardewerk Antiques of The Hague, pg 153, image 346. We highly recommend this book.

A rare pair of Cape silver tablespoons in the Old English thread pattern, we have only noted 2 examples of Cape silver in this pattern in the body of literature. The spoons are the usual Old English shape, but with a double thread around the edge, this is double struck (occurs on the front and back of the spoons). Both spoons are engraved with original owners initials IM in script. Both spoons are hallmarked with makers mark IC, the marks are slightly blurred, we assume the punch was worn when they were struck. The spoons are also hallmarked with the "Cape Stub", 4 pseudo - English hallmarks (lion passant, date letter, duty mark and leopard's head) struck mechanically in a fly press (see article on Cape Stub in "The Finial, 2007, and in the articles tab above), these marks have some wear but are still clearly visible. We believe these spoons were made by hand, you can see differences in how the thread has been applied, and the 2 spoons, whilst the same size, have very different weights (one is 74 grams, the s...

A rare Cape silver marrow scoop, with 4 pseudo hallmarks and an unusual shaped stem. The marrow scoop is the usual shape, with a thinner and thicker scoop at either end, the stem has an unusual shape, slightly thicker in the centre, possibly to improve the grip. The scoop has 4 pseudo hallmarks, these are well struck but blurry, probably due to inferior or worn punches being used. They include pseudo date letter Gothic a, pseudo crowned leopards head town mark, pseudo duty mark with noticeable cusp to the right, and pseudo date letter B, also with cusps. No makers mark is present, and we have not seen this particular combination of marks together before. However, the only Cape silversmith who used these particular pseudo marks is Lawrence Twentyman, see Welz, Cape Silver & Silversmiths, page 155, marks 134 (capital B) and 135 (crowned leopards head, a and duty mark). In addition, a very similarly shaped Cape silver marrow scoop is depicted by Welz in the same book, page 77, centre, this example by Lawrence Tw...

A set of 6 Norwegian silver cake forks in the Lilje (Lily) pattern, made by one of Norway's leading silversmiths, Magnus Aase, circa 1939. The forks are in the 830 silver grade, and their quality is excellent, they are also a pleasing size and weight (25 grammes each), so very suitable for use. The Lily pattern was designed by Trigve Eriksen in 1939, described as a simple yet elegant expression of the Lily, typical of the artistic style of the 1930's. This pattern is still produced today by Arven, described as one of their most popular patterns, they descend from Theodor Olsen, Magnus Aase, Marius Hammer, Jacob Tostrup and the Lohne brothers (www.arven.no). The hallmarks are clear on all 6 forks, and include 830S standard mark, MA makers mark, NM for "Norsk Monster" (patent) and N , possibly a date letter.

A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922 and single spoon S1923, but with slightly more wear to engraving.

An antique silver nutcracker, quite a rare item as nutcrackers are usually silver plate, occasionally with silver handles, this example is solid silver, so quite an extravagance in it's day. The nutcracker is the usual form, with 2 handles connected with an extremely strong hinge, the arms are reversible, so can be turned around to accommodate different sized nuts. The cracking portion is oval in shape, with textured sides to hold nut firmly in place, with rectangular hole to allow shell to pass through. The handles are rounded, with balls on the ends. These are good quality nutcrackers, quite heavy at just under 200 grammes, and very suitable for use. Both arms and the hinge are clearly hallmarked. William Comyns & Sons was an important firm of manufacturing silversmiths, established in 1859, they supplied many of the leading retailers, including Tiffany, Thornhills of New Bond Street, and Carringtons, Wilson & Gill and Goldsmiths & Silversmiths of Regent Street (Culme, Directory of Gold and Silversmiths, pa...

A lovely set of 6 Cape silver teaspoons in the Fiddle pattern, in excellent condition and with very clear hallmarks. The spoons are clearly hand made, you can see very slight differences in the shape and size of the Fiddle and bowl shape when comparing closely. The spoons are good quality and a good weight, just under 20 grammes each. The spoons have no engraving with no initials removed, completely original. All 6 spoons are clearly hallmarked with 4 pseudo hallmarks, all struck individually in the same order - pseudo duty mark, bird, pseudo Edinburgh Castle town mark and pseudo date letter B. This is mark 134 in the book "Cape Silver and Silversmiths" by Stephan Welz, without makers mark - but clearly Twentyman as he was the only Cape silversmith who used these punches. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837. We really like these spoons.

A set of 6 Cape Silver teaspoons, Old English in pattern but more in a Continental than English style, with v shaped drops, Continental shaped bowls with sharp tip, and handles that flatten out towards the terminals. We really like these spoons, typically early Cape in character, made before the arrival of the English settlers in 1820. All 6 spoons are clearly hallmarked with makers mark IC in rectangular punch with clipped corners, fat base I and C with shorter top, Welz mark 32 (page 147). All 6 spoons also have original owners stamped initials ISR. In addition, all 6 spoons have a later owners lightly scratched initials MN on the front of the spoons, only visible in certain light. The MN initials are stylish, perhaps Art Deco, so possibly added in the 1930's. These spoons are accompanied by a card dated 1933, the spoons were a gift from Mr & Mrs Louis P Naude of Kimberley to his niece Luisa, written in Afrikaans, stating the spoons are already over 100 years old, and that if she behaves she can get the oth...

A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922.

A collection of 10 sterling silver souvenir spoons, all from a different British town. The spoons were made in Birmingham, London, Chester and Sheffield, with dates ranging from 1893 to 1919. All 10 spoons have clear hallmarks. The 10 include: 1. Ripon, Birmingham 1912, Levi & Salaman, crest in bowl 2. Bideford, Chester 1906, John Millward Banks with flower trademark, engraved Bediiforde 1577 Sicillun Comvne De 3. Brighton, Birmingham 1918, Levi & Salaman, engraved In Deo Fidemus 4. Scarborough, Birmingham 1905, Levi & Salaman 5. Canterbury, Birmingham 1901, Turnbull Brothers, Cathedral in bowl 6. Oxford, Birmingham 1911, gilded armorial in bowl 7. Manchester Ship Canal, Sheffield 1893, Henry Wigfull, gilded armorial in bowl, cast handle with Navigation & Commerce 8. Unknown town, London 1899, Saunders & Shepherd, cast floral handle, lovely quality 9. Unknown town, Birmingham 1908, Joseph Cook & Sons 10. Oxford University, Sheffield 1919, Joseph Rodgers Note- The earlier spoons pre 1900 are notic...

A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....

A rare pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. They include the rare Masonic "Square and Compasses" symbol, the single most identifiable symbol in Freemasonry. This hallmark is very well struck on both spoons. The other hallmarks include makers mark TT for Thomas Lock Townsend (struck twice), and pseudo Georgian duty mark (Kings head) - see Welz, Cape Silver, mark 126. Thomas Lock Townsend arrived in the Cape in 1815, the first of the English silversmiths to arrive. He was followed in 1819 by his half brother John Townsend, who joined him in a brief partnership between 1824 and 1825. Thomas Lock Townsend found business difficult in the Cape, he was declared insolvent in 1819, and when he died in 1849 left insufficient estate to cover his funeral costs. Besides being registered as Goldsmith and Jeweller, he practised as mechanical dentist, lodging house keeper, and had an equipment store and fitting out warehouse (Welz, pg 141) We are selling these 2 spoons individually...

An early Cape silver Hanoverian pattern soup ladle, by Daniel Heinrich Schmidt, described as the greatest of Cape silversmiths by David Heller (History of Cape Silver). The ladle is a very pleasing gauge, very heavy to hold, and has a long drop. It also has the central Hanoverian rib on the front, and a strong turn up. The ladle is hallmarked with makers mark DHS, which is clear, but struck by a worn punch (mark 174 in Welz, described as unknown by Welz, but now known to be Schmidt's mark). Schmidt had a long career (1768-1811), his makers mark punch must have become worn over time. The second hallmark is larger and circular, but worn, probably the bunch of grapes hallmark often used by Schmidt. the third mark nearby does not appear to be a hallmark, but an imperfection in the silver.

A rare Victorian silver postal scale, in full working order. The scale is intended for measuring postal items, so that the correct postage could be applied. This scale would have been used in a wealthy household, not a Post Office. The front is engraved "Postal Scale" on top, on the side "Postal Union Rates 2 1/2 d for each 1/2 ounce." To the left is engraved "English Rates" above measuring scale from 1d - 4d in 1/2 increments. To the right are 2 measures, 1 marked "LB" for pounds (scale 0 to 1 LB), to the right "OZ" for ounces measuring from 1-16. The engraving is exquisite, this is a lovely item. The base is rectangular with a Chippendale rim. The scale also has a knob (for adjusting scale) behind the pan, and a silver screw for opening the scale. The side of the scale is fully hallmarked, a registration number RD 308820, is also present. The top pan is also hallmarked, these are worn from polishing. Levi & Salaman were established in 1870, they were known for their high quality silver novelties...

A magnificent Cape silver gravy (also called basting or serving) spoon, in the Kings pattern, double struck with diamond heel. It has a lovely weight and is very good quality, this is one of the most substantial Cape silver spoons we have seen, and is suitable for regular use - in fact a spoon anyone would enjoy using. The hallmarks are very clear, makers mark LT for Lawrence Twentyman, and pseudo English hallmarks (leopards head, duty mark, date letter a and lion) - Welz mark 135, but in a different order. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1837.

An extremely rare and unusual Cape silver Napkin (serviette) holder. The holder has an arm that hooks into a buttonhole, and a clamp that is opened or closed with a sliding ring. The clamp end is decorated in a very crude shell, and the sliding ring is crudely banded. This item could be unique, made by special commission, as none of the Cape silver reference books describe napkin holders. The hallmark is very clear (DBD between two stars, mark 44 in Welz). Dominique Badouin du Moulin was a Belgian from Mons (Bergen), who worked as a silversmith in the Cape between 1818 and 1833 (Welz, Cape Silver). He married the sister of silversmith Jan Beyleveld.

Beautiful, reversible blue enamel pendant and choker, designed by Bjorn Sigurd Ostern for David Andersen. The pendant is reversible, and looks remarkably different when worn the different ways. It hangs very well, and is most striking when worn. The choker is original, and is also silver. Ostern was the chief designer for Andersen between 1961 and 1985. The pendant is clearly hallmarked, David-Andersen, Norway Sterling 925S, INV.B.S.O., and the choker is also hallmarked Andersen and 925S.

A lovely set of Jugendstil German 800 silver teaspoons, of very good quality. The spoons all have a cast crest depicting an eagle within a shield, over a cross within another shield. This has the appearance of a military crest, but this is not our area of expertise. The spoons are in their original box, marked "HG Berg, Guldsmed, Sandefjord", which is in Norway - so the possibility exists that the spoons were manufactured in Germany for the Norwegian market, so the crest could be Norwegian. Note - The spoons weigh 145 grams, not 160 grams as per our original description. Close inspection also reveals that 4 spoons are by maker S in circle (which we have not been able to identify), 2 spoons have a zig-zag makers mark, which we believe is Wilhelm Muller of Berlin, who worked between 1880-1940.

A unique set of 12 Hanoverian teaspoons, six of which are shellbacks, the other six are scrollbacks. These spoons predate the common practise of making and selling flatware in sets, complete sets are extremely rare. As is usual of the period, these spoons only have 2 hallmarks, the sterling and makers mark, which given the small size of the spoons were often poorly struck. The makers mark is present on all spoons but discernable on only 8, with 5 being by Charles Hougham (one set of 3 and another set of 2), and one each by Hester Bateman, Ebernezer Coker and Thomas Devonshire & William Watkins. Nine spoons have contempory initials, and 2 have a later crest.

Beautiful Italian silver polo trophy, in the shape of a bowl. The bowl is a very good weight, and has an interesting pierced scrolling rim, and cast leaf - capped cabriole legs. It is engraved with a crest of crossed polo sticks and "Roma Polo Club". The hallmarks are clear, being 800 standard, dancing horse, makers mark and the Republican period and province mark (280 MI). The bowl has an interesting provenance, being purchased from the estate of the late Countessa Alessandra Brenciaglia. The trophy was won by Conte Carlo Brenciaglia (father of Alessandra) circa 1935, a champion polo player. The Brenciaglia family castle is La Rocca in Capodimonte, and the family history shows the Brenciaglia's related to Napoleon Bonaparte (thanks to Sandi Brenciaglia for information).