An Arts & Crafts hand made silver dish, with a green enamel silver "button" with celtic design, surrounded by a rope border. The dish is hand hammered, with each hammer mark visible, this is a lovely little dish. It is embossed "A.E.S., 20th Dec 1913", so possibly made as a Christening present. Ramsden & Carr specialised in unique hand made and individually designed presentation pieces (Judith Miller, Arts & Crafts Collectors Guide, pg 171), this dish is a good example. They have been described as "the most important exponent of the Arts and Crafts movement in English silver" - Art Nouveau &Art Deco Silver, Annelise Krekel-Aalberse, pg 27). The hallmarks are clear, and include makers mark Rn&Cr, struck twice on the base of the dish. One mark is very clear, the other is only partially visible.

A very fine pair of Georgian silver barrel shaped beakers by the well known Bateman family; Peter, Ann and William. The beakers are patterned as half barrels, complete with individual staves and the hoops to hold them in place. This set is not intended to fit together to form a single barrel, as is sometimes the case with this form, they do not have the push-fit rim, and the crests are both aligned the same way (one crest would have been reversed if intended to fit together). The beakers are very good quality, a satisfying gauge and weight, they have a lovely feel in the hand, suitable for use (with a fine scotch whisky!). Both beakers have an interesting family crest, a dragons head above a Ducal coronet, between feathered wings, the engraving is crisp. This crest can be associated with the Dalton, Draycott and Codrington families. Peter Bateman was Hester Bateman's 2nd son, Ann Bateman was married to his brother Jonathan (who unfortunately died young in 1791), and Willam was the son of Ann and Jonathan. T...

A magnificent Scottish kilt sash brooch, used to hold the shoulder plaid in place. The brooch has cast thistles and celtic "buttons" surrounding a spectacular cairngorm (commonly known as citrine, also called black quartz or smoky quartz). The gemstone is very impressive, amongst the largest we have seen. It has been estimated at over 100 carats, and is a round brilliant cut. The hallmarks are clear, with retailers mark J.S.McL (McLeod we assume) overstriking the makers mark. Scottish citrine is called cairngorm after its place of origin in the Scottish Highlands, and is the November birthstone, also the symbol of brightness, life and hope.

Attractive set of antique Tiffany sterling flatware in the rare Tiffany pattern, comprising matching set of Tablespoons, Tableforks, Dessertspoons and Dessertforks (6 of each). The Tiffany pattern (pattern No 1 in the book "Tiffany Silver Flatware, 1845-1905) was designed by Edward C Moore, and was the first pattern he designed. The pattern is lovely, described as "Renaissance Revival, with modified Greek double scroll with shell like antefix and honeysuckle blossom" in the Tiffany Flatware book. It was produced between 1869 and 1917. In 1956 this pattern was re-introduced as the Beekman pattern, which does not have the intriguing scrolls that protrude halfway up the stems. Each piece has a monogram JHC, and each is clearly hallmarked "C Tiffany & Co, Sterling, PAT 1889". They are of exceptional quality, as you would expect from Tiffany, and are all a good weight. The Tiffany Silver Flatware book describes this pattern as "rare, seldom seen" (page 171). This pattern was the first flatware pattern that Tiffany...

Plain inkstand with an interesting historical inscription. The glass ink bottles are square cut, and the stand has scrolling borders and knurled feet. The inscription, in both English and Afrikaans, reads: To General Botha in commemoration of the opening by him of the Volksrust-Bethal Railway at Wakkerstroom on his Birthday 27th September 1916". Botha, who was Commandant in charge of the Boer forces in the Anglo Boer War of 1900-1902, became the first Prime Minister of the Union of South Africa in 1910. He remained Prime Minister until his death in 1919.

A magnificent set of early Victorian Elkington silver plate wine coasters, with an attractive cast grape vine design with lovely detail. The coasters have turned wooden bases, with a vacant central silverplate boss. The wooden bases are covered in green felt. Both coasters carry a full set of marks, including makers mark "EP&Co in shield under crown", "E", "M", "&Co", being the makers mark used by Elkington, Mason & Co between 1842 and 1864. Josiah Mason invested in the Elkington firm in 1842, hence the addition of his name to the company name. The makers mark is followed by the date letter "T in lozenge" for 1858. The coasters are also stamped "Elkington & Co" and "R1126", a pattern registration number. Elkington & Co are one of the most important names in English silver. The firm was founded in 1836, in 1838 they patented a new way to electroplate, and in 1851 they exhibited at the Great Exhibition of 1851 (Crystal Palace in Hyde Park) with great success (www.ascasonline.org). The company held Royal warra...

A large silver lighthouse caster, retailed by James Robinson of Park Avenue, New York. The caster is the traditional lighthouse shape, a design that originated in the late 17th century. This is a replica of an earlier style, but extremely good quality and weight. It has attractive stylised cross and flower piercing, and scrolling cut card decoration on both the base and top (cut card decoration is an extra silver soldered plate, which adds weight and a pleasing decoration, a technique pioneered by the Huguenots circa 1700). The caster has the traditional bayonet locking mechanism, which securely holds the 2 pieces together. Both base and top have a gadrooned rim, which aids grip and also adds a nice decorative touch. The base is circular and spreading, which has preserved the hallmarks underneath. The caster also has a baluster finial, and a rib on the main body which also aids grip. In addition to the London hallmarks for 1959, the caster is stamped "James Robinson INC New York, Made in England". James Robin...

A pair of Georgian silver salad servers, made by a rarely encountered silversmith Henry Day, who only worked for a few years prior to being sentenced to death for counterfeiting, after which his sentence was reprieved and changed to "transportation for a period of 7 years". The servers are Fiddle pattern, the spoon has a pear shaped bowl, the fork a more rounded bowl with 5 tines cut into the bowl end. Both are engraved with a family crest of a Lion Rampant, this is finely engraved and very clear. Both are clearly hallmarked for London 1821 with makers mark H.D, (Grimwade 981) both also have a Journeyman's mark (one a cross, one 2 dots). On careful examination of the hallmarks we believe these to be genuine. Henry Day was freed in 1817, he first worked for his father, this mark was registered in 1820. An interesting article by Trevor Downes entitled "An example of the Counterfeiters' Art, The work of Henry Day" was published in the Finial (March 2011, page 6), explains that Day's workshop was raided by the Go...

An interesting Cape silver snuff box, an unusual convex shape which gives it a lovely feel in the hand and pocket. The box has a part hinged lid, as is usual with this form, with just a slight overlap creating the thumbpiece. The decoration is typically Cape, a 8 petalled flower with wrigglework border, which is extremely well preserved due to the shape of the lid. The box also has original owners engraved initials AWJP, also with wrigglework border. The hinge is also decorated with cross hatch engraving. The original gilt interior is a lemon yellow colour, and the IC makers mark struck in the lid is very clear and distinct ( Welz mark 32). Convex shaped snuff boxes, given the more challenging construction in relation to the rectangular boxes, are rare in the Cape, this demonstrates that Combrink was a master craftsman.

A lovely set of 5 18th century Dutch silver Hanoverian pattern 3 pronged forks, with a matching 6th fork made slightly later by another maker, we assume to replace a loss shortly after they were made. The forks are quite plain and elegant, with turn down ends, and a prominent drop and pip, the "Amsterdam Lofje", characteristic of spoons and forks from Amsterdam. The forks have no engraving or monograms. All the forks have makers mark HK in script for Hendrik Kamerlingh II, who worked between 1730 and 1776, and Amsterdam town mark (crown above 3 crosses). The 6th fork has makers mark HO for Hendrik Overhulsman, who worked between 1790 and 1811, also with Amsterdam town mark. All 6 makers and town marks are slightly squashed, this is usual on 18th century bottom marked flatware as the spoon maker would have re-hammered the stems after return from the assay office, as the stem would bulge when the marks were struck. All 6 forks have an additional hallmark, V in shield under a crown, this is a Dutch tax mark used...

An interesting commemorative silver card tray (or small salver), with the traditional pie crust border of moulded shells and scrolls, made by Elkington. The tray has 3 cast feet, the traditional dragon claw on pearl, with lovely detail. The tray is very good quality, as you would expect of Elkington, quite heavy to hold. The tray is engraved "MEMENTO of ABERYSWYTH LIFEBOAT. ALFRED G.T. SMITH (Volunteer) Member of Crew. GALE of SEPTEMBER 26th 1899. (Unsuccessful Search) 1.20. A.M TO 8.0. A.M." Note incorrect spelling of Aberystwyth, I guess an easy mistake if you are not Welsh. Aberystwyth is a historic Welsh market town, now a University town and tourist destination, but previously an important Atlantic gateway. The Aberystwyth lifeboat station was established in 1861, it still operates today.

A lovely 18th century Dutch silver miniature teapot, with an interesting inverted pear shape, scrolling handle, S shaped spout and baluster finial. The foot is banded, the base is concave so the hallmarks have been perfectly preserved. It is quite heavy and well made, a pleasure to hold. The hallmarks include makers mark of a hunting horn in a heart, under a crown, for Johannes van Geffen (1766-1798), grandson of Arnoldus van Geffen. The makers mark overstrikes the date letter, but sufficient can be seen to determine it is Y for 1783, given the shape it could not be any other date letter. The Amsterdam town mark is clearly visible. The van Geffens were one of the 3 great families of Dutch miniature silver makers (Houart, Miniature Silver Toys).

An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...

A 20th Lancers Gold, Platinum, Diamond and Enamel sweetheart brooch. The brooch features the traditional crossed lances with flying pennons, with Royal crown above, LANCERS scroll below and XX in the centre, denoting the regiment as 20th Lancers. The brooch is 15 carat gold, the 2 X's are platinum set with 18 diamonds, all are present. The crown has red enamel, the pennons red and white enamel, and LANCERS blue enamel, all enamel is perfect. The brooch is hallmarked "15 ct & PT.", indicating 15 carat gold and platinum, which was often used in English jewellery from circa 1890 until 1932. Platinum use in jewellery became popular in Edwardian times, 15 carat gold was used between 1854 and 1932, when it was replaced by 14 carat gold. The 20th Lancers was a regiment of the British Indian Army, which saw service between 1921 and 1937. Today both India and Pakistan have a 20th Lancers regiment. This brooch is accompanied by a valuation certificate from Gemlab confirming authenticity of diamonds and that the brooch ...

A Cape silver beaker, in the shape of half a wine barrel, with a Dutch silver Ducaton Silver Rider dated 1769 set in the base. The beaker has realistically modelled barrel staves, complete with arrow shaped ends with nail heads, and is later engraved with owners initials "JvR" on one side and the date "5th March 1865" on the other side. The barrel also has engraved half circle on rim, to show where 2 halves should be joined. No hallmarks are present. The Dutch silver rider Ducaton coin is a crown sized coin (32.8 grammes of .94 silver), the obverse features a mounted knight on horseback, above a crowned shield, (City of Utrecht) with the motto "MO: NO: ARG: CON: POE: BELG: PRO: TRAI:", translated "Coin of government of the federation of Belgium, Utrecht". The reverse has the crowned arms of Zeeland with supporters, with date 1769 in cartouche below, with motto "CONCORDIA RES PARVAE CRESCUNT", translated "Concordance makes small things grow". The coin itself is in good condition, the base is protected by a rim...

A typical Chinese Export silver Christening mug, richly decorated with traditional Chinese symbols, including Dragon and blossoming prunus tree, by Khecheong, one of the more prolific Chinese Export silversmiths. The mug has 3 circular embossed panels, the central one with Chinese dragon symbolising power, strength and good luck, the 2nd has a flowering Prunus blossom tree (plum or cherry), symbolising life, good health and happiness, the 3rd has flowers, buds and leaves. The remainder of the mug is finely engraved with flowers, leaves and diamond symbols, as you can see from the photographs the quality of the workmanship stands out. The handle is a curved vine, and the interior of the tapered mug is gilded. A circular patch above the dragon is plain, this is where a previous owners initials have been removed, this could be re-engraved. The base of the mug is clearly hallmarked with makers mark KHC in rectangular punch, the base also has a faint scratch engraved number, this would have been stock code used by...

A set of 6 Gorham sterling silver dessert sized forks in the Strasbourg pattern, first launched in 1897. The forks are fabulous quality, as you would expect from Gorham, and are in excellent condition and without any monograms or engraving. The forks have 4 tines, these would be described as salad forks in the USA. The beautiful and graceful Strasbourg pattern is inspired by French rococo style, with a series of different sized scrolls, with shells on the finials and heels. Strasbourg, designed by William Codman who was Gorham's chief designer from 1891-1914, is described by Gorham as "one of the best loved of all Gorham designs", and according to Pinterest it was used on Air Force One, (U.S. Presidents aeroplane). All 6 forks are clearly hallmarked with the Gorham lion, anchor and gothic G, alongside STERLING and PAT. 1897. They also have an additional T hallmark, we believe this was used briefly by Gorham at the turn of the century, to denote a specific weight (T for Trade, H for Heavy). Gorham Corporatio...

A fabulous pair of Rat-tail Hanoverian Pattern serving implements, consisting of a basting spoon and 3 pronged serving fork. These are modern reproductions of an 18th century design, but the quality is superb, they are a pleasure to hold and use. No engraving is present on either item. Both are clearly hallmarked with 5 hallmarks, these are large hallmarks and have been carefully placed, to be part of the overall design. The hallmarks include makers mark AHN in inverted heart punch for Anthony Haviland-Nye, he worked between 1968 and 2003, "specialising in high class 18th century reproduction silver" (source William Walter Antiques). The remaining marks include lion passant, London leopards head town mark and 925 sterling standard mark, note the hallmarks have been struck in a different order, and one 925 mark is struck at right angles. The last mark, which shows the bust of Queen Elizabeth wearing a crown looking right, in a dome topped punch, could be mistaken as a duty mark, but is actually the Golden Jubi...

A Military Victorian silver presentation snuff box, with an erotic engraving of an amorous couple hidden away from view on the base. This is a pleasing quality, substantial in size and weight, more of a table snuff box intended for a desk than the portable versions intended for a pocket. The box is rectangular, with raised lid and base, and is casket shaped with engine turned sides. It also has applied cast foliate rims (base, lid and around the presentation panel), these have exquisite detail, overall a very attractive box. The engraved inscription reads "PRESENTED TO GEORGE BOYD ESQr. by the 20th R.R.V. 1863", and is supported by scrolls (note engraving is 18 years later than box was made). The base is engraved with a erotic scene, very finely engraved with loads of detail, this is protected by the base rim, so perfectly preserved. The interior is gilded with a beautiful lemon gold original gilding, it does not appear this box has seen much use. The hallmarks on both lid and base are very clear, maker mark ...

An unusual set of Scottish Silver Hanoverian tablespoons, made in Victorian times. These spoons are lovely spoons, very good quality and weight, a pleasure to use. The spoons have a double drop, are bottom marked and have script initials "AW" engraved on the back of the spoons, in 18th century style. The spoons were probably made to order, as they are replicas of an earlier style. The hallmarks on all 4 spoons are excellent, including makers mark "G&MC" for George and Michael Crichton, who worked between 1864 and 1876.