An interesting Roman silver Ligula (or spatula), used for getting cosmetics (or medicinal products) out of long necked jars (balsamaries). The ligula has a rounded shaft with a slight knob on the end, a baluster decoration on the stem (perhaps to improve grip), and a feather or leaf shaped bowl, the 2 sides joined at a 135 degree angle. The bowl also has 3 curved engraved lines, possibly for decoration. The stem is quite rough to the feel (the opposite of smooth and even), it has a number of knocks, small cracks and holes, and discouloured patches, perhaps the result of a long and rough life, but we feel more likely from impurities in the silver when it was made (we welcome opinions, this is certainly not our area of expertise, thanks)
A set of 6 Art Deco sterling silver coffee spoons, well preserved in original half moon box. The spoons have horseshoe shape bowls, and classic Art Deco finials, the 4 tower shape. All 6 spoons have clear hallmarks. The box is also lovely, half oval fan shape. Both box and spoons are small and dainty, smaller than most spoon boxes.
A lovely set of Art Deco silver grapefruit spoons, with unusual and decorative pierced terminals. The spoons are good quality and a pleasing weight, a pleasure to use on a grapefruit. The piercing is robust, these spoons are very suitable for use. The hallmarks are clear on all 6 spoons. The spoons also have a registration mark, RD 787919, which indicates the design was registered and protected by the patent office. Cooper Brothers worked between 1900 and 1979.
Typical Scottish silver toddy ladle, in the Fiddle pattern, with engraved initail P. The ladle was made by Andrew Wilkie, a Dundee silversmith, but was assayed in Edinburgh. Silver by Wilkie is found with both Dundee marks (pot of lilies) and with Edinburgh marks, as is the case with other Scottish provincial silversmiths, brought about by the imposition of duty on hallmarked silver. According to Turner (Directory of Scottish provincial silversmiths and their marks), certain makers had a proportion of their silver fully stamped in Edinburgh, to keep their registration as a silversmith valid - and to keep the Revenue service happy that duty was being paid.
Rare set of 3 Old English tablespoons made in Carlisle, with Newcastle hallmarks, which are very clear. These spoons all have the same engraved initial B as the 4 tablespoons with the incuse duty mark (item S 1184). John Brown worked between 1822 and 1826, he was an ironmonger and jeweller of English Street, Carlisle, who made a variety of small silverware.
Beautiful pair of Fiddle pattern Cape salt spoons. Vos died age 27 in 1862, having been a silversmith for 8 years at 127 Long street in Cape Town. Very clear hallmarks showing makers initials, in hexagonal outline, and pseudo English sterling and duty mark.
A Scottish provincial toddy ladle in the Old English pattern, with circular bowl and a long, elegant, curving handle. The ladle is engraved with script initials AP, which are contemporary. The hallmarks include makers mark DM struck twice, either side of the Dundee town mark, a "Pot of Lilies". The pot of lilies is the arms of the burgh of Dundee (Jackson pg 598), the pot has 2 handles, clearly visible here. The hallmarks are clear, with slight wear to the lilies at the top of the mark. David Manson worked between 1809 and 1818, his work is quite rare.
A Indian Colonial silver tablespoon in the Fiddle pattern, slightly larger and heavier than most tablespoons. Ths spoon has a good feel, nicely weighted when used, and clearly hand made. The spoon has no engraving, or any sign of engraving being removed. The hallmarks are clear, and include makers mark P&Co. for Pittar & Co, pseudo lion passant, pseudo date letter A and tally mark number 17 from the book "Indian Colonial Silver" by Wynyard Wilkinson, page 170. Arthur Pittar & Co. worked between 1825 and 1848 in Calcutta, a similar tablespoon, but 2 centimetres shorter, is depicted on page 104. They were primarily diamond and jewel merchants, but clearly made good quality flatware and holloware. They imported a die press for manufacture of Fiddle pattern flatware in 1842, we believe this spoon predates that, given it's unusual size.
A set of six sterling silver teaspoons, made in 1952 and carrying the coronation hallmark used to celebrate the coronation of Queen Elizabeth II, The spoons are an unusual pattern, with Fiddle pattern style shoulders, notched finial (2 corners cut away), and 4 engraved bands between notches, overall an attractive pattern. The hallmarks are clear on all 6 spoons.
A beautiful Australian Arts & Crafts hand made sterling silver jam spoon, with Geraldton Wax indigenous floral finial, made by of of Perth's leading family of silversmiths, Linton Silver. The spoon has a hand hammered (planished) bowl, triple rat tail drop and a cast silver floral finial, the detail and quality is very pleasing. The spoon are clearly hallmarked, a gum nut symbol in square punch, "ST.SILVER" standard mark and makers mark JAL for Linton Silver, who traded between 1938 and 1978. JAL refers to Jamie Linton, who joined his father's studio in 1920, he remained active until 1980. He trained in Perth, Paris and London, where he studied Central School for Arts & Crafts. He designed the range of Australian indigenous wildflower spoons, which are still produced today by Bethamy Linton, who retails each spoon at $295. Note - We have a matching teaspoons S 11535.
A Cape silver teaspoon in the Fiddle pattern, with excellent Cape silver hallmarks. The spoon is engraved C.V.N.O. Schultz 1862, we assume the original owner, this engraving is very crisp and clear. The hallmarks are excellent, and include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver. Note: We have been informed that C.V.N.O. Schultz could possibly be Constand (Constant) Van Nuldt Onkruidt Schultz, who was born in Cape town 13/11/1824, son of Jacob Schultz and Catharina Fredrica Van Nuldt Onkruidt. He married Martinet (Martha) Maria van der Poel in Cape Town on 15/02/48. He died on 16/04/1863 in Stellenbosch, his death notice recorded him as "small farmer". The spoon is dated the year defore his death, so possibly it was anticipated and he had the spoon (s) m...
A Chinese Export silver dessertspoon in the Fiddle pattern, with very clear pseudo hallmarks. The spoon has original engraved initials (now worn), and has been well used. The hallmarks include pseudo lion passant, pseudo crowned leopard's head town mark, makers mark YS and pseudo duty mark, these marks are very clearly struck, but show wear to the punches from prolonged use. The website www.chineseexportsilver.com also notes that "Yatshing silver is always of a high standard", and the book "Chinese Export Silver describes Yatshing as "quite prolific".
A lovely Irish silver Bright Cut Celtic Point tablespoon, with traditional Dublin Star cut on the terminal. The spoon has an oval cartouche, with engraved family crest of a Griffin holding branch with leaves, this is crisp and clear. The spoon is bottom marked, and unusually has excellent hallmarks (bottom marked hallmarks are oftern squashed), they could not be better. The include Dublin Hibernia and Harp Crowned, date letter O for 1786, and makers mark J.S for John Shiels (or Sheils) who worked between 1762 and 1790.
A beautiful pair of sterling silver fruit serving spoons, made by Bailey & Co of Philadelphia between 1871 and 1878. The spoons have bright cut bowls which are gold washed, the handles also have a lovely design with palm leaves, we have not been able to identify the pattern (assistance welcome). The spoons have engraved owners initials MII in fancy script. The hallmarks are clear on both spoons, "STERLING PAT 1871, 1A, BAILEY & Co." The bowls also have an additional hallmark, an ornate shield with fancy design. Bailey & Co worked between 1832 and 1878 when they became Bailey, Banks & Biddle, they still exist today. Joseph & Charles Bailey are remembered for excellent quality, these spoons are no exception. The firm claimed the distinction of being the first to introduce the sterling 925 British standard to the American public, at the time the standard was 900 (Rainwater, Encyclopedia of American Silver Manufacturers, page 33).
An interesting antique silver spoon, used as a prize in a rifle shooting competition in Natal (now Kwazulu Natal), South Africa. The stem has the cast inscription "For Making The Possible", the back of the bowl has an applied plaque, the emblem of the Natal Rifle Association. It contains a seated Boer soldier on a horse, with the motto "Semper Parati" (Always Prepared), and the date 1862, we assume the date the association was formed. The horse and rider are well modelled, as can be seen in the photos. Semper Parati is now the motto of the Boy Scout movement, perhaps Baden Powell encountered it during his time in South Africa during the Boer war. The spoon was made by the highly regarded Levi & Salaman, and has Birmingham hallmarks for 1904. We had a similar spoon, S 1563, now sold, with the same NRA plaque, but motto "For making the Bulls Eye".
An interesting coin silver American single struck Kings shape Thread and Shell pattern teaspoon, made by Samuel Kirk between 1824 and 1827. Whilst we describe this as a teaspoon, it is a large and heavy teaspoon, perfect for eating dessert. Single struck flatware means the pattern is only struck on one side, this only occurred in Scotland in the UK. The spoon has the original owners engraved family crest, a human head with full beard. The spoon has 3 hallmarks, makers mark S.Kirk in serrated rectangular punch for Samuel Kirk, Baltimore Coat of Arms large oval shield mark (quality mark), date letter C for 1824 - 1827, these are all well struck and clear. This dates to a very interesting period in US silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA. The State Legislature of Maryland passed the Assay Act of 1814, which set the quality standard at 917, the Act was repealed in 1830 due to opposition by the affected silversmiths, includ...
An interesting Cape silver tablespoon, that appears more Continental than Cape in style. It is Fiddle pattern, but without the shoulders seen in English Fiddle pattern, and the drop has a wide oval shape, another Continental silver feature. The spoon has a single hallmark, makers mark DC, well struck but by quite a crude, home made punch, with flaws in both letters. This punch is a different one from the one depicted in Welz (Cape Silver, pg 146, mark 21), but has been noted on other Cape Silver, so we are confident it is by Collinet (no other Cape silversmiths have initial DC). Collinet was born in Liege, Belgium, he worked in the Cape between 1810 and 1825. We assume he made this spoon early in his career, certainly before 1820 when a number of English silversmiths arrived in the Cape and dictated the style of silver.
A very interesting silver gilt cast spoon, with a well modelled gentleman in 18th century period dress, complete with cane and hat. The figure stands on a pedestal on twisted stem which changes texture (almost bark like) as it joins the spoon bowl. The spoon is in it's original box, marked "By Appointment A. Stephen & Co, Manufacturing Jewellers, Calcutta", so this spoon is well travelled. The hallmarks are very clear, and include registration number "RD 179159", showing the design was protected at the patent office. The spoon was probably designed as a Christening present for a wealthy family We welcome opinions on the origin of the figure.
A lovely Edwardian Christening present, made by the specialist spoonmaker Francis Higgins. It is a replica rattail trefid spoon with ribbed rattail, very distinct notches, and very clear hallmarks. The spoon has no engraving, so would be suitable to be engraved. The spoon is excellent quality, and is a joy to hold. Replicas of 17th century silver items were popular during Edwardian times, the replicas are usually very good quality, as is this trefid spoon. Francis Higgins carried a hammer with him in the workshop to destroy any items not up to his standards (Culme, Gold and Silversmiths). He also commented "it should last more than a lifetime, boy" - he would have been proud of this spoon. This spoon is very similar to one we have already sold (S 1327), which was made 4 years earlier, also by Higgins.
A lovely example of an American souvenir spoon, which were very popular at the turn of the 20th century, and one of the finest we have encountered. The spoon depicts a Canadian Indian, complete with bow and arrows, tomahawk, feather headdress, Canada ribbon, and delightfully detailed moccasins. This is a rare spoon, the Indian here is not depicted in "Collectible Souvenir Spoons", the authority on souvenir spoons, by Wayne Bednersh. The spoon bowl depicts Brandon College, Brandon, Manitoba, and the Indian figure is holding the enamelled Royal Coat of Arms of the UK, with quarters of England, Scotland and Ireland, under the Royal Crown. This was used in Canada prior to the confederation in 1867, so it is a little mysterious why a Canadian spoon from 1900 is still using these arms. Brandon College was founded in 1899 as a Baptist institution, and was completed in 1901, this spoon would have commemorated the opening. Over 200 students of Brandon College fought during WWI, 2 were awarded the Victoria Cross. Brand...
