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Antique Silver Spoons
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Cape Silver Lemoen Lepel and Konfyt Fork (Orange Spoon and Preserve Fork) - Pair, Johannes Combrink      
Johannes Combrink, Cape 1814-1820
$ 1 500.00

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), we have not encountered a matching set before, none are recorded in the Cape silver reference books. The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving with a 4 petalled flower. Both are clearly hallmarked with makers mark IC in rectangular punch with canted corners for Johannes Combrink, and also are punched with initials IFS, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes orange spoons as "exquisite". Johannes Combrink of the famous Co...

Art Deco German Silver Serving Spoons (Pair) - Lutz & Weiss   
Lutz & Weiss, Pforzheim C 1930
$ 260.00

A pair of Art Deco silver serving spoons, made by the German firm of Lutz & Weiss in Pforzheim, circa 1930. The spoons have the classic Art Deco pyramid pattern design, repeated on both sides, and an unusual but very practical 4 sided bowl, with rounded edges and a pointed front. The hallmarks include 835S indicating silver of 835 purity, makers mark of intertwined LW in a shield, and a Dutch import mark used since 1906 (V in shaped shield with shaded background), indicating the spoons must have been imported into the Netherlands at some stage. Both sets of hallmarks are clear. Lutz & Weiss Silberwarenfabriek was founded in 1882.

Arts & Crafts Sterling Silver Caddy Spoon - Katherine Pratt   
Katherine Pratt, Boston C 1920
$ 290.00

A lovely American Arts & Crafts sterling silver caddy spoon, made by respected silversmith Katherine Pratt. The spoon has an unusual but striking curved shovel shaped bowl with a flat terminated bowl edge, most caddy spoons have rounded bowls. The bowl edges are slightly raised, this is a well made spoon. The handle is long and elegant, and very practical for use. The spoon is stamped "STERLING" and "PRATT". These are in different fonts, the Pratt font is quite distinctive and typically Arts & Crafts. Katherine Pratt (1891-1978) has been described as "America's foremost 20th century woman silversmith" although information on her is sparse and her silver is rarely seen on the market today. She graduated from the Boston Museum School in 1914, and trained under both George Hunt and George Gebelein, both leading Arts and Crafts silversmiths. She worked at the Handicraft Shop, and was recognised by the Boston Society of Arts (Craftsman 1916, Master 1918, and the prestigious Medalist Craftsman in 1931, the only fe...

South African Mint Silver Caddy Spoon - Suid-Afrikaanse Munt
South African Mint, Pretoria 1954
$ 310.00

A sterling silver caddy spoon, with the engraved armorial of the South African Mint (Suid-Afrikaanse Munt). The spoon is substantial, a pleasing weight and good quality. The armorial has the coat of arms of the Union of South Africa (1910-1961), with the symbols of the 4 provinces (Hope with Anchor for the Cape, 2 wildebeests for Natal, orange tree for Orange Free State, and wagon for Transvaal), with motto "Ex Unitate Vires", translated Union is Strength. This is surrounded by 2 wreaths with South African Mint in both English and Afrikaans (the 2 official languages at the time), a building which we think could be the SA Mint building, and strangely a small armorial which appears to be the old Transvaal Republic coat of arms. (explanations welcome!). This spoon is identical in shape and form to the caddy spoon produced by the Pretoria Royal mint between 1923 and 1941, (see examples on our website, S1362 and S 1652), when the Mint became the South African Mint, with the armorial replaced to reflect the change ...

Canadian Silver Tablespoons (Pair) - James Melick, Saint John, New Brunswick
James Godfrey Melick, St. John, New Brunswick 1802-1885
$ 370.00

A Canadian Coin silver tablespoon pair in the Fiddle pattern, with engraved initial H. The spoons have excellent hallmarks, comprising of makers mark IM, NB for New Brunswick, and pseudo hallmarks lion passant, anchor and Georgian duty mark bust (this last one sideways). James Melick was a working silversmith and clockmaker, he worked from premises in Prince William Street, Dock Street and Market Square over his career (Canadian Silversmiths, John Langdon, pg 101). Canadian Maritime silversmiths of the early 19th century favoured imitation hallmarks, dictated by competition from imported English silver. St John silversmiths adopted the NB hallmark for New Brunswick, following their colleagues in Halifax (Langdon, pg 22).

Dutch Silver Hanoverian Tablespoons (Set of 4) Andries Vis
Andries Vis, Amsterdam 1754
$ 490.00

A set of four Early Georgian Dutch silver Hanoverian pattern tablespoons, made in Amsterdam in 1754 by Andries Vis. The four tablespoons (also called porridge spoons by the Dutch) have a central rib, and a very strong upturn, enough so it can hang from a finger. The spoons also have a double drop, with a prominent pip at the end of the second drop. The hallmarks are good on all 4 spoons, and include makers mark of a fish for Andries Vis, rampant lion with crown indicating first standard silver (925 sterling quality), town mark for Amsterdam (three crosses under crown) and date letter U for 1754. Andries Vis worked between 1741 and his death in 1799, he is known for his cast figural spoons. He was a very competent silversmith, in addition to spoons he produced teapots and other hollow-ware. His silver is well represented in museum collections, a very similar spoon to these is in the Boijmans museum.

Dutch Silver Hanoverian Tablespoon - Nijmegen, Hendricus Wolterbeek - Excellent Hallmarks
Hendricus J. Wolterbeek, Nijmegen 1770
$ 250.00

A rare Dutch silver Hanoverian tablespoon (porridge spoon) made by Hendricus Johannes Wolterbeek in Nijmegen in 1770. The spoon has the usual central Hanoverian rib with strong turn-up, and a very wide circular drop, and a larger bowl than is usually seen. The spoon has an original engraved family crest of a well engraved crown above a stylised X, with flowing scrolls, this is on the back of the spoon, when spoons were displayed bowl down. The spoon's main delight are it's well struck and very clear hallmarks, including makers mark of crowned tree in irregular shaped punch for Hendricus Wolterbeek (1730-1805, he worked between 1755 and 1788). The second mark is a crowned double headed eagle city mark for Nijmegen, the third is a intricately crowned N 1st Standard (Grote keur, sterling 925 standard) mark for Nijmegen, the last mark is a crowned O date letter for 1770.

Dutch Silver Art Nouveau Serving Spoons (Pair) - C.J. Begeer, Jan Eisenloeffel - Waaier or Palmet
Stichtsche Zilverfabriek C.J. Begeer, Utrecht 1914
$ 400.00

A fabulous pair of Art Nouveau Dutch serving spoons, made in Utrecht in 1914 by C.J. Begeer, possibly based on a design by Jan Eisenloeffel. The spoons are a lovely shape, with a fan shaped design repeated on both back and front of the terminal, long elegant handles and a tear shaped bowl, which is quite deep and suitable for use. This spoon is described as a Brijlepel in Dutch. This pattern is now called the "Waaier Model" (translation Fan pattern) or "Palmet Model" (Palm pattern). As far as we can determine, 1914 is the first year this pattern appeared, so these are early spoons. This pattern is also produced by Van Kempen (model 1008) and Gerritsen (see www.zilver.nl). The hallmarks on both spoons are clear, makers mark B under 2 stars in shield for Stichtsche Zilverfabriek, 833 purity mark lion passant, Minerva head with letter B for Utrecht, and date letter E for 1914. Cornelis J. Begeer studied in Hanau, and worked in the family firm before founding Stichtsche Zilverfabriek in 1904. He focused on modern...

Scottish Provincial Dessert Spoon - Charles Torchetti, Aberdeen
Charles Torchetti, Aberdeen 1825-1840
$ 470.00

A Scottish Provincial silver Fiddle pattern dessert spoon, by a very rare maker, with excellent hallmarks. The spoon is engraved with initial F in contemporary style, a single initial as is often the case in Scotland. The hallmarks are excellent, well struck and very clear, and include makers mark CT, Gothic A, incuse Fleur De Lys, Gothic A, makers mark CT, for Charles Torchetti, who worked in Aberdeen from 1825 until his death in 1840. In the book "Aberdeen Silver" by Michael Wilson, he is described as a "rare maker, with occasional Fiddle pattern spoons and forks". He was described as a picture framer, optician and looking glass maker in the Aberdeen Trade Directory (Wilson pg 34), he worked from Queens Street. Wilson also notes that Alexander Grant used the same Gothic A and incuse Flear De Lys, and that they came from the same punch, so surmises that Torchetti bought spoons from Grant and applied his own makers mark. The provenance of this spoon is also interesting, it has spent the last 40 years as part...

Cape Silver Dessert Spoons (Mixed set of 6) - Twentyman, Moore, Townsend, Daniel
John Townsend (1), Peter Clarke Daniel (1) Lawrence Twentyman (2), William Moore (2), Cape C 1820-1850
$ 760.00

A mixed set of 6 Cape silver dessert spoons, all in the Fiddle pattern. 2 spoons have original owners engraved initials (HR and WFS), one has the very faint remains of a family crest and engraved initial B, and 3 have no initials or crests. All 6 spoons have very clear Cape silver hallmarks, with no wear, showing quite a lot of different pseudo hallmarks used by Cape silversmiths, so an interesting collection. The first spoon is by Peter Clarke Daniel (PD, pseudo duty, pseudo date letter B, mark 42 in Welz), Daniel was born in Dublin but arrived in South Africa with the 1820 settlers as a child. The second is by John Townsend (JT, pseudo duty mark, date letter a, lion passant and duty mark, mark 123 in Welz). The next 2 are by William Moore (WM, Cape stub mark, Welz mark 100, one spoon also has an incuse D mark, either a journeyman or owners mark). The last 2 are by Lawrence Twentyman but with different hallmarks and made at different times (the Fiddle pattern noticeably different on these 2 spoons). The firs...

Kings Fiddle Husk Silver Tablespoons (Pair)
Elizabeth Eaton, London 1854
$ 470.00

A fabulous pair of scarce Kings Fiddle Husk tablespoons, of exceptional quality and weight, made by Elizabeth Eaton. These spoons both weigh over 105 grammes each, amongst the heaviest we have encountered. The spoons have the Husk heel, and have no initials or engraving. Kings Husk pattern is a scarce variant of the Kings pattern, the most obvious difference being the omission of the central honeysuckle and a husk shell rather than a concave shell (Pickford, Silver Flatware, pg 136). In addition there is no shell on the back. It was first produced during the Regency, Paul Storr also produced this pattern. The hallmarks are clear on both spoons, including makers mark EE in a bifoil punch, for Elizabeth Eaton. Eaton inherited the firm in 1845 on the death of her husband William, her son John joined the business in 1854, they sold the business to Henry Holland in 1864. (Culme, Directory of Gold and Silversmiths, pg 134). The firm had a good reputation, Elizabeth Eaton exhibited silver spoons and forks at the Gr...

Coin Silver Tablespoon - Boston, A F Burbank
A.F. Burbank., Boston 1853-1870
$ 170.00

A Coin silver American tablespoon in the Fiddle pattern, made by A F Burbank in Boston, Massachusetts, made around 1853. The spoon is the usual American Fiddle pattern, quite different to English Fiddle pattern, with flat broad handle and pointed bowl. The spoon has very clear hallmarks, A.F. Burbank. and Boston, which are both well struck and very clear. This is the earlier Burbank mark, the later one is incuse, hence we believe this spoon was made early in his career. The spoon has a 3rd hallmark, a very small swan in oval punch (tiny but very clear), this is a French import mark used between 1893 and 1970, indicating legal fineness, so this spoon spent some time in France (Tardy, international Hallmarks, pg 208). The term "Coin Silver" is used for American silver flatware made before 1870 that is not Sterling, slightly lower grade at 90% silver (sterling is 92.5%), made from melted coins, prior to discovery of silver in the USA.

Silver 2 Pronged Notched Puritan Fork and Matching Spoon - Replica of Manners Fork and Spoon, 1632
Lowe & Son, Chester 1938
$ 400.00

An interesting 17th century style silver notched 2 pronged fork and matching spoon, the fork a replica of the earliest known English table fork. Both are faithful replicas of the puritan style, with 3 notches at the top of the flat stem. Both carry 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. This fork, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. Frances Montagu was the wife of John Manners. The hallmarks are exceptionally well struck, they could not be better. They include makers mark "GOF Lo under star" for George Lowe & Son of Bridge Street, Chester, who date back to 1770 and who still trade today. They also include the Chester wheat sheaf town mark (struck in the spoon bowl as is usual for 17th century spoons), date letter and lion passant. The original box, marked "Lowe & Sons, Silversmiths, Bridge St Row, Ch...

Cape Silver Teaspoons (Set of 6) - Daniel Beets
Daniel Beets, Cape 1812-1828
$ 740.00

A set of six Cape silver teaspoons in the Fiddle pattern, by Daniel Beets. All 6 spoons have original owners engraved initials JMB. All 6 teaspoons are clearly hallmarked in the same way, with makers mark DB struck twice, alternating with a pseudo Lion passant standard mark, also struck twice. This is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the lion passant punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets dis also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probaly used his fathers punches, no marks are recorded for him. We postulate these could possibly be Daniel Beets Junior, sharing pseudo punches with fellow silversmiths, a practice that is known to have happened.

Irish Silver Hanoverian Tablespoon - Alexander Richards
Alexander Richards, Dublin 1764
$ 430.00

An interesting early Georgian Irish Hanoverian tablespoon, made by Alexander Richards in Dublin 1764. The spoon has a frontal rib, strong turn-up and a very narrow oval bowl. It is engraved with a Griffin crest on the back of the spoon, showing this spoon was placed on the table bowl down. The spoon is bottom marked, the date letter is very clear, but the makers mark , crowned harp and Hibernia are are worn, but still discernable. Alexander Richards, a noted Irish spoonmaker, worked between 1724 and 1768 (Bennett, Irish Silver, pg 152).

Dutch Silver Hanoverian Tablespoon or Porridge Spoon - Utrecht, Sebastiaan de Mare
Sebastiaan Gijsbert de Mare, Utrecht 1805
$ 250.00

A Dutch silver Hanoverian pattern tablespoon (or porridge spoon as referred to by the Dutch) made in Utrecht in 1805 by Sebastiaan de Mare. The spoon has the traditional Hanoverian central rib with turn up end, and a wide drop. The spoon has the original owners initials BI engraved on the back of the spoon, dating back to when spoons were placed on the table bowl down (with initials displayed). The spoon has 5 clear hallmarks, including an excellent makers mark of a laying deer for Sebastiaan Gijsbert de Mare, this mark is a lovely makers mark and exceptionally well struck and clear. The spoon also has the Utrecht city coat of arms mark struck twice, indicating first standard ( Grote Keur), or 925 sterling standard. The date letter is slighty obscured, we believe X for 1805 but could also be K for 1793. The final mark is the Dutch Crowned O second assay mark, quite rare as only used between 1807 and 1810, used as a re-examination mark of earlier silver when resold, or for imported articles without payment of ...

Victorian Silver Rose Pattern Teaspoons (Set of 6)
Elkington & Company, London 1899
$ 340.00

A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made. ...

Arts & Crafts Silver Apostle Serving Spoon - Frederick Courthope
Frederick Courthope, London 1900
$ 1 150.00

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...

Guild of Handicraft Arts & Crafts Silver Celtic Spoon
Guild of Handicraft Ltd, London 1993
$ 200.00

An interesting Guild of Handicraft silver preserve spoon, hand made by the Harts of Chipping Campden. The spoon has a Celtic inspired finial with interlocking raised flowers on a matt background, which gives a nice contrast. The upper spoon shaft has been shaped with 4 notches on either side, which adds to the design, and also catches the light, similar to bright cutting. The fig shaped bowl is planished (hand hammered) with the individual hammer marks visible of the back of the bowl (the front of the bowl is smooth). The spoon also has a diamond shaped rat-tail, which is raised. The hallmarks are clear, including G of H makers mark.

17th Century Provincial Seal Top Spoon - Taunton
Unknown, West Country, probably Taunton C 1640
$ 2 550.00

A provincial silver Seal Top spoon, with an acanthus baluster seal top, which is probably a Taunton casting. The seal top is well made, and has remnants of gilding throughout, especially in the recessed areas. The stem is flattened hexagonal, and the bowl is the traditional fig shape, and it has a small rat-tail . The seal top has remnants of prick engraving, some pricks clearly visible, but not enough to read what was engraved. The spoon bowl itself is the traditional shape, with deep bowl, curving down from the stem. The spoon is struck 3 times by the same makers mark, once in the bowl and twice on the stem. The marks are not very clear, either they are worn or more probably struck with a worn punch. The punch has a rough shield shape with irregular edge, with a trifid top edge (Poole, Identifying British Silver, punch shapes, pg 15). The figure in the punch has a smaller roughly circular shape on top of a larger circular shape, our imagination runs to a crown over rose, piece of fruit or even a bird (with ...

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