A set of 4 cast silver and enamel wine labels, for Whisky, Brandy, Sherry and Gin. The labels are rectangular, with an attractive deeply chased scrolling border, the enamel is a deep Royal blue. These are cast, heavy labels, the quality is excellent, the original chains also have heavy links and are great quality. All 4 labels have clear hallmarks, they also have "Made in England" stamps. Turner and Simpson worked between 1912 and 1979 in the heart of the Birmingham Jewellery Quarter, they were a large firm but still employed traditional methods. A fascinating series of 27 photographs by Janine Wiedel of the Turner & Simpson workers can be viewed at the following link, http://wiedel.photoshelter.com/gallery-image/Jewellery-Quarter-Birmingham-UK-1970s.

A Liberty & Co Arts and Crafts sterling silver milk (or cream) jug, with a planished (hand hammered) squat circular body, with a high pouring lip. The jug is decorated with embossed celtic style buttons (4) and matching border, with a little heart shaped design. The jug sits on 3 button feet, and has a plain handle. The jug is clearly hallmarked with Liberty's distinctive L&Co in diamond shaped punch mark, along with Birmingham hallmarks for 1928. The jug also has a design number, 50014, perhaps some-one with access to the Liberty archives will be able to do further research. Arthur Liberty used his shop to showcase the work of leading designers, including Archibald Knox, Rex Silver, Bernard Cuzner and Jessie King (Liberty's, Biography of a Shop, A Adburgham, 1975, pg 81). It is possible this jug was designed by one of these designers. The Liberty store founded in 1875, and still thrives today. Their current Tudor Revival building on Great Marlborough Street was completed in 1924, using the timbers of 2 wars...

A pair of Scottish Provincial silver tablespoons, made in Aberdeen by Peter Ross between 1819 and 1822. The spoons are Fiddle pattern, and have original owners engraved initials AGC. The spoons are in lovely condition, well preserved, and the hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching single tablespoon S 1892.

A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....

A rare Scottish Provincial silver soup ladle, made in Banff by John Keith. This is a beautiful ladle, long and elegant, it is also very substantial, a pleasure to use. The ladle is Old English, and has a contemporary engraved initial "M". The ladle also has an unusual drop, bowl shaped with a ridge. The hallmarks include makers mark "IK" for John Keith, capital letter "B" (thought to represent Banff), and capital letter "M" (used by Keith , possibly to represent a date letter). The hallmarks are clearly legible, but the bottom left of both the "B" and "M" mark is not visible, probably as a result of not being well struck. We have dated this ladle to circa 1790, so early on in Keiths career.

A delightful and attractive silver miniature replica tankard, commemorating the 600th anniversary of the founding of the Merchant Taylors Company in 1327. The tankard is a replica of an original Irish tankard with Dublin hallmarks for 1680. The tankard has acanthus and laurel leaf embossing to the lower body, as well as an embossed cross and floral design on the base. The lid has a scrolled thumbpiece, and the flat stepped lid is decorated with the figure of a mans head (very unusual), with a circular band of decoration. The tankard also has a well engraved coat of arms of the Merchant Taylors Company, with motto "Concordia Parvae Res Crescunt" (In Harmony Small Things Grow), and "Merchant Taylors Co 1st Charter 1327" engraved underneath. The Merchant Taylors Company is one of the 12 great London livery companies. They are based in the Merchant Taylors Hall (Threadneedle Street & Cornhill), they have occupied this location since 1347. They are now a philanthropical social organisation. The tankard contains a ...

A Cape silver Basting spoon in the Old English pattern, of good gauge, very suitable for use. Whilst the spoon is Old English pattern, the drop is definitely not English in style, it has a European flavour (which shows the different influences on Cape Silversmiths of the time). The hallmarks are very clear, makers mark WGL struck twice, and the inverted L device used by Lotter (mark 95 in Welz). The Lotter family are important in the history of Cape silver, with 12 members of the family known to have produced silver. Willem Godfried, who made this spoon, worked from 1810 - 1835, and is known for good quality work.

An extremely rare Cape konfyt (preserve) fork with tubular handle, with typically Cape prick engraving of foliage at the top of the handle. No hallmarks are present. The handle is similar to the Cannon handle pattern of early English flatware. Similar forks are illustrated in Heller's History of Cape Silver (Vol 2, pg 82) and Welz's Cape Silver (pg 68), these are by Johannes Combrink.

Rare Cape Basting spoon (Old English pattern) with a large and deep bowl, and very clear hallmarks. The bowl is also wider than English versions, as can be seen from the comparative photo. The spoon also has a thick drop. Jan Lotter, who worked from 22 Keerom Street, only produced silver for 4 years from 1813 - 1817.

A fabulous pair of Cape silver Old English pattern tablespoons, of the very best quality and condition, by one of the top Cape silversmiths. The spoons have strong tips, more Continental than English in style, and an elongated oval drop. The hallmarks are very clear on both, makers mark .JCL in rectangular punch between 2 seven petalled floral devices (a combination of marks 76 and 78 in the book Cape Silver by Welz, page 150). the .JCL mark is for Johannes Casparus Lotter I, who worked between 1766 and circa 1810, he was succeeded by his son (also Johannes Casparus Lotter II, 1811-1823) who used a JCL* mark, accompanied with the 7 petal floral devices. This combination of punches by different silversmiths is not unusual in the Cape, where punches were handed down and re-used. Johannes Casparus Lotter I produced excellent quality work (better than his son, according to David Heller, History of Cape Silver). The Lotter family produced over 12 Cape silversmiths between 1766 and 1879, their family tree is shown ...

A lovely pair of Old English pattern tablespoons, with Leopards head family crest. The leopard is quite realistically engraved, and looks quite fierce. The hallmarks are excellent, as good as they could be, a journeyman's mark (the silversmith who made the spoons in the Wallis workshop) of 2 dots is also present. What is of interest about these hallmarks is the double cusp on the duty mark, to the right and base, this mark was only used between 6 July 1797 and 28 May 1798, 6 July being the date at which duty on silver was doubled from sixpence to one shilling. Jackson shows the 2 cusps to the left and base, this mark was never used on spoons, it was only used on tongs and knife blades that did not require the London town mark (Tony Dove, in an article entitled "The cusped duty used at the assay offices from 1797", in the Finial Vol. 14-04). 1797 was the first year a cusp was used, it was used again periodically when duty changed. The different assay offices applied the usage of cusps differently.

A mixed and interesting set of 6 Cape silver Old English pattern teaspoons, all made by members of the Lotter family of Cape silversmiths. It consists of 3 matched spoons by Gerhardus Lotter, 2 spoons by his cousin Carel David Lotter, and 1 spoon by his brother Willem Godfried Lotter. The 3 spoons by Gerhardus are marked by makers mark GL (Welz mark 68), one spoon by Carel has makers mark CDL (Welz mark 63), the other Carel spoon has CDL between 2 stars (Welz mark 64). The Willem spoon has WGL between 2 L shaped devices (Welz mark 94), all marks are clear. One Carel spoon has original engraved initials DJLR, the other 5 have no engraving. The spoons have very slight differences in style and length, but they are close enough to be used as a set.

A matching antique sterling silver knife, fork and spoon, made as a Christening present. They are dessert size, and in an unusual scrolling pattern, possibly an Onslow pattern variant. This scrolling pattern reminds us of the Auricular style, a 17th century German Mannerism style, rarely seen today. The knife has a pistol grip, the blade is also hallmarked sterling silver. They are gilded with a rich golden colour, this gilding is original. All 3 items are clearly hallmarked, the knife handle has an additional FH makers mark for Francis Higgins, so the knife handle was outsourced. F.B. Thomas & Co. was a well known firm of retail silversmiths, established in 1759. Francis Boone Thomas joined the firm aged 21 in 1851, he took control in 1871, he died age 71 in 1900. The firm traded until 1941 when it was severely damaged in an air raid during World War II.

A magnificent pair of Pierced Vine (also called Chased & Pierced Vine) pattern gilded dessert spoons, these are spectacular spoons. The pattern has interwoven vines, grapes and leaves, and a vacant cartouche on the back for initials or a family crest. The spoons are hand forged, a good weight and superb quality, as you would expect from Vander. The pattern was first produced by Francis Higgins for the Great Exhibition of 1851, and was intended for dessert. The pattern is described as "one of the most extraordinary silver flatware patterns in the world" by MP Levene, London silver dealers who still produce this pattern today. The hallmarks are clear on both spoons.

A set of 12 ribbed rat tail trefid teaspoons, reproductions of a 17th century style, these spoons have just reached the 100 year milestone so are now classified as antiques themselves. The spoons are in good condition, they do not appear to have seen much use. The spoons have no engraving. Reproductions of earlier styles was common in the early 20th century. All 12 spoons have clear hallmarks, including makers mark W.H.H for William Hair Haseler Ltd, who worked between 1882 and 1941. Haseler is remembered as the manufacturer for much of Liberty's Cymric silver and Tudric pewter, including pieces designed by Archibald Knox.

A 9 carat gold Natal Cadet Bisley shooting trophy medallion for 1907. The medallion has the emblem of the Natal Carbineers, South Africa's senior regiment, used prior to 1910, with the British Royal Coat of Arms above two running antelope. The Royal arms include mottoes "Honi Soit Qui Mal Y Pense", and "Dieu en Mon Droit" clearly readable. The medallion has clear hallmarks, including E & Co for Elkington, a leading British silversmith, and the numbers 9 and 375 representing 9 carat gold. The original loop is also gold, and is hallmarked with tiny marks. This medallion would be suitable to be worn as a pendant. Bisley is a small English village that since 1890 has been the home of the National Rifle Association championships, hence the name of the shooting medallion. The Bisley revolver has been used for target shooting since 1894.

A rare pair of ornate cast silver sugar tongs, made in London 1823 by Edward Farrell, who was one of the most celebrated silversmiths of the early 19th century, and whose work is now found in museums all over the world. The tongs feature a well modelled cherub, naked except for a loincloth, holding an arrow above his head and a bow in his other hand, the cherub is 5 cm tall. We have considered if it could be Cupid, but no wings are present. The cherub is surrounded by flowers, foliage and scrolls, and the tongs have shell bowls. The cherub is repeated on both arms. The bow has a blank cartouche. The tongs are clearly hallmarked on both bowls, London 1823 on one bowl and makers mark E.F in shaped punch (Grimwade 585). Grimwade (page 506) describes Farrell silver as "some of the most unusual productions of the Regency period, generally conceived in a kind of revival rococo style. He had a large output of heavy tea services decorated with Dutch peasant scenes in the style of Teniers, and he also produced large ...

A Sampson Mordan silver scent bottle, beautifully engraved with Kate Greenaway images, a girl pulling a smaller girl in a wheeled cart, and another capped girl walking towards a gate, all in front of a brick wall, with a church with spire in the background. The bottle is clearly hallmarked on both the base and the lid. The glass bottle inside is loose and can be removed, it fits exactly into the hole, so we are not sure if it is original or a later replacement. Kate Greenaway was a Victorian artist and writer, her 1879 book "Under the Window" a collection of simple, perfectly idyllic verses about children, was a bestseller. "Kate Greenaway" children, all of them girls and boys too young to be put in trousers, were dressed in her own versions of late 18th century and Regency fashions: smock-frocks and skeleton suits for boys, high-waisted pinafores and dresses with mobcaps and straw bonnets for girls - source Wikipedia. Sampson Mordan became famous for producing high quality, innovative novelty items, many of ...

A antique silver cigarette case, presented to a South African World War I soldier who won the Military Medal for bravery displayed at Menin Road. The inscription reads "Pte. J.J. Cronje, M.M. 4 SAI, From the Ladies of the Riversdale Red + Soc:, In Appreciation of Bravery Displayed at Menin Road, June 10th 1919". Private Cronje was part of the 4th South African Infantry Regiment, part of the larger South African Brigade, best remembered for their role in the Battle of Delville Wood in 1916, but with battle honours for Egypt, Somme, Delville Wood, Arras, Ypres, Menin Road, Cambrai, Mons and Flanders. The 4th SAI was known as the "South African Scottish", as it was raised from the Cape Town Highlanders and Transvaal Scottish Regiments, with additional recruits from Caledonian societies. Riversdale is a small farming town in the Western Cape province, en route between Cape Town and the Garden Route. We assume for the inscription it was Cronje's home town, and that the ladies of the local Red Cross Society arrange...

A fabulous set of 6 arts and crafts sterling silver teaspoons, made specially for leading Boston retailer Shreve, Crump & Low by Whiting of New York. The spoons are beautiful, the stems are hand hammered (planished) on both the back and front, and have an applied cast silver floral arrangement with flowers, leaves and berries. The bowls are gilded, these are high quality spoons and would have been expensive when new. All 6 spoons are clearly hallmarked, both with the Whiting lion holding W trademark, and retailers mark "SHREVE. CRUMP & LOW". All 6 spoons are also hallmarked "STERLING". We have not been able to identify this pattern, it does not appear in the Whiting pattern index, so we believe it was specially commissiuoned by Shreve, Crump & Low as an item exclusively available in their store in Boston. Shreve, Crump & Low is the oldest purveyor of luxury goods in USA, having been founded in 1796, it adopted this name in 1869. They still exist today, and describe themselves as "The gem of Boston and America...