Pleasing early Scottish bottom - marked spoon, with very clear hallmarks, and good weight.
Cape Fiddle pattern saltspoon complete with makers mark and pseudo english hallmarks (clearly visible), gilded bowl and engraved monogram TTA. The spoon is slightly longer than others we have seen. Townsend was a leading Cape silversmith, who had a shop on Heerengracht in Cape Town, and is regarded as one of the finest and most versatile of Cape silversmiths by Heller.
Lovely scottish provincial tablespoon with characteristic celtic point, with the silversmiths surname incised. Initial A. The hallmarks include the crowned shield and "flaming heart" used by Douglas.
Early Dutch bottom-marked silver tablefork, with transitional elements from Dognose to early Hanoverian pattern. The fork has a distinct Dognose, and a very pronounced rib on the front of the fork. The fork has a double drop, with the "Hague Leaflet" (lofje), a little lip at the join of the handle, typical of flatware made in The Hague (as opposed to Amsterdam) (source Dutch Silver, pg 83, MH Gans). The fork is of good gauge, very pleasing to hold, and engraved with the initials HLZW on the back. The hallmarks are exceptionally clear, showing makers mark (triangle device), lion rampant silver guarantee mark (875), Rotterdam city mark, and date letter K for 1768. The fork also has a puzzling and rare 5th hallmark (added later), being the duty mark used in the Netherlands between 1807 and 1810, for articles of foreign manufacture without payment of duty (source Tardy, International Hallmarks on Silver, pg 317). We can only surmise the fork was re-imported into the Netherlands at that time. Thanks to information...
A Cape silver tablespoon in the Fiddle pattern, with pseudo English hallmarks. The spoon bowl is long and elegant, and the spoon is good quality and is pleasing to hold. The hallmarks are very clear (Welz mark 148 in Cape silver) and nicely detailed, even hair is visible on the duty mark, and the flag is visible on the castle. The base of the duty mark is cusped, and the makers mark LT is also clear.
A Chinese export silver dessert spoon in the Fiddle pattern. The pseudo-English hallmarks are in excellent condition, well struck and very clear. They include lion passant with triangular indent to punch, crowned leopards head, duty mark and makers mark L.
Linchong was an early maker of Chinese export silver, his silver is usually in the English Georgian style. He worked from New China Street, Canton. Linchong is described as the "unsung Cantonese master Georgian silversmith, who rivals Paul Storr in work quality, whose silver is very rare" - www.chinese-export-silver.com
Plain Cape silver tablefork in the Old English pattern, with original owners initials lightly scratched on back (MF). Hallmark very clear, makers mark struck twice, either side of a flower (or bunch of grapes). Jan Lotter was an excellent silversmith who made most of the cape orangespoons (lemoenlepels) found today. He traded from Keerom St.
A rare Cape silver berry teaspoon, in the Fiddle pattern, with gilded berried bowl and decorated handle. The spoon must be well travelled in it's early life, as the spoon was made in Cape Town circa 1830, and probably "berried" in London in mid to late Victorian times, when the practice of "berrying" was popular (this practice is unknown in Cape silver). Plain Georgian silver spoons were embossed and chased with fruit and foliate scrolls (Pickford, Silver Flatware, pg 70), and the bowl was gilded to complete the effect.
The hallmarks are very clear, makers mark FW and pseudo English hallmarks (leopards head, date letter a, duty mark and lion passant), these are mark 163 (Cape silver by Welz). These are the same punches used earlier by Twentyman, Waldek took over Twentyman's shop and workshop in 1836.
A fine example of a Scottish Georgian Silver toddy ladle, by very fine makers. The ladle is Fiddle pattern, and is engraved with the initial C, in contempory style. Toddy ladles are uniquely Scottish, used for that "wee dram" of spirits, but also suitable as sauce ladles. The hallmarks are very clear and detailed (the tree, fish and bell in the Glasgow town mark are all visible), an additional "star" journeymans mark is also present. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006). Silver by Gray can be found with both Glasgow and Edinburgh marks, as between 1784 and 1819 the Glasgow assay office was closed.
A delightful ladle shape sugar sifter, with an unusual pattern of stars, crosses and a half moon oval device. The pattern was cut by hand, and appears a little crude. The handle is initialled HI, and the hallmarks are clear with the exception of the makers mark, which is poorly struck, although still discernable.
A Cape silver teaspoon, in the Fiddle pattern, by Johannes Combrink. The spoon has original owners initials HV engraved on the stem, the engraving is most attractive. The teaspoon has an unusual drop with incised curve. The spoon is marked with makers mark IC (Welz mark 30, Cape Silver, pg 147), this is very well struck and clear. Note faint scratch mark JER near hallmark, we presume a previous owner, visible in photo, not really visible normally unless you look close in good light.
Fiddle Pattern Konfyt fork, typical of those produced in the Cape. The fork is engraved "Irene". Konfyt forks were made and sold as individual items in the Cape (Welz, Cape Silver). The hallmarks are very clear, makers initials MLS between 2 Fleur de Lys (one is unclear). Smith was a VOC employee from Denmark who arrived in the Cape in 1757. He married 4 times, had 10 children and died in 1806.
Cape sauce ladle with very clear hallmarks, the makers initials struck twice between 3 roses. Beets was the illegitimate son of the German Balthus Beets of Neubrandenburg and the Cape slave Angana.
A Georgian silver sifter spoon in the Old English Bright-Cut Edge pattern, with bottom marked hallmarks indicating a date pre 1777. The bowl has a lovely ornate floral piercing, and a flat base (as expected from original sifters). The Bright-Cut Edge pattern was popular between 1790 and 1800 (Pickford, Silver Flatware, pg 102), so we assume the sifter was updated in style then.
John Lambe was a specialist spoonmaker, he worked between 1762 and 1796. His makers mark I*L in oval punch is clear, the lion passant and crowned leopards head are worn but visible, the date letter is very worn but could possibly be the "a" of 1776.
A Chinese Export silver tablespoon, in the Fiddle and Thread pattern, with pseudo hallmarks. The spoon is lovely quality, quite heavy at 88 grammes, a pleasure to hold. It has no initials or crest, and no sign of them being removed. The hallmarks are clear, and include pseudo sterling lion, crowned leopards head (with a large grin, which gives it away), date letter L used by Linchong, and pseudo Georgian duty mark. Linchong worked from New China Street, Canton, between 1800 and 1850
A rare Chinese Export silver tablefork, in the Fiddle pattern, with excellent hallmarks, they could not be better. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark "YS" and pseudo Georgian duty mark. Yatshing silver is always "of a high standard" (www.chineseexportsilver.com), this fork is no exception.
A Cape Silver tablefork in the Old English pattern, with very clear Cape silver hallmarks. The marks include makers mark IL in circular punch struck twice, with an attractive flower mark (mark 74 in Cape Silver by Welz). This fork has contemporary rough, lightly scratched initials MT, probably the original owner, on the back of the fork. This matches item S1148, which is already sold. Jan Lotter was an excellent silversmith, who made most of the Cape lemoenlepels (orange spoons) found today. He traded from Keerom Street, and probably died young, as he only worked between 1813 and 1817.
Matching set of 6 teaspoons, with engraved initials. These spoons are all 1821, the last year of the crowned leopard London hallmark. Very clear hallmarks with the exception of the makers mark, which is only visible on one spoon.
Pair of Cape Fiddle pattern Tableforks, by the highly regarded silversmith John Townsend. The length of the tines is good, and the forks have very clear Pseudo English hallmarks and makers mark. The initials CJH are engraved on the back of the forks. Heller described Townsend as the most versatile of all the English silversmiths at the Cape, capable of excellent craftmanship.
A lovely set of early Scottish tablespoons, complete with a double drop, by John Welsh, who was entered in 1742, and who made the Liberta Communion cups. The makers mark and townmark are very clear on both spoons, the date mark and thistle are visible one one spoon (slight wear), and worn on the other.