A Cape silver Basting spoon in the Fiddle pattern, with original owners engraved initials LIA in script. The spoon is a pleasing weight, and is in excellent condition, this spoon has not seen much use at all. The tip of the bowl has a strong lip, this is more a Continental than English feature, and the long rounded drop is also more Continental in style than English. The hallmarks are excellent, makers mark JT and 3 English pseudo hallmarks, duty mark, date letter a and leopards head town mark (Welz mark 121, Cape Silver). John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Nam...

A rare pair of Cape silver mustard spoons, in the Fiddle pattern with gilded bowls, with pseudo English hallmarks. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, date letter a, leopards head and date letter J, Welz mark 122, page 153). One spoon has excellent hallmarks, the second has good hallmarks, some slight wear. Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are known in any of the Cape silver reference books. We have sold a similar Cape mustard spoon by Townsend, (but slighty longer and different combination of pseudo marks), see S 1818.

A Cape silver salt spoon in the Fiddle pattern, with original gilding to the spoon bowl. The gilding is a lemony colour, and quite well preserved, some scratches from use. The hallmarks are very clear, Welz mark 121, 3 pseudo English marks (duty, date letter a and lions head town mark) are individually struck. The makers mark JT looks like it has been double struck, this is still clear. John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, but was insolvent by 1868. He died in 1875, and is buried in the Springbok cemetery....

A Fiddle pattern Cape silver table fork, with excellent pseudo hallmarks. The fork is a good weight, and the tines are long, this is a good quality fork. The pseudo marks include duty mark, leopards head town mark, date letter a and date letter J, Welz mark 122, but struck in a different order.

A rare and interesting cast silver novelty bell, featuring "the Sketch Girl', who was the cover girl for "The Sketch" magazine. The figurine is a lady in Victorian costume, with a feather plumed bonnet tied with a bow around her neck, wide full skirt and cross pattern. She has a tray suspended from her neck, which holds a horse with jockey, and a marching soldier playing a drum, complete with bearskin hat. She has her arms outstretched, holding something in the palm of her hands. She has 2 clappers, modeled as legs complete with shoes, the bell works well, it has a lovely ring. The bell also has its original wooden stand, with a silver plaque on one side, attached by 4 silver pins, for engraving as a presentation (this one is original and has never been engraved). The hallmarks are clear, with exception of makers mark on bell, which is readable but not well struck. Both legs are also hallmarked, as is the silver plaque, which is also stamped MAPPIN & WEBB LTD. The Sketch was a British illustrated newspaper we...

An unusual silver table bell, with cast silver handle of 2 young boys (cherubs or putti?), one holding the other upside down by the ankles. The casting has lovely detail, as can be seen in the photographs. The bell is quite heavy, and is good quality, with a clear ring. The clanger is also hallmarked silver. The hallmarks are clear, including makers mark JS, which appear to over strike another mark, so possibly JS is a retailer. We would welcome opinions on the significance of the cherubs, thank you.

A rare Dutch silver Hanoverian tablespoon (porridge spoon) made by Hendricus Johannes Wolterbeek in Nijmegen in 1770. The spoon has the usual central Hanoverian rib with strong turn-up, and a very wide circular drop, and a larger bowl than is usually seen. The spoon has an original engraved family crest of a well engraved crown above a stylised X, with flowing scrolls, this is on the back of the spoon, when spoons were displayed bowl down. The spoon's main delight are it's well struck and very clear hallmarks, including makers mark of crowned tree in irregular shaped punch for Hendricus Wolterbeek (1730-1805, he worked between 1755 and 1788). The second mark is a crowned double headed eagle city mark for Nijmegen, the third is a intricately crowned N 1st Standard (Grote keur, sterling 925 standard) mark for Nijmegen, the last mark is a crowned O date letter for 1770.

A Cape silver konfyt fork in the Old English pattern, with 3 tines. The fork is hallmarked with makers mark OA in oval punch, this is faintly struck but still visible, between two square devices with 4 dots, these are both clearly struck ( Welz mark 2). Ahlers worked as a silversmith between 1810 and his death in 1827. He married the widow of silversmith Jan Brevis, which may have facilitated his entry into the trade. He was the son of Oltman Alders of Germany, his mother was Dorothea of Bengal, who presumably arrived in the Cape as a slave. His silver is quite scarce.

An extremely rare Cape silver dessert spoon in the Fiddle Thread without Shoulders pattern, to our knowledge Cape silver in this pattern is unknown, we have not encountered it before and cannot find an example in any of the known literature. The spoon is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The spoon also has a long drop, with an unusual curve, showing this spoon was hand made. The spoon is lovely quality, a pleasing weight, and in excellent condition. The hallmarks are excellent, a variant of mark 138 in Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have a matching spoon, S 11122.

An interesting pair of cast silver acorn spoons, very good quality, with lovely naturalistic detail. The spoons have cast acorn bowls, the bowls are quite deep, the stems are modelled as a textured branch with nodes of baby acorns, the finial is also an acorn between 2 leaves. With the texture these spoons are pleasing to hold, they could be used for condiments, they could also be used as coffee spoons (although they are quite long). The hallmarks on both spoons are very clear, including makers mark G.W in diamond punch for Graham Watling. Watling began his career as a Royal Marine Commando, then moved to teaching Arts & Crafts, before becoming a silversmith around 1970, based in the National Trust village of Lacock in Wiltshire. He died in 1996, his children have continued the business in Lacock (www.watlings.com). Watling is represented by no less than 8 pieces in the Pearson Collection of post war British silver (www.pearsonsilvercollection.com), a testament of his ability. Watling features in the newly pu...

Lovely Colonial condiment spoon, complete with pseudo English hallmarks, which are clear, and engraved initials WJ. Condiment spoons are a similar size to English saltspoons, but the bowl is at right angles to the spoon stem, similar to English cream or sauce ladles. This spoon also has a half moon tally mark, which identified the indigenenous workman who finished the piece (see Wynyard Wilkinson's book on Indian Colonial Silver). The Lattey Brothers worked from 10 Government Street in Calcutta.

An extremely rare Cape silver dessert spoon in the Fiddle Thread without Shoulders pattern, to our knowledge Cape silver in this pattern is unknown, we have not encountered it before and cannot find an example in any of the known literature. The spoon is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The spoon also has a long drop, slightly different from it's matching partner, showing this spoon was hand made. The spoon is lovely quality, a pleasing weight, and in excellent condition. The hallmarks are excellent, a variant of mark 138 in Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have a matching spoon, S 11120.

A rare Cape silver sauce ladle, in the Old English pattern, made by Johannes Combrink circa 1820. The ladle has a long drop, which given the date shows it's Colonial nature, and has nice proportions. It is engraved with an attractive family crest, a bent raised arm holding a dagger, this is very crisply engraved. The ladle has 2 makers marks, both clearly struck, (Welz mark 31). Johannes Combrink was born in the Cape in 1781, he married Aurelia Lotter in 1807 and died in 1853. He worked from Dorp Street.

A Cape silver sauce ladle in the Fiddle pattern, by Peter Clarke Daniel. The ladle has original owners engraved initials JEB, and has excellent hallmarks - makers mark PD, pseudo date letter B and pseudo duty mark with notable cusp (Welz mark 42, but struck in different order). Daniel was an Irish immigrant to the Cape, one of the original 1820 settlers. His father, who has the same name, was also a silversmith, he worked as a jeweller in Grahamstown.

A fabulous pair of Cape silver Old English pattern tablespoons, of the very best quality and condition, by one of the top Cape silversmiths. The spoons have strong tips, more Continental than English in style, and an elongated oval drop. The hallmarks are very clear on both, makers mark .JCL in rectangular punch between 2 seven petalled floral devices (a combination of marks 76 and 78 in the book Cape Silver by Welz, page 150). the .JCL mark is for Johannes Casparus Lotter I, who worked between 1766 and circa 1810, he was succeeded by his son (also Johannes Casparus Lotter II, 1811-1823) who used a JCL* mark, accompanied with the 7 petal floral devices. This combination of punches by different silversmiths is not unusual in the Cape, where punches were handed down and re-used. Johannes Casparus Lotter I produced excellent quality work (better than his son, according to David Heller, History of Cape Silver). The Lotter family produced over 12 Cape silversmiths between 1766 and 1879, their family tree is shown ...

A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. The spoon has original engraved owners initials "J&MB". This is a lovely, well made spoon, and has pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, none are photographed in the literature. We now know of 4 known examples, S 1818 (sold) and a pair (S 1971), in addition to this one.

A fabulous sterling silver soup ladle in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The ladle is a substantial size and weight, the quality is excellent. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.

A fabulous pair of Cape Silver lemoen lepels, (orange spoons), in excellent condition, and with very clear makers mark. The spoons are typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoons have typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. They also have a distinctive V joint connecting handle to bowl, the 2 v joints are quite different in angle and style, reflecting their hand-made character. The IC makers mark on both spoons is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815.

An interesting set of good quality sterling silver teaspoons, with an unusual Art Deco stylised floral design. The design has 3 leaves on a long stem between 2 bars, with balls (berries?) above and below the bars, oval above and round below. The top of the spoons has an oval shield and pointed terminal, this is quite an elegant design. All 6 spoons have clear hallmarks on the back of the bowl, with makers mark O.W&S, we believe Owen Williams & Sons of Sheffield. Any information about this design would be most welcome.

Small Arts and Crafts basket, possibly Norwegian, with swing handle. The basket is spot hammered and has an attractive embossed 5 dome design. The base is stamped 830, and both the interior and the handle are hallmarked with a script V, the Dutch import mark (post 1906).