A lovely pair of Scottish silver Hanoverian pattern tablespoons, made in 1772 by Daniel Ker in Edinburgh. The spoons have a narrow rounded stem, with flattened end with noticeable rib and turn up end, and they have a double drop. Both spoons are engraved with a family crest of a cockerel under motto "Sine Metu", translated "Without Fear", this is the motto of the Jameson family (this motto is present on every bottle of Jameson's whiskey). Both spoons are bottom marked, and all 4 hallmarks on both spoons are clearly legible, which is not often the case with bottom marked spoons. The hallmarks include makers mark DK, Edinburgh castle, Scottish thistle and date letter Gothic S for 1772.
A lovely set of 12 Scottish Georgian silver tablespoons in the Old English pattern, made in Edinburgh by Francis Howden in 1807. All 12 spoons have original owners engraved initial B, and each spoon is also engraved with numbers 1 - 12, all the engraving is clearly visible. These are great quality spoons, with strong tips, and a generous size and weight, and their condition is excellent. All 12 spoons have clear hallmarks. Francis Howden was freed in 1781, he was Deacon between 1811 and 1813, he was a highly respected member of the Goldsmiths Incorporation, he established the Widow's fund in 1817 (Source: Silver Made in Scotland, Dalgleish & Fothringham, page 222). He died in 1848 aged 90.
A set of 4 bottom marked Scottish Georgian silver tablespoons in the Old English pattern, made in Edinburgh in 1775 by Patrick Robertson. The spoons are all engraved with original owners initials DJ. The spoons are a pleasing quality and in good condition, with strong bowl tips, they have not seen much use. The spoons have a long drop with engraved ridge. The spoons are all bottom marked, the makers mark PR is very clear on 3 spoons and less clear on the 4th but still visible. As is often the case with bottom marked spoons, the town mark, thistle and date letter are squashed, but still visible on one of the spoons.
An interesting Scottish silver Traprain Treasure bottle stand, made by leading Glaswegian silversmiths George Edward & Sons in 1919, complete with original glass oil bottle. The stand is circular, and has an attached drip tray, so very practical for use. What makes this bottle stand exceptional is the handles, 2 semi circular serpents or birds head figural terminals, complete with snake like tail attachment to the stand. These are reproductions of spoon finials found in the Traprain treasure law hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 400 AD, and consisted of 160 pieces, mostly cut up ready for melting. The Traprain treasure is now in the National Museum of Scotland (source is www.romanscotland.org.uk, well worth a visit). William Brook of Brook & Son, Edinburgh, who would have competed with George Edward & Sons for business, was the silversmith involved in conserving and trying to reconstruct the original pieces, he then gained permission f...
A pair of Scottish Arts and Crafts silver napkin rings, with a wonderful planished (hand hammered) surface. The rings are a very pleasing quality and weight, and the condition is excellent. Both rings are clearly hallmarked with small hallmarks on the interior, one is 2003, the other 2006 but they match perfectly. The are also marked "STERLING 925". The rings are accompanied with original box marked "Eric N Smith Goldsmith Designer". Eric Smith was an award winning designer and Jeweller, based in Glasgow for over 50 years until his retirement in 2018. He also completed a project to restore the Glasgow hallmark in 2013, which had not been used since 1963.
A private die Scottish silver tablespoon, a rare spoon of fabulous quality, made by leading Glaswegian silversmiths Robert Gray & Sons. The spoon has a die stamped family crest of a stag above a knights helmet, this is beautifully struck. The spoon is a variant of Kings pattern, with hourglass shape and honeysuckle, but the shell on the front has been removed to make place for the family crest. The spoon is double struck, which is unusual for Scottish silver, and the spoon has no shoulders. The spoon is over 100 grammes, so a pleasure to hold and use. The hallmarks are clear, and are accompanied by a star, possibly a journeyman's mark. Private die flatware was individually commissioned with the family crest die-stamped rather than engraved on a stock pattern (Pickford, Silver Flatware, page 173). Most 19th century private die patterns were supplied through Hunt & Roskell to members of the peerage and other wealthy clients. Pickford describes these as "fascinating, but obviously impossible to build into servic...
A pair of Scottish sterling silver Millenium napkin riings, elliptical in shape, with the Millenium hallmarks struck as part of the design. The rings are good quality and a very pleasing weight, and do not appear to have been used. The hallmarks have been arranged around the special 2000 cross hallmark, used to celebrate the millenium. Eric Smith was an award winning designer and Jeweller, based in Glasgow for over 50 years until his retirement in 2018. He also completed a project to restore the Glasgow hallmark in 2013, which had not been used since 1963.
A Clan MacGregor (or Gregor) Scottish sterling silver clan badge, with pin to be worn as a brooch or kilt pin. The badge is the traditonal shape, with cast silver crowned lion erased, surrounded by belt with motto "'S RIOCHAIL MO DHREAM", translated "Royal is my Race". The badge is lovely quality and is in excellent condition. The badge is clearly hallmarked for Edinburgh 1950, with makers mark H&I for Hamilton & Inches, the leading Edinburgh silversmith from Princes Street, they worked between 1870 and 1977. The current MacGregor clan chief is Sir Malcolm Macgregor, 7th Baronet of Lanrick and Balquhidder. The clan dates back to the early 800's, they were amongst the first clans to play bagpipes, and their most famous member was the outlaw and folk hero Rob Roy MacGregor.
An interesting Scottish silver baby dish, engraved around the rim with 4 ancient scenes, possibly Mesopotamia, we are not sure of the significance. The dish is extremely good quality, it weighs over 300 grammes, and the engraving is lovely. The 4 panels are interspersed with 2 ladies heads, complete with earings, and 2 cartouches for engraved initials. The engraving contains armed soldiers with swords, shields, spears and bow and arrows, animals (some pulling carts and carriages), palm trees and a winged beast, hence our tentative description as Mesopotamian (all suggestions and assistance most welcome). As the engraving is on what we believe to be a baby dish (solid base, size etc), we believe it to be a Christening present, with the engraving from a fable or historically significant event (similar dishes of the period are engraved with nursery rhymes). The hallmarks are excellent, including Glasgow marks for 1931 and makers mark E&S for Edward and Sons, of Buchanan Street, Glasgow, they also had a London br...
A Scottish Provincial silver kilt pin brooch, made by John Fraser of Inverness, but hallmarked in Edinburgh as required by regulations. The kilt pin has a classic celtic design, and is a pleasing quality, and a good size and weight. The pin and clasp are also good quality, and in perfect working order. The hallmarks are clear, including makers mark JF incuse for John Fraser of Silvercraft, Inverness, who worked between 1965 and 1982.
A fabulous Victorian Scottish silver Rams Head snuff mull cover, decorated with an impressive faceted semi precious stone and 6 hardstone cabochons. The cover is dome shaped with a circular base, and is embossed and engraved with Scottish thistles and Celtic knot designs. The central diamond shaped crystal has a diameter of 3.7 cm, this is a large stone. The six hardstone cabochons are 2.2 cm in diameter, colours range from green to red to brown, we imagine Scottish granite. The interior is gilded, and the hallmarks are perfectly preserved. This is the largest and most impressive Rams head snuff mull cover we have seen, we have seen similar smaller examples. The cover would have been mounted on a ceremonial Rams head, used to dispense snuff at a table - we prefer this cover without the original rams head! Mackay & Chisholm were a prestigious Scottish firm, the worked between 1834 and 1941 from Princes Street, Edinburgh.
A fine set of 12 Victorian Scottish silver table forks, in the plain Old English pattern, these forks have a very good weight and feel in the hand. The forks are engraved with the original owners initial A with a typical Victorian flourish. The forks are in excellent condition, with long tines, these forks have not seen much use. All 12 forks have excellent hallmarks that are well struck and very clear, event Queen Victoria's hair is visible in the duty mark. The town mark also has clearly defined bird, bell and fish in the tree, the coat of arms of Glasgow. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006).
An unusual set of Scottish Silver Hanoverian tablespoons, made in Victorian times. These spoons are lovely spoons, very good quality and weight, a pleasure to use. The spoons have a double drop, are bottom marked and have script initials "AW" engraved on the back of the spoons, in 18th century style. The spoons were probably made to order, as they are replicas of an earlier style. The hallmarks on all 4 spoons are excellent, including makers mark "G&MC" for George and Michael Crichton, who worked between 1864 and 1876.
A lovely set of early Scottish tablespoons, complete with a double drop, by John Welsh, who was entered in 1742, and who made the Liberta Communion cups. The makers mark and townmark are very clear on both spoons, the date mark and thistle are visible one one spoon (slight wear), and worn on the other.
Pleasing early Scottish bottom - marked spoon, with very clear hallmarks, and good weight.
Scottish Fiddle pattern table forks, appear unused, with tines in excellent condition. Very clear hallmarks.
Pleasant set of Scottish Fiddle pattern tablespoons, of very good weight and by a well known maker. Extremely clear hallmarks on all spoons.
A fine example of a Scottish Georgian Silver toddy ladle, by very fine makers. The ladle is Fiddle pattern, and is engraved with the initial C, in contempory style. Toddy ladles are uniquely Scottish, used for that "wee dram" of spirits, but also suitable as sauce ladles. The hallmarks are very clear and detailed (the tree, fish and bell in the Glasgow town mark are all visible), an additional "star" journeymans mark is also present. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006). Silver by Gray can be found with both Glasgow and Edinburgh marks, as between 1784 and 1819 the Glasgow assay office was closed.
Fine pair of Fiddle pattern Scottish toddy ladles, with engraved initials WG. The makers mark is very clearly RC, possibly Robert Carfrae, who was an Edinburgh unfreeman in the early 1800's (Source Rod Dietert, who wrote Scottish Compendium) - this maker is not recorded in Jacksons. We had originally suggested Robert Clark, this is now proved incorrect as he joined the military and settled in North America circa 1800. Hallmarks very clear. We have now been informed this mark belongs to Robert Chisholm, who worked alone from 1833-1835, when he formed the very successful partnership of Mackay & Chisholm (source Henry Fothringham, Historian to the Incorporation of Goldsmiths of the city of Edinburgh, website www.incorporationofgoldsmiths.co.uk).
A magnificent Scottish kilt sash brooch, used to hold the shoulder plaid in place. The brooch has cast thistles and celtic "buttons" surrounding a spectacular cairngorm (commonly known as citrine, also called black quartz or smoky quartz). The gemstone is very impressive, amongst the largest we have seen. It has been estimated at over 100 carats, and is a round brilliant cut. The hallmarks are clear, with retailers mark J.S.McL (McLeod we assume) overstriking the makers mark. Scottish citrine is called cairngorm after its place of origin in the Scottish Highlands, and is the November birthstone, also the symbol of brightness, life and hope.
