A rare set of Old English Military Thread and Shell pattern (also called Military Shell) tableforks and dessertspoons (3 of each). These are good quality, the forks around 90 grammes each and the spoons over 60. All 6 have an engraved family crest, a raised lion facing right between 2 horns. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). Pickford describes this pattern as "a rare pattern illustrated in the Chawner & Co Pattern book, Appendix page 218", where the Chawner book shows this pattern, termed as "Military Shell". Pickford did not illustrate a photographic example of this pattern , a further indication of its rarity. The hallmarks on all 6 items are very clear, makers mark GA for George Adams of Chawner & Co, and London date letter P for 1870. In addition, all pieces carry additional journeyman's marks (Y, K, 3 petal flower, O), so the particular silversmit...

A set of 6 Irish silver dessert spoons, in the Fiddle pattern with rat-tails, a feature of Irish flatware of the period. The spoons have original owners engraved initials WMH. The hallmarks on all 6 are excellent, and include makers mark IB for James Brady, who worked between 1821 and 1842. The spoons also have the retailer's mark, NEILL, which is very clear on all the spoons. Irish retailers were among the first to mark flatware, early adopters of corporate branding. NEILL was a leading Belfast retailer, first established by Robert Neill in 1803, the firm survived until 1960.

An interesting German silver coin dish, with a German 3 Mark silver coin set in the centre of the circular dish. The coin is a special issue by the city of Hamburg, the front has the Hamburg city armorial (3 turreted castle supported by lions, it has lovely detail), and city motto "FREIE UND HANSESTADT HAMBURG", the obverse has German eagle and "DEUTSCHES REICH 1911 DREI MARK". The bowl is also engraved "UBERSEE-KAFFEE, Hamburg", Ubersee Kaffee (translated Overseas Coffee) was a large German coffee business focussed on the export market, we assume this was a corporate gift. Given the size of their building it must have been a substantial business (see photo). The hallmarks are clear, the German silver half moon and crown used after 1888, 835 standard mark, and a script makers mark von Hafen, for Juwelier von Hafen, a Hamburg Jeweller established in 1902, they still exist today, specializing in jewelry with a nautical theme.

A rare Victorian silver Old English Military Thread and Shell pattern soup ladle, of exceptional weight and quality. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). The ladle has an interesting engraved family crest, a collared lion between 2 horns. The hallmarks are very clear, including makers mark GA (George Adams, who took over the Chawner business in 1840), and also includes 2 journeyman's marks S and N (the silversmiths who made the ladle in the Chawner & Co workshop). Ian Pickford, in the book Silver Flatware, describes Old English Military Thread and Shell as "a rare pattern, illustrated in the Chawner & Co. Pattern book(appendix pg 218). Any services and pieces are rare" - page 107. Chawner & Co were the most important firm of silver spoon manufacturers in Victorian England (John Culme, Directory of Gold & Silversmiths, page 82).

A set of 4 Irish Georgian silver tablespoons in the Fiddle pattern, made by Samuel Neville of Dublin. The spoons have no initials or engraving, and no signs of removal. The hallmarks on all 4 spoons are excellent, all individually struck. They include makers mark SN, Hibernia, Crowned Harp and date letter I for 1805. Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.

A set of 12 Dutch silver cake forks, with a threaded border pattern, with the traditional thicker cake cutting tine. The forks are quite dainty, but still good quality, around 18 grammes each. All 12 forks are hallmarked with makers mark V.K. in horseshoe (or capital G), and the Dutch dagger used for small items of silver. Koninklijke Gerritsen & Van Kempen were based in the Dutch town of Zeist between 1924 and 1960, when they merged with Van Kempen & Begeer. Their head designer between 1934 and 1977 was Gustav Beran, a pupil of Josef Hoffman in Vienna (Art Nouveau & Art Deco Silver, Krekel-Aalberse, page 254).

A set of 6 Irish Georgian silver dessert spoons in the Fiddle pattern, made by Samuel Neville of Dublin in 1804. The spoons have no initials or engraving, and no signs of removal. All 6 spoons have good hallmarks, makers mark SN for Samuel Neville (struck both ways). They also have Hibernia and Harp Crowned, and date letter H for 1804 (note absence of duty mark, only introduced in Ireland in 1807). Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.

A fine set of 12 Victorian Scottish silver table forks, in the plain Old English pattern, these forks have a very good weight and feel in the hand. The forks are engraved with the original owners initial A with a typical Victorian flourish. The forks are in excellent condition, with long tines, these forks have not seen much use. All 12 forks have excellent hallmarks that are well struck and very clear, event Queen Victoria's hair is visible in the duty mark. The town mark also has clearly defined bird, bell and fish in the tree, the coat of arms of Glasgow. Robert Gray and Sons of Glasgow produced "some of the finest British silver of the period" (Walter Brown, Finial, June 2006).

A sterling silver quaich, in the traditional form with engraved lug handles, sitting on a raised ring foot. The engraving on the handles is quite attractive, a repeated geometric pattern. This is a really solid and good quality quaich, most we see are much lighter (this is over 200 grammes), and in excellent condition. The hallmarks are clear, and include the Jubilee mark used in 1934 and 1935 to celebrate the Silver Jubilee of King George V and Queen Mary, and the base is engraved "Goldsmiths & Silversmiths Company, 112 Regent St". Quaich's have Scottish origins, dating back to the 17th century when they were used as marriage cups (Price Guide to Antique Silver, Waldron, pg 351), they are also used for traditional whisky tasting and are also used as Christening presents. Inverness, the capital of the Scottish Highlands, is regarded as the spiritual home of the quaich, about half of known antique Scottish quaich's originated there (Fothringham, Small Inverness Quaichs, Antique Collector April 1973, pg 73). ...

A lovely set of 12 Art Deco Dutch silver knife rests, in excellent condition and a very pleasing weight. They are classic angular Art Deco design, quite pleasing on the eye. All 12 are hallmarked with makers mark V over half moon, and the Dutch silver single sword mark (1906-1953), used on small work. This is the makers mark of Zilverfabriek Voorschoten, a mark used by Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today. These knife rests would also be suitable for sushi chopsticks.

Unusual pair of knife rests, shaped as a pair of "jacks", with a central ball with 6 arms, each ending in a small ball. They are nice and solid, and a very good weight. In addition to clear hallmarks, they also carry a registration number (111097), indicating the design was registered by Roberts & Belk, and a small crest depicting a Roman oil lamp. Roberts and Belk were a well known firm, first established in 1809, and bought by CJ Vander in 1961.

Rare set of 3 Old English tablespoons made in Carlisle, with Newcastle hallmarks, which are very clear. These spoons all have the same engraved initial B as the 4 tablespoons with the incuse duty mark (item S 1184). John Brown worked between 1822 and 1826, he was an ironmonger and jeweller of English Street, Carlisle, who made a variety of small silverware.

A Royal South African Air Force gold sweetheart brooch, dating from World War II. The brooch features the crest of the old Union of South Africa, with 4 quarters for the four provinces, an ox wagon representing Transvaal Province, a woman with an anchor representing Cape Province, two wildebeests representing Natal Province and an orange tree representing the Orange Free State Province. This is surrounded by a laurel wreath, under the Royal crown of King George VI, between the traditional pilots feathered wings. This badge is incorporated into a bar brooch (not added as is usual for sweetheart brooches), the hinge, clasp and pin are also gold. The brooch also has a suspension loop attached to a fine gold chain and gold safety pin, all in perfect condition, this was a good quality brooch when it was made. The brooch is clearly hallmarked 9CT for nine carat gold. The Royal South African Air Force provided 35 squadrons during World War II, mostly in North Africa and Italy, with 18000 staff deployed.

Gilt, engine turned vinaigrette with original sponge and very good hinge. Engraved "J Lang, 1835". Grille has flowers set amongst scrolling foliage.

An interesting antique silver Past Primo badge, from the Rhodesia (now Zimbabwe) branch of the Royal Antediluvian Order of Buffaloes (Buffs). The badge is very ornate, with central Buffalo head, complete with horns and red cabochon eyes (not sure if these are rubies?). The head is surrounded by blue enamel belt buckle, Past - Primo, set on a very ornate and finely engraved background of scrolls and flowers. The badge is suspended from a scroll with Buffalo horn, engraved Rhodesia, with bar at the back for attachment to a ribbon. The badge is quite large and heavy, quite good quality. The back is engraved "Presented to Primo T. Longmore for Valuable Services Rendered 1907". The hallmarks are very clear, including makers mark for Arthur Fenwick, who specialized in medallions, the suspension bar is also hallmarked. The Royal Antediluvian Order of Buffaloes (RAOB) was founded in 1822, and still exists today. It is similar to the Freemasons but is open in its practices, which are mostly charitable today. They were...

A fabulous early Georgian Rococo shell shaped punch ladle, in the shape of a conch shell. The ladle is embossed and engraved in typical Rococo style with a bird (peacock?) eating fruit (grapes and a pear), alongside a brick chimney with flames? at the top, surrounded with scrolls, shells, flowers and leaves. The shape of the shell and quality of the embossing and engraving is very pleasing. The shell is connected to the silver handle base with cast silver scrolls at right angles to the shell, the handle itself is turned wooden handle. The ladle is held hanging vertically, the the shape of the shell and pouring lip makes it very practical to use. The base of the handle is engraved with original owners initials A over T.T. The ladle is hallmarked with London hallmarks for 1752, and makers marks PR for Philip Roker II (Grimwade mark 3754). As all 4 marks are struck on a curved surface they are all unevenly struck, clear on the right but slightly obscured on the left, all visible enough but the makers mark could ...

An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...

An important Royal silver brandy saucepan, which was given by Queen Victoria to her grandson Prince Christian Victor (Christle) of Schleswig-Holstein in 1868 as a christening present. The quality of the saucepan is excellent, it is the usual bulbous shape with a spout and turned ivory handle. It has a detachable domed lid, with a hinged projection for covering the spout, and an ivory and silver finial. The interior is gilt, it sits on a raised foot and has the traditional heart shaped join between body and handle. The saucepan and lid are both decorated with scrolling foliage and flowers, which is beautifully engraved. The lid fits snugly, the hinge is excellent, and the handle and finial are firmly secure. The saucepan is engraved "From his Grandmama Victoria R, 14 April 1868" on the front, the back has a scrolling foliate cartouche with the engraved initials "CV" below a coronet. The hallmarks are very clear, and are accompanied by the number 113 struck into the base (perhaps a pattern number?). The base al...

A Georgian silver wine label, with original engraving for Madeira, by the Phipps family of silversmiths, who have been described as one of the best known London firms producing labels (Wine Labels 1730-2003, page 168). The label is rectangular with fully rounded ends, and has a reeded border (note this is classified as a rectangular label rather than an oval label, which are more eye shaped (Wine labels page 51). The label has 2 holes for the suspensory rings connected to the original chain. The label is also engraved with original owners initials RB on the back just above the hallmarks. The hallmarks are very crisp and clear, they could not be better, the detail of hair on the duty mark and mane on the lion passant are clearly visible. The makers mark is interesting, TP over ER in quatrefoil punch, without pellets. This is an unregistered punch, not recorded in Grimwade (London Goldsmiths 1697-1837), Phipps and Robinson usual registered punch, similar but with clearly defined pellets, Grimwade 2891, used bet...

A rare Canadian antique silver Ecclesiastical Communion Paten, made by James Langford in Halifax, Nova Scotia, circa 1840. The paten is beautifully engraved with IHS under a cross, enclosed in a sunburst, this engraving is still very clear, with very little wear. The paten is circular, quite small at 8 cm diameter, and sits on a raised circular foot. The quality is excellent, the weight is very pleasing, no expense was spared when this was made. The IHS monogram stands for "Jesus Saviour of Humankind", and is used by various churches, it is also the emblem of the Jesuit order. The hallmarks are also clearly struck and in excellent condition, they have been preserved from wear by a slight indent in the base of the foot. The five hallmarks include a pseudo anchor town mark (copy of the Birmingham town mark, but also referencing the maritime role of Halifax), makers mark JL, right facing lion passant (the British lion passant is left facing), pseudo H date letter (which actually refers to Halifax), and pseudo G...