A beautiful and very good quality antique silver spoon, commemorating the Diamond Jubilee (60 years on the throne) of Queen Victoria in 1897. The spoon has the Royal Coat of Arms and motto "Dieu et Mon Droit", a medallion bust of Queen Victoria, a Scottish thistle, VR for "Victoria Reigns", and the dates 1837-1897. The spoon is a pleasing weight and quality, this would have been an expensive souvenir in its day. The hallmarks are good, and include makers mark WG over JL, for William Gibson and John Langman. Gibson & Langman, originally from Belfast, Ireland, founded the famous Goldsmiths & Silversmiths Co Ltd in 1880, which was amalgamated into Garrards in 1952. They used the WG/JL mark until 1898, when they switched to the more familiar G&S Co Ltd mark. John Langman equipped and maintained the Langman field hospital during the Boer War, he was created Baronet in 1906.
A fabulous set of six Georgian Silver Old English table spoons by Hester Bateman, the most famous of all English female silversmiths. The spoons are bottom marked, and the hallmarks are slightly squashed but clearly visible. The spoons have a double drop. The spoons are excellent quality and are in extremely good condition, this is a lovely set. The spoons also have a interesting family crest, an armoured fist holding a dagger. Hester Bateman took over her husband's business on his death in 1760, and retired in 1790 when her sons, Peter and Jonathan took over the business.
A very interesting commemorative silver serving spoon, celebrating the 100th anniversary of Samuel Crompton who died in 1827. Crompton was an inventor who invented the spinning mule, he is regarded as a pioneer of the British spinning industry, which contributed greatly to the industrial revolution. This is a lovely spoon, very good quality and weight, ideal for serving. The hallmarks are excellent, and are accompanied by a registration mark, Rd 727476, indicating the spoon design was registered at the patent office. The spoon is also stamped "Preston's Ltd". Prestons of Bolton is a jewellery store founded in 1869, it still exists today, and is regarded as the "Diamond Centre of the North". Crompton was born, lived and died in Bolton.
A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366).
A fabulous pair of Cape silver tablespoons in the old English pattern, with a beautifully engraved contemporary family crest, a rabbit or hare jumping over a rock. The spoons are good quality and weight, and are well preserved. Both are struck with makers mark IC for Johannes Combrink, one is very clear, the other is slightly worn. The spoon terminals have a strong turn and rib on the back, and an unusual shaped drop, very colonial in style. We have not identified the family crest (suggestions welcome), perhaps Haas or Haasbroek? This pair are amongst our favourite Cape silver items, they are lovely spoons.
A set of 6 teaspoons and matching jamspoon in original box, designed to commemorate the inauguration of the Voortrekker Monument in Pretoria on 16 December 1949. The front of the spoons have the Boer oxwagon wheel and powder horns, along with the Zulu shield and assegaai (spear). The rear has an outline of the Voortrekker Monument, with inscription "1949 SVK UWB". These spoons are good quality, with cast design. SVK stands for Sentrale Volksmonumente Komitee (Central Peoples Monument Committee) which was formed in 1931, with the aim to build a monument to honour the Voortrekkers (Pioneers) who left the Cape Colony in 1835. The spoons were sold to assist raising funds for the building of the monument, which cost GBP 350000. The hallmarks are clear on all spoons. The spoons were designed by the famous South African artist W.H. Coetzer, the original design is in MuseumAfrika in Johannesburg, and depicted in " Catalogue of Pictures in the Africana Museum", vol 6, pg 157, C1113. Willem Hermanus Coetzer also design...
A very rare and well preserved slip top spoon, of good gauge, by one of the "First Fifteen" London spoonmakers as identified by Tim Kent (London Silver Spoonmakers, 1500-1697). The slip top is engraved "BB, Feb 13, 1632", in a very attractive fashion, so probably was a Christening present. The spoon has a curved fig shaped bowl, and tapered hexagonal stem, ending in the slipped end. The bowl is hallmarked with crowned leopards head, the base of the stem with makers mark "D enclosing C" for Daniel Cary, alongside a well struck lion passant, and date letter O for 1631, struck at the end of the stem, as is usual during this period. The stem is attached to the bowl with a very stubby and rough rat tail, also usual for the period. This is a lovely spoon, and has a very good feel about it, I am tempted to use it (but have resisted!). A very similar spoon to this by Daniel Cary was sold in the Alexander James Collection of Early English Spoons, by Phillips in 1979. Lot 36 (pg 55), shows a slip top spoon made by Dani...
A highly unusual Chinese Export silver tablespoon in the Fiddle pattern, complete with "pseudo English" hallmarks, used by Linchong of Canton, alongside Indian Colonial silver hallmarks, used by R.S. of Calcutta. The hallmarks are clear, and include the pseudo lion passant, crowned leopards head, date letter L and duty mark as used by Linchong of Canton, who made silver in the Georgian style. The Indian Colonial marks include makers mark RS (unidentified) and a tallymark (No. 18, Indian Colonial Silver, Wilkinson), the tallymark is thought to identify the journeyman who completed the piece. One possible scenario is that the spoon was produced in Canton, and imported into Calcutta, India by RS, who was possibly a retailer only. We would be interested in hearing other opinions on this unusual spoon. This very spoon and it's hallmarks is depicted in the book "Indian Colonial Silver" by Wynyard Wilkinson, page 116, where the author noted the lack of connection of the marks, but did not identify the maker Linchong...
A rare and lovely set of Fiddle pattern Cape silver tablespoons, by a rare maker whose work is seldom seen. The spoons are very good quality and weight, and are well preserved, these are substantial spoons. The drop is an unusual shape, has a colonial flavour. The hallmarks are excellent on all 4 spoons, makers mark JH in script and a device that looks like a bishops hat (mark 50 in Welz, Cape Silver). Heegers was born in the Cape in 1778, and worked between 1814 and 1830. In 1814-1816 he was recorded as a silversmith at 6 Roze street, and in 1829-1830 he was recorded as a silversmith in Graaff-Reinet, working with his brother Theodorus. A covered sugar bowl by Johannes Heegers is in the National Cultural History museum, depicted on pg 101 of Cape Silver by Welz.
A provincial silver trefid spoon, made in Exeter in 1714. The spoon has an oval bowl, rat-tail with ribs, a flat stem and the traditionally shaped end with 2 clefts, with a slight upturn. The spoon is engraved "MH 1707" on the back of the spoon, the MH are co-joined, and the engraving is contemporary. During this period spoons were placed on the table bowl down, hence the engraving on the back. The spoon is quite light, as is often the case with provincial spoons, but in very good condition, given its age. The spoon has 5 hallmarks, makers mark MA co-joined, 3 turreted castle (Exeter town mark), Brittania (very worn), lions head erased (used in Exeter between 1701 and 1720 to denote Britannia silver, which is higher grade than Sterling), and date letter O in shield for 1714. The makers mark appears to be MA co-joined, but could also be read the other way around (?W). We now believe this to be the mark of John Manley I of Dartmouth, who entered his mark in Exeter in 1705 (See mark 86, West Country Spoons and t...
A magnificent Scottish Georgian silver punch ladle, by one of the finest Scottish silversmiths of the period. The ladle has a circular bowl, finely decorated with bunches of grapes and vine leaves, the decoration is truly a work of art. The ladle has a lip which is also decorated, similar to a gadroon pattern. The handle is held in place with a traditional heart shaped plaque, this has a previous owners initials lightly scratched into it, hardly visible but a nice addition. The silver handle is also decorated with grapes and vine leaf. The original handle is wood, which has been turned into an attractive shape. The ladle is finished with a silver knob and cap, also decorated in the same fine grape and vine pattern. The ladle is a generous size and weight, is very good quality, and is in superb condition. The hallmarks are very slightly worn but still clearly visible, and include the Glasgow town mark, lion rampant, date letter G, duty mark and makers mark RG&S. Robert Gray worked in Glasgow from 1776, adding ...
A lovely set of 3 Georg Jensen sterling silver Acorn pattern items, perfectly preserved in their original box. The first is a jam spoon, the second a sugar shovel (or caddy spoon) and the third is a cold cut fork (or oyster fork). All 3 are beautiful quality, as you expect from Jensen. The Acorn pattern was designed by Johan Rhode in 1915, and is one of the most popular of all Jensen flatware designs. All 3 are hallmarked with the oval Georg Jensen mark, above "Sterling Denmark", this mark has been in use since 1945. What is interesting about this set is the different style, shape and size of the acorn, dependant on the size of the item and handle.
A lovely set of 12 rat-tail trefid silver teaspoons and matching sugartongs, also with rat-tail, well preserved in original box. This set is antique, being over 100 years old, but was made as a replica of an earlier style (circa 1680). In late Victorian and Edwardian times good quality replicas of earlier styles were popular, this set is also very good quality, and is suitable for use. The hallmarks on all 13 pieces are excellent. James Dixon & Sons is a well known firm, first established in 1806 and still in business today.They employed over 600 people during Victorian times (Culme, Directory of Gold & Silversmiths).
An early antique silver trefid spoon, preserved in excellent condition, and with good hallmarks. The spoon is the traditional trefid shape (also called Pied de Biche, as the style originated in France), and has a lovely reeded rat-tail, which is quite rare. The spoon is engraved with contemporary initials "K * M", engraved correctly on the back of the spoon. The spoon is good quality, and has a lovely feel. The hallmarks include makers mark DO in diamond shaped punch with Fleur de Lys above and below. This mark belongs to Dorothy Grant (Grimwade 3591, Jackson pg 136, under 1680). Dorothy Grant was the widow of William Grant, she worked until 1712, both her sons Benjamin and William apprenticed under her (Grimwade pg 527). Other marks include crowned leopards head (worn), lion passant and date letter O for 1691, which is very clear. Note: We had originally ascribed this mark to John Downes (Jackson, pg 155, Wyler, pg 145, Grimwade pg 46), but this mark is clearly in a diamond rather than circular punch used by...
A delightful Georgian silver caddy spoon, heart shaped with a deep bowl, with a bifurcated stem, thread pattern and coffin end. The bifurcated stem is quire a fragile design, hence the old repair where the handle has been rejoined to the bowl. The spoon has very clear hallmarks in the bowl, as well as an additional makers mark on the handle. Matthew Linwood was a highly regarded silversmith described by Delieb as "produced some of the finest of all the Birmingham boxes" in his book "Silver Boxes". He is also well known for his caddy spoons. A very similar caddy spoon was part of the John Norie collection, depicted as lot 187 (Part 1, Woolley & Wallis, 2004). This particular spoon was made by Josiah Snatt in London 1801.
A Cape silver tablespoon in the Fiddle pattern, with pseudo English hallmarks. The spoon bowl is long and elegant, and the spoon is good quality and is pleasing to hold. The hallmarks are very clear (Welz mark 148 in Cape silver) and nicely detailed, even hair is visible on the duty mark, and the flag is visible on the castle. The base of the duty mark is cusped, and the makers mark LT is also clear.
A lovely Queen Anne Dognose (also called wavy end) spoon in Brittania silver. The Dognose was popular during the Queen Anne period, and the transition between the earlier Trefid and later Hanoverian can clearly be seen. This spoon is engraved "KH" on the back of the spoon, which is correct as spoons were placed bowl down on the table at this time. The spoon has a very pronounced rat-tail, and is quite good quality, this spoon has a nice feel. The hallmarks are quite clear but squashed, as is usual for this period, as the stem was shaped after the hallmarks were struck. The hallmarks include Britannia, lions head erased, and date letter O for 1709. The makers mark is partially worn, but enough is present to positively identify Henry Greene (Grimwade 878, Jackson pg 160), with the R, distinctive shaped shield and pellet below. Greene was apprenticed to Thomas Allen (one of the First Fifteen spoonmakers), and freed in 1700. He was one of the London goldsmiths who signed the petition against "necessitous strange...
A set of 6 silver Art Deco grapefruit spoons, made in Sheffield in 1939, just before the start of the war. The spoons are classic Art Deco, with flared terminals, with shaped 5 sided bowls, with a strong curved tip for digging into a grapefruit. The spoons are a good weight and quality, perfect for everyday use. The hallmarks on a 6 spoons are very clear, the spoons also have a registration mark, RD 835635, which protected the design, and are also stamped "Made in England".
Two Scottish silver toddy ladles in the Fiddle pattern, both made in Glasgow but by different makers at a different time (not a pair). The earlier one by D. McDonald is slightly longer, and has an engraved initial W. The later one by W. Allan is shorter, and has a less pronounced bowl angle. Both have a very clear and full set of Glasgow hallmarks, the fish, bird and bell being fully visible in the town mark.
An interesting silver spoon, commemorating the 7th Battalion, The Duke of Cambridge Own Middlesex Regiment. The spoon has the regimental badge, a Roman soldier with shield and sword, surrounded by the motto "Pro Rege Patria et Laribus", translated "For King, Home and Country". A laurel wreath surrounds this, and the Royal crown sits on top. The spoon also carries the motto "South Africa 1900", signifying battle honours won during the Boer War, and "1798", which commemorates the Hampstead Volunteers of 1798, the founders of the Regiment. The regiment is known as the "Die Hards", a nickname earned during the Peninsula wars at Albuera in 1811. During the Boer War they were involved in the Relief of Ladysmith, and the attack on Spioenkop. The 7th Battalion were formed in 1907, it was a volunteer Battalion, and also a "special reserve" Battalion, whose duty was supplying drafts to the 4 front line Battalions in time of need. In 1911 (the year the spoon was made, so we assume it commemorates this event), the 7th be...