A Danish silver Skonvirke (Arts & Crafts) pastry or cake server, made by the respected Danish silversmith Evald Nielsen in 1925. The server is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The server is hand hammered, with the planish marks visible on the blade and the stem. The blade is nicely shaped, and has a raised lip which increases away from the pointed tip, so very practical to use. The server is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1925", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York...

An early James II silver trefid spoon, by one of the "First Fifteen" London spoonmakers (1580-1697), as identified by Tim Kent in his book "London Silver Spoonmakers". The trefid spoon has a ribbed rat-tail, and is prick engraved "M.P over C.G", indicating this spoon celebrated a marriage. The engraving is delightful, and is contemporary. The spoon is in lovely condition, well preserved given it's age. The makers mark is superb, very clearly struck and perfectly preserved, it could not be better - easily as good as the example illustrated by Kent (pg 36), taken from the original copper plate preserved by the Goldsmiths Hall. This is Thomas Allens' pre 1697 mark. It has 3 pellets above, and a rose below, all clearly visible. The other hallmarks are visible but worn, the crowned leopards head for London, and date letter h for 1685. The lion passant is just visible, but very worn. Thomas Allen was apprenticed to John King (another of the First Fifteen) in 1668, and freed in 1675 (Grimwade pg 422). He was a speci...

A lovely Georgian silver basting (or serving spoon) by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the "Queen of British Silversmiths". The spoon is Old English pattern, and is engraved with a family crest of a crowned lion breathing fire, this is very clearly engraved. The hallmarks are very clear, they could not be better, and include makers mark HB in script, this mark was used from 1778 to 1790. All the hallmarks have very clear detail, you can see the hair and collar on the duty mark, fringes on the lion passant legs and mane.

An interesting Georgian silver wine label, engraved for PORT, with counterfeit hallmarks for London 1814, made by Thomas Robinson, who was convicted for selling counterfeit items in 1822 and transported to Australia in 1823, never to return. The label is rounded rectangular form, with a hob-nail cut border, a domed surmount which is engraved with a leaf and scrolls, incised for PORT. The label has 4 hallmarks, a very blurred duty mark, a slightly blurred lion passant, a very clear date letter T and a partial makers mark TR in oval punch, the T is clear but only the top of the R is visible. Two very similar labels, but engraved for Noyeau and Shrub, are depicted in the article "Mr Robinson's conviction for counterfeit marks", by Bruce Jones, Silver Society Journal 23, 2008, pages 107-110. This fascinating article shows 4 wine labels by Robinson, and compares genuine hallmarks of the period with those used by Robinson, leaving no doubt they are counterfeit. The article shows the same counterfeit date letter T h...

An interesting Sampson Mordan silver sovereign case, with a unique British registry design number which shows us that Mordan felt it was worthwhile to protect the design from being copied. The case is circular with flattened sides, similar in shape to a fob watch case, with concentric rings getting smaller to the centre, which gives a pleasing texture to the case. A central circular cartouche is on one side, this has not been engraved. The case opens by pushing the fob ball, this has a suspension ring for attachment to a fob chain. The case is clearly hallmarked, both on the exterior and inside the lid, the suspension ring is also hallmarked. The interior hallmarks also have registry design number Rd. 45122, which is clearly struck. Sovereign cases were made to store (and show off) British 22 carat gold one pound sovereigns, which were first produced by the Royal Mint in 1817. They were used in circulation until 1914, and now are regarded as bullion coins. Sampson Mordan became famous for producing high qua...

A pair of Georgian silver wine labels, smaller than usual, engraved for PORT and MADEIRA, made in Birmingham in 1809 by Cocks & Bettridge, who are usually associated as important caddy spoon makers. The pair are oval in shape, and have a double reeded border, the engraved names have character, clearly done by hand. The original chains are double linked (each link looks like a figure 8), these were hand soldered (Wine Labels page 116), double linked chains reduced tangling. Both labels are clearly hallmarked with 5 hallmarks, these marks were struck randomly as they are in completely different order. They include duty mark, anchor town mark, lion passant, date letter l for 1809 and makers mark C&B for Cocks and Richard Bettridge. One makers mark has partial wear to the B, the other is missing the C. Cocks & Bettridge are remembered as "important makers of Birmingham caddy spoons, their inventiveness and variety were rarely equalled" (Caddy Spoons, John Norie, page 42). They worked between 1797 and 1817, are ar...

A fabulous Royal silver souvenir spoon, of outstanding quality, commemorating the investiture of the Prince of Wales (now King Charles III) in Caernarvon, Wales in 1969. The spoon has a cast silver Welsh dragon holding a Royal shield, the dragon's tail curls around the spoon stem and forms a "rat-tail" on the spoon bowl, we love this spoon. The bowl has a cast silver Prince of Wales emblem, with 3 feathers above crown, above the motto "Ich Dien", translated "I serve". The back is engraved "Caernarvon 1969, 256", this was a limited edition and each spoon was numbered. The hallmarks are clear, with makers mark JDB for J.D. Beardsmore & Co, who only worked in 1969 and appear to have only produced this spoon. The Emblem inthe bowl, which is cast as a separate piece, is also hallmarked. The spoon was originally sold in a custom box with leaflet, the leaflet informs that the spoon was designed by Norman Manwaring, Herald Painter to the College of Arms, under the supervision of R.O. Dennys, OBE, FSA, Herald of Arms,...

A lovely Georg Jensen sterling silver cream ladle in the Blossom No 84 pattern, with London import marks for 1931. The ladle is well designed, with a kink in the handle below the flower blossom, which greatly improves the grip and allows for precise pouring. The bowl is planished (hand hammered), and the 2 pouring lips work well. The Blossom pattern No. 84 (Magnolie in Danish), sometimes called Magnolia in the USA, was designed by Jensen himself and introduced in 1919, is "a sculptural design which features a realistic stem and blossom design that appears to grow from the handle. This pattern, perhaps more than any other, demonstrates the sculptural quality that earned Jensen widespread acclaim". - Georg Jensen, A Tradition of Splendid Silver, Janet Drucker, page 267 - a book we highly recommend. The ladle is clearly hallmarked, makers mark GJ with 925 S in beaded circle, above "Denmark Sterling", below pattern number "84". The ladle also has clear London hallmarks, with GS for George Stockwell & Co, who impo...

A lovely set of Georg Jensen Beaded pattern mocha spoons (6), perfectly preserved in their original box. The spoons are small and dainty, but exude the quality you expect from Jensen. The original silk lined box reads "Georg Jensen, Silversmith, 15a New Bond St, London W.I, Member of the Salon Paris". The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are clearly hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).

A World War 1 Royal Artillery 15 carat gold and enamel sweetheart regimental bar brooch, clearly hallmarked 15 CT for 15 Carat gold, both the badge and the bar. The detail is lovely, red enamel crown above blue enamel "UBIQUE" (Everywhere), above a gold cannon, above blue enamel motto "QUO FAS ET GLORIA DUCUNT" (Wherever right and glory lead). The bar, pin and clasp are also 15 carat gold, the clasp has a clever locking mechanism to prevent loss, this was an expensive quality item when originally purchased. 15 Carat gold was discontinued by Britain in 1932, hence we can date this brooch to the Great War. The Royal Artillery, commonly referred to as "The Gunners", was formed in 1799, and comprises of 13 regular army regiments today.

A beautiful pair of Art Nouveau or Jugendstil 800 silver milk or cream jugs, decorated with applied poppies, these are very small jugs, they could almost be described as miniature. The milk jugs are baluster in shape, with a generous pouring lip, and double scroll handles, and flat bases. The interiors are gilded, we can imagine these being used with expresso coffee cups. Both jugs are clearly hallmarked with 4 hallmarks, the German Crown and Crescent mark used after 1888, makers mark LW intertwined in a shield for Lutz & Weiss, 800 standard mark and a lion passant also used by Lutz & Weiss. Lutz & Weiss Silberwarenfabriek was founded in 1882 in Pforzheim, they were an important German firm of silversmiths.

A Victorian miniature silver brandy saucepan in the traditional shape, with turned bone? handle. The saucepan has an engraved family crest of a an eagle with talons and wings outstretched, the engraving is very clear. the base is clearly hallmarked for London 1865, with makers mark RS for Richard Sibley II, (mark 2440 in Grimwade), his father Richard Sibley I also used this mark, Richard Sibley II worked between 1829 and 1873. The saucepan is also marked "Thomas Bond St." for FB Thomas & Co, a well known firm of retail silversmiths who operated from 153 Bond Street between 1807 and 1943 (the shop was severely damaged in an air-raid in 1941). Francis Boone Thomas joined the family business in 1851, he died in 1900. Richard Sibley II supplied many items of silver to FB Thomas between 1847 and 1873, in fact they shared premises, so must have had a close informal partnership.

A beautiful pair of miniature antique silver pastry servers, well preserved in their original box, made by the prestigious firm of Asprey. The servers are in the Kings Husk pattern, single struck, this is a variant of the Kings pattern without the central honeysuckle decoration, and a husk shell. Both servers are a similar size and shape, one had a flat spade shape blade and the other has a serrated prong front, so quite versatile. The hallmarks on both are very clear, including makers mark CA.GA for Charles & George Asprey, they used this mark between 1892 and 1909. Both servers are also hallmarked "Asprey London", this is very clear. The silk lined leather box reads "Asprey 186 Bond St London". Asprey was founded in 1781, and still operates today with a reputation as one of the world's leading luxury brands, they still trade from Bond Street. They hold numerous Royal warrants, at the time these servers were made they had a warrant from King Edward VII. Note: We have a similar pair, S 1952, but made in 1906...

A rare and interesting American sterling silver souvenir spoon, with gilded detail, retailed in Nome, Alaska during the Nome Gold Rush of 1899-1909. The spoon has beautiful detail, and is excellent quality and condition. The bowl reads "Nome, Alaska, Struck It Rich" and has a gilded prospector panning gold in a stream below a waterfall, gilded elements on American silver souvenir spoons are rare. The handle has a rising sun above NOME, with pan, shovel and pick below, above a canoe with 4 hunters, 2 paddling, one with bow and arrow, and a 4th with harpoon, all wearing furs. The back features a miner tipping pay into a sluice box, above a paddle, bow and arrows and harpoon. The spoon is clearly hallmarked, retailers mark L.W. Suter, makers mark empressed Fleur de Lis in raised triangle for Mayer Brothers of Seattle, Washington, and raised Sterling. Louis Suter was a jeweller and retailer who arrived in Nome in 1900, he prospered and built the leading Jeweller in Nome, with the largest selection of stock in Ala...

A collection of 6 silver South African Military wrist identification tags (dog tags) dating back to World War II, and specifically the campaign in Egypt. They are all wrist identification tags, as 5 still have their original silver wrist chains, we are not sure if they were military issue or if they were purchased privately (we suspect the latter as they all have different designs) We believe them all to be sterling silver, 4 are clearly hallmarked with Egyptian hallmarks, the cat standard mark, and Arabic town marks and date letters (Cairo and date letter I for 1940 are present, amongst others). The 5th is hallmarked "Sterg" for sterling and makers mark HA&S (possibly Henry Allday & Son of Birmingham), and the 6th has a partial mark "ling" which we suspect was Sterling. The 6 tags are as follows: 1- "Maj. D. Macdonald Pres Cameron Highlanders" - with HA&S mark, fob chain, end loop missing. 2- "Lt W.T. Arthur Pres 193790", with ling hallmark, fob chain, end loop missing, solder repairs. 3- "SPR E. Gillespie N...

A South African Medical Corps WW II gold sweetheart brooch, mounted on a bar brooch, the bar with scroll engraving on either side. The badge itself is a red tinged gold, the bar is yellow gold The badge features the rod of Aesculapius with a serpent entwined round it, head uppermost and looking left, all within a laurel wreath, under a Royal crown, the same badge as used by the Royal Medical Corps. The Scroll below reads "S.A.M.C / S.A.G.D.", translated in Afrikaans the Suid Afrikaanse Geneeskunige Diens. The brooch is clearly hallmarked 9CT for 9 carat gold.

A beautiful pair of antique cast silver grape scissors (zilver druifschaar in Dutch), made in Amsterdam in 1885, these are extremely good quality and a pleasing weight. The scissors have simulated vine branches, with well placed cast vine leaves and bunches of grapes, the blade portion is solid silver as well, no steel pieces. The scissors have 2 vine arms that they rest upon, so are easily accessed when being picked up, a lovely and practical design feature. The silver is 835 grade, as is usual for Dutch silver, as indicated by the lion hallmark with II below it, this hallmark easily visible on the blade. The other hallmarks are hidden in the decoration, but clearly visible, including Dutch Minerva with A for Amsterdam, date letter gothic A for 1885 and makers mark JL under 5 for Jilles Limburg, who worked between 1874 and 1900 (mark 11592 in Netherlands Responsibility Marks since 1797).

A mixed set of 6 Irish silver tablespoons, all with excellent hallmarks. 3 spoons are Old English pattern (a matching pair by John Pittar, 1779, bottom marked, with worn shellbacks, and a spoon by Michael Keating, 1799), and 3 are Fiddle pattern (1805 by J.S, 1812 by Richard Sawyer and 1832 by Samuel Neville, this last spoon has a rat-tail. 3 spoons have engraved family crest, 2 spoons have engraved initials, and one spoon has not been engraved. All 6 spoons have well struck and clear Dublin hallmarks, and clear makers marks.

A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork is quite colonial in character, the tines have slightly different thicknesses, overall a little crude but clearly hand made. The fork has makers mark DBD between 2 five pointed stars (Welz mark 44), this is clearly struck with slight wear along the top. Dominique Baudouin Du Moulin worked between 1818 and 1833, he arrived in the Cape from Brabant (now Belgium) and married the sister of Cape silversmith Johannes Hendricus Beyleveld (Cape Silversmiths by Welz, page 131.). His work is only found occasionally.

A sterling silver circular salver in the Art deco style, with 6 panels of incurved decoration (3 parallel lines on the exterior), and 3 silver button feet. The salver has a raised border, slightly wavy, overall the decoration is quite understated, but makes a big impact. The salver is a superb weight and quality, unlike many light and flimsy copies made at this time. This excellent quality is what we have come to expect from the Barnard's, who are the oldest manufacturing silversmiths in existance, the business being founded in 1773 (Culme, Gold and Silversmiths, pg 29). The hallmarks are very clear, as good as they get, with excellent detail. An almost identical salver, also by Barnards in 1937, but with ivory bun feet, can be seen on the AC Silver website (www.acsilver.co.uk).