A collection of 10 sterling silver Royal souvenir spoons. Six spoons have enamel finials, 1 has enamel bowl as well. Six spoons are English, 3 are Canadian and 1 is Dutch. 4 spoons commemorate coronations. The spoons include: 1. Edward VII in commemoration of the Coronation, Westminster Abbey 1902, Birmingham 1901, Henry Griffiths & Sons, Abbey in bowl 2. Edward VII, Birmingham 1901, S Blanckensee & Sons, Edward in bowl, pierced cast Edward handle, gilded, a lovely spoon 3. Victoria Queen and Empress, London 1898, Saunders & Shepherd, imported F mark, gilded 4. King George V, Mary Queen Consort, Crowned at Westminster June 22 1911, Birmingham 1910, BH Joseph & Co, coronation chair in cast handle 5. Elizabeth II, Crowned 1953, Birmingham 1952, Mappin & Webb, coronation hallmark, "Fire Triumphs over Materials" for JK Smit & Sons, diamond drilling company 6. Royal visit to South Africa, King George VI and Queen Mother, South African coat of arms, Dutch dagger hallmark and makers mark for Van Kempen 7. Roy...

A collection of 10 sterling silver souvenir spoons, all from a different British town. The spoons were made in Birmingham, London, Chester and Sheffield, with dates ranging from 1893 to 1919. All 10 spoons have clear hallmarks. The 10 include: 1. Ripon, Birmingham 1912, Levi & Salaman, crest in bowl 2. Bideford, Chester 1906, John Millward Banks with flower trademark, engraved Bediiforde 1577 Sicillun Comvne De 3. Brighton, Birmingham 1918, Levi & Salaman, engraved In Deo Fidemus 4. Scarborough, Birmingham 1905, Levi & Salaman 5. Canterbury, Birmingham 1901, Turnbull Brothers, Cathedral in bowl 6. Oxford, Birmingham 1911, gilded armorial in bowl 7. Manchester Ship Canal, Sheffield 1893, Henry Wigfull, gilded armorial in bowl, cast handle with Navigation & Commerce 8. Unknown town, London 1899, Saunders & Shepherd, cast floral handle, lovely quality 9. Unknown town, Birmingham 1908, Joseph Cook & Sons 10. Oxford University, Sheffield 1919, Joseph Rodgers Note- The earlier spoons pre 1900 are notic...

A matching pair of nursery rhyme silver baby implements, a spoon and baby pusher, intended as Christening gifts. Both have short handles, the spoon with Jack and Jill picture, the pusher with Little Boy Blue. The detail on both is lovely, as can be seen from the photographs. Both are clearly hallmarked, the spoon was made in 1932, the pusher in 1936, but both by the same maker WH Collins, and both part of their nursery rhyme collection. The pusher has original owners initials MJ, lightly engraved so this could be removed. The pusher also has a registration number, indicating the design was protected.

A collection of ten American sterling silver souvenir spoons, 5 of which have decorated bowls and 6 of which have decorated stems, 2 decorated front and back, and 2 are gilded. As is usual for these American souvenir spoons, the details are lovely. The spoons include: 1. California, by Gorham, Golden Gate bowl, Eureka, Sutters Fort and California on front, State Capitol, Mission Dolores and Golden gate on back - a lovely spoon 2. Honolulu, maker R in wing, Surf Rider 3. Boulder Dam 4. Philadelphia, Hamilton & Diesinger, Founding Father 5. Hawaii, 1959, maker EJTC, 50TH State, Aloha Tower, Hawaii front, Admitted to the Union Aug 21 1959, The Aloha State rear 6. Washington, Abram French Co, Tip Top House 1852, Washington 7. Detroit, Mechanics Sterling, Detroit Harbour bowl 8. Detroit, Mechanics Sterling, Belle Isle Bridge bowl 9. Detroit, Mechanics Sterling, Water Works Park bowl 10. Chicago, Whiting, Ft Dearborn bowl.

A fabulous sterling silver soup ladle in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The ladle is a substantial size and weight, the quality is excellent. The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.

A collection of ten sterling silver shipping and sporting souvenir spoons, 7 with enamel finials. The spoons include: 1, 2 & 3. Steamships SS Virginian, Tunisian, Mauretania, Chester 1906, Alfred Wigley, gilded bowls 4. SS City of Poona, JRE SS, Birmingham 1929, James Fenton 5. Wembley Bowling Club, Birmingham 1913, Birmingham Medallion Co, 3 swords crested medallion, lovely quality 6. Bowling medallion trophy spoon, Birmingham 1931, Turner & Simpson 7. Bowling shield trophy spoon, Sheffield 1936, Gladwin Ltd 8. Pretoria Golf Club, Miss Whitfield, Birmingham 1902, James Fenton, beautiful crest 9. Lady golfer, Birmingham 1921, Herbert Bushell & Son, nice detail 10. UK & PC Bulldog club, Mrs BH Arnold 18/1/13, London 1912, Robert Pringle & Sons, beautiful enamel bulldog.

A lovely silver seal top spoon made by the Guild of Handicraft, to commemorate the Queen's Golden Jubilee in 2002. The spoon has a traditional seal top, hexagonal stem, hand hammered fig shaped bowl and a rat tail. Unusually the spoon has six hallmarks, including maker's mark G of H for the Guild of handicraft, sterling lion, 925 standard mark, leopard's head town mark, date letter C and the Queen's golden jubilee mark, only used in 2002. The spoon is handmade in the traditional manner, it is a pleasure to use and hold. The spoon would make an ideal Christening spoon, it could also be used as a jam spoon. The Guild of Handicraft is operated today by the Harts of Chipping Campden, "www.hartsilversmiths.co.uk". They have also published a book called: "The Harts of Chipping Campden - An insight into four generations creating fine silver in the Arts and Crafts tradition", we highly recommend this book.

An interesting Old English pattern soup ladle, made in Newcastle in 1804 by Ann Robertson, widow of John Robertson I. The ladle is larger than usual, with a long bevelled handle, and original owners engraved script initials IAJ. The hallmarks, which are well struck and clear, are interesting as both the lion passant and the duty mark have been overstruck by a smaller different punch in each case. The hallmarks include makers mark AR, Newcastle townmarks (3 castles and leopard's head crowned), and date letter O for 1804. Both the lion passant and duty mark have been carefully overstruck in the top left hand corner, using smaller lion passant and duty mark punches, the duty punch outline is also a different shape. The care of the overstrike leads us to believe this was done deliberately by the assay office, perhaps to indicate a change of duty or the arrival of new punches in the Newcastle assay office. (we welcome assistance as to the cause of this interesting hallmarking anomaly). Note: Miles Harrison, in his...

Set of 12 Fiddle pattern dessert spoons and forks, made by Hamilton & Co, the "Garrards of India". All 12 have a crest and set of initials (AD), the crest (which are worn but visible) is a dove with an olive branch in its beak, under the motto "Nil Nisi Fidum" (translated "Nothing but Trust"). All are clearly hallmarked with maker mark, elephant, the capital letter A and a variety of tallymarks.

Extremely rare marrow spoon (as opposed to the commomer marrow scoops), with a lovely shellback. Hallmarks are very distinct. Bennett was a well regarded silversmith who worked on London Bridge.

A beautiful set of 6 Australian Arts & Crafts hand made sterling silver teaspoons, with Geraldton Wax indigenous floral finials, made by of of Perth's leading family of silversmiths, Linton Silver. The spoons have hand hammered (planished) bowls, rat tail drops and cast silver floral finials, the detail and quality is very pleasing. The spoon bowls are almost triangular in shape, we have called them teaspoons but given their small size are very suitable for coffee. All 6 spoons are clearly hallmarked, a gum nut symbol in square punch, "ST.SILVER" standard mark and makers mark JAL for Linton Silver, who traded between 1938 and 1978. JAL refers to Jamie Linton, who joined his father's studio in 1920, he remained active until 1980. He trained in Perth, Paris and London, where he studied Central School for Arts & Crafts. He designed the range of Australian indigenous wildflower spoons, which are still produced today by Bethamy Linton, who retails each spoon at $295. Note - We have a matching jam spoon S 11536.

An interesting antique Ecclesiastical silver straining ladle, made in 1819 in Lemberg, then part of the Austro-Hungarian empire, but now known as Lviv, the largest city in Western Ukraine. The ladle has a round bowl, pierced with straining (or sifting) holes, arranged in the shape of a 6 petalled flower, the holes have different sizes, but all quite small - so we think it is more likely for straining than sifting. The plain handle is at 45 degrees from the bowl, the ladle overall is a good weight and very pleasing quality. The ladle has 3 clearly struck hallmarks on the back of the end of the handle. The first is the Austro-Hungarian standard mark used between 1807 and 1866, with 13 in circle for 13 loth (812 fineness), date 1819 around circle, and town mark D above the circle, with D identifying Lemberg / Lwow. The second mark TF co-joined in oval punch under D is the tax free mark (taxfreistempel) used from 1810 to denote "ecclesiastical silver not subject to delivery to the authority", so we assume the lad...

A beautiful Gorham sterling silver Louis XIV pattern gilded sugar sifter spoon and matching ladle, retailed by Starr & Marcus of New York. The pattern is striking, described as "17 th Century Magnificence", named after King Louis Quatorze of France, who "made his reign famous for it's splendour". The sifter spoon bowl is intricately pierced, clearly done by a master craftsman, one of the best we have seen. The design has 12 panels around the outside, each with a pierced starburst and V shaped flower, the centre has more starbursts and a pierced branch design, completed with pierced circles. The ladle (we assume for gravy) has a plain bowl, but with deep gold gilding (described as goldwash in the USA), both have original owners engraved initials Gothic S. The hallmarks are clear on both items, "Patent 1870, Sterling, and the Gorham lion, anchor and gothic G, along with retailers mark "Starr & Marcus". Gorham Corporation, which still exists today, was founded in 1831, they dominated the solid silver flatware m...

A rare Straight Tudor pattern sifter ladle, made by Chawner & Co, the leading flatware maker of Victorian England. The ladle is fabulous quality, and in excellent condition, without engraving. The piercing in the bowl is lovely, a central flower surrounded by scrolls, changing to leaves on the side. The Straight Tudor pattern is a Gothic Revival pattern, note the omission of 2 small scroll circular projections on each side of the stem, this differentiates it from the "Tudor" pattern. The sifter ladle is clearly hallmarked, it also carries the British Registry design number and date chart diamond, which rarely occurs on silver flatware - class I for metal, date letter v for 1850. The presence of the design mark indicates that Chawner protected the design to protect it being copied. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chawner & Co pattern registered August 14th 1850, along with Straight Tudor, it appears in the Chawner Pattern book (page 218). Odd pieces may on rare occasions, ...

A wonderful pair of Scottish Provincial silver toddy ladles, made in Aberdeen by William Jamieson. The ladles are Fiddle pattern, and both have a beautifully engraved family crest of a dog, the bright cut engraving is amongst the best we have seen on Scottish Provincial silver. The ladles are great quality. and are in excellent condition. Both ladles are clearly hallmarked WJ, A, B, D, WJ, makers mark WJ struck twice with ABD for Aberdeen in between. The 2 makers marks are struck with different punches, the second punch has an indent next to the J. Given the careful alignment and identical spacing between punches, we assume the hallmarks were part of a stub struck on a fly press. This same set of hallmarks, with the same indent, is depicted in the book Aberdeen Silver by Michael Wilson, page 66, bottom left under William Jamieson. Jamieson worked between 1809 and 1841, his company were prolific producers of silverware, based at 87 Broad street, Aberdeen. Jamieson took on at least 17 apprentices, his son Georg...

A rare Cape silver tablespoon by unknown maker M.I.V., with an exceptionally clear makers mark. The spoon is Fiddle pattern, in good condition but with wear to the tip from use, and no engraving. The makers mark M.I.V. is very well struck and clear, note the specific placing of the dots (first 2 higher than last). This is makers mark 178 in Cape Silver by Welz (page 158), where the specific placing of the dots is clearly illustrated. This mark is also recorded by Heller in Further Researches in Cape Silver Vol. 11, mark N.M.M 56, page 126, also with the unusually placed dots clearly illustrated. We have only seen one other example of Cape silver with this makers mark, a Cape silver sauce ladle that sold at Strauss in March 2011, Lot 146. Note - We have a second example of this spoon, with a slightly less clear makers mark, see S 11465.

A set of 12 ribbed rat tail trefid teaspoons, reproductions of a 17th century style, these spoons have just reached the 100 year milestone so are now classified as antiques themselves. The spoons are in good condition, they do not appear to have seen much use. The spoons have no engraving. Reproductions of earlier styles was common in the early 20th century. All 12 spoons have clear hallmarks, including makers mark W.H.H for William Hair Haseler Ltd, who worked between 1882 and 1941. Haseler is remembered as the manufacturer for much of Liberty's Cymric silver and Tudric pewter, including pieces designed by Archibald Knox.

A very interesting American sterling silver Arts & Crafts ladle, made by W. Depp in the 1950's. The ladle is the traditonal shape, but has 2 bars that join in a loop for the handle, with the base of the handle wrapped in a thick silver wire, we love this design! The bowl has been shaped by hand with a pouring lip on the side, so well suited for gravy, cream or even a toddy (the shape and size is very similar to Scottish silver toddy ladles). The ladle is clearly hallmarked with makers mark W Depp in a triangle (looks like V V rather than W), alongside "Hand Wrought" and "Sterling". W Depp is a mystery to us, he (or she) did produce some modernist hand wrought sterling silver jewellery, we have not been able to find any other flatware by this maker, or information about them (all assistance welcome). Note 1 July 2024 - Thanks to assistance from Susan who has a very similar ladle, we have identified the silversmith as Wesley Depp (1922-2002), of Saranac Lake, New York. Wesley was the son of John Depp and start...

A private die Scottish silver tablespoon, a rare spoon of fabulous quality, made by leading Glaswegian silversmiths Robert Gray & Sons. The spoon has a die stamped family crest of a stag above a knights helmet, this is beautifully struck. The spoon is a variant of Kings pattern, with hourglass shape and honeysuckle, but the shell on the front has been removed to make place for the family crest. The spoon is double struck, which is unusual for Scottish silver, and the spoon has no shoulders. The spoon is over 100 grammes, so a pleasure to hold and use. The hallmarks are clear, and are accompanied by a star, possibly a journeyman's mark. Private die flatware was individually commissioned with the family crest die-stamped rather than engraved on a stock pattern (Pickford, Silver Flatware, page 173). Most 19th century private die patterns were supplied through Hunt & Roskell to members of the peerage and other wealthy clients. Pickford describes these as "fascinating, but obviously impossible to build into servic...

An interesting and unusual pair of Old English Bead pattern tablespoons, very early for this pattern, and with large bead which was previously thought to be a 19th century pattern. The spoons are a very pleasing quality, with good patina, clearly made by a master craftsman. The spoons have original owners engraved initials B / I-A, and the spoons are bottom marked, the hallmarks have some wear and makers mark is squashed, but still clearly legible to 1776 and makers mark I*M for Jacob Marsh (Grimwade marks 1517 and 3658). Pickford (Silver Flatware page 98) says "Old English Bead's true period of style was during the 1780's, although it is found later", so these spoons are early for this pattern. He further says "two types of bead will be found, fine bead which dates from the 18th century and large bead which dates from the 19th century". These examples are clearly large bead, so we propose they are rare and early examples of bead pattern, before it migrated to fine bead in the 1780's. Jacob Marsh worked bet...