An interesting early Georgian Britannia silver rat tail Hanoverian tablespoon made by Thomas Salter of Exeter in 1718. The spoon has 5 bottom marked hallmarks, these are all worn (possibly originally lightly struck), but still with enough definition to read each hallmark. In addition to the rat tail the spoon has a central rib on the front of the stem, and original owners initials B over CJ engraved on the back, this engraving is very quaint, more likely done by the owner or local blacksmith rather than a professional engraver. The spoon is well made, and a pleasing weight, but has some wear from use. The hallmarks include makers mark Sa in Gothic script, see Jackson's Silver and Gold Marks page 292, and also Tim Kent's West Country Silver Spoons and their makers 1550-1750, page 130, M134, a book we highly recommend. The 2nd hallmark is Britannia, used between 1701 and 1720, to denote the higher grade 958/1000 silver. The third mark is lions head erased, followed by the castle town mark for Exeter, these mar...

A Worshipful Company of Joiners and Ceilers antique silver spoon, with the Company armorial as a cast silver finial. The spoon is a good weight and quality, it also has a rat-tail bowl. The cast finial has lovely detail, the back has a vacant shield cartouche intended for engraved initials. The company is one of the Livery companies of the city of London, ranked 41st in order of precedence, it was founded in 1375 and received Royal Charter in 1571. The company motto, "Join Loyalty & Liberty" was created by past Master John Wilkes in 1774, John Wilkes is remembered as the founder of "Freedom of the Press", his statue is in Fetter Lane. He was also Lord Mayor of London, his "I love liberty" slogan on silver spoon picture-backs are highly collectible. The armorial has 2 pairs of compasses over a globe, under 2 roses and a scallop shell, with a demi savage holding a spear, supported by 2 naked boys, one holding a female figure, the other a square - all this detail is clearly visible. The hallmarks are very clear,...

A pair of Jugendstil German silver serving spoons, 800 purity, made by Lazarus Posen of Frankfurt, Germany circa 1900. The spoons have an interesting diamond shaped bowl, the bowls are gilded on both sides, so can be used for serving salty dishes. The handles are single struck in typical Jugendstil (German Art Nouveau) style, with a central wreath surrounding engraved initials MJL. Both spoons are clearly hallmarked, makers mark script P in shaped outline, 800 standard mark and German crescent moon and crown hallmarks. Lazarus Posen was founded in Frankfurt in 1869, they specialised in Judaica, they became one of Germany's leading silversmiths, receiving a Royal warrant in 1903. They closed in 1938 due to Kristallnacht.

A Norwegian silver baptism spoon made by leading Norwegian silversmith David Andersen circa 1900, this is a replica of an original 16th century baptism spoon. the quality and workmanship is excellent, as is usual for these Norwegian and Danish baptism spoons. The spoon features a naked female holding fig leaf and plunging a sword into her bosom, standing on an elaborate plinth, finely decorated with faces and foliage. the tear shaped bowl is finely engraved on the back and the front, the front with Norwegian Madonna and Child, the back features Christ on the cross, overlooked by a bishop under a dove, and inscription "HIELP OS DI HELIGE TREI FOLDIG HED M M D 1511", which translates "Help us your holy Trinity". The spoon is clearly hallmarked with purity 830 and David Andersen makers mark, this mark was used between 1888 and 1925. A similar spoon is shown in the book "Collectable Souvenir Spoons Volume II, page 29, by Wayne Bednersh, and also on his website www.spoonplanet.com under Norwegian and Danish silver...

A rare and interesting Cape silver Masking or Mash spoon, in the Old English pattern. The spoon is teaspoon size but has a much longer handle, these spoons are called Masking or Mash spoons, they were used to stir the teapot. Most of the known Masking spoons are Scottish Provincial in origin, but they are known in the Cape (see S189 for a similar example made by Jan Lotter, cousin of Carel David, which we have sold). The spoon has no engraving, and clear makers mark CDL between 2 star devices (Welz mark 64). Carel David Lotter, part of the Lotter family of Cape silversmiths, worked between 1812 to 1848.

An interesting pair of Cape silver dessertspoons, engraved with an original family crest of winged castle turret below circular cross. The spoons are Fiddle pattern, and are very pleasing quality and weight. The hallmarks are also very clear on both spoons, pseudo duty mark, pseudo castle town mark with flag flying, pseudo date letter C and makers mark LT (mark 140 in Cape Silver and Silversmiths by Welz). What makes these spoons interesting is the different sized makers mark, one has the usual larger size LT punch, the other has a much smaller LT punch, we assume intended for hallmarking smaller items. Twentyman was the most prolific of all Cape silversmiths, he had the first shop on Heerengracht (now Adderley Street) with a shop window. He worked between 1818 and 1832. Note - These spoons match the pair of tablespoons S11352. Note 2 - With the assistance of a customer, we have now identified the engraved crest as the Heathcote family, described as "On a mural crown, a sphere charged with a cross, between tw...

An interesting boxed set of 2 serving spoons, with a very unusual spoon design we have not encountered before. The spoons have gilded bowls, tapered flat stems with a beautiful baluster or urn finial. The box reads "By Appointment, Mappin & Webb Ltd, Queen Victoria Street, London E.C." The hallmarks are clear on both spoons. We welcome information as to if thses spoons were produced for a specific purpose, or were replicas of an earlier spoon. Mappin and Webb was founded in 1859, it still exists today and is one of Britain's most prestigious brands. In addition to Royal Warrants, Mappin and Webb are the Crown Jeweller. Note - We have an identical pair of these spoons, S 11283, but without the box, and dated 1924.

An early Georg Jensen silver spoon in the Continental pattern, also called Antik pattern, made in 1927, The spoon is a lovely size and shape, and is is hand hammered, both on the back and front of the spoon bowl and the front of the handle. This is technically a "gumbo" spoon, a large spoon for Louisiana Gumbo, but is more suitable as a small serving spoon. The hallmarks are very clear, including the GJ over 830S makers and standard mark used between 1915-1930, and assay masters mark for Christian Heise (1904-1932). The third mark is the Danish three towers mark above 27 for 1927. The pattern is well described on the Scandinavian design website Fjorn (www.fjorn.com), as "Designed in 1906 by Georg Jensen, the Continental cutlery pattern was the first major cutlery range to emerge from the fledgling silversmithy that was established two years earlier in 1904. In designing Continental, Georg Jensen was inspired by the forms of traditional and centuries-old Nordic tools and implements. The lightly hammered surfac...

A set of 4 Canadian silver teaspoons in the Fiddle pattern, made by John Ramage of Kingston, Ontario between 1851 and 1869. The spoons are quite large for teapoons, and a pleasing weight, around 18 grammes each. All 4 spoons have engraved original owners initials AW, in a beautiful flowing script, quite different to English engraving of the period, so distinctly Colonial. All 4 spoons are hallmarked with maker mark "J. Ramage" in rectangular punch, clear on one spoon, and some wear to the last few letters on the others. John Ramage Senior was a Scottish immigrant who arrived in Quebec in 1817 on the Prompt, he settled in Lanark County before moving to Edwardburg (source www.ramagefamilyhistory.com). Both John senior and his son (also John) were listed as "working silversmiths, jewellers, clockmakers and watchmakers" in Kingston, Ontario in 1857, at 63 Brock Street, before moving to Princess Street (source Langdon, Canadian Silversmiths 1700-1900, page 118).

A set of 4 Irish Georgian dessert spoons, bottom marked, with excellent hallmarks on all 4 spoons. The spoons are Old English pattern, and have an engraved family crest of an armoured arm holding a dagger, this engraving is crisp and clear. Bottom marked hallmarks, used before 1790, are seldom clear, they are often squashed, these marks are excellent. They include makers mark IK in rectangular punch with rounded corners, and without dot, according to Douglas Bennett, in his book Collecting Irish Silver, this mark could belong to 3 different silversmiths, John Kavanagh (1783-1819), John Kelly (1780-1794) or James Kennedy (1768-1803), all three of which fall in the date range. More research is required on these makers, the makers mark on these spoons are very clear.

A lovely pair of Early Georgian Hanoverian dessert or Child's spoons, made by the leading Huguenot spoonmaker of his day. The spoons are nicely proportioned, and have a double drop. The spoons are engraved on the back (as is usual for this period) with an interesting original family armorial, an Eagle wearing crown, clutching a quarter circle (sextant?) in its talon. The spoons are bottom marked, as is usual for this period, as a result the hallmarks are slightly squashed but still clearly legible, including makers mark PH under acorn for Paul Hanet. The date letter K is also clear, in unusual square outline (only K and M, 1725 and 1727, are not in Norman Shield, the only anomalies between 1561 and 1739). The lion passant and crowned leopards head town marks are partially visible. Paul Hanet is described by Grimwade (London Goldsmiths, page 532) "from the evidence of the survival of pieces bearing his mark, Hanet was clearly one of the principal Huguenot spoonmakers of his day". Hanet entered his first Lond...

A pair of Georgian Irish silver serving spoons, made by William Ward of Dublin. The spoons are Fiddle pattern, we have described them as serving spoons as they are noticeably larger than tablespoons, very suitable for use as serving spoons. The spoons both have an interesting engraved family crest, a hand above heart, this is well engraved. The hallmarks are clear on both spoons, makers mark W.W (mark 580 in Irish Silver by Douglas Bennett, page 180), date letter I for 1805, and Hibernia and Harp Crowned in rectangular punches with canted corners. Note the absence of a duty mark, which only came into use in 1807 in Ireland. William Ward was a noted spoonmaker, he was freed in 1774 and died in 1822.

A rare set of 6 Rose pattern Victorian silver teaspoons, by the highly respected firm of Elkington. These are the heaviest and best quality teaspoons we have ever encountered, each teaspoon averages over 44 grammes, no expense was spared when these were made. The pattern is double struck, and has good detail, with trailing roses, and Anthemion heel (Pickford, Silver Flatware, pg 131. The crest area has not been engraved. The hallmarks are clear, it appears the Elkington and Co Ltd makers mark is overstriking another maker, indicating Elkington purchased these from a specialist maker (possibly CJ Vander, who are known to have possessed Rose pattern dies, depicted in Pickfords book, pg 25) and overstruck their mark, a common practise. Pickford describes the pattern as rare, and he notes 2 different types (different heels). Close examination shows that these spoons have a slightly different design from the one depicted in Pickfords Flatware book (pg 131), with more leaves, so different dies must have been made. ...

A magnificent Hanau silver serving spoon, commemorating the 100 year anniversary of Frederick the Great (Frederick II of Prussia), whose nickname was "Der Alte Fritz" (Old Fritz). The handle of the spoon is a very detailed full length cast figure, with detail on both the back and front. Frederick is standing on a plinth with the dates "1740-1786", the dates he reigned, on top of the Imperial Prussian Eagle and Crown. The spoon bowl (also cast) is heart shaped, with decorative flowers and foliage. The spoon is excellent quality, suitable for display or use. Frederick, also Prince Elector of the Holy Roman Empire, modernised the Prussian army and won military acclaim, so much so that even Napoleon regarded him as one of the greatest tactical geniuses of his time. J.D. Schleissner & Sohne were Hanau's "pre-eminant producer of antique style silverware in the latter 19th century (www.925-1000.com), they exhibited at the 1893 Chicago and 1904 St Louis international expositions. The hallmarks are clear, and inclu...

A Scottish provincial antique silver toddy ladle, Fiddle pattern with engraved initial L, and long elegant handle (longer than most toddy ladles). The hallmarks are very clear, AC, C, thistle, pot of lilies, AC. Alexander Cameron added the thistle mark to the Dundee pot of lilies in the early 19th century, after the manner of Edinburgh marks (Jackson, pg 599).

A unique set of 12 Hanoverian teaspoons, six of which are shellbacks, the other six are scrollbacks. These spoons predate the common practise of making and selling flatware in sets, complete sets are extremely rare. As is usual of the period, these spoons only have 2 hallmarks, the sterling and makers mark, which given the small size of the spoons were often poorly struck. The makers mark is present on all spoons but discernable on only 8, with 5 being by Charles Hougham (one set of 3 and another set of 2), and one each by Hester Bateman, Ebernezer Coker and Thomas Devonshire & William Watkins. Nine spoons have contempory initials, and 2 have a later crest.

A set of 3 Cape silver tablespoons by Johannes Combrink, who worked in Cape Town between 1814 and 1853. These spoons are excellent quality and robust, well suited for use. The spoons resemble the Old English pattern, but are Continental in design, with a V shaped drop, strong lip on tip and flattening to the top half of the handles. Given the Continental style of these spoons, which is confined to early Cape flatware, we can assume they were made early in Combrink's career, probably between 1814 (when Combrink started producing silver) and 1820, when the English 1820 settlers arrived in the Cape, bringing with them English styles. Each spoon has a small identification nick on the back at the top of the handle (1-2 mm). The makers mark IC (Welz mark 32) is clearly struck on all 3 spoons.

An Irish Georgian silver punch ladle, quite small in size, identical in form to the larger punch ladles, we are not sure if it is intended for punch or another liquid (bowl very similar in size to Scottish toddy ladles, so perhaps an Irish Whiskey toddy ladle?). The bowl is circular, with a substantial pouring lip, and angled handle, the turned wooden handle is stained black. The wooden handle is securely fastened with silver pin, we believe this to be original, with no repairs. The interior of the bowl has 3 hallmarks, makers mark J.T in rectangular punch, partially struck (due to curved surface) harp crowned for Dublin, and clearly struck duty mark for William IV, the punch with 4 indents, this punch was only used in 1831 and 1832. This particular makers mark is interesting, J.T in rectangular punch, it is not recorded by Bennett in his book "Collecting Irish Silver (highly recommended), it is recorded by Jackson (page 655) preserved on a pewter plate, but listed as unknown. Amongst the most likely candidat...

A lovely Irish soup ladle in the Fiddle pattern, with an attractive, naive tulip crest. The handle is beautifully curved, so much that the top of the handle is at right angles to the bowl, which makes holding this ladle a pleasure. The bowl, which is quite large, is shaped with high edges which assists pouring the soup out of the ladle. The hallmarks are very clear. Sawyer worked from Fishamble Street from 1797 - 1812, when he died - meaning this ladle was one of his last works.

A fabulous and interesting Royal silver souvenir spoon, commemorating the Diamond Jubilee of Queen Victoria in 1897. The detail, quality and condition are exceptional, we love this spoon. The bowl depicts the coronation of Queen Victoria in Westminster Abbey in 1838, it is a faithful copy of the famous painting by Sir George Hayter, which the Queen herself commissioned and was delighted with, now in the Royal collection. Both the front and back of the handle are richly decorated, the front with a bust of the Queen below crown, above "Peace Commerce" above 2 ships (the naval ship HMS Thunderer), above "Electricity", represented by Greek mythology messengers Iris and Hermes next to a telegraph pole. Below "Rifle Volunteers" with soldiers being inspected by Britannia, above "Steam" above a detailed steam locomotive, above "Penny Postage" and a mailman. The rear has crossed Royal flags with rose, shamrock, leek and thistle, above the Order of the Star of India, with motto "Heavens Light Our Guide", above a Royal ...