A magnificent pair of Victorian silver gilt spoons, with a beautiful figure of a maiden (or Goddess), sculpted with lovely detail. She is full figure, with a long flowing dress with a high slit, with flowers adorning the front. She holds her arms crossed, and has her hair in a bun. The design has a strong Art Nouveau look and feel, these spoons were well ahead of their time when made in 1873. The spoons are very good quality and gauge, very suitable for use as serving spoons for a dessert. The hallmarks are very clear on both spoons. Henry William Curry took over the business of Augustus Piesse in 1868, which he continued until 1889. Of interest is that Curry was in trouble with the Goldsmiths Hall in 1880 in a matter of counterfeiting hallmarks (John Culme, Directory of Gold and Silversmiths, pg 366). Curry has left behind some fabulous silver, top notch quality and beautiful intricate designs, he deserves further study. Henry William Curry's brother Charles John Curry was in partnership with Alexander Crich...

A set of 6 Cape Silver tablespoons in the Fiddle pattern, with initials CIH over WAM. The initials CIH are older, the have more wear than the WAM initials, which would have been added later after a change of ownership of the spoons. All 6 spoons have excellent hallmarks, makers mark FW with the "Cape Stub" pseudo English hallmarks (see article on the Cape Stub in our articles section).

A large size enamel silver engine turned cigarette case, depicting a scantily clad 1940's pin-up girl. The interior is gilt, and is engraved "Brian from Mamie 19th December 1950". Hallmarks are clear, including "Made in England", both sides are hallmarked, even the clasp has a .925 hallmark. W.T. Toghill & Co worked between 1927 and 1951.

A unique collection of 12 early Georgian Hanoverian tablespoons, 8 being George II and four being George III. Sets of flatware from this period are extremely rare, most spoons were made singly or in pairs. All the spoons have clear hallmarks, with visible date letters and makers marks (all but 2 have the makers identified). Five of the spoons are shellbacks, two are scrollbacks, the remaining 5 have double drops. Nine spoons have contempory initials and two have later initials. One spoon has an additional later hallmark JP (John Page, 1900), indicating it may have been repaired at this stage. Identified makers include Thomas Pye, Richard Gosling, Marmaduke Daintry and Robert Sallam.

A fabulous set of six Georgian Silver Old English table spoons by Hester Bateman, the most famous of all English female silversmiths. The spoons are bottom marked, and the hallmarks are slightly squashed but clearly visible. The spoons have a double drop. The spoons are excellent quality and are in extremely good condition, this is a lovely set. The spoons also have a interesting family crest, an armoured fist holding a dagger. Hester Bateman took over her husband's business on his death in 1760, and retired in 1790 when her sons, Peter and Jonathan took over the business.

An interesting solid gold bar brooch, with a natural gold nugget, set with a round brilliant diamond. The nugget is a beautiful shape and size, approximately 5 grams, with tiny quartz crystals confirming it is natural. The diamond is approximately .20 carats, 0.4 mm diameter, is a round brilliant cut, colour G/H and clarity VS. The bar brooch itself is 15 carat gold, it is hallmarked 15C, and has makers mark CM. This brooch is accompanied by a valuation certificate from The Gem Lab Gemmological Services, confirming replacement value of R 20800, and confirming the diamond and gold details above.

A magnificent and rare pair of silver-gilt Victorian Bacchanalian pattern grape scissors, in excellent condition. The scissors are completely silver gilt (apart from screw), and are completely sterling silver (no steel inserts). They are the traditional shape, and are decorated with the rare Bacchanalian pattern, designed by Stothard for the Royal Goldsmiths Rundell, Bridge & Rundell, originally made by Paul Storr, pieces are still in the Royal collection today. This is one of the rarest English silver flatware patterns, it shows Bacchus, the Roman God of wine, riding a lion, whilst a topless Diana looks on, with another figure asleep at her feet. The back is also beautifully decorated, with tilted amphora of wine, bunches of grapes and vine leaves complete the decoration. Bacchanalian pattern is shown in the book "Silver Flatware" by Pickford (pg. 127), where an identical pair of grape scissors is shown, made by Wakely and Wheeler. The hallmarks are very clear, and include makers mark HJL for Henry John Lia...

An extremely rare Cape silver knife, with ivory handle and engraved on the blade "EHM from HOM". The hallmarks are extremely clear, pseudo - English duty mark and castle, with makers mark JML (mark 82 in Welz, Cape Silver). These are accompanied by another mark, some sort of device, unrecorded in Welz. The knife is very well made, good quality and a pleasing weight. The ivory handle shows good texture and a changing colour from dark to light. The knife is extremely rare, being the only known example recorded to date. The leading authority on Cape Silver Stephan Welz said "I have been unable to trace any Cape silver knives" (Cape Silver pg 73), and David Heller said "the only type of silver knife in use at the Cape seems to have been the butter knife (History of Cape Silver, pg 202). Johannes Lotter was part of the highly regarded Lotter family of Cape silversmiths, being the son of Willem and the brother of Carel.

An interesting Art Deco cigarette case by Louis Kuppenheim of Pforzheim, Germany, regarded as one of Germany's leading Art Deco silversmiths. The case has a lovely ribbed design, and the clasp is set with an attractive dark blue sapphire cabochon. The interior is gilt. The case is extremely good quality, and has a pleasing weight, and is in the higher grade 900 silver. The case is engraved with a fascinating World War 1 inscription "Major J.D.S. Lloyd, OBE, MC, etc. A reminder of pleasant and unpleasant days spent together and appreciation of many little acts of kindness and help during the advance from Ypres - Waterloo 1918, J.C.W." The hallmarks include makers mark LK (in fancy script), the crown and moon of Germany, and 900 fineness mark.

Two Georgian silver vinaigrettes, both very small in size, and both by Joseph Willmore. They are very attractive and dainty, less than half the size of most vinaigrettes, we love these boxes. The first (1813) is lozenge shaped, the concave base fits beautifully around the thumb, it is a delight to hold. The cover is engraved with flowers and prick work surrounding initials THC, the base has a different floral engraving. The grille is plain, the interior gilding and hallmarks are excellent. including JW makers mark in circular serrated punch, his first mark used between 1797 and 1834. The second (1821) is rectangular with canted corners, the cover engraved with an attractive wavy pattern around a vacant cartouche, the base with an engraved flower. The grille is also plain, the hallmarks are good, on both lid, base and grille. The corners have some oxidation, but it does not detract. Joseph Willmore, who worked between 1797 and 1843, is described by Eric Delieb as "a superlative silversmith, who produced some o...

A fabulous pair of Cape Silver lemoen lepels, (orange spoons), in excellent condition, and with very clear makers mark. The spoons are typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoons have typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. They also have a distinctive V joint connecting handle to bowl, the 2 v joints are quite different in angle and style, reflecting their hand-made character. The IC makers mark on both spoons is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815.

A Chinese Export silver gravy straining spoon in the Fiddle pattern, also called a dividing spoon, with no engraving. The spoon, which is large serving spoon size, has a vertical divider with vertical slits in the bowl, this is fixed (some versions have removable dividers). The spoon is excellent quality, easily comparable with a top class English Georgian spoon. The hallmarks are excellent, and include pseudo duty mark, pseudo crowned leopards head (London town mark pre 1821), pseudo date letter P with cut corners, pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The style of the lettering in the makers mark is quite distinctive, the font is a little crude, distinctly different from the real Eley, Fearn & Chawner mark. The Chinese Export silver collectors guide (4th edition, pg 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European ne...

Melon shaped teaservice of extremely good gauge, consisting of teapot, creamer and sugarbowl, with gilt interior. The design is beautiful, and has angular engraving. This set is extremely well made, with fantastic attention to detail - the teapot hinge is an example of this (see photo). All 3 pieces are fully hallmarked with clear hallmarks, including the teapot lid. A truly beautiful tea service by very fine makers.

A very fine Indian silver card case, magnificently decorated, clearly made by a master craftsman. One side features the Hindu Goddess Durga astride a lion, with sword in air, she is surrounded by 2 other deities, an antelope, a leopard, a lion mask and 5 birds, one is a peacock, the 2 at the bottom could be phoenix?, all surrounded by scrolls. The reverse side is equally impressive, and features an Indian deity in a temple, surrounded by 6 other deities (some with wings), 2 birds above a blank cartouche for engraved initials, and a variety of fruit and flowers (including berries, strawberry and a thistle). The case is rectangular in shape, the lid pulls off, the fit is very snug, the decoration is seamless through the divide. The sides of the case has 6 symmetrical tube shaped protusions on either side, this is for improved grip, we have noted this feature on other high quality Indian silver card cases. As is usual for Indian silver, there are no hallmarks present. As you can see from the photographs, the qua...

Magnificent shooting trophy, with chased design of soldiers in uniform shooting across a field at a target, with trees in the background. The trophy is engraved "1866, Won by No 1 Company, John Rothwell Captain Commanding". The interior is gilt.

A Cape silver snuff box, with an intriguing later inscription with both Bedfordshire and Boer War connections. The snuff box is rectangular with a shell thumb piece, and has typically Cape wriggle work engraving around the sides, which is worn from use. The interior is gilded, and has a later engraved inscription "Frank Pym from Frank Shuttleworth Xmas 1911". The box has a very clear JML makers mark on the lid. The box is well made, has very pleasing snug closure, very suitable for use. Frank Shuttleworth (of Old Warden, Biggleswade) was High Sherriff of Bedfordshire in 1891, he was followed by Francis Pym (of Hassells Hall, Sandy) in 1903. Shuttleworth (Colonel) raised the Bedfordshire Imperial Yeomanry in 1901 for service in the Boer War, we assume he acquired this Cape Silver snuffbox during his service in South Africa, answering the question why a Cape silver snuffbox has a Bedfordshire inscription. The Bedfordshire Yeomanry also served later in both World Wars. The Shuttleworth name today is known due ...

A sterling silver stirrup cup with cast foxes head, on bell shaped cup. The fox has good detail and texture, the cup is a pleasing quality and weight. The cup is designed to stand both ways, so can stand upright on a tray when filled. This is a modern version, with clear hallmarks for Sheffield 1979, and is in excellent condition. Stirrup cups originated in the late 18th century, they are drinking vessels which were presented to riders on horseback prior to leaving or arriving home from a hunt, this happened whilst their feet remained in their stirrups. Most stirrup cups were crafted in shapes that were relevant to the hunt, such as a hound or fox head, as is represented here. Francis Howard was established in 1900 and still trades today from Sheffield.

A rare pair of Scottish Provincial gravy (or serving or basting) spoons in the Oar pattern, which is a scarce variant of Fiddle pattern (Fiddle without shoulders), only found in Scotland (Pickford, Silver Flatware, pg. 111). Both spoons are engraved in contempory style with the letter "M", and are in such lovely condition that they do not appear to have been used (note the lovely spoon tips). Both have clear Scottish Provincial hallmarks, makers mark RK struck 3 times, and the Perth double headed eagle town mark struck twice. Robert Keay worked in Perth between 1791 and 1825, from the style of these spoons they were made between 1800 and 1805, when Oar pattern was popular in Scotland. A very similar gravy spoon, also by Robert Keay of Perth, is depicted in Ian Pickford's Silver Flatware book, figure 145, pg. 111.

A rare and unique cast silver wine label, engraved with the name "Mulberry Wine", an unknown name which is not recorded in the master list of names on silver wine labels (Appendix 1, Wine Labels 1730-2003, page 385, which lists 2353 different names). Mulberry wine is generally a home made, so we imagine this label was specially commissioned. The label is curved rectangular shape, with central peak topped with the Royal crown, and beautiful applied lion supporters on each side. The label is lovely quality, quite heavy, a pleasure to hold. These wine labels were distributed by the wine merchants Saccone & Speed, as can be seen in the photograph of the advert (courtesy of www.steppeshillfarmantiques.com). The hallmarks are very clear, and include the coronation mark, and makers mark LGD for Leslie Durbin. Leslie Durbin was one of the most admired silversmiths of the 20th century, his silver is in the Royal collection, he was also honoured with a 1 man exhibition at the Goldsmiths hall entitled "50 Years of Silv...

Magnificent pair of Arts and Crafts spoons by Sibyl Dunlop, one of the leading female practitioners of the Arts and Crafts movement. The spoons are in the shape and style of 16th century spoons, with fig shaped bowl, hexagonal stem and shaped finials. The spoons are cast, with hand hammered bowls, and have a cast finial that resembles a pineapple with scrolls on either side, resting on 3 rings. A furrow runs down the front end of the shaft of each spoon. These spoons are very good quality, with pleasing weight, lovely to hold and use. The hallmarks on both spoons are very clear, including the SD makers mark. Dunlop (1889-1968) was born in Scotland, trained as a jewellery designer in Brussels, and opened a shop in Kensington Street, London. She specialised in Arts and Crafts silver and jewellery, often naturalistic in style. These spoons have been depicted and described in the book "Artists' Spoons" by Simon Moore, page 383, where they are described as "finely crafted, in classical mood (15/16th century) with ...