A rare Tudor pattern Child's size spoon and fork, made by Chawner & Co, the leading flatware maker of Victorian England. They are not an exact set, the spoon was made in 1850 and is engraved with owners initials WM in flowing script, the fork was made in 1851 and is engraved with owners initials FB in Gothic capitals, but otherwise they match well and make a useful set, very suitable as a Christening present. The Tudor pattern is a Gothic Revival pattern, it has 2 small scroll circular projections on each side of the stem, this differentiates it from the "Straight Tudor" pattern. Both are clearly hallmarked, and both have a journeyman's mark - R on spoon and I on the fork. In addition, both also carries the British Registry design number and date chart diamond, which rarely occurs on silver flatware. The presence of the design mark indicates that Chawner registered the design to protect it being copied. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chawner & Co pattern registered Augus...

An interesting pair of Dutch cast silver grape shears (or scissors), modelled as a warrior, in Dutch Zilveren Druivenschaartje. It is a clever design, with one arm showing the front of the warrior holding a spear, wearing a kilt and boots, with plumed helmet, the other arm shows his rear with sword in belt. The finger grips have scrolls, and the shears are the traditional thick wedge shape, in perfect working order. Both arms are hallmarked with the Dutch sword mark (833 standard), used between 1814 and 1905, and one arm has makers mark which appears to be G over LS, which we have not identified (all assistance welcome). Note - We now believe the makers mark is 6/LS for Lieuwe Schoonhoven of Middelstum, Groningen, who worked between 1870 and 1899 (mark 14024, Nederlands Responsibility Marks since 1797).

A Boer War antique silver sweetheart brooch, that reads "S Africa 1900-2". The brooch has a realistically modelled Lee Enfield rifle with hanging strap, with applied circular pierced badge, which also features the English rose, Welsh leek and Scottish thistle. The brooch has a pin clasp (note pin has an old repair where it has been re-soldered onto the rifle), it also has a detachable chain with hanger shaped safety pin, to prevent the brooch being lost. The back of the rifle is clearly hallmarked for Birmingham 1901/2, with makers mark WL, in 2 shields, for William Light who worked between 1895 and 1912.

A set of 6 interesting Indian silver teaspoons, beautifully decorated, with heart shaped bowls. The spoons appear to be cast silver, and were clearly made by hand, as each handle is a slightly different length. The handles are tubular in shape, with rough cross hatched decoration (which provides good grip), the bowls have an intricate design, chased flowers around a central inverted tear shaped object (possibly a snake?), the backs of the bowls are plain. No hallmarks are present, as in usual for Indian silver of the period.

A rare and interesting Dutch silver matchbox holder (or cover), a memento of the destruction of the Ypres Cloth Hall (Lakenhal) during the Great War (World War I), imported and retailed by Harrod's of London. The box is embossed with a detailed image of the Great Cloth Hall in Ypres, before it's destruction during the war. The box reads "YPRES LES HALLES 1914". The gauge of silver is quite thin, and the box has been well used and damaged, 3 of the connecting arms have been repaired. The box is Dutch, and has clear Dutch hallmarks G for 1916, and makers mark VS for Vos & Co of Haarlem, Hertogenbosch. The box also has clear London import marks for 1916, and importers mark RB for Richard Burbridge, who was Managing Director of Harrods from 1911 to 1917. The Cloth Hall was first built in 1304, site of the Les Halles Market, and centre to the town of Ypres (Ieper). It was the site of many major battles during the War, first sustaining damage in 1914 but being completely destroyed by 1918. It was rebuilt between 19...

A fabulous pair of Scottish silver Hanoverian tablespoons, made in Edinburgh in 1753. The spoons have the traditional central rib, and double drop, the spoon bowls are oval in shape. These are quality spoons, around 75 grammes each.Both spoons are engraved with a family crest and motto, the crests are worn from polishing but still legible. The crest is a "broken terrestrial globe surmounted by a rainbow issueing out of clouds", above motto "AT SPES INFRACTA", translated "Yet my Hope is Unbroken". Above the globe is an Earls coronet, showing these spoons were owned by John Hope, 2nd Earl of Hopetoun, who lived between 1704 and 1781, he became Earl in 1742. The hallmarks on both spoons include makers mark K&D for Ker & Dempster, who worked between 1749 and 1771. This is followed by castle town mark, assay master mark HG for Hugh Gordon, who worked between 1744 and 1758. The 4th mark is date letter Y for 1753, this is slightly worn but still visible. Hopetoun House, which was completed by the 2nd Earl, still exi...

An interesting Sampson Mordan antique silver bowl, with a Victorian silver half crown dated 1900 set into the bowl. The bowl is engraved "God Save The Queen, The Last Coinage of the Nineteenth Century". The bowl is good quality, the coin is very fine, protected by the rim on the base. The hallmarks are excellent, including Sampson Mordan makers mark. The bowl is also stamped "copyright" in small letters below the coin. Sampson Mordan are well known for their collectable novelty silver.

A set of six silver teaspoons with enamel finials, 3 with a swimmer and 3 with a motorcyclist. The teaspoons have an attractive stem, and all 6 are fully hallmarked on the back of the bowl, and all are stamped "England". The enamels were hand painted, as the details on each differ slightly. We can only guess as to their origin, perhaps a special commission for a family involved in both sports.

Unusual set of 6 Arts and Crafts coffee spoons, made by Liberty, each set with different semi precious stones - malachite, amethyst, sodalite, turquoise, garnet and a green stone we cannot identify. The spoons are still in their original box, showing they were retailed by Mappin and Webb, Regent St, London. The spoons were made the year after Liberty closed their Cymric business (1901 - 1926), which was a partnership with William Haseler. The hallmarks are very clear on all spoons.

A Dutch silver ribber Hanoverian tablespoon, with interesting hallmarks. The spoon has a pronounced frontal rib, the drop is rounded with a V shaped decoration, and the spoon has original owners engraved initials Ch.I on the back of the spoon, unusually engraved upside down (not sure if this is a Dutch custom?). Six hallmarks are present, all clearly struck and very clear. They include makers mark AI around anchor in shaped punch for Anthonie Janse, who worked in Middelburg between 1787 and 1823 (sources Netherlands Responsibility Marks since 1797, mark 727, and Zeeuw Zilver). The next hallmark is date letter C for 1810, followed by Castle in oval punch, the townmark for Middelburg, only used between 1807 and 1812 during the Kingdom of Holland period (source Voet, Nederlandse Zilvermerken 1445-1951, page 16), so this is a rare townmark. The next hallmark is 10, the standard mark for silver 10 Penningen, also only used 1807-1812, Kingdom of Holland. The 5th mark is crown above co-joined TE, a tax free census m...

A Cape silver sauce ladle in the Fiddle pattern, by Peter Clarke Daniel. The ladle has original owners engraved initials JEB, and has excellent hallmarks - makers mark PD, pseudo date letter B and pseudo duty mark with notable cusp (Welz mark 42, but struck in different order). Daniel was an Irish immigrant to the Cape, one of the original 1820 settlers. His father, who has the same name, was also a silversmith, he worked as a jeweller in Grahamstown.

Beautiful set of ornate berryspoons, originally by Hester Bateman but converted during Victorian times. The conversion must have been done by a master craftsman as the quality is excellent. The gilt bowls display no wear, these spoons have not seen much use. Delightful crest of a dove holding an olive branch, so I suppose these are peace spoons! The hallmarks are very clear, including the Hester Bateman makers mark.

A delightful antique silver swing handled basket with pierced sides, notable for it's very small size, hence our description as miniature. The basket is rectangular, with the 2 long sides curved, so the ends of the basket are higher than the centre. The 4 sides are beautifully pierced and engraved, with scrolls, foliage and flowers, this is a very decorative basket. The swing handle is also decorated, with 7 pierced ovals across the top. The basket is clearly hallmarked, with hallmarks hidden in the decoration, the makers mark is partially blurred, but the heart shaped punch with faint WB over clear Ld is sufficient to confirm the maker as Williams Ltd, who worked between 1902 and 1929. The handle is also hallmarked, and the base is stamped with a registration mark Rd 528841, which shows the design was protected. This basket is too large to be a true toy miniature, but is smaller than a bon - bon basket, it would be suitable for jewelry on a dressing table, or for small sweets.

A very fine Maltese Basting spoon, of good gauge, with an unusually large and deep bowl. The spoon also has a deep lip and point. The hallmarks are clear, being 1855 with a small scratch through it (looks intentional?), the letter R (Maltese mark indicating Roman Fineness, 11 deniers) and the circular makers mark for Geraldo Pace (circular mark with small bird under PACE). A truly lovely spoon. Note - we previously incorrectly attributed this spoon to the Naudi family silversmiths.

A set of 6 Irish Georgian silver Celtic Point teaspoons, with bright cut "Dublin Star" engraving. The oval shield under the star is vacant, this was originally intended for a family crest or owners initials. This engraving was popular in Ireland between 1790 and 1800, the bright cut glitters in candlelight, the Star pattern is unique to Irish silver. The 6 spoons were made by 4 different makers, and have very slight differences, but the hand engraving was done by the same hand, so we believe the set was assembled by the engraver. All 6 spoons are hallmarked with the Dublin Hibernia and Harp Crowned, no date letters are present (as is usual with Irish teaspoons of this period). 4 Makers marks can be identified, 2 J.S for John Shiels (1762-1790), one AM for Arthur Murphy, and one JB for John Bayly, the fifth mark is ?D, the last is not legible. Slight differences includethe shapes of the drops, and the bowl shapes, some move oval than others (very slight differences).

A rare Tudor pattern runcible spoon, also called a spork, intended for pickle or chutney, made by Chawner & Co, the leading flatware maker of Victorian England. Runcible spoons were popularised by Edward Lear in "The Owl and the Pussycat - They dined on mince and slices of quince which they ate with a runcible spoon". The runcible spoon is a pleasing quality, and is in excellent condition, it is clearly engraved with a family crest of an armoured arm holding up a spear, with a wreath on the end. The Tudor pattern is a Gothic Revival pattern, it has 2 small scroll circular projections on each side of the stem, this differentiates it from the "Straight Tudor" pattern. The runcible spoon is clearly hallmarked. In addition, it also carries the British Registry design number and date chart diamond, which rarely occurs on silver flatware. The presence of the design mark indicates that Chawner registered the design to protect it being copied. Tudor is described by Pickford (Silver Flatware page 150) as "a rare Chaw...

An interesting pair of Victorian silver boudoir labels, engraved for WHISKEY and LIQUEUR, notable for their small size. The labels are rectangular with cut corners, and have a double reeded edge, both with their original chain. The engraving is clearly done by hand, a little crude when studied under a magnifying glass, so not a master engraver. Both labels are clearly hallmarked for Birmingham 1839, note the Georgian (male head) duty mark is still being used, even though Victoria became Queen in 1837. The Jacksons hallmark book edited by Ian Pickford shows the new Victorian duty mark in use from 1838, so the use of the Georgian duty mark in 1839 is an anomaly. Makers mark GU for George Unite is clear on one label, and partially worn on the second label. George Unite served his apprenticeship under Joseph Willmore, he registered his mark in 1832 and was joined by his sons in 1873, he died in 1896. Our description of these labels as boudoir labels is thanks to John Salters excellent book "Boudoir Labels 1753-19...

An interesting WWI military silver vesta case, engraved "Northern Command Bombing School August 1916". The vesta case is the traditional curved rectangle shape, with a striker on the base, and a ring on the side for attachment to a fob chain. The vesta is clearly hallmarked for Chester 1915, with makers mark S.I.L.d for Stokes & Ireland, who worked between 1891 and 1932 in Birmingham, they also used the Chester assay office. The vesta is also stamped "Pearce & Sons Leeds", Pearces Jewellers still exists today, after being founded in 1838. Northern Command was a British Army Home Command, based in York during World War I, the bombing school was a Grenade School (not RFC as has been incorrectly described in the internet), with a focus on using grenades to attack and clear trench systems. Those that successfully completed the training wore a red grenade proficiency badge on their upper right arm. We have seen other examples of Northern Command Bombing School silver vesta cases, that also have an engraved grenade...

A rare Cape silver table fork in the Fiddle and Shell pattern, examples are known to exist but these are regarded as rare. The fork is single struck (pattern only on the front), the shell is a lovely feature. A similar example is depicted the book "Further Researches in Cape Silver" by David Heller, page 68, plate 13, also made by Lawrence Twentyman. English versions of this pattern are also scarce, mostly made in Scotland and Newcastle, London versions are rare (Pickford, Silver Flatware, page 114). The hallmarks are clear, makers mark LT and 4 pseudo hallmarks (crowned leopard's head town mark, date letter a, duty mark and lion passant), this is mark 135 in Cape Silver by Welz. Note: We have 2 other examples of this fork, S 11435 and S 11436.

An extremely rare Cape silver table fork in the Fiddle Thread without Shoulders pattern, this is only the 2nd time we have seen this pattern, see 2 dessert spoons S 11120 and S 11121 which we have already sold. David Heller, in his book History of Cape Silver Vol. 1, depicts a spoon in the same pattern (plate 50, page 124) and a similar 3 tined fork (Plate 61, page 146), these are the only examples we can find in the literature. The fork is double struck (pattern on both sides), and has a single thread, but notably without the usual shoulder where the bowl joins the handle. The fork also has a long drop, with an unusual curve, showing this fork was hand made. The fork is lovely quality, a pleasing weight, and is in excellent condition. The hallmarks are excellent, a variant of mark 138 in Cape Silver by Welz, Castle, date letter C, and Georgian duty mark, with makers mark LT, all well struck. We have 2 matching forks, S 11432 and S 11433. A close examination of all 3 forks shows slight differences to the dro...