A lovely set of 6 Rat-tail Hanoverian coffee spoons with gilded bowls, and matching sugar tongs. These spoons have wavy rat-tails, a very unusual feature we have not seen before. The arms of the tongs are modeled as matching spoons, complete with the wavy rat-tail. Hallmarks on all 7 items are clear. Harry Synyer and Charles Beddoes worked between 1897 and 1949, from Vyse Street, Birmingham.
A Charles I silver seal top communion spoon, which has holes in the bowl for straining communion wine. The seal top has the original initials "C over A=L", which is quite crudely engraved. The baluster seal top has traces of gilding, and is attached with a V-shaped joint, as is usual with London spoons. The hexagonal stem is tapered, joined to the bowl with a small rat tail. The fig shaped bowl is quite deep, and has been punched with holes in 3 concentric circles. The bowl is struck with the crowned leopard's head, the crown is clear, but the face is worn. The 3 hallmarks on the stem are clear, and include sterling lion, date letter B for 1639 and maker's mark D enclosing C for Daniel Cary. Cary was a prolific spoon maker. He worked between 1604 and 1639, he died in 1641. Cary is one of the "First Fifteen London spoon makers 1580 - 1697" As identified by Tim Kent in his book "London Silver Spoonmakers", which we highly recommend. Steven Venables, another notes spoon maker, was one of Cary's appren...
A pretty boxed silver butter knife and jam spoon, with lovely terminal design, which has been cut out by hand. Both pieces are good quality and in excellent condition, they do not appear to have been used. The hallmarks are clear on both. This would make a lovely wedding present.
A cast silver reproduction of the Lady in Crinoline caddy spoon, originally made by John Figg in 1844. The spoon depicts a lady in a crinoline dress carrying a parasol, the bowl is a matt chased rocaille shell. Being cast, this is an extremely heavy caddy spoon at 42 grammes, it is superb quality. The original is a highly important and extremely rare caddy spoon, it is depicted in John Norie's Caddy spoon book (plate 10) and also in the book "Investing in Silver" by Eric Delieb, pg 31, where it is pictured and described as "the superb little lady in the crinoline of the chinoiserie revival period". A similar spoon was part of the John Norie collection of caddy spoons, sold as lot 99, part 1 (Woolley & Wallis, April 2004). The hallmarks are clear.
A Swedish silver spoon, commemorating the Goteborg Jubilee Exhibition of 1923, celebrating 300 years since the city was founded. The spoon has the bust of the Swedish King Gustavus Adolphus The Great, who was King between 1611 and 1632, he founded Sweden as a great power, and was a great military commander. November 6 is still celebrated in Sweden as Gustavus Adolphus day. The spoon has a large, deep fig shaped bowl, the stem reads "1923 Goteborg", the finial has a circular bust of the King, surrounded by flowers and scrolls. The spoon has clear hallmarks, the Swedish 3 crown National mark, S sterling silver standard mark, date letter M8 for 1938, and Stockholm city mark (kings head), along with C.G. HALLBERG makers mark. We are not sure how to reconcile the 1923 date with it's 1938 production date, we can only assume it was still in demand. CG Hallberg was a prominent Swedish Goldsmith, jeweler to the Swedish court, and one of the top firms in Sweden in the early 20th century.
A very fine Edwardian silver replica of a Baluster Seal Top spoon, made by Crichton Brothers, who were the leading British dealers of their time, with 3 Royal appointments. The spoon is very good quality, and a pleasing size and weight, a pleasure to use. The seal top is engraved with initial H, this spoon was probably a Christening present. Lionel Alfred Crichton, 1890-1938, was known for it's fine quality replica silver, see our photo of their advertisement. Lionel Crichton also set auction records for silver purchases in 1914, he paid the record sum of 5600 pounds at Christies for a silver standing salt, dated 1508 (Henry VIII), from Lord Ashburnham's collection. This spoon could be a copy of the "massive and heavy baluster sealtop, London 1592", depicted in "English and Scottish Silver Spoons", Volume 1, pg 236, by Commander How. The hallmarks are clear, and include makers mark LAC.
An interesting set of 6 Salisbury seal top silver coffee spoons, perfectly preserved in their original box. The spoons have gilded seal tops, flattened stems and fig shaped bowls, with the leopard's head town mark struck in the bowl. These are replicas of seal top spoons circa 1600. The spoons are good quality, we really like these spoons. The set is accompanied by an original pamphlet, depicting 7 seal top spoons, it reads: "The Salisbury Seal Top Spoons, actual copies of the seven spoons dug up in 1906, on Lord Pembroke's Estate, Netherhampton, reproduced as fruit, jam and teaspoons. The originals are now in the British Museum, and are valued at GBP 300-400, circa 1596-1632". Thomas Bradbury and Sons worked between 1736 and 1943, Frederick Bradbury was the author of "History of Old Sheffield Plate" (Culme, Gold and Silversmiths, page 57).
An interesting set of 4 Cape silver Fiddle pattern tableforks, by Lodewyk Beck. They have no initials, although 1 fork has the remnants of an initial just visible. It appears 1 fork was made at a different time, as the hallmarks are struck differently from the other 3. The hallmarks include makers mark LB with 4 pseudo English hallmarks, including lion, duty mark, castle town mark and date letter a. What is interesting about the hallmarks is that they are all individually struck, with not too much care, both the sterling lion and the date letter have been struck upside down on one, it appears the order and orientation of hallmarks was not important to Cape silversmiths. The 4th fork, has the same hallmarks but struck further apart. Lodewyk Willem Christiaan Beck worked between 1847 and 1867, from Shortmarket street and Greenmarket Square.
A magnificent pair of Pierced Vine (also called Chased & Pierced Vine) pattern gilded dessert spoons, these are spectacular spoons. The pattern has interwoven vines, grapes and leaves, and a vacant cartouche on the back for initials or a family crest. The spoons are hand forged, a good weight and superb quality, as you would expect from Vander. The pattern was first produced by Francis Higgins for the Great Exhibition of 1851, and was intended for dessert. The pattern is described as "one of the most extraordinary silver flatware patterns in the world" by MP Levene, London silver dealers who still produce this pattern today. The hallmarks are clear on both spoons.
A rare Cape silver marrow scoop, in the Fiddle pattern, by Willam Moore, who worked in the Cape between 1840 and 1863. The scoop is the traditional design, with 2 differently sized scoops at either end, used for eating bone marrow, a "popular delicacy at the Cape" (Welz, Cape Silver and Silversmiths, pg 76, where a similar fiddle pattern scoop by Moore is depicted, but in much worse condition than this one.) The scoop is in excellent condition, no dents, scratches or repairs, it does not appear to have seen much use. The Cape hallmarks are very clear, and include makers mark WM and the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 101). A very similar Cape silver marrow scoop by Willam Moore, but with makers mark struck the other way, can be seen on the Steppes Hill website (http://www.steppeshillfarmantiques.com/silver-and-porcelain/d/rare-19th-century-cape-silver-marrow-scoop/98455/216995).
A sterling silver caddy spoon, with the engraved crest of the Royal Mint of Pretoria. The spoon is good quality, a pleasing weight and the crest is very clear. The Royal Mint of Pretoria was opened in 1923 as a branch of the Royal Mint of London. It broke ties with London in 1941, becoming the South African Mint. The Royal Mint of Pretoria branch was one of 6 Royal Mint branches, the others in Canada (Ottawa), Australia (Sydney, Melbourne and Perth) and India (Bombay). The Pretoria Mint produced British gold sovereigns between 1923 and 1932, these carry the SA mint mark. The caddy spoon hallmarks are clear, being 925, silver and RMP makers mark. We assume the spoon was made in 1923 to commemorate the opening of the Mint. This matches item S1362, which we have already sold.
A lovely set of 6 single struck Kings pattern with shoulders (Kings Front French Shoulder, Pickford, Silver Flatware, pg 123) Newcastle silver teaspoons. The spoons are the larger size teaspoons, and have a good gauge, over 20 grammes each, these are pleasing quality. Single struck flatware is usually found in Scotland, it is unusual in England, where the patterns were usually double struck (pattern on both sides) The hallmarks on all 6 teaspoons are excellent, and include makers mark TS for Thomas Sewell I, who worked between 1846 and 1875. They include an additional 5 hallmarks, uncrowned Victoria duty mark, lion passant, three castle town mark, leopards head uncrowned, and date letter I in circular punch for 1847. It is clear the date letter and makers mark were struck individually, the other 4 marks struck together in a stub (the date letter punch overlaps slightly on 2 spoons). These are interesting hallmarks, the uncrowned leopards head was only used for 5 years between 1846 and 1850, when it reverted b...
A lovely hand hammered Portuguese silver Arts and Crafts spoon, with a blue stone cabochon set in the handle, possibly turquoise. The spoon is a pleasing gauge, quite heavy, this is a good quality hand made spoon. The spoon has a rounded bowl with quite a long handle, so possibly a jam spoon or sauce ladle. The hallmarks include "Pedro A Batista", a very small Portuguese standard mark (eagle facing left above 925, in rectangular canted punch for Porto), and additional makers mark of crossed hammer and spanner.
A set of 13 sterling silver Apostle spoons, as follows: The Master, St. Peter, St. John, St. Matthew, St. Andrew, St. Philip, St. Jude, St. James the Greater, St. James the Less, St. Matthias, St. Simon, St. Thomas, and St. Bartholomew. The Apostles are well modeled, with lovely detail, as can be seen from the photographs. For example, St. Peter has keys, St. Simon a saw, St Andrew a cross, St. Jude an axe, and St. James a staff and bible. The spoons are from a set (no 97), issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. All the spoons have the Apostle's name engraved on the stem, and the set number 97. They come complete with original signed certificate. The original solid wooden box is also available, this is large and heavy (1.5 kilograms), so will require extra postage if required.
A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.
An interesting sterling silver replica of a Charles II trifid or lace back spoon, circa 1680. The stem is notched and decorated in traditional style, as is the back of the bowl, complete with rat-tail. The spoon is teaspoon sized, and very good quality, quite heavy to hold. The spoon is in it's original Mappin & Webb box, complete with Royal appointments to the Queen and Prince of Wales on the lid interior. The spoon also has it's original card, describing the origin of the spoon, it's decoration and an explanation of the hallmarks, making it an ideal Christening present.
An interesting silver caddy spoon commemorating the Queen's silver jubilee, with a detailed crown finial over "E II R 1952-1977", and the hallmarks and silver jubilee mark forming a prominent part of the design. It is a very good weight, and good quality. The hallmarks are very clear. Da-Mar silverware was chaired by David Shaw, the MD was Martin Collins (www.silvermakersmarks.co.uk).
A magnificent pair of Arts & Crafts silver Apostle spoons, made by George Henry Hart of the Guild of Handicraft. The spoons are clearly made by hand, with cast finials and hand hammered bowl, with clearly visible hammer marks. The quality of these spoons is fabulous, we love them! The spoons have a stylised beaded rattail, quite unusual, but a lovely feature. The Apostle figure wears a hooded cowl, and has his hands crossed in front of his body. The figure sits on a traditional hexagonal seal top, the stem of the spoon is rounded. The hallmarks on both spoons are very clear, including makers mark "GofH", (without Ltd, in use between 1900 and 1908). The Guild of Handicraft went into liquidation in 1908, the business was continued by George Henry Hart, who designed these spoons, possibly for Prinknash Abbey. The business is still operating today, and run by Julian Hart, great grandson of George Hart (see www.hartsilversmiths.co.uk), in the beautiful village of Chipping Campden, well worth a visit. We rec...
An antique Danish silver christening spoon, this is a 19th century replica of a 16th century spoon, originally used for Royal coronations. This is a beautiful spoon, extremely good quality, it has a lovely feel. The circular bowl is engraved in traditional style, the gilded front with Madonna holding 2 babies, one with a crown, and surrounded by traditional religious inscription in ancient Scandinavian (translation assistance would be most welcome!). The back of the bowl is engraved with St Olaf of Norway, holding battleaxe and orb, standing on a lion with crowned head, also surrounded by inscription. The cast handle of the spoon is very decorative, a head above a warrior with sword, above traditional implements (thor hammer, hand). The back of the handle has an attractive celtic design. The hallmarks include makers mark A.M (possible Anton Michelson?), the Copenhagen town mark (3 towers), date letter for 1868, and assay masters mark SG for Simon Groth, who worked between 1863 and 1904. Wayne Bednersh, author...
A very rare set of 4 Palm pattern soup spoons, made by George Adams of Chawner & Co, who were the most important mid 19th century firm of spoon makers (Pickford, Jacksons Hallmarks, pg 56). The spoons are exceptional quality and weight, just under 100 grammes each, they are a joy to hold. The spoons are engraved with the original owners initials, "JK & CK". The Palm pattern is described as "very rare, produced by Chawner & Co, in whose pattern book it appears" by Pickford in his book "Silver Flatware, pg 148". The book also has a photo of a Palm pattern fork and spoon from the V&A museum. The spoons are beautifully made, with good detail on the palm leaves. The hallmarks on all 4 spoons are extremely clear, marked on the bowl to prevent damage to the pattern. Two interesting journeymans marks are also present, 3 dots and K, probably the craftsmen involved in making the spoons. A Palm pattern tablespoon sold as lot 73, Finial postal auction January 2012. Please note we also have a Palm pattern butter knife, S1...