A set of 2 Cape silver dessert forks in the Kings pattern, one by Lawrence Twentyman and the other by Fredrik Waldek. These forks match S 1864 and S 1865, we have put these 2 together to show an unusual variance in length. Whilst both are Cape Kings pattern dessert forks, they have a 1.2 cm difference in length (the shorter fork is also lighter, 54 vs 62 grammes). The difference is the stem only, the decoration top and bottom is identical, as are the length of tines. It is believed that Twentyman imported dies for Kings pattern to the Cape circa 1830 and that Waldek took over the dies in 1836, but we cannot explain the difference in length, all suggestions welcome. We have carefully studied the forks, there is no evidence they have been lengthened or shortened. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by these 2 silversmiths, Twentyman and Waldek, who took over T...

A pair of Cape silver dessert forks in the Kings pattern, by Lawrence Twentyman. The forks are very good quality and gauge, a pleasure to hold. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentymans business. The hallmarks are very clear on both forks, and include pseudo lion passant, Georgian duty, date letter a and crowned leopard's head, along with makers mark LT. The forks have no monograms or engraving, and none has been removed.

A fine and heavy cast silver commemorative caddy spoon made to celebrate the investiture of the Prince of Wales in 1969. The caddy spoon bowl is made up of the 3 Prince of Wales feathers, joined to the handle with a Royal crown and the motto "ICH DIEN", translated "I Serve", the handle has a Welsh dragon. The bowl is quite deep, the feathers have been shaped, the detail of the feathers is also very fine. The spoon is fully hallmarked with clear hallmarks, including makers mark G&Co Ld. for Garrards, the Crown Jewellers (founded in 1722, it retained the Royal Warrant until 2007). The back of the caddy spoon is also marked "Garrard & Co Ltd 112 Regent St W". Another example of this caddy spoon is shown in the book "The Story of the Caddy Spoon 1775-2015" produced by the Society of Caddy Spoon Collectors, page 63. It also was part of the John Norie Collection, Part II, lot 384.

A pair of antique sterling silver shoe buckles, made in Birmingham in 1912. The buckles are rectangular with canted corners, with a supporting centre strut for attachment to a shoe. Both buckles are clearly hallmarked, one makers mark has been over-stamped by the Levi & Salaman makers mark, so they were probably the retailers. Shoe buckles were fashion accessories for both men and women from the mid 17th century for the next few hundred years.

A pair of rare Old English Feather Edge and Cartouche silver tablespoons, made by William Pinder in 1771. The spoons are lovely quality and in excellent condition, we really like these spoons. The cartouche has been chased and engraved by hand, you can see small differences between the 2, notably the size and orientation of the scroll underneath. The cartouches are engraved with a family crest, a Griffin's head erased, this is the family crest of the Nalder Family (Fairbairns crests). Whilst Old English Feather Edge is a common pattern, the addition of the Cartouche, first produced around 1770 by Thomas Northcote, is rare (Silver Flatware, Ian Pickford, page 105). The pattern was revived late 19th century by Carrington, who called it Carrington Shield. The hallmarks are bottom marked, and include clear makers mark WP, with the W and P co-joined for William Pinder, who worked from Bunhill road between 1770 and 1784 (Grimwade page 624). The crowned leopards head and lion passant are partially worn but still cle...

An antique Dutch silver gilt vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box has a curved shaped front, and the back panel has the impressed words "HE. DAT IS LIEF", translated He that is love", so probably presented as a love token. The armoire has frontal doors with floral decoration, and 3 drawers below, the back and side panels also have floral decoration. The lid has an oval panel with seated figure of justice holding sword and scales, surrounded by a wreath. The base is engraved with original owners initials T:V:V, the base also has a clear makers mark of AK under flower (Adrianus Kuijlenburg of Schoonhoven, 1812 -1816, see Nederlands Responsibility Marks since 1797 no 897). The lid has a Minerva head office mark (duty mark), and the box interior rim has the Lion Passant 2nd purity for 833 grade silver and date letter G for 1816. Loderein comes...

A rare Victorian silver Old English Military Thread and Shell pattern soup ladle, of exceptional weight and quality. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). The ladle has an interesting engraved family crest, a collared lion between 2 horns. The hallmarks are very clear, including makers mark GA (George Adams, who took over the Chawner business in 1840), and also includes 2 journeyman's marks S and N (the silversmiths who made the ladle in the Chawner & Co workshop). Ian Pickford, in the book Silver Flatware, describes Old English Military Thread and Shell as "a rare pattern, illustrated in the Chawner & Co. Pattern book(appendix pg 218). Any services and pieces are rare" - page 107. Chawner & Co were the most important firm of silver spoon manufacturers in Victorian England (John Culme, Directory of Gold & Silversmiths, page 82).

A private die silver Victorian dessert fork, made by Elkington & Co in 1898. The fork is an excellent gauge, over 60 grammes, a good quality fork. It is double struck with a variant of Kings pattern, but with an ornate scrolling design below the raised family crest. The crest is a griffin holding a branch with leaves in its beak, described as "Griffin's head erased argent holding in the baek a sprig or rose branch proper", this is the Watson family crest. This branch of the Watson family came from Silsden, Yorkshire, descendants of Rowland Watson, Silsden Moor late 16th century. The hallmarks are very clear. Private die flatware was individually commissioned with the family crest die-stamped rather than engraved on a stock pattern (Pickford, Silver Flatware, page 173. Most 19th century private die patterns were supplied through Hunt & Roskell to members of the peerage and other wealthy clients. Pickford describes these as "fascinating, but obviously impossible to build into services". Note - this fork is acco...

An interesting antique cast silver wine label, pierced for SHERRY, made by the Barnard family of silversmiths. This design is called the "Five Barred Gate", the 5 bars are surrounded by grapes, vines and tendrils. This label is of particular interest as it is upside-down, the central vine leaf is usually on top, here it is underneath. The label is quite balanced so it is not easy to see it is upside-down, so an easy mistake for the engraver who did the piercing and applied the chain to make. The five barred gate design was first produced circa 1820 by Emes & Barnard, it remained popular for 30 years, and was copied by a number of other silversmiths, including Reily & Storer (Wine Labels 1730-2003, page 35, Fig 37, where a Port label is displayed the correct way up, also page 156, F Champagne). A number of other examples, all the correct way up, can be seen on the Steppes Hill website (www.steppeshillfarmantiques.com), all by the Barnards, dating between 1823 and 1830. Another version of this label is depicted...

A Regency silver sauce boat, by the highly respected firm of Emes and Barnard. The sauce boat is the traditional shape, with leaf capped flying scroll handle, 3 shell and hoof feet, and heavy cast gadroon border. The boat is a generous size and weight, over 330 grammes, this is a good quality sauce boat, as you would expect from these makers. The boat has a lovely engraved family crest, a church with spire, with crosses on the roof and spire. The hallmarks are very clear, including makers mark RE over EB and date letter e for 1820. Rebecca Emes was married to John Emes, who was in partnership with the Chawners, he died in 1808 and Rebecca became a partner. Edward Barnard rose from workshop manager to full partner, also in 1808. Emes and Barnard was one of the most successful London silver businesses in its day, they supplied many leading retailers, including Rundell, Bridge and Rundell. Barnard was joined by his 3 sons, Culme describes Edward Barnard & Sons as an important firm, the oldest manufacturing silve...

An Edwardian silver pocket stamp case, with a spring loaded interior for holding stamps in place. The case is rectangular, with an engine turned design with vacant circular cartouche for initials or family crest, and ring attachment for attachment to an Albert chain. The interior is gilded, the stamp compartment is also engine turned. The case, lid and stamp compartment are all hallmarked. Saunders & Shepherd are a well known firm, first established in 1869 by Cornelius Saunders and Frank Shepherd.

A pair of Canadian silver tableforks in the Fiddle pattern, with original owners script initials EB engraved on the back of the forks. The hallmarks on both forks are clear, and include pseudo lion passant (with a very thin body), pseudo oval Georgian duty mark, and makers mark PB for Peter Bohle. The lion passant is struck upside down on both forks, indicating the striking of marks was rather haphazard. Peter Bohle (1786 -1865) was the son of silversmith David Bohle, both his brothers (David & Francis) were also silversmiths. Peter was apprenticed to leading Canadian silversmith Robert Cruikshank for 7 years between 1800 and 1807, but spent his career working in Montreal, Quebec. He is known to have manufactured for the trade (sold to Savage & Lyman), he also partnered with Robert Hendery between 1853 and 1856 (Canadian Silversmiths 1700-1900, John Langdon, page 50). The family were German immigrants from Hanau (known for its silver industry).

A pair of Scottish Provincial silver tablespoons, made in Aberdeen by Peter Ross between 1819 and 1822. The spoons are Fiddle pattern, and have original owners engraved initials AGC. The spoons are in lovely condition, well preserved, and the hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching single tablespoon S 1892.

An extremely rare Irish Provincial silver soup ladle from Limerick, made by Joseph Johns, Limericks "most accomplished, prolific and arguably most successful silversmith" (A Celebration of Limerick Silver, John Bowen & Conor O'Brien, pages 140 & 198 - a book we highly recommend). The ladle is in the Rococo style, with a fluted bowl and asymmetrical chased floral decoration on the handle and back of bowl, and has a hooked terminal (or end, described as a "crooked end" by Bennett - Irish Silver, pg 115). The ladle also has an engraved family crest, an armoured arm embowed holding an arrow. The bowl, which is fluted on both sides, is huge, over 10 cms in diameter, this is a substantial ladle with a good gauge. The fluted bowl was described by Douglas Bennett as "an alluring feature feature for the collector" (Collecting Irish Silver, pg 115). The join of bowl to handle has character, the drop has worn engraving, and also a semi circular strengthening plate, which unfortunately was not strong enough to prevent da...

A Danish modernist silver strawberry serving spoon, in Georg Jensen style. The spoon is beautiful, and is a good weight and quality. The spoon has a large circular bowl, with a pierced strawberry leaf design, to allow the juices to be drained before serving. The handle is cast, and has 2 well designed strawberries amongst foliage, these are embossed so provide a nice grip for the handle. This spoon is a useful size, suitable for serving other items besides strawberries. The spoon has 4 hallmarks, all of which are well struck and clear. The Danish 3 tower mark and date letter 33 for 1933 indicates purity of 826/1000, the SJ assay master mark (Stadtsguardein) for Johannes Siggaard (worked between 1932 and 1960). The 3rd mark is "Haandarbejde" indicating this item was made by hand, and the 4th mark is the script F surrounded by oval dots, the assay master mark for Frederik Fabritius, who worked between 1787 and 1823. The presence of this older assay masters mark is a mystery, it has also been observed on other D...

A collection of 10 sterling silver souvenir spoons, all from a different British town. The spoons were made in Birmingham, London, Chester and Sheffield, with dates ranging from 1893 to 1919. All 10 spoons have clear hallmarks. The 10 include: 1. Ripon, Birmingham 1912, Levi & Salaman, crest in bowl 2. Bideford, Chester 1906, John Millward Banks with flower trademark, engraved Bediiforde 1577 Sicillun Comvne De 3. Brighton, Birmingham 1918, Levi & Salaman, engraved In Deo Fidemus 4. Scarborough, Birmingham 1905, Levi & Salaman 5. Canterbury, Birmingham 1901, Turnbull Brothers, Cathedral in bowl 6. Oxford, Birmingham 1911, gilded armorial in bowl 7. Manchester Ship Canal, Sheffield 1893, Henry Wigfull, gilded armorial in bowl, cast handle with Navigation & Commerce 8. Unknown town, London 1899, Saunders & Shepherd, cast floral handle, lovely quality 9. Unknown town, Birmingham 1908, Joseph Cook & Sons 10. Oxford University, Sheffield 1919, Joseph Rodgers Note- The earlier spoons pre 1900 are notic...

An interesting and rare silver wine label, in Art Nouveau style. The label is rectangular with canted corners, and has been pierced BRANDY in Art Nouveau style, in a font that closely resembles the Charles Rennie Mackintosh Glasgow school. The hallmarks are struck on the front of the label, and are very clear, including the W&H in flag punch, they worked between 1884 and 1960, when they were incorporated into Mappin & Webb. British Art Nouveau silver wine labels are rare, the book "Wine Labels 1730-2003" by John Salter, states that "perhaps surprisingly, there seems to have been no record of British Art Nouveau labels", further noting the "only Art Nouveau labels known are American and Continental". Note: we have a matching label for WHISKEY S1850.

A fabulous quality gold and Diamond World War II Sweetheart brooch, for the Gordon Highlanders Regiment. The brooch has a textured 9 carat gold stags head with impressive antlers, green cabochon eyes (we assume emerald) and two red faceted stone nostrils (we assume ruby). The stags head is surrounded in a wreath of 18 leaves (white 9 carat gold), each leaf contains a diamond, and sits above a crown (which also contains 5 diamonds, so 23 diamonds in total, all are present). The regimental motto "BYDAND", translated as "Stand and Fight", in gold letters set in blue enamel sits in a gold scroll at the base. The hallmarks are clear, and include makers mark J.W.B, 9 and .375 indicating 9 carat gold, anchor town mark for Birmingham and date letter R for 1941. The pin is also hallmarked 9 .375 indicating it is also 9 carat gold. John William Barrett was a manufacturing jeweller who worked between 1903 and 1953, a number of other high quality sweetheart brooches are known by him, so we assume this was an area of spec...

A lovely sterling silver medallion, commemorating the 100 year anniversary of Stellenbosch University in 1966. This is a high quality medallion, with beautiful stylised engraving. The front depicts the "Ou Hoofgebou" (Old Main Building), the oldest building on campus, built in 1886, in Cape classical style, with collonaded veranda and ornamental balcony. This is surrounded with "HOER ONDERWYS OP STELLENBOSCH 1866-1966", translated Higher Education at Stellenbosch. The back has the Stellenbosch University Coat of Arms under "UNIVERSITEIT VAN STELLENBOSCH", this was adopted in 1918, described as "Quarterly: I and IV: Or, three towers gules 2 and 1; II: Azure, the head of the Roman goddess Minerva wearing a winged helmet, argent; III: Azure, three oak twigs each with two leaves below and an acorn above, argent, 2 and 1; Upon an inescutcheon sable, an open book proper, with a red initial letter S in upper dexter, and with two seals, one red and one blue, pendant from the book (source www.andrewcusack.com). The 3 ...

A set of 6 Georg Jensen sterling silver Cypress pattern fruit spoons with triangular bowls, these would be called grapefruit spoons by the English. This is a fabulous set of grapefruit spoons, stunning design and very practical for use, strong bowl tips. This is a vintage set dating from 1960, all 6 pieces are fully hallmarked. The hallmarks include "GEORG JENSEN" in oval dots, above "STERLING DENMARK". All 6 pieces also carry London import marks, sponsors mark G.JLd for Georg Jensen (their London branch), oval U import mark, .925 sterling mark and date letters e and f for 1960 and 1961. The Cypress (or Cypres) pattern is #99 in the Jensen catalog, it was designed by Tias Eckhoff in 1954. The Cypress pattern won the design competition held for the 50th anniversary of the founding of the Georg Jensen company (Georg Jensen, A tradition of Splendid Siulver, page 282). Tias Eckhoff, a Norwegian, has been described as one of Norway's most versatile designers. Note: - We also have a Jensen Cypress pattern flatware...