A fabulous set of 4 cast Britannia (950 grade) silver candlesticks with 2 matching detachable two light candelabra, which slot into the candlesticks. The candlesticks are octagonal with diamond facets, with the stems and sconces conforming in outline with the bases, a "pleasing and balanced design" (Peter Waldron, Price Guide to Antique Silver, No 115, pg 52). These are reproductions of a very popular Queen Anne style, made circa 1710, described as "the most desirable of Queen Anne candlesticks (Waldron, as above). The candlesticks are cast, and are exceptional quality, weighing around 530 grammes each (these are not loaded, total set weight 3.064 kilogrammes, or 108 ounces). The candlesticks have no engraving or armorials, and nothing has been removed. The two detachable 2 light candelabra slot perfectly into all 4 candlesticks, so quite a versatile set. They follow the same design as the candlesticks, with the addition of octagonal drip pans. The 2 candelabra were hallmarked in 1930 (so slightly before th...

A lovely gold lady golfer medallion or brooch, with a lady golfer in full swing, above a scroll reading "R D L G C", possibly Royal Durban Ladies Golf Club. The medallion has 2 different colours of gold, a redder colour and also brighter yellow colour, which combined with the texture makes the picture stand out. The back of the medallion is engraved "W.m PAY LOVING CUP, 1935, J HEY", the original winner of the medallion. The medallion has a 14 carat gold pin and clasp on the back, allowing it to be worn as a brooch (this could be easily removed, allowing the medallion to be worn as a pendant). The hallmarks are clear, including makers mark for Marples and Beasley, who were jewellers and medallists, they worked between 1899 and 1994. The other hallmarks include 9 and .375 indicating 9 carat gold, and date letter for 1921, so it was made some time before it was awarded.

Magnificent silver sauce boat, with three fabulous applied lion mask and paw feet. The sauce boat is traditional shape, has a gadrooned rim and double scroll handle, with leaf cap. The boat is very heavy and is extremely good quality, it is a pleasure to hold and use. The hallmarks are clear, but the maker's mark is only partially struck, but still clear enough to determine. This is a replica of an earlier style, the design is a typical Paul de Lamerie design, circa 1740-1745. De Lamerie often used the applied lion mask and paw feet. Pairpoint Brothers worked between 1879 and 1937. To quote Culme in "Directory of Gold and Silversmiths, pg 355", "of the place occupied by the four Pairpoint Brothers in the silver world, little is necessary to be said, for their silver mark may be seen in every retail silver merchant's window in London. It is admitted on all sides by experts, sometimes with a sigh of regret, sometimes with a grin of malice, that Pairpoint copies of ancient patterns are dangerously near b...

A lovely 9 carat gold music prize medallion, decorated with crisp and finely detailed musical instruments, including a harp, violin, trombone, oboe and clarinet, complete with sheets of music. The medallion is engraved "SFCC EISTEDDFOD, 1922, SENr Piano Solo, 1st Prize, Miss M Butt". The engraving has been done by hand. The medallion is attached to a gold link by scrolling foliage. The hallmarks are very clear, including makers mark T&S, 9 ct gold hallmarks, Birmingham town mark and date letter for 1922. The ring also has gold hallmarks.

A pair of full figural Indian sterling silver souvenir spoons, with bowls decorated with Mudlavia, Kramer, Indiana. The spoons are a good weight at 30 grammes each, and very pleasing quality, The detail on these spoons is excellent, the Indian is carrying a bow and tomahawk, his feathered headrest hangs to his waist. The bowls feature the Mudlavia Hotel in Kramer, Indiana, once again the detail is excellent (one spoon bowl is very clear, the second has some wear and is not as crisp). Both spoons are clearly hallmarked "Sterling", they also have a Dutch duty mark V in shaped shield, this mark was used 1906-1953 on imported silver, so at some stage these spoons were imported into the Netherlands. No makers mark is present. The Mudlavia Hotel was a spa built in 1890 by Harry Kramer to use the natural spring water, it drew visitors from around the world until it burnt down in 1920. Today the springs are owned by Perrier for use in their bottled water. The book "Collectable Souvenir Spoons" by Wayne Bednersh desc...

A mixed and interesting set of 6 Cape silver Old English pattern teaspoons, all made by members of the Lotter family of Cape silversmiths. It consists of 3 matched spoons by Gerhardus Lotter, 2 spoons by his cousin Carel David Lotter, and 1 spoon by his brother Willem Godfried Lotter. The 3 spoons by Gerhardus are marked by makers mark GL (Welz mark 68), one spoon by Carel has makers mark CDL (Welz mark 63), the other Carel spoon has CDL between 2 stars (Welz mark 64). The Willem spoon has WGL between 2 L shaped devices (Welz mark 94), all marks are clear. One Carel spoon has original engraved initials DJLR, the other 5 have no engraving. The spoons have very slight differences in style and length, but they are close enough to be used as a set.

An interesting set of 4 Cape silver Fiddle pattern tableforks, by Lodewyk Beck. They have no initials, although 1 fork has the remnants of an initial just visible. It appears 1 fork was made at a different time, as the hallmarks are struck differently from the other 3. The hallmarks include makers mark LB with 4 pseudo English hallmarks, including lion, duty mark, castle town mark and date letter a. What is interesting about the hallmarks is that they are all individually struck, with not too much care, both the sterling lion and the date letter have been struck upside down on one, it appears the order and orientation of hallmarks was not important to Cape silversmiths. The 4th fork, has the same hallmarks but struck further apart. Lodewyk Willem Christiaan Beck worked between 1847 and 1867, from Shortmarket street and Greenmarket Square.

A delightful Chester silver miniature card box, complete with complete set of "Little Duke" cards. Box and lid are both hallmarked with Chester marks. George Nathan and Ridley Hayes worked between 1897 and 1912, they had premises in Howard Street, Birmingham and also a retail shop at 13 Hatton Gardens, London.

A antique silver cigarette case, presented to a South African World War I soldier who won the Military Medal for bravery displayed at Menin Road. The inscription reads "Pte. J.J. Cronje, M.M. 4 SAI, From the Ladies of the Riversdale Red + Soc:, In Appreciation of Bravery Displayed at Menin Road, June 10th 1919". Private Cronje was part of the 4th South African Infantry Regiment, part of the larger South African Brigade, best remembered for their role in the Battle of Delville Wood in 1916, but with battle honours for Egypt, Somme, Delville Wood, Arras, Ypres, Menin Road, Cambrai, Mons and Flanders. The 4th SAI was known as the "South African Scottish", as it was raised from the Cape Town Highlanders and Transvaal Scottish Regiments, with additional recruits from Caledonian societies. Riversdale is a small farming town in the Western Cape province, en route between Cape Town and the Garden Route. We assume for the inscription it was Cronje's home town, and that the ladies of the local Red Cross Society arrange...

A Cape silver salt spoon in the Fiddle pattern, with no engraving or gilding. The spoon has clear hallmarks, makers mark LT and 4 pseudo hallmarks (duty mark, date letter d, castle town mark and bird), this is mark 132 in Cape Silver by Welz, but with the individual marks struck in a different order.

An interesting Indian Colonial 9 carat gold sweetheart brooch, featuring a well modelled cast elephant and battle honour ASSAYE. The brooch is good quality, and the original gold pin and clasp in full working order. The brooch is clearly hallmarked, makers mark H&CoLD, and 9Ct for nine carat gold. This makers mark was used by Hamilton & Co, the "Garrards of India", between 1926 when they became a limited company and 1936 when they introduced date letters. The battle of Assaye was a major battle of the Second Anglo-Maratha War fought between the Maratha Empire and the British East India Company in 1803, the future Duke of Wellington commanded the British, he "considered Assaye the finest thing he ever did in the way of fighting even when compared to his later military career" - Wikipedia. He had 2 horses shot under him during the battle. "Both British regiments and Indian units were awarded the Assaye battle honour and most were later given permission to adopt an Assaye elephant as part of their insignia. The ...

An 18 carat white gold, diamond and enamel sweetheart brooch, for the Intelligence Corps. The brooch has 23 diamonds, 10 each in the supporting laurels either side and 3 in the crown. The brooch has red, green and blue enamel, all in perfect condition. The badge has a Union (or Tudor) rose, red with white centre, underneath the crown of George VI, so we can date this badge to WW II. The rose rests on 2 diamond studded laurel wreaths, above blue "Intelligence Corps" scroll. The brooch is clearly hallmarked 18CT for 18 carat gold, the pin is an identical colour, so we believe it is 18 carat white gold as well. The brooch also has an engraved number 36047, and scratch engraving numbers and letters, these are manufacturers marks. The Intelligence Corps of the British Army gathers, analyses and disseminates military intelligence, it was formed in 1914 at the onset of WW1, and is staffed by mostly officers. During WW2 members were deployed in France as part of SOE, in Africa with the Long Range Desert Group, and at...

Interesting double lidded snuffbox with trellis and diaper engraving and a crest, by well known silversmiths. Both the box and both lids are clearly hallmarked.

A beautiful antique French silver 4 piece Hors-Doeuvre serving set, consisting of butter or pate knife, pierced spoon, serving fork and pastry trowel, perfectly preserved in their original box. Both the implements and the handles are 950 grade silver, so higher grade than sterling (925). The matching handles are very ornate in Neoclassical style, the detailed design od architectural elements, scrolls and foliage is raised, so provides extra grip, the detail is superb. Both the spoon and the trowel are finely pierced, and all 4 implements are engraved with scrolls and foliage. All 4 items are hallmarked, both on the blades and the handles, with the French Minerva 1 for 950 grade silver, and diamond makers mark, most of which are poorly struck with only some partially visible, enough is present to see makers mark VH around glaziers diamond (un diamant de vitrier) for Vital Hygonnet, who worked in Paris between 1895 and 1928. Serving sets such as these were very fashionable in France around the turn of the 20th ...

A mixed set of 6 Irish silver tablespoons, all with excellent hallmarks. 3 spoons are Old English pattern (a matching pair by John Pittar, 1779, bottom marked, with worn shellbacks, and a spoon by Michael Keating, 1799), and 3 are Fiddle pattern (1805 by J.S, 1812 by Richard Sawyer and 1832 by Samuel Neville, this last spoon has a rat-tail. 3 spoons have engraved family crest, 2 spoons have engraved initials, and one spoon has not been engraved. All 6 spoons have well struck and clear Dublin hallmarks, and clear makers marks.

A set of 12 identical sterling silver golf trophy spoons, all with identical engraving of BIGC in Gothic script (or IBGC) for a golf club. The spoons are great quality, with cast handles featuring golf clubs and balls, the club handles are also textured. The spoons are all in excellent condition, they do not appear to have been used, and have no engraving on the bowls. They are contained in a box which looks like it was custom made for the set, with purple velvet. All 12 spoons have very clear hallmarks, 9 were made by Robert Chandler (dates 1907-1910), and 3 were made by William James Dingley (2 are 1912, one later at 1925). We assume these were trophy spoons, won over the years by a golfer, who decided to safeguard them with a custom made box.

A rare set of 6 Victorian Military Fiddle Thread antique silver table forks, each over 90 grammes in weight, they have a lovely feel in the hand. The forks have an engraved family crest of a lion rampant, this is crisp and very clear. The hallmarks on all 6 forks are excellent, and include makers marks GA (George Adams) for Chawner & Co, the most important firm of silver spoon and fork manufacturers in Victorian England, known for excellent quality (these fine forks are no exception), See Culme, Gold & Silversmiths, page 82. Military Fiddle and Thread pattern has scrolls instead of shoulders, as do all military variants, this pattern is described by Pickford (Silver Flatware pg 117) as "a scarce variant of the Fiddle Thread pattern, building a service would be difficult".

A Peruvian sterling silver Arts & Crafts tray, made by Industria Peruana and branded Old Cuzco. The tray is rectangular, and has three separate compartments, so quite practical for serving snacks. It is a pleasing weight, a pleasure to hold and use. The tray has a reeded rim with 6 shells completing the decoration. The tray is clearly hand made, slightly irregular, we really like this tray. It is hallmarked on the base "Old Cuzco Peruana Industria 925".

An interesting set of 6 Danish silver coin bowls, each with a different 2 Kronor Danish coin. The bowls have a textured gadrooned rope border, and sit on a small circular foot that protects the coins. The bowls are 830 standard silver. The coins range in date from 1875 to 1958, and include: 1. Christian IX 1875, 2. Christian IX 1903, 1863-1903 , 3.Christian IX / Frederik VIII 1906, 4. Christian X 1870-1930, 5. Christian X 1912-1937, 6. Frederik IX Princesse Margrethe 1958. All 6 bowls are clearly hallmarked "SKAARUP 830S". Jacob Skaarup worked in Copenhagen between 1927 and 1948, given one of the bowls is 1958 we assume the business carried on beyond 1948.

A set of three Georg Jensen serving implements in the Old Danish # 100 pattern (Dobbelt Triflet) pattern, including serving spoon, gravy ladle and meat fork. The pattern has "undulating outlines and a pair of incised parallel lines, square bowls, the overall proportions are reminiscent of much earlier flatware designs, as the name Old Danish implies" Georg Jensen, A Tradition of Splendid Silver, page 269). The serving spoon is medium sized, the gravy ladle has a deep bowl, and the elegant meat fork has 2 tines. All 3 items are clearly hallmarked "Georg Jensen Sterling Denmark", the mark used after 1945. The Old Danish pattern was designed in 1947 by Harald Nielsen, the Artistic Director who took over from Jensen on his death, "his flatware designs Pyramid and Old Danish remain Jensen favorites (page 57 book above).